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{{Infobox writer
+
{{infobox writer
| name                = [[name::Andre Paurenfeyndt]]
+
| name                = [[name::Federico Ghisliero]]
| image                = File:Andre Paurenfeyndt.png
+
| image                = File:Ghisliero portrait.jpg
 
| imagesize            = 250px
 
| imagesize            = 250px
 
| caption              =  
 
| caption              =  
Line 9: Line 9:
 
| birthdate            =  
 
| birthdate            =  
 
| birthplace          =  
 
| birthplace          =  
| deathdate            =  
+
| deathdate            = 1619
| deathplace          =  
+
| deathplace          = Turino
| resting_place        =
+
| occupation          = [[occupation::Soldier]]  
| occupation          = {{plainlist
+
| nationality          =  
| Bodyguard
 
| [[Freifechter]]
 
}}
 
| language            = [[Early New High German]]
 
| nationality          = German
 
 
| ethnicity            =  
 
| ethnicity            =  
| citizenship          =  
+
| citizenship          = Bologna
 
| education            =  
 
| education            =  
 
| alma_mater          =  
 
| alma_mater          =  
| patron              = Matthäus Lang von Wellenburg
+
| patron              =  
  
 +
| spouse              =
 +
| children            =
 +
| relatives            =
 
| period              =  
 
| period              =  
| genre                = {{plainlist
+
| movement            =
  | [[Fencing manual]]
+
| influences          = {{plainlist
  | [[Wrestling manual]]
+
  | [[Camillo Agrippa]]
 +
| [[Giovanni dall'Agocchie]] (?)
 +
  | [[Jerónimo Sánchez de Carranza]] (?)
 
}}
 
}}
| subject              =  
+
| influenced          =
| movement             = Liechtenauer Tradition
+
 
| notableworks        = ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der <br/>Fechterey]]'' (1516)
+
| genre                = [[Fencing manual]]
 +
| language             = [[language::Italian]]
 +
| notableworks        = ''[[Regole di molti cavagliereschi essercitii (Federico Ghisliero)|Regole di molti cavagliereschi essercitii]]'' (1587)
 
| archetype            =  
 
| archetype            =  
| manuscript(s)        = {{collapsible list
+
| manuscript(s)        = M.A.M. Ghisliero MS (1585)
| [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524)
 
| [[Goliath Fechtbuch (MS Germ.Quart.2020)|MS Germ. Quart. 2020]] (1535-40)
 
| [[Über die Fechtkunst und den Ringkampf (MS 963)|MS 963]] (1538)
 
| [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. Ⅰ.6.2º.2]] (1564)
 
}}
 
 
| principal manuscript(s)=
 
| principal manuscript(s)=
 
| first printed edition=  
 
| first printed edition=  
| wiktenauer compilation by= [[Michael Chidester]]
+
| wiktenauer compilation by=
  
| spouse              =
 
| partner              =
 
| children            =
 
| relatives            =
 
| influences          = [[Johannes Liechtenauer]]
 
| influenced          = {{plainlist
 
| [[Hans Czynner]]
 
| [[Paulus Hector Mair]]
 
| [[Joachim Meÿer]]
 
}}
 
| awards              =
 
 
| signature            =  
 
| signature            =  
| website              =
 
 
| translations        =  
 
| translations        =  
 
| below                =  
 
| below                =  
 
}}
 
}}
'''Andre Paurenfeyndt''' (Paurñfeyndt, Paurñfeindt) was a 16th century [[German]] [[Freifechter]]. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540). In 1516, he wrote and published a [[fencing manual]] entitled ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurenfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]'' ("Founding of the Chivalric Art of Swordplay"), which [[Sydney Anglo]] notes may have been the first illustrated fencing treatise ever published. Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of [[Johannes Liechtenauer]]. His treatise diverges significantly from the earlier teachings of the Liechtenauer tradition, which may be due to his stated purpose of writing for beginning fencers.
+
'''Federico Ghisliero''' (Ghislieri; d. 1619) was a Bolognese soldier and fencer. Little is know about his early life, but he came from a Bolognese family and studied fencing under [[Silvio Piccolomini]]. He lead a long military career that included serving under the famous commander Alessandro, Duke of Parma, in Flanders in 1582. He was also a friend of Galileo Galilei and a prolific writer, though unfortunately most of his writings were destroyed in a fire at the University of Turin in 1904.
 +
 
 +
In 1587, he published a fencing treatise called ''[[Regole di molti cavagliereschi essercitii (Federico Ghisliero)|Regole di molti cavagliereschi essercitii]]'' ("Rules for Many Knightly Exercises"); two versions of the book exist, and it's unclear which was created first. One is dedicated to Antonio Pio Bonello, a well-known soldier and distant relative of Ghisliero, and the other to Ranuccio Farnese, who was 18 years old at the time and Alessandro's heir.
  
<h2> Treatise </h2>
+
Ghisliero's treatise is notable for his use of geometry in relation to fencing, using concentric circles centered on where the fencer has placed most of their weight (often, but not always, the back foot), and sometimes including multiple versions of each figure in an illustration to show the progression of the movements he describes. He also seems to be the first author to reference the ''Vitruvian Man'' in a fencing treatise. However, his treatise is unique in that it was printed without any illustrations at all, and they had to be drawn in by hand. It's unclear whether this indicates that he intended to have printing plates made but was unable to do so, or that his plan from the start was to have the books vary based on how much art each buyer was willing to pay for.
  
Please note that only the first edition (1516) has the complete set of illustrations, and all later versions are disorganized and incomplete; this article follows the order of plays and illustrations laid out in the original, and the variant sequences can be viewed on the transcription pages. Egenolff's illustrations are rather different from Paurenfeyndt's, and smaller thumbnails are included where applicable. Furthermore, the illustrations on pages 57 and 59 of the 1516 don't seem to relate to the plays described on 58 and 60, since they show pairs of fencers with dussacks while the text indicates that one of them should be unarmed. They are included here for reference, but the Egenolff illustrations (which are original and not based on Paurenfeyndt) are the ones that seem to depict something similar to the plays as described. While the Twelve Rules for the Beginning Fencer are unillustrated in Paurenfeyndt's work, this presentation includes the illustrations for six of the twelve found in the [[Liber Quodlibetarius (MS B.200)|MS B.200]] (1524).
+
Ghisliero died in Turino in 1619.
  
([[Andre Paurenfeyndt|Read more]]…)
+
([[Federico Ghisliero|Read more]]…)
  
 
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Latest revision as of 00:51, 29 March 2024

Federico Ghisliero
Died 1619
Turino
Occupation Soldier
Citizenship Bologna
Influences
Genres Fencing manual
Language Italian
Notable work(s) Regole di molti cavagliereschi essercitii (1587)
Manuscript(s) M.A.M. Ghisliero MS (1585)

Federico Ghisliero (Ghislieri; d. 1619) was a Bolognese soldier and fencer. Little is know about his early life, but he came from a Bolognese family and studied fencing under Silvio Piccolomini. He lead a long military career that included serving under the famous commander Alessandro, Duke of Parma, in Flanders in 1582. He was also a friend of Galileo Galilei and a prolific writer, though unfortunately most of his writings were destroyed in a fire at the University of Turin in 1904.

In 1587, he published a fencing treatise called Regole di molti cavagliereschi essercitii ("Rules for Many Knightly Exercises"); two versions of the book exist, and it's unclear which was created first. One is dedicated to Antonio Pio Bonello, a well-known soldier and distant relative of Ghisliero, and the other to Ranuccio Farnese, who was 18 years old at the time and Alessandro's heir.

Ghisliero's treatise is notable for his use of geometry in relation to fencing, using concentric circles centered on where the fencer has placed most of their weight (often, but not always, the back foot), and sometimes including multiple versions of each figure in an illustration to show the progression of the movements he describes. He also seems to be the first author to reference the Vitruvian Man in a fencing treatise. However, his treatise is unique in that it was printed without any illustrations at all, and they had to be drawn in by hand. It's unclear whether this indicates that he intended to have printing plates made but was unable to do so, or that his plan from the start was to have the books vary based on how much art each buyer was willing to pay for.

Ghisliero died in Turino in 1619.

(Read more…)

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