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{{infobox writer
+
{{Infobox writer
| name                = Jörg Wilhalm Hutter
+
| name                = Salvator Fabris
| image                = File:Jörg Wilhalm Hutter.png
+
| image                = File:Salvator Fabris.png
| imagesize            = 250px
+
| imagesize            = 200px
 
| caption              =  
 
| caption              =  
  
 
| pseudonym            =  
 
| pseudonym            =  
 
| birthname            =  
 
| birthname            =  
| birthdate            = 15th century
+
| birthdate            = 1544
| birthplace          =  
+
| birthplace          = Padua, Italy
| deathdate            = 16th century
+
| deathdate            = 11 Nov 1618 (aged 74)
| deathplace          =  
+
| deathplace          = Padua, Italy
 
| resting_place        =  
 
| resting_place        =  
 
| occupation          = {{plainlist
 
| occupation          = {{plainlist
 +
| Assassin (?)
 
  | [[Fencing master]]
 
  | [[Fencing master]]
| Hatter
 
 
}}
 
}}
| nationality          =  
+
| language            = [[Italian]]
 +
| nationality          = [[Italian]]
 
| ethnicity            =  
 
| ethnicity            =  
| citizenship          = Augsburg, Germany
+
| citizenship          =  
 
| education            =  
 
| education            =  
| alma_mater          =  
+
| alma_mater          = University of Padua (?)
| patron              =  
+
| patron              = {{plainlist
 +
| Christianus Ⅳ of Denmark
 +
| Johan Frederik of Schleswig-Holstein-<br/>Gottorp
 +
}}
  
 
| period              =  
 
| period              =  
 
| genre                = [[Fencing manual]]
 
| genre                = [[Fencing manual]]
| language            = [[Early New High German]]
 
 
| subject              =  
 
| subject              =  
| movement            = Augsburg tradition
+
| movement            =  
| notableworks        = ''Jörg Wilhalm Hutters kunst zu<br/>Augspurg''
+
| notableworks        = ''[[Scienza d’Arme (Salvator Fabris)|Scienza d’Arme]]'' (1601-06)
| archetype            = {{plainlist
 
| [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Cod. I.6.4º.5]] (1522)
 
| [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.2º.3)|Cod. I.6.2º.3]] (1522)
 
| [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod. I.6.2º.2]] (1523)
 
}}
 
 
| manuscript(s)        = {{collapsible list
 
| manuscript(s)        = {{collapsible list
  | [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]] (1523)
+
  | [[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|GI.kgl.Saml.1868.4040]] (1601)
| [[Gregor Erhart Fechtbuch (MS E.1939.65.354)|MS E.1939.65.354]] (1533)
+
  | [[La Scientia della Spada (MS KB.73.J.38)|MS KB.73.J.38]] (1600-09)
| [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Cgm 3712]] (1556)
+
  | [[Figures nues, positions d'escrime à l'épée (MS 17)|MS 17]] (1600-20)
| [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588)
+
  | [[Fechtkunst aus dem Italienischen (MS Dresd.C.94a)|MS Dresd.C.94a]] (ca. 1635)
  | [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]] (ca.&nbsp;1600)
 
  | [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Cod.Guelf.79.2 Aug.2º]] (ca.&nbsp;1600)
 
  | [[Reit und Turnierbuch (MS KK5247)|MS KK5247]] (ca.&nbsp;1600)  
 
 
}}
 
}}
 
| principal manuscript(s)=
 
| principal manuscript(s)=
 
| first printed edition=  
 
| first printed edition=  
| wiktenauer compilation by=[[user:Michael Chidester|Michael Chidester]]
+
| wiktenauer compilation by=
  
 
| spouse              =  
 
| spouse              =  
Line 51: Line 46:
 
| children            =  
 
| children            =  
 
| relatives            =  
 
| relatives            =  
| influences          = {{plainlist
+
| influences          =  
| [[Johannes Liechtenauer]]
 
| [[Nicolaüs Augsburger]]
 
}}
 
 
| influenced          = {{plainlist
 
| influenced          = {{plainlist
  | [[Gregor Erhart]]
+
  | [[Sebastian Heußler]]
  | [[Paulus Hector Mair]]
+
  | [[Hans Wilhelm Schöffer von Dietz]]
 
}}
 
}}
| awards              =  
+
| awards              = ''Supremus Eques'' of the Order of the Seven Hearts
| signature            = [[File:Jörg Wilhalm Hutter sig.jpg|170px]]
+
| signature            =  
 
| website              =  
 
| website              =  
 +
| translations        =
 
| below                =  
 
| below                =  
 
}}
 
}}
{{foreignchar|Joerg Wilhalm Hutter|ö}}
+
'''Salvator Fabris''' (Salvador Fabbri, Salvator Fabriz, Fabrice; 1544-1618) was a 16th – 17th century [[Italian]] knight and [[fencing master]]. He was born in or around Padua, Italy in 1544, and although little is known about his early years, he seems to have studied fencing from a young age and possibly attended the prestigious University of Padua. The French master [[Henry de Sainct Didier]] recounts a meeting with an Italian fencer named "Fabrice" during the course of preparing his treatise (completed in 1573) in which they debated fencing theory, potentially placing Fabris in France in the early 1570s. In the 1580s, Fabris corresponded with Christian Barnekow, a Danish nobleman with ties to the royal court as well as an alumnus of the university. It seems likely that Fabris traveled a great deal during the 1570s and 80s, spending time in France, Germany, Spain, and possibly other regions before returning to teach at his alma mater.
'''Jörg Wilhalm Hutter''' was a 16th century [[German]] [[fencing master]]. In addition to his fencing practice, his surname signifies that he was a hatter by trade, a fact that is confirmed in the tax records of Augsburg, Germany in 1501, 1504, and 1516.
+
 
 +
It is unclear if Fabris himself was of noble birth, but at some point he seems to have earned a knighthood. In fact, he is described in his treatise as ''Supremus Eques'' ("Supreme Knight") of the Order of the Seven Hearts. In Johann Joachim Hynitzsch's introduction to the 1676 edition, he identifies Fabris as a Colonel of the Order. It seems therefore that he was not only a knight of the Order of the Seven Hearts, but rose to a high rank and perhaps even overall leadership.
  
Four works are commonly attributed to Hutter: on unarmored [[longsword]] fencing in the tradition of [[Johannes Liechtenauer]], on [[armored fencing|armored]] and [[mounted fencing|mounted dueling]] that appear to be based on those of the early 15th century (relying on armor designs that were obsolete by the 1520s), and a series of 32 uncaptioned illustrations portraying scenes of judicial combat. However, it is unclear if Hutter authored all of these works or, like [[Lienhart Sollinger]] and [[Paulus Hector Mair]] after him, merely compiled existing works together and placed his name on them as an owner's mark. The development of the armored dueling treatises can be traced through a draftbook and rough early annotated copy, but the same is not true of the unarmored longsword, which appears to be based on the [[Cluny Fechtbuch (Cl. 23842)|MS Cl. 23842]] from the 1490s and is accompanied by a version of the [[pseudo-Peter von Danzig]] gloss that [[Gregor Erhart]] attributes to one Nicolaüs and dates to 1489.
+
Fabris' whereabouts in the 1590s are uncertain, but there are rumors. In 1594, he may have been hired by King Sigismund of Poland to assassinate his uncle Karl, a Swedish duke and competitor for the Swedish crown. According to the story, Fabris participated in a sword dance (or possibly a dramatic play) with a sharp sword and was to slay Karl during the performance when the audience was distracted. (The duke was warned and avoided the event, saving his life.) In ca. 1599, Fabris may have been invited to England by noted playwright William Shakespeare to choreograph the fight scenes in his premier of ''Hamlet''. He also presumably spent considerable time in the 1590s developing the [[fencing manual]] that would guarantee his lasting fame.
  
There are three extant manuscripts of Hutter's treatises created between 1522 and 1523, all now residing in Augsburg (along with most of the rest of Paulus Hector Mair's collection). The apparent oldest of Hutter's manuscripts, [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6.4º.5)|Cod.I.6.4º.5]], consists of numbered but uncaptioned illustrations of armored dueling on horse and on foot, and is dated to 1522. The same year saw the completion of the [[Jörg Wilhalm Hutters kunst zu Augspurg (Cod.I.6..3)|Cod.I.6.2º.3]], which includes the same illustrations but adds written instructions to the plays; for this reason, Hils assumed the former was the draftbook used to develop the latter. In 1523, Hutter seems to have created an accompanying longsword treatise, preserved in the [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Cod.I.6.2º.2]].
+
What is certain is that by 1598, Fabris had left his position at the University of Padua and was attached to the court of Johan Frederik, the young duke of Schleswig-Holstein-Gottorp. He continued in the duke's service until 1601, and as a parting gift prepared a lavishly-illustrated, three-volume manuscript of his treatise entitled ''Scientia e Prattica dell'Arme'' ([[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|GI.kgl.Saml.1868 4040]]).
  
Some time soon after this, all three of Hutter's prior works, along a new series of 32 uncaptioned illustrations of dueling, were compiled into the [[Jörg Wilhalm Hutters kunst zu Augspurg (Cgm 3711)|Cgm 3711]]. This manuscript has some oddities not found in the others, including carnival costumes on some of the fighters and a pretzel salesman appearing in the illustration on [[Page:Cgm 3711 11r.jpg|folio 11r]]. It's currently unclear whether Hutter was involved in the creation of this manuscript or not, but it appears to be a presentation copy of the collected works and includes content unique to each of the three earlier manuscripts. <noinclude>Hutter's longsword treatise was also copied by sculptor Gregor Erhart into the [[Gregor Erhart Fechtbuch (MS E.1939.65.354)|MS E.1939.65.354]] in 1533, though it's currently unclear which source he based it on.
+
<noinclude>In 1601, Fabris was hired as chief [[rapier]] instructor to the court of Christianus Ⅳ, King of Denmark and Duke Johan Frederik's cousin. He ultimately served in the royal court for five years; toward the end of his tenure and at the king's insistence, he published his opus under the title ''Sienza e Pratica d’Arme'' ("Science and Practice of Arms") or ''De lo Schermo, overo Scienza d’Arme'' ("On Defense, or the Science of Arms"). Christianus funded this first edition and placed his court artist, [[Jan van Halbeeck]], at Fabris' disposal to illustrate it; it was ultimately published in Copenhagen on 25 September 1606.
  
Most copies of Hutter's treatises were eventually acquired by Freifechter and collector Lienhart Sollinger. Cgm 3711 was a source for his [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556) and [[Künnst zu fechten vonn dem Lienhartt Sollinger (Cod.Guelf.38.21 Aug.2º)|Cod.Guelf.38.21 Aug.2º]] (1588), and the former also seems to have drawn heavily from MS E.1939.65.354. Sollinger, in turn, sold several of these works to [[Paulus Hector Mair]]: the Cod.I.6.2º.2 in 1544, the Cod.I.6.4º.5 in 1552, the MS E.1939.65.354 in 1560, and the Cod.I.6.2º.3 in 1561. Hutter's draftbook in particular was apparently used as the primary source for Mair's writings on armored dueling (preserved in three manuscripts in the 1540s and 50s); owing to its lack of text, Mair inserted his own descriptions of the plays—descriptions which diverge noticeably from Hutter's own explanations.
+
Soon after the text was published, and perhaps feeling his 62 years, Fabris asked to be released from his six-year contract with the king so that he might return home. He traveled through northern Germany and was in Paris, France, in 1608. Ultimately, he received a position at the University of Padua and there passed his final years. He died of a fever on 11 November 1618 at the age of 74, and the town of Padua declared an official day of mourning in his honor. In 1676, the town of Padua erected a statue of the master in the Chiesa del Santo.
  
A final set of three copies of Hutter's work, including [[Confectbuch von Abrichtung vollständiges Turnierbuch (Cod.Guelf.1.6.3 Aug.2º)|Cod.Guelf.1.6.3 Aug.2º]], [[Unterschiedliche die Dressur und Aufzäumung der Pferde erläuternde Zeichnungen (Cod.Guelf.79.2 Aug.2º)|Cod.Guelf.79.2 Aug.2º]], and [[Reit und Turnierbuch (MS KK5247)|MS KK5247]], were prepared by Jeremias Schemel von Augsburg at the end of the 16th century as part of a massive compilation of treatises on horsemanship which also included discussion of riding, dressage, and jousting. These manuscripts contain Hutter's original text (unlike Mair's version), but the elaborate artwork includes details from multiple prior versions of Hutter's work, suggesting that Schemel's source manuscript may remain to be discovered.</noinclude>
+
The importance of Fabris' work can hardly be overstated. Versions of his treatise were reprinted for over a hundred years, and translated into German at least four times as well as French and Latin. He is almost universally praised by later masters and fencing historians, and through the influence of his students and their students (most notably [[Hans Wilhelm Schöffer]]), he became the dominant figure in German fencing throughout the 17th century and into the 18th.
  
([[Jörg Wilhalm Hutter|Read more]]…)
+
</noinclude>([[Salvator Fabris|Read more]]…)
  
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Revision as of 21:15, 23 May 2022

Salvator Fabris
Born 1544
Padua, Italy
Died 11 Nov 1618 (aged 74)
Padua, Italy
Occupation
Nationality Italian
Alma mater University of Padua (?)
Patron
  • Christianus Ⅳ of Denmark
  • Johan Frederik of Schleswig-Holstein-
    Gottorp
Influenced
Genres Fencing manual
Language Italian
Notable work(s) Scienza d’Arme (1601-06)
Manuscript(s)

Salvator Fabris (Salvador Fabbri, Salvator Fabriz, Fabrice; 1544-1618) was a 16th – 17th century Italian knight and fencing master. He was born in or around Padua, Italy in 1544, and although little is known about his early years, he seems to have studied fencing from a young age and possibly attended the prestigious University of Padua. The French master Henry de Sainct Didier recounts a meeting with an Italian fencer named "Fabrice" during the course of preparing his treatise (completed in 1573) in which they debated fencing theory, potentially placing Fabris in France in the early 1570s. In the 1580s, Fabris corresponded with Christian Barnekow, a Danish nobleman with ties to the royal court as well as an alumnus of the university. It seems likely that Fabris traveled a great deal during the 1570s and 80s, spending time in France, Germany, Spain, and possibly other regions before returning to teach at his alma mater.

It is unclear if Fabris himself was of noble birth, but at some point he seems to have earned a knighthood. In fact, he is described in his treatise as Supremus Eques ("Supreme Knight") of the Order of the Seven Hearts. In Johann Joachim Hynitzsch's introduction to the 1676 edition, he identifies Fabris as a Colonel of the Order. It seems therefore that he was not only a knight of the Order of the Seven Hearts, but rose to a high rank and perhaps even overall leadership.

Fabris' whereabouts in the 1590s are uncertain, but there are rumors. In 1594, he may have been hired by King Sigismund of Poland to assassinate his uncle Karl, a Swedish duke and competitor for the Swedish crown. According to the story, Fabris participated in a sword dance (or possibly a dramatic play) with a sharp sword and was to slay Karl during the performance when the audience was distracted. (The duke was warned and avoided the event, saving his life.) In ca. 1599, Fabris may have been invited to England by noted playwright William Shakespeare to choreograph the fight scenes in his premier of Hamlet. He also presumably spent considerable time in the 1590s developing the fencing manual that would guarantee his lasting fame.

What is certain is that by 1598, Fabris had left his position at the University of Padua and was attached to the court of Johan Frederik, the young duke of Schleswig-Holstein-Gottorp. He continued in the duke's service until 1601, and as a parting gift prepared a lavishly-illustrated, three-volume manuscript of his treatise entitled Scientia e Prattica dell'Arme (GI.kgl.Saml.1868 4040).

In 1601, Fabris was hired as chief rapier instructor to the court of Christianus Ⅳ, King of Denmark and Duke Johan Frederik's cousin. He ultimately served in the royal court for five years; toward the end of his tenure and at the king's insistence, he published his opus under the title Sienza e Pratica d’Arme ("Science and Practice of Arms") or De lo Schermo, overo Scienza d’Arme ("On Defense, or the Science of Arms"). Christianus funded this first edition and placed his court artist, Jan van Halbeeck, at Fabris' disposal to illustrate it; it was ultimately published in Copenhagen on 25 September 1606.

Soon after the text was published, and perhaps feeling his 62 years, Fabris asked to be released from his six-year contract with the king so that he might return home. He traveled through northern Germany and was in Paris, France, in 1608. Ultimately, he received a position at the University of Padua and there passed his final years. He died of a fever on 11 November 1618 at the age of 74, and the town of Padua declared an official day of mourning in his honor. In 1676, the town of Padua erected a statue of the master in the Chiesa del Santo.

The importance of Fabris' work can hardly be overstated. Versions of his treatise were reprinted for over a hundred years, and translated into German at least four times as well as French and Latin. He is almost universally praised by later masters and fencing historians, and through the influence of his students and their students (most notably Hans Wilhelm Schöffer), he became the dominant figure in German fencing throughout the 17th century and into the 18th.

(Read more…)

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