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Difference between revisions of "Absetzen"
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| − | '''''Absetzen''''' ''(abversetzen, Absatz, setting off)'' is one of the 17 Hauptstucke in the recital of [[Johannes Liechtenauer]], and is a type of parry which winds against the incoming cut, typically followed by a thrust. | + | '''''Absetzen''''' ''(abversetzen, Absatz, setting off)'' is one of the 17 Hauptstucke in the recital of [[Johannes Liechtenauer]], and is a type of parry which winds against the incoming cut, typically followed by a thrust. [[Joachim Meÿer]] describes this technique as being executed with the strait edge. |
| + | == Primary Sources == | ||
| − | [[Category:Hauptstucke]][[Category:Other Techniques]][[Category:German Techniques]] | + | {{hidden begin |
| + | | title = <span style="font-size:130%;">[[Johannes Liechtenauer]]'s Recital (1300s)</span> | ||
| + | | titlestyle= background:#f2f2f2; border:1px solid #aaaaaa; padding:10px; text-align:center; vertical-align:middle; width:60%; | ||
| + | | bodystyle = display:block; width:619em; | ||
| + | }} | ||
| + | {{#lst:Johannes Liechtenauer|credits}} | ||
| + | {{#lst:Johannes Liechtenauer| Absetzen }} | ||
| + | |} | ||
| + | {{hidden end}} | ||
| + | |||
| + | {{hidden begin | ||
| + | | title = <span style="font-size:130%;">[[Pseudo-Peter von Danzig]]'s Gloss of the Recital (before 1452)</span> | ||
| + | | titlestyle= background:#f2f2f2; border:1px solid #aaaaaa; padding:10px; text-align:center; vertical-align:middle; width:60%; | ||
| + | | bodystyle = display:block; width:160em; | ||
| + | }} | ||
| + | {{#lst: Pseudo-Peter von Danzig | credits1 }} | ||
| + | {{#lst: Pseudo-Peter von Danzig | Absetzen }} | ||
| + | |||
| + | |} | ||
| + | {{hidden end}} | ||
| + | |||
| + | {{hidden begin | ||
| + | | title = <span style="font-size:130%;">[[Sigmund Schining ain Ringeck]]'s Gloss of the Recital (before 1508)</span> | ||
| + | | titlestyle= background:#f2f2f2; border:1px solid #aaaaaa; padding:10px; text-align:center; vertical-align:middle; width:60%; | ||
| + | | bodystyle = display:block; width:160em; | ||
| + | }} | ||
| + | {{#lst: Sigmund Schining ain Ringeck | credits1 }} | ||
| + | {{#lst: Sigmund Schining ain Ringeck | Absetzen }} | ||
| + | |} | ||
| + | {{hidden end}} | ||
| + | |||
| + | {{hidden begin | ||
| + | | title = <span style="font-size:130%;">[[Peter Falkner]]'s Illustrations of the Recital (ca. 1495)</span> | ||
| + | | titlestyle= background:#f2f2f2; border:1px solid #aaaaaa; padding:10px; text-align:center; vertical-align:middle; width:60%; | ||
| + | | bodystyle = display:block; width:76em; | ||
| + | }} | ||
| + | {{#lst: Peter Falkner | credits1 }} | ||
| + | {{#lst: Peter Falkner | Absetzen }} | ||
| + | |} | ||
| + | {{hidden end}} | ||
| + | |||
| + | == Video Interpretations == | ||
| + | |||
| + | <div style="float:left;"> | ||
| + | {{#evp:youtube|iPpZIdP5kBY|Vectir (2010)|left}} | ||
| + | </div> | ||
| + | <div style="float:left;"> | ||
| + | {{#evp:youtube|lo8q-BDLuzc| Sword Carolina (2015)|left}} | ||
| + | </div> | ||
| + | <div style="float:left;"> | ||
| + | {{#evp:youtube|BaX3ZnKPPTA| Use of absetzen and related techniques compiled from Swordfish 2015 by Axel Pettersson (2015)|left}} | ||
| + | </div> | ||
| + | |||
| + | == References == | ||
| + | |||
| + | [[Category:Hauptstucke]][[Category:Other Techniques]][[Category:German Techniques]] [[Category:Handworks (Meyer)]] | ||
Latest revision as of 15:54, 14 June 2016
Absetzen (abversetzen, Absatz, setting off) is one of the 17 Hauptstucke in the recital of Johannes Liechtenauer, and is a type of parry which winds against the incoming cut, typically followed by a thrust. Joachim Meÿer describes this technique as being executed with the strait edge.
Primary Sources
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Illustrations |
Vienna Version (1495) | |
|---|---|---|
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Learn to set aside |
[10v] Absetzen lere / haw stich künstlich were |
Video Interpretations
{{#evp:youtube|iPpZIdP5kBY|Vectir (2010)|left}}
{{#evp:youtube|lo8q-BDLuzc| Sword Carolina (2015)|left}}
{{#evp:youtube|BaX3ZnKPPTA| Use of absetzen and related techniques compiled from Swordfish 2015 by Axel Pettersson (2015)|left}}
