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Difference between revisions of "Johannes Liechtenauer/Rebecca L. R. Garber LS 2020"
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(Created page with "<section begin="1"/><section end="1"/> <section begin="2"/> {| class="zettel" |- | <small>1</small> | |- | <small>2</small> | |- | <small>3</small> | |- | <small>4</sm...") |
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| <small>1</small> | | <small>1</small> | ||
| − | | | + | | <br/><br/> |
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| <small>2</small> | | <small>2</small> | ||
| − | | | + | | <br/><br/> |
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| <small>3</small> | | <small>3</small> | ||
| − | | | + | | <br/><br/> |
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| <small>4</small> | | <small>4</small> | ||
| − | | | + | | <br/><br/> |
| + | |- id="LSGarberGWo4a" | ||
| + | | <small class="grey">4a<br/>GWo</small> | ||
| + | | <br/><br/> | ||
| + | |- id="LSGarberGWo4b" | ||
| + | | <small class="grey">4b<br/>GWo</small> | ||
| + | | <br/><br/> | ||
|- | |- | ||
| <small>5</small> | | <small>5</small> | ||
| − | | | + | | <br/><br/> |
| + | |- id="LSGarberHTG5a" | ||
| + | | <small class="grey">5a<br/>HTG</small> | ||
| + | | <br/><br/> | ||
|- | |- | ||
| <small>6</small> | | <small>6</small> | ||
| − | | | + | | <br/><br/> |
|- | |- | ||
| <small>7</small> | | <small>7</small> | ||
| − | | | + | | <br/><br/> |
|- | |- | ||
| <small>8</small> | | <small>8</small> | ||
| − | | | + | | <br/><br/> |
|}<section end="2"/> | |}<section end="2"/> | ||
| − | <section begin="3"/>{{red|b=1| | + | <section begin="3"/>{{red|b=1|Talhoffer teaches here a general teaching about the long sword from the ''Zettel'', etc.}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>9</small> | | <small>9</small> | ||
| − | | | + | | If you want to behold the art,<br/> Then fight to the left, with cuts from the right, |
|- | |- | ||
| <small>10</small> | | <small>10</small> | ||
| − | | | + | | And to the left against the right<br/> If you want to fight strongly. |
|- | |- | ||
| <small>11</small> | | <small>11</small> | ||
| − | | | + | | Whoever follows after with poor cuts<br/> May find little joy in the art. |
|- | |- | ||
| <small>12</small> | | <small>12</small> | ||
| − | | | + | | Cut close to what you want,<br/> Do not allow a Changer on your shield, |
|- | |- | ||
| <small>13</small> | | <small>13</small> | ||
| − | | | + | | At your head, at the body<br/> Do not neglect/avoid Tag hits |
|- | |- | ||
| <small>14</small> | | <small>14</small> | ||
| − | | | + | | Now fight widely<ref>With full extension</ref> with the whole body<br/> Whatever you strongly want to do |
| + | |- id="LSGarberHTKo14a" | ||
| + | | <small class="grey">14a</small> | ||
| + | | However, additionally remember and also<br/> Understand it correctly | ||
|- | |- | ||
| <small>15</small> | | <small>15</small> | ||
| − | | | + | | <br/> Do not fight above left if you are right |
|- | |- | ||
| <small>16</small> | | <small>16</small> | ||
| − | | | + | | <br/><br/> |
|- | |- | ||
| <small>17</small> | | <small>17</small> | ||
| − | | | + | | Before/after, two things [that]<br/> Are an origin for all art |
|- | |- | ||
| <small>18</small> | | <small>18</small> | ||
| − | | | + | | Remember your weak and your strong<br/> Likewise your work therein |
|- | |- | ||
| <small>19</small> | | <small>19</small> | ||
| − | | | + | | Thus you can learn<br/> To defend yourself with fighting |
|- | |- | ||
| <small>20</small> | | <small>20</small> | ||
| − | | | + | | Whoever is thus easily frightened<br/> Should never learn any fighting. |
| + | |}<section end="3"/> | ||
| + | |||
| + | <section begin="4"/>{{red|b=1|Text on the recital's parts}}<br/><br/> | ||
| + | {| class="zettel" | ||
|- | |- | ||
| <small>21</small> | | <small>21</small> | ||
| − | | | + | | The cuts are five and are called five vowels<br/> Learn them correctly and remember them well |
|- | |- | ||
| <small>22</small> | | <small>22</small> | ||
| | | | ||
| − | |}<section end=" | + | |- id="LSGarberHTKo22a" |
| + | | <small class="grey">22a</small> | ||
| + | | The correct foundation comes to us from them<br/> Which is known to very few fighters. | ||
| + | |}<section end="4"/> | ||
| − | <section begin=" | + | <section begin="5"/>{{red|b=1|Text on the recital's parts}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 89: | Line 108: | ||
| <small>26</small> | | <small>26</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="5"/> |
| − | <section begin=" | + | <section begin="6"/>'''-Zornhau Follows-''' |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 107: | Line 126: | ||
|- | |- | ||
| <small>31</small> | | <small>31</small> | ||
| − | | | + | | <p id="LSGarberHTG31a"><br/></p> |
|- | |- | ||
| <small>32</small> | | <small>32</small> | ||
| Line 120: | Line 139: | ||
| <small>35</small> | | <small>35</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="6"/> |
| − | <section begin=" | + | <section begin="7"/>{{red|b=1|The Four Openings}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 130: | Line 149: | ||
| <small>37</small> | | <small>37</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="7"/> |
| − | <section begin=" | + | <section begin="8"/>{{red|b=1|To Counter the Four Openings}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 146: | Line 165: | ||
| <small>41</small> | | <small>41</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="8"/> |
| − | <section begin=" | + | <section begin="9"/>{{red|b=1|The Crooked Stroke}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 171: | Line 190: | ||
| <small>48</small> | | <small>48</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="9"/> |
| − | <section begin=" | + | <section begin="10"/>{{red|b=1|The Thwart Stroke}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 202: | Line 221: | ||
| <small>57</small> | | <small>57</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="10"/> |
| − | <section begin=" | + | <section begin="11"/>{{red|b=1|The Squinting Stroke}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 221: | Line 240: | ||
| <small>62</small> | | <small>62</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="11"/> |
| − | <section begin=" | + | <section begin="12"/>{{red|b=1|The Scalp Cut}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 240: | Line 259: | ||
| <small>67</small> | | <small>67</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="12"/> |
| − | <section begin=" | + | <section begin="13"/>{{red|b=1|The Four Guards}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 250: | Line 269: | ||
| <small>69</small> | | <small>69</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="13"/> |
| − | <section begin=" | + | <section begin="14"/>{{red|b=1|The Four Oppositions}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 269: | Line 288: | ||
| <small>74</small> | | <small>74</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="14"/> |
| − | <section begin=" | + | <section begin="15"/>{{red|b=1|Chasing}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 288: | Line 307: | ||
| <small>79</small> | | <small>79</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="15"/> |
| − | <section begin=" | + | <section begin="16"/>{{red|b=1|Overrunning}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 301: | Line 320: | ||
| <small>82</small> | | <small>82</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="16"/> |
| − | <section begin=" | + | <section begin="17"/>{{red|b=1|Setting Aside}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 314: | Line 333: | ||
| <small>85</small> | | <small>85</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="17"/> |
| − | <section begin=" | + | <section begin="18"/>{{red|b=1|Changing Through}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 324: | Line 343: | ||
| <small>87</small> | | <small>87</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="18"/> |
| − | <section begin=" | + | <section begin="19"/>{{red|b=1|Pulling}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 337: | Line 356: | ||
| <small>90</small> | | <small>90</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="19"/> |
| − | <section begin=" | + | <section begin="20"/>{{red|b=1|Running Through}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 347: | Line 366: | ||
| <small>92</small> | | <small>92</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="20"/> |
| − | <section begin=" | + | <section begin="21"/>{{red|b=1|Slicing Off}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 357: | Line 376: | ||
| <small>94</small> | | <small>94</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="21"/> |
| − | <section begin=" | + | <section begin="22"/>{{red|b=1|Pressing Hands}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>95</small> | | <small>95</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="22"/> |
| − | <section begin=" | + | <section begin="23"/>{{red|b=1|Two Hangings}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 374: | Line 393: | ||
| <small>97</small> | | <small>97</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="23"/> |
| − | <section begin=" | + | <section begin="24"/>{{red|b=1|The Speaking Window}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 390: | Line 409: | ||
| <small>101</small> | | <small>101</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="24"/> |
| − | <section begin=" | + | <section begin="25"/>{{red|b=1|This Is the Conclusion of the Notes}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| Line 418: | Line 437: | ||
| <small>109</small> | | <small>109</small> | ||
| | | | ||
| − | |}<section end=" | + | |}<section end="25"/> |
| − | <section begin=" | + | <section begin="26"/><section end="26"/> |
Revision as of 18:52, 25 June 2025
| 1 | |
| 2 | |
| 3 | |
| 4 | |
| 4a GWo |
|
| 4b GWo |
|
| 5 | |
| 5a HTG |
|
| 6 | |
| 7 | |
| 8 |
Talhoffer teaches here a general teaching about the long sword from the Zettel, etc.
| 9 | If you want to behold the art, Then fight to the left, with cuts from the right, |
| 10 | And to the left against the right If you want to fight strongly. |
| 11 | Whoever follows after with poor cuts May find little joy in the art. |
| 12 | Cut close to what you want, Do not allow a Changer on your shield, |
| 13 | At your head, at the body Do not neglect/avoid Tag hits |
| 14 | Now fight widely[1] with the whole body Whatever you strongly want to do |
| 14a | However, additionally remember and also Understand it correctly |
| 15 | Do not fight above left if you are right |
| 16 | |
| 17 | Before/after, two things [that] Are an origin for all art |
| 18 | Remember your weak and your strong Likewise your work therein |
| 19 | Thus you can learn To defend yourself with fighting |
| 20 | Whoever is thus easily frightened Should never learn any fighting. |
Text on the recital's parts
| 21 | The cuts are five and are called five vowels Learn them correctly and remember them well |
| 22 | |
| 22a | The correct foundation comes to us from them Which is known to very few fighters. |
Text on the recital's parts
| 23 | |
| 24 | |
| 25 | |
| 26 |
-Zornhau Follows-
| 27 | |
| 28 | |
| 29 | |
| 30 | |
| 31 | |
| 32 | |
| 33 | |
| 34 | |
| 35 |
The Four Openings
| 36 | |
| 37 |
To Counter the Four Openings
| 38 | |
| 39 | |
| 40 | |
| 41 |
The Crooked Stroke
| 42 | |
| 43 | |
| 44 | |
| 45 | |
| 46 | |
| 47 | |
| 48 |
The Thwart Stroke
| 49 | |
| 50 | |
| 51 | |
| 52 | |
| 53 | |
| 54 | |
| 55 | |
| 56 | |
| 57 |
The Squinting Stroke
| 58 | |
| 59 | |
| 60 | |
| 61 | |
| 62 |
The Scalp Cut
| 63 | |
| 64 | |
| 65 | |
| 66 | |
| 67 |
The Four Guards
| 68 | |
| 69 |
The Four Oppositions
| 70 | |
| 71 | |
| 72 | |
| 73 | |
| 74 |
Chasing
| 75 | |
| 76 | |
| 77 | |
| 78 | |
| 79 |
Overrunning
| 80 | |
| 81 | |
| 82 |
Setting Aside
| 83 | |
| 84 | |
| 85 |
Changing Through
| 86 | |
| 87 |
Pulling
| 88 | |
| 89 | |
| 90 |
Running Through
| 91 | |
| 92 |
Slicing Off
| 93 | |
| 94 |
Pressing Hands
| 95 |
Two Hangings
| 96 | |
| 97 |
The Speaking Window
| 98 | |
| 99 | |
| 100 | |
| 101 |
This Is the Conclusion of the Notes
| 102 | |
| 103 | |
| 104 | |
| 105 | |
| 106 | |
| 107 | |
| 108 | |
| 109 |
- ↑ With full extension
