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Difference between revisions of "Johannes Liechtenauer/Rebecca L. R. Garber LS 2020"
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(Created page with "<section begin="1"/><section end="1"/> <section begin="2"/> {| class="zettel" |- | <small>1</small> | |- | <small>2</small> | |- | <small>3</small> | |- | <small>4</sm...") |
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| <small>4</small> | | <small>4</small> | ||
− | | | + | | <br/><br/> |
+ | |- id="LSGarberGWo4a" | ||
+ | | <small class="grey">4a<br/>GWo</small> | ||
+ | | <br/><br/> | ||
+ | |- id="LSGarberGWo4b" | ||
+ | | <small class="grey">4b<br/>GWo</small> | ||
+ | | <br/><br/> | ||
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| <small>5</small> | | <small>5</small> | ||
− | | | + | | <br/><br/> |
+ | |- id="LSGarberHTG5a" | ||
+ | | <small class="grey">5a<br/>HTG</small> | ||
+ | | <br/><br/> | ||
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| <small>6</small> | | <small>6</small> | ||
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| <small>7</small> | | <small>7</small> | ||
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| <small>8</small> | | <small>8</small> | ||
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|}<section end="2"/> | |}<section end="2"/> | ||
− | <section begin="3"/>{{red|b=1| | + | <section begin="3"/>{{red|b=1|Talhoffer teaches here a general teaching about the long sword from the ''Zettel'', etc.}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>9</small> | | <small>9</small> | ||
− | | | + | | If you want to behold the art,<br/> Then fight to the left, with cuts from the right, |
|- | |- | ||
| <small>10</small> | | <small>10</small> | ||
− | | | + | | And to the left against the right<br/> If you want to fight strongly. |
|- | |- | ||
| <small>11</small> | | <small>11</small> | ||
− | | | + | | Whoever follows after with poor cuts<br/> May find little joy in the art. |
|- | |- | ||
| <small>12</small> | | <small>12</small> | ||
− | | | + | | Cut close to what you want,<br/> Do not allow a Changer on your shield, |
|- | |- | ||
| <small>13</small> | | <small>13</small> | ||
− | | | + | | At your head, at the body<br/> Do not neglect/avoid Tag hits |
|- | |- | ||
| <small>14</small> | | <small>14</small> | ||
− | | | + | | Now fight widely<ref>With full extension</ref> with the whole body<br/> Whatever you strongly want to do |
+ | |- id="LSGarberHTKo14a" | ||
+ | | <small class="grey">14a</small> | ||
+ | | However, additionally remember and also<br/> Understand it correctly | ||
|- | |- | ||
| <small>15</small> | | <small>15</small> | ||
− | | | + | | <br/> Do not fight above left if you are right |
|- | |- | ||
| <small>16</small> | | <small>16</small> | ||
− | | | + | | <br/><br/> |
|- | |- | ||
| <small>17</small> | | <small>17</small> | ||
− | | | + | | Before/after, two things [that]<br/> Are an origin for all art |
|- | |- | ||
| <small>18</small> | | <small>18</small> | ||
− | | | + | | Remember your weak and your strong<br/> Likewise your work therein |
|- | |- | ||
| <small>19</small> | | <small>19</small> | ||
− | | | + | | Thus you can learn<br/> To defend yourself with fighting |
|- | |- | ||
| <small>20</small> | | <small>20</small> | ||
− | | | + | | Whoever is thus easily frightened<br/> Should never learn any fighting. |
+ | |}<section end="3"/> | ||
+ | |||
+ | <section begin="4"/>{{red|b=1|Text on the recital's parts}}<br/><br/> | ||
+ | {| class="zettel" | ||
|- | |- | ||
| <small>21</small> | | <small>21</small> | ||
− | | | + | | The cuts are five and are called five vowels<br/> Learn them correctly and remember them well |
|- | |- | ||
| <small>22</small> | | <small>22</small> | ||
| | | | ||
− | |}<section end=" | + | |- id="LSGarberHTKo22a" |
+ | | <small class="grey">22a</small> | ||
+ | | The correct foundation comes to us from them<br/> Which is known to very few fighters. | ||
+ | |}<section end="4"/> | ||
− | <section begin=" | + | <section begin="5"/>{{red|b=1|Text on the recital's parts}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>26</small> | | <small>26</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="5"/> |
− | <section begin=" | + | <section begin="6"/>'''-Zornhau Follows-''' |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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|- | |- | ||
| <small>31</small> | | <small>31</small> | ||
− | | | + | | <p id="LSGarberHTG31a"><br/></p> |
|- | |- | ||
| <small>32</small> | | <small>32</small> | ||
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| <small>35</small> | | <small>35</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="6"/> |
− | <section begin=" | + | <section begin="7"/>{{red|b=1|The Four Openings}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>37</small> | | <small>37</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="7"/> |
− | <section begin=" | + | <section begin="8"/>{{red|b=1|To Counter the Four Openings}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>41</small> | | <small>41</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="8"/> |
− | <section begin=" | + | <section begin="9"/>{{red|b=1|The Crooked Stroke}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>48</small> | | <small>48</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="9"/> |
− | <section begin=" | + | <section begin="10"/>{{red|b=1|The Thwart Stroke}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>57</small> | | <small>57</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="10"/> |
− | <section begin=" | + | <section begin="11"/>{{red|b=1|The Squinting Stroke}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>62</small> | | <small>62</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="11"/> |
− | <section begin=" | + | <section begin="12"/>{{red|b=1|The Scalp Cut}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>67</small> | | <small>67</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="12"/> |
− | <section begin=" | + | <section begin="13"/>{{red|b=1|The Four Guards}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>69</small> | | <small>69</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="13"/> |
− | <section begin=" | + | <section begin="14"/>{{red|b=1|The Four Oppositions}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>74</small> | | <small>74</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="14"/> |
− | <section begin=" | + | <section begin="15"/>{{red|b=1|Chasing}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>79</small> | | <small>79</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="15"/> |
− | <section begin=" | + | <section begin="16"/>{{red|b=1|Overrunning}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>82</small> | | <small>82</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="16"/> |
− | <section begin=" | + | <section begin="17"/>{{red|b=1|Setting Aside}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>85</small> | | <small>85</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="17"/> |
− | <section begin=" | + | <section begin="18"/>{{red|b=1|Changing Through}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>87</small> | | <small>87</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="18"/> |
− | <section begin=" | + | <section begin="19"/>{{red|b=1|Pulling}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>90</small> | | <small>90</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="19"/> |
− | <section begin=" | + | <section begin="20"/>{{red|b=1|Running Through}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>92</small> | | <small>92</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="20"/> |
− | <section begin=" | + | <section begin="21"/>{{red|b=1|Slicing Off}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>94</small> | | <small>94</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="21"/> |
− | <section begin=" | + | <section begin="22"/>{{red|b=1|Pressing Hands}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>95</small> | | <small>95</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="22"/> |
− | <section begin=" | + | <section begin="23"/>{{red|b=1|Two Hangings}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>97</small> | | <small>97</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="23"/> |
− | <section begin=" | + | <section begin="24"/>{{red|b=1|The Speaking Window}} |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>101</small> | | <small>101</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="24"/> |
− | <section begin=" | + | <section begin="25"/>{{red|b=1|This Is the Conclusion of the Notes}}<br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
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| <small>109</small> | | <small>109</small> | ||
| | | | ||
− | |}<section end=" | + | |}<section end="25"/> |
− | <section begin=" | + | <section begin="26"/><section end="26"/> |
Revision as of 18:52, 25 June 2025
1 | |
2 | |
3 | |
4 | |
4a GWo |
|
4b GWo |
|
5 | |
5a HTG |
|
6 | |
7 | |
8 |
Talhoffer teaches here a general teaching about the long sword from the Zettel, etc.
9 | If you want to behold the art, Then fight to the left, with cuts from the right, |
10 | And to the left against the right If you want to fight strongly. |
11 | Whoever follows after with poor cuts May find little joy in the art. |
12 | Cut close to what you want, Do not allow a Changer on your shield, |
13 | At your head, at the body Do not neglect/avoid Tag hits |
14 | Now fight widely[1] with the whole body Whatever you strongly want to do |
14a | However, additionally remember and also Understand it correctly |
15 | Do not fight above left if you are right |
16 | |
17 | Before/after, two things [that] Are an origin for all art |
18 | Remember your weak and your strong Likewise your work therein |
19 | Thus you can learn To defend yourself with fighting |
20 | Whoever is thus easily frightened Should never learn any fighting. |
Text on the recital's parts
21 | The cuts are five and are called five vowels Learn them correctly and remember them well |
22 | |
22a | The correct foundation comes to us from them Which is known to very few fighters. |
Text on the recital's parts
23 | |
24 | |
25 | |
26 |
-Zornhau Follows-
27 | |
28 | |
29 | |
30 | |
31 | |
32 | |
33 | |
34 | |
35 |
The Four Openings
36 | |
37 |
To Counter the Four Openings
38 | |
39 | |
40 | |
41 |
The Crooked Stroke
42 | |
43 | |
44 | |
45 | |
46 | |
47 | |
48 |
The Thwart Stroke
49 | |
50 | |
51 | |
52 | |
53 | |
54 | |
55 | |
56 | |
57 |
The Squinting Stroke
58 | |
59 | |
60 | |
61 | |
62 |
The Scalp Cut
63 | |
64 | |
65 | |
66 | |
67 |
The Four Guards
68 | |
69 |
The Four Oppositions
70 | |
71 | |
72 | |
73 | |
74 |
Chasing
75 | |
76 | |
77 | |
78 | |
79 |
Overrunning
80 | |
81 | |
82 |
Setting Aside
83 | |
84 | |
85 |
Changing Through
86 | |
87 |
Pulling
88 | |
89 | |
90 |
Running Through
91 | |
92 |
Slicing Off
93 | |
94 |
Pressing Hands
95 |
Two Hangings
96 | |
97 |
The Speaking Window
98 | |
99 | |
100 | |
101 |
This Is the Conclusion of the Notes
102 | |
103 | |
104 | |
105 | |
106 | |
107 | |
108 | |
109 |
- ↑ With full extension