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'''''De lo Schermo, overo Scienza d’Arme''''' ("On Defense, or the Science of Arms") or '''''Sienza e Pratica d’Arme''''' ("Science and Practice of Arms") is an [[nationality::Italian]] [[fencing manual]] written by [[Salvator Fabris]] in the 1590s and printed in 1606. It treats the use of the [[rapier]], both solo and in conjunction with the cloak, [[dagger]], and [[rotella]] shield; it also discusses unarmed defenses against the dagger. Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors.
+
'''''De lo Schermo, overo Scienza d’Arme''''' ("On Defense, or the Science of Arms") or '''''Sienza e Pratica d’Arme''''' ("Science and Practice of Arms") is an [[nationality::Italian]] [[fencing manual]] written by [[Salvator Fabris]] in the 1590s and printed in 1606. It treats the use of the [[rapier]], both solo and in conjunction with the [[dagger]] and the cloak; it also discusses unarmed defenses against the dagger.
 +
 
 +
Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors for over a century after his death.
  
 
== Publication History ==
 
== Publication History ==
  
''Scienza d’Arme'' was first printed in Copenhagen, Denmark, in 1606 by [[Henrico Waltkirch]]. It was based on Fabris' earlier manuscript treatise ''[[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|Scientia e Prattica dell'Arme]]'' (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by [[Nicolaus Andrea of Flensburg]], heraldry and most illustrations by Christian Ⅳ's court artist [[Jan van Halbeeck]], and additional illustrations by [[Francesco Valesio]]. In 1624, Pietro-Paolo Tozzi reprinted the treatise in Fabris' native Padua under the title ''Della vera pratica et scienza d’armi''.
+
''Scienza d’Arme'' was first printed in Copenhagen, Denmark, in 1606 by [[Henrico Waltkirch]]. It was based on Fabris' earlier manuscript treatise ''[[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|Scientia e Prattica dell'Arme]]'' (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by [[Nicolaus Andrea of Flensburg]], heraldry and most illustrations by Christian Ⅳ's court artist [[Jan van Halbeeck]], and additional illustrations by [[Francesco Valesio]]. At some point, probably during or immediately after the printing, a second title page was created with a much longer title (using the same decorative frame as the original but masking out and replacing the original text); this was added as a second title page to some copies and replaced the original title page in others (perhaps because some of the original title pages were damaged and unusable).<ref>Of 24 copies surveyed by [[Michael Chidester]], 14 had only the first title page, 3 had only the second title page, 6 had both title pages, and 1 had neither (instead, a second copy of page 151 was glued into the beginning of the book to serve as a title page and modified to refer to the first book).</ref>
  
The first translation of Fabris was in 1619, a German edition published in Leiden by Isack Elzevier under the title ''Des Kunstreichen Italiänische Fechtkunst'' ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the [[Fechtkunst aus dem Italienischen (MS Dresd.C.94a)|MS Dresd.C.94a]].
+
In 1624, unsold copies of the first edition were apparently acquired by Pietro-Paolo Tozzi in Fabris' native Padua, who re-released them under the title ''Della vera pratica et scienza d’armi''.<ref>This is often described as a second edition.</ref> To ready them for sale, Tozzi replaced damaged pages from the first signature, including the title page, with new printed pages and also covered the publication information at the back of the book with a decorative paper patch.
 +
 
 +
The first translation of Fabris came in 1619, a German edition published in Leiden by Isack Elzevier under the title ''Des Kunstreichen Italiänische Fechtkunst'' ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the [[Fechtkunst aus dem Italienischen (MS Dresd.C.94a)|MS Dresd.C.94a]].
  
 
In 1622, book II of Fabris' treatise received another German translation and its first French translation, which were published in Frankfurt by Jacob de Zeter. This the first multilingual and parallel text edition of Fabris' work. Zeter included this work as book II of his 1619 translations of [[Nicoletto Giganti]]'s 1606 treatise ''[[Scola, overo teatro (Nicoletto Giganti)|Scola, overo teatro]]'' ("School or Theater"), which he published in separate French and German editions titled ''Escrime Novvelle ov Theatre'' ("New Fencing or Theater") and ''Newe Fechtkunst Oder Schawplatz'' ("New Fencing Art or Show Place") respectively, both of which contained both translations of the text. This has oddly lead various fencing historians to accuse Giganti himself of plagiarism.<ref>This accusation was first made by [[Johann Joachim Hynitzsch]] (see below), who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.</ref> Unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of Fabris' section with a slip of paper saying "1644".  
 
In 1622, book II of Fabris' treatise received another German translation and its first French translation, which were published in Frankfurt by Jacob de Zeter. This the first multilingual and parallel text edition of Fabris' work. Zeter included this work as book II of his 1619 translations of [[Nicoletto Giganti]]'s 1606 treatise ''[[Scola, overo teatro (Nicoletto Giganti)|Scola, overo teatro]]'' ("School or Theater"), which he published in separate French and German editions titled ''Escrime Novvelle ov Theatre'' ("New Fencing or Theater") and ''Newe Fechtkunst Oder Schawplatz'' ("New Fencing Art or Show Place") respectively, both of which contained both translations of the text. This has oddly lead various fencing historians to accuse Giganti himself of plagiarism.<ref>This accusation was first made by [[Johann Joachim Hynitzsch]] (see below), who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.</ref> Unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of Fabris' section with a slip of paper saying "1644".  
  
In 1676, [[Johann Joachim Hynitzsch]] published an Italian-German parallel text in Leipzig titled ''Sienza e pratica d’arme''. This edition included yet another German translation, either by Hynitzsch or possibly his teacher, [[Hans von und zum Felde]], as well as a preface in which he denigrated all prior German publications on Fabris (specifically mentioning the translations of Elzevier and Zeter and the derivative works of [[Hans Wilhelm Schöffer von Dietz|Hans Wilhelm Schöffer]] and [[Sebastian Heußler]]). There is evidence that this translation was circulated in multiple manuscripts prior to publication. Hynitzsch's edition was reprinted in Leipzig in 1713.
+
In 1676, [[Johann Joachim Hynitzsch]] published an Italian-German parallel text in Leipzig titled ''Sienza e pratica d'arme''. This edition included yet another German translation, either by Hynitzsch or possibly his teacher, [[Hans von und zum Felde]], as well as a preface in which he denigrated all prior German publications on Fabris (specifically mentioning the translations of Elzevier and Zeter and the derivative works of [[Hans Wilhelm Schöffer von Dietz|Hans Wilhelm Schöffer]] and [[Sebastian Heußler]]). There is evidence that this translation was circulated in multiple manuscripts prior to publication. Hynitzsch's edition was reprinted in Leipzig in 1713.
  
Fabris' treatise was translated into English by [[A. F. Johnson]] in the early 1900s; multiple typescripts were produced of the final draft, but it was not published until the [[HEMA Bookshelf]] edition of 2022. A second English translation was produced by Tom Leoni and published by [[Chivalry Bookshelf]] in 2005 under the title ''The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''; this was reprinted (without its introductory material) through a self-publishing service in 2016. In 2010, it was translated into Spanish by [[Eugenio Garcia-Salmones]] and published under the title ''La esgrima o la ciencia de las armas'' ("Fencing, or the Science of Arms").
+
Fabris' treatise was translated into English by [[A. F. Johnson]] in the early 1900s and given the title ''Fencing or the Science of Arms''; multiple typescripts were produced of the final draft, but it was not published until the [[HEMA Bookshelf]] edition of 2022. A second English translation was produced by Tom Leoni and published by [[Chivalry Bookshelf]] in 2005 under the title ''The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''; this was reprinted (without its introductory material) through a self-publishing service in 2016. In 2010, it was translated into Spanish by [[Eugenio Garcia-Salmones]] and published under the title ''La esgrima o la ciencia de las armas'' ("Fencing, or the Science of Arms").
  
 
== Contents ==
 
== Contents ==
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{{image|h=1|Scienza d’Arme (Fabris) 189.jpg|Figure 189}}
 
{{image|h=1|Scienza d’Arme (Fabris) 189.jpg|Figure 189}}
 
{{image|h=1|Scienza d’Arme (Fabris) 190.jpg|Figure 190}}
 
{{image|h=1|Scienza d’Arme (Fabris) 190.jpg|Figure 190}}
 +
 +
<h3 style="clear: both;"> Windsor variant </h3>
 +
 +
An apparently-unique copy of Fabris owned by a private collector in UK has the title page and dedication from the first dition, but the entire second signature and one sheet from the third signature were replaced for unknown reasons, apparently prior to the original binding; the type was reset for the replacement pages and the page breaks don't quite align with the original. These pages are included below.
 +
 +
{{image|Fabris Windsor 007.jpg|7}}
 +
{{image|Fabris Windsor 008.jpg|8}}
 +
{{image|Fabris Windsor 009.jpg|9}}
 +
{{image|Fabris Windsor 010.jpg|10}}
 +
{{image|Fabris Windsor 011.jpg|11}}
 +
{{image|Fabris Windsor 012.jpg|12}}
 +
{{image|Fabris Windsor 013.jpg|13}}
 +
{{image|Fabris Windsor 014.jpg|14}}
 +
{{image|Fabris Windsor 015.jpg|15}}
 +
{{image|Fabris Windsor 016.jpg|16}}
 +
{{image|Fabris Windsor 017.jpg|17}}
 +
{{image|Fabris Windsor 018.jpg|18}}
 +
{{image|ph=1||19 (standard)}}
 +
{{image|ph=1||20 (standard)}}
 +
{{image|ph=1||21 (standard)}}
 +
{{image|ph=1||22 (standard)}}
 +
{{image|Fabris Windsor 023.jpg|23}}
 +
{{image|Fabris Windsor 024.jpg|24}}
 +
{{image|Fabris Windsor 025.jpg|25}}
 +
{{image|Fabris Windsor 026.jpg|26}}
 +
 +
<h3 style="clear: both;"> 1624 edition </h3>
 +
 +
This was not a true second edition, but rather a re-release of unsold copies of the first edition. The inner and outer sheets of the first signature (including the title page) were replaced, possibly due to damage to all remaining books. The replacement pages are included below. Additionally, the colophon on the final page was covered up with a decorative paper patch.
 +
 +
{{image|Fabris 1624 I Title.jpg|A1}}
 +
{{image|Fabris 1624 A1v.png|A1v}}
 +
{{image|ph=1||A2 (standard)}}
 +
{{image|ph=1||A2v (standard)}}
 +
{{image|Fabris 1624 A3r.png|A3}}
 +
{{image|Fabris 1624 A3v.png|A3v}}
 +
{{image|Fabris 1624 001.png|1}}
 +
{{image|Fabris 1624 002.png|2}}
 +
{{image|ph=1||3 (standard)}}
 +
{{image|ph=1||4 (standard)}}
 +
{{image|Fabris 1624 005.png|5}}
 +
{{image|Fabris 1624 006.png|6}}
 +
{{image|Fabris 1624 256.png|256}}
 +
 
{{-}}
 
{{-}}
  
 
== Additional Resources ==
 
== Additional Resources ==
  
* [[Johnson, A. F.]] ''Fencing or the Science of Arms by Salvator Fabris: Illustrated Edition''. Somerville, MA: [[HEMA Bookshelf]], 2022. ISBN 978-1-953683-23-6
+
{{bibliography}}
* [[Johnson, A. F.]] ''Fencing or the Science of Arms by Salvator Fabris: Unillustrated Edition''. Somerville, MA: [[HEMA Bookshelf]], 2022. ISBN 978-1-953683-21-2
 
* [[Eugenio Garcia-Salmones|Garcia-Salmones, Eugenio]]. ''La esgrima o la ciencia de las armas: Libro primero, 1606''. [[Editorial Sacauntos]], 2010. ISBN 978-84-937207-8-0
 
* [[Eugenio Garcia-Salmones|Garcia-Salmones, Eugenio]]. ''La esgrima o la ciencia de las armas: Libro segundo, 1606''. [[Editorial Edizer]], 2011. ISBN 978-84-938120-8-9
 
* Leoni, Tom. ''The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''.
 
** First Edition: Highland Village, TX: [[Chivalry Bookshelf]], 2005. ISBN 1-891448-23-4
 
** Second Edition: Self-published, 2016.
 
  
 
== References ==
 
== References ==
Line 360: Line 412:
 
  | authors    = [[transcriber::Alex Kiermayer]]
 
  | authors    = [[transcriber::Alex Kiermayer]]
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Sienza e pratica d’arme (Johann Joachim Hynitzsch) 1677.pdf|Index:Sienza e pratica d’arme (Johann Joachim Hynitzsch)]]
+
  | source title= [[Index:Sienza e pratica d'arme (Johann Joachim Hynitzsch) 1677.pdf|Index:Sienza e pratica d'arme (Johann Joachim Hynitzsch)]]
 
  | license    = copyrighted
 
  | license    = copyrighted
 
}}
 
}}

Latest revision as of 18:45, 10 April 2024

Scienza d’Arme
The Science of Arms
Scienza d’Arme (Fabris) Title 1.png
Author(s) Salvator Fabris
Illustrated by
Dedicated to Christian Ⅳ of Denmark
Place of origin Copenhagen
Language Italian
Genre(s) Fencing manual
Sources GI.kgl.Saml.1868 4040 (1601)
Publisher Henrico Waltkirch
Publication date 1606, 1619, 1622, 1624, 1650, 1672,
1676, 1713
First english
edition
Leoni, 2005
Pages 256 pages
Treatise scans

De lo Schermo, overo Scienza d’Arme ("On Defense, or the Science of Arms") or Sienza e Pratica d’Arme ("Science and Practice of Arms") is an Italian fencing manual written by Salvator Fabris in the 1590s and printed in 1606. It treats the use of the rapier, both solo and in conjunction with the dagger and the cloak; it also discusses unarmed defenses against the dagger.

Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors for over a century after his death.

Publication History

Scienza d’Arme was first printed in Copenhagen, Denmark, in 1606 by Henrico Waltkirch. It was based on Fabris' earlier manuscript treatise Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by Nicolaus Andrea of Flensburg, heraldry and most illustrations by Christian Ⅳ's court artist Jan van Halbeeck, and additional illustrations by Francesco Valesio. At some point, probably during or immediately after the printing, a second title page was created with a much longer title (using the same decorative frame as the original but masking out and replacing the original text); this was added as a second title page to some copies and replaced the original title page in others (perhaps because some of the original title pages were damaged and unusable).[1]

In 1624, unsold copies of the first edition were apparently acquired by Pietro-Paolo Tozzi in Fabris' native Padua, who re-released them under the title Della vera pratica et scienza d’armi.[2] To ready them for sale, Tozzi replaced damaged pages from the first signature, including the title page, with new printed pages and also covered the publication information at the back of the book with a decorative paper patch.

The first translation of Fabris came in 1619, a German edition published in Leiden by Isack Elzevier under the title Des Kunstreichen Italiänische Fechtkunst ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the MS Dresd.C.94a.

In 1622, book II of Fabris' treatise received another German translation and its first French translation, which were published in Frankfurt by Jacob de Zeter. This the first multilingual and parallel text edition of Fabris' work. Zeter included this work as book II of his 1619 translations of Nicoletto Giganti's 1606 treatise Scola, overo teatro ("School or Theater"), which he published in separate French and German editions titled Escrime Novvelle ov Theatre ("New Fencing or Theater") and Newe Fechtkunst Oder Schawplatz ("New Fencing Art or Show Place") respectively, both of which contained both translations of the text. This has oddly lead various fencing historians to accuse Giganti himself of plagiarism.[3] Unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of Fabris' section with a slip of paper saying "1644".

In 1676, Johann Joachim Hynitzsch published an Italian-German parallel text in Leipzig titled Sienza e pratica d'arme. This edition included yet another German translation, either by Hynitzsch or possibly his teacher, Hans von und zum Felde, as well as a preface in which he denigrated all prior German publications on Fabris (specifically mentioning the translations of Elzevier and Zeter and the derivative works of Hans Wilhelm Schöffer and Sebastian Heußler). There is evidence that this translation was circulated in multiple manuscripts prior to publication. Hynitzsch's edition was reprinted in Leipzig in 1713.

Fabris' treatise was translated into English by A. F. Johnson in the early 1900s and given the title Fencing or the Science of Arms; multiple typescripts were produced of the final draft, but it was not published until the HEMA Bookshelf edition of 2022. A second English translation was produced by Tom Leoni and published by Chivalry Bookshelf in 2005 under the title The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606; this was reprinted (without its introductory material) through a self-publishing service in 2016. In 2010, it was translated into Spanish by Eugenio Garcia-Salmones and published under the title La esgrima o la ciencia de las armas ("Fencing, or the Science of Arms").

Contents

1 - 76 Book 1 part 1 - Rapier by Salvator Fabris
76 - 133 Book 1 part 2 - Rapier and dagger by Salvator Fabris
134 - 149 Book 1 part 3 - Rapier and cloak by Salvator Fabris
151 - 218 Book 2 part 1 - Rapier by Salvator Fabris
218 - 242 Book 2 part 2 - Rapier and dagger by Salvator Fabris
243 - 256 Book 2 part 3 - Grappling, dagger, and cloak

Gallery

Title pages

First title (1606)
Scienza d’Arme (Fabris) Title 1.png
Second title (1606)
Scienza d’Arme (Fabris) Title 2.jpg
1619 German
Fabris 1619 Title.png
1522 French/German
Fabris 1622 Title.jpg
1624 Italian
Fabris 1624 I Title.jpg
1644 French/German
Fabris 1644 Title.png
1650 German
1672 Latin
1677 Italian/German
Fabris 1677 Title.png
1713 Italian/German
Fabris 1713 Title.jpg


Illustrations

Heraldry
Scienza d’Arme (Fabris) Heraldry.jpg
Christian Ⅳ
Scienza d’Arme (Fabris) Portrait 1.jpg
Salvator Fabris
Scienza d’Arme (Fabris) Portrait 2.jpg
Cutting diagram
Scienza d’Arme (Fabris) Segno.jpg
Figure 1
Scienza d’Arme (Fabris) 001.jpg
Figure 2
Scienza d’Arme (Fabris) 002.jpg
Figure 3
Scienza d’Arme (Fabris) 003.jpg
Figure 4
Scienza d’Arme (Fabris) 004.jpg
Figure 5
Scienza d’Arme (Fabris) 005.jpg
Figure 6
Scienza d’Arme (Fabris) 006.jpg
Figure 7
Scienza d’Arme (Fabris) 007.jpg
Figure 8
Scienza d’Arme (Fabris) 008.jpg
Figure 9
Scienza d’Arme (Fabris) 009.jpg
Figure 10
Scienza d’Arme (Fabris) 010.jpg
Figure 11
Scienza d’Arme (Fabris) 011.jpg
Figure 12
Scienza d’Arme (Fabris) 012.jpg
Figure 13
Scienza d’Arme (Fabris) 013.jpg
Figure 14
Scienza d’Arme (Fabris) 014.jpg
Figure 15
Scienza d’Arme (Fabris) 015.jpg
Figure 16
Scienza d’Arme (Fabris) 016.jpg
Figure 17
Scienza d’Arme (Fabris) 017.jpg
Figure 18
Scienza d’Arme (Fabris) 018.jpg
Figure 19
Scienza d’Arme (Fabris) 019.jpg
Figure 20
Scienza d’Arme (Fabris) 020.jpg
Figure 21
Scienza d’Arme (Fabris) 021.jpg
Figure 22
Scienza d’Arme (Fabris) 022.jpg
Figure 23
Scienza d’Arme (Fabris) 023.jpg
Figure 24
Scienza d’Arme (Fabris) 024.jpg
Figure 25
Scienza d’Arme (Fabris) 025.jpg
Figure 26
Scienza d’Arme (Fabris) 026.jpg
Figure 27
Scienza d’Arme (Fabris) 027.jpg
Figure 28
Scienza d’Arme (Fabris) 028.jpg
Figure 29
Scienza d’Arme (Fabris) 029.jpg
Figure 30
Scienza d’Arme (Fabris) 030.jpg
Figure 31
Scienza d’Arme (Fabris) 031.jpg
Figure 32
Scienza d’Arme (Fabris) 032.jpg
Figure 33
Scienza d’Arme (Fabris) 033.jpg
Figure 34
Scienza d’Arme (Fabris) 034.jpg
Figure 35
Scienza d’Arme (Fabris) 035.jpg
Figure 36
Scienza d’Arme (Fabris) 036.jpg
Figure 37
Scienza d’Arme (Fabris) 037.jpg
Figure 38
Scienza d’Arme (Fabris) 038.jpg
Figure 39
Scienza d’Arme (Fabris) 039.jpg
Figure 40
Scienza d’Arme (Fabris) 040.jpg
Figure 41
Scienza d’Arme (Fabris) 041.jpg
Figure 42
Scienza d’Arme (Fabris) 042.jpg
Figure 43
Scienza d’Arme (Fabris) 043.jpg
Figure 44
Scienza d’Arme (Fabris) 044.jpg
Figure 45
Scienza d’Arme (Fabris) 045.jpg
Figure 46
Scienza d’Arme (Fabris) 046.jpg
Figure 47
Scienza d’Arme (Fabris) 047.jpg
Figure 48
Scienza d’Arme (Fabris) 048.jpg
Figure 49
Scienza d’Arme (Fabris) 049.jpg
Figure 50
Scienza d’Arme (Fabris) 050.jpg
Figure 51
Scienza d’Arme (Fabris) 051.jpg
Figure 52
Scienza d’Arme (Fabris) 052.jpg
Figure 53
Scienza d’Arme (Fabris) 053.jpg
Figure 54
Scienza d’Arme (Fabris) 054.jpg
Figure 55
Scienza d’Arme (Fabris) 055.jpg
Figure 56
Scienza d’Arme (Fabris) 056.jpg
Figure 57
Scienza d’Arme (Fabris) 057.jpg
Figure 58
Scienza d’Arme (Fabris) 058.jpg
Figure 59
Scienza d’Arme (Fabris) 059.jpg
Figure 60
Scienza d’Arme (Fabris) 060.jpg
Figure 61
Scienza d’Arme (Fabris) 061.jpg
Figure 62
Scienza d’Arme (Fabris) 062.jpg
Figure 63
Scienza d’Arme (Fabris) 063.jpg
Figure 64
Scienza d’Arme (Fabris) 064.jpg
Figure 65
Scienza d’Arme (Fabris) 065.jpg
Figure 66
Scienza d’Arme (Fabris) 066.jpg
Figure 67
Scienza d’Arme (Fabris) 067.jpg
Figure 68
Scienza d’Arme (Fabris) 068.jpg
Figure 69
Scienza d’Arme (Fabris) 069.jpg
Figure 70
Scienza d’Arme (Fabris) 070.jpg
Figure 71
Scienza d’Arme (Fabris) 071.jpg
Figure 72
Scienza d’Arme (Fabris) 072.jpg
Figure 73
Scienza d’Arme (Fabris) 073.jpg
Figure 74
Scienza d’Arme (Fabris) 074.jpg
Figure 75
Scienza d’Arme (Fabris) 075.jpg
Figure 76
Scienza d’Arme (Fabris) 076.jpg
Figure 77
Scienza d’Arme (Fabris) 077.jpg
Figure 78
Scienza d’Arme (Fabris) 078.jpg
Figure 79
Scienza d’Arme (Fabris) 079.jpg
Figure 80
Scienza d’Arme (Fabris) 080.jpg
Figure 81
Scienza d’Arme (Fabris) 081.jpg
Figure 82
Scienza d’Arme (Fabris) 082.jpg
Figure 83
Scienza d’Arme (Fabris) 083.jpg
Figure 84
Scienza d’Arme (Fabris) 084.jpg
Figure 85
Scienza d’Arme (Fabris) 085.jpg
Figure 86
Scienza d’Arme (Fabris) 086.jpg
Figure 87
Scienza d’Arme (Fabris) 087.jpg
Figure 88
Scienza d’Arme (Fabris) 088.jpg
Figure 89
Scienza d’Arme (Fabris) 089.jpg
Figure 90
Scienza d’Arme (Fabris) 090.jpg
Figure 91
Scienza d’Arme (Fabris) 091.jpg
Figure 92
Scienza d’Arme (Fabris) 092.jpg
Figure 93
Scienza d’Arme (Fabris) 093.jpg
Figure 94
Scienza d’Arme (Fabris) 094.jpg
Figure 95
Scienza d’Arme (Fabris) 095.jpg
Figure 96
Scienza d’Arme (Fabris) 096.jpg
Figure 97
Scienza d’Arme (Fabris) 097.jpg
Figure 98
Scienza d’Arme (Fabris) 098.jpg
Figure 99
Scienza d’Arme (Fabris) 099.jpg
Figure 100
Scienza d’Arme (Fabris) 100.jpg
Figure 101
Scienza d’Arme (Fabris) 101.jpg
Figure 102
Scienza d’Arme (Fabris) 102.jpg
Figure 103
Scienza d’Arme (Fabris) 103.jpg
Figure 104
Scienza d’Arme (Fabris) 104.jpg
Figure 105
Scienza d’Arme (Fabris) 105.jpg
Figure 106
Scienza d’Arme (Fabris) 106.jpg
Figure 107
Scienza d’Arme (Fabris) 107.jpg
Figure 108
Scienza d’Arme (Fabris) 108.jpg
Figure 109
Scienza d’Arme (Fabris) 109.jpg
Figure 110
Scienza d’Arme (Fabris) 110.jpg
Figure 111
Scienza d’Arme (Fabris) 111.jpg
Figure 112
Scienza d’Arme (Fabris) 112.jpg
Figure 113
Scienza d’Arme (Fabris) 113.jpg
Figure 114
Scienza d’Arme (Fabris) 114.jpg
Figure 115
Scienza d’Arme (Fabris) 115.jpg
Figure 116
Scienza d’Arme (Fabris) 116.jpg
Figure 117
Scienza d’Arme (Fabris) 117.jpg
Figure 118
Scienza d’Arme (Fabris) 118.jpg
Figure 119
Scienza d’Arme (Fabris) 119.jpg
Figure 120
Scienza d’Arme (Fabris) 120.jpg
Figure 121
Scienza d’Arme (Fabris) 121.jpg
Figure 122
Scienza d’Arme (Fabris) 122.jpg
Figure 123
Scienza d’Arme (Fabris) 123.jpg
Figure 124
Scienza d’Arme (Fabris) 124.jpg
Figure 125
Scienza d’Arme (Fabris) 125.jpg
Figure 126
Scienza d’Arme (Fabris) 126.jpg
Figure 127
Scienza d’Arme (Fabris) 127.jpg
Figure 128
Scienza d’Arme (Fabris) 128.jpg
Figure 129
Scienza d’Arme (Fabris) 129.jpg
Figure 130
Scienza d’Arme (Fabris) 130.jpg
Figure 131
Scienza d’Arme (Fabris) 131.jpg
Figure 132
Scienza d’Arme (Fabris) 132.jpg
Figure 133
Scienza d’Arme (Fabris) 133.jpg
Figure 134
Scienza d’Arme (Fabris) 134.jpg
Figure 135
Scienza d’Arme (Fabris) 135.jpg
Figure 136
Scienza d’Arme (Fabris) 136.jpg
Figure 137
Scienza d’Arme (Fabris) 137.jpg
Figure 138
Scienza d’Arme (Fabris) 138.jpg
Figure 139
Scienza d’Arme (Fabris) 139.jpg
Figure 140
Scienza d’Arme (Fabris) 140.jpg
Figure 141
Scienza d’Arme (Fabris) 141.jpg
Figure 142
Scienza d’Arme (Fabris) 142.jpg
Figure 143
Scienza d’Arme (Fabris) 143.jpg
Figure 144
Scienza d’Arme (Fabris) 144.jpg
Figure 145
Scienza d’Arme (Fabris) 145.jpg
Figure 146
Scienza d’Arme (Fabris) 146.jpg
Figure 147
Scienza d’Arme (Fabris) 147.jpg
Figure 148
Scienza d’Arme (Fabris) 148.jpg
Figure 149
Scienza d’Arme (Fabris) 149.jpg
Figure 150
Scienza d’Arme (Fabris) 150.jpg
Figure 151
Scienza d’Arme (Fabris) 151.jpg
Figure 152
Scienza d’Arme (Fabris) 152.jpg
Figure 153
Scienza d’Arme (Fabris) 153.jpg
Figure 154
Scienza d’Arme (Fabris) 154.jpg
Figure 155
Scienza d’Arme (Fabris) 155.jpg
Figure 156
Scienza d’Arme (Fabris) 156.jpg
Figure 157
Scienza d’Arme (Fabris) 157.jpg
Figure 158
Scienza d’Arme (Fabris) 158.jpg
Figure 159
Scienza d’Arme (Fabris) 159.jpg
Figure 160
Scienza d’Arme (Fabris) 160.jpg
Figure 161
Scienza d’Arme (Fabris) 161.jpg
Figure 162
Scienza d’Arme (Fabris) 162.jpg
Figure 163
Scienza d’Arme (Fabris) 163.jpg
Figure 164
Scienza d’Arme (Fabris) 164.jpg
Figure 165
Scienza d’Arme (Fabris) 165.jpg
Figure 166
Scienza d’Arme (Fabris) 166.jpg
Figure 167
Scienza d’Arme (Fabris) 167.jpg
Figure 168
Scienza d’Arme (Fabris) 168.jpg
Figure 169
Scienza d’Arme (Fabris) 169.jpg
Figure 170
Scienza d’Arme (Fabris) 170.jpg
Figure 171
Scienza d’Arme (Fabris) 171.jpg
Figure 172
Scienza d’Arme (Fabris) 172.jpg
Figure 173
Scienza d’Arme (Fabris) 173.jpg
Figure 174
Scienza d’Arme (Fabris) 174.jpg
Figure 175
Scienza d’Arme (Fabris) 175.jpg
Figure 176
Scienza d’Arme (Fabris) 176.jpg
Figure 177
Scienza d’Arme (Fabris) 177.jpg
Figure 178
Scienza d’Arme (Fabris) 178.jpg
Figure 179
Scienza d’Arme (Fabris) 179.jpg
Figure 180
Scienza d’Arme (Fabris) 180.jpg
Figure 181
Scienza d’Arme (Fabris) 181.jpg
Figure 182
Scienza d’Arme (Fabris) 182.jpg
Figure 183
Scienza d’Arme (Fabris) 183.jpg
Figure 184
Scienza d’Arme (Fabris) 184.jpg
Figure 185
Scienza d’Arme (Fabris) 185.jpg
Figure 186
Scienza d’Arme (Fabris) 186.jpg
Figure 187
Scienza d’Arme (Fabris) 187.jpg
Figure 188
Scienza d’Arme (Fabris) 188.jpg
Figure 189
Scienza d’Arme (Fabris) 189.jpg
Figure 190
Scienza d’Arme (Fabris) 190.jpg

Windsor variant

An apparently-unique copy of Fabris owned by a private collector in UK has the title page and dedication from the first dition, but the entire second signature and one sheet from the third signature were replaced for unknown reasons, apparently prior to the original binding; the type was reset for the replacement pages and the page breaks don't quite align with the original. These pages are included below.

7
Fabris Windsor 007.jpg
8
Fabris Windsor 008.jpg
9
Fabris Windsor 009.jpg
10
Fabris Windsor 010.jpg
11
Fabris Windsor 011.jpg
12
Fabris Windsor 012.jpg
13
Fabris Windsor 013.jpg
14
Fabris Windsor 014.jpg
15
Fabris Windsor 015.jpg
16
Fabris Windsor 016.jpg
17
Fabris Windsor 017.jpg
18
Fabris Windsor 018.jpg
19 (standard)
20 (standard)
21 (standard)
22 (standard)
23
Fabris Windsor 023.jpg
24
Fabris Windsor 024.jpg
25
Fabris Windsor 025.jpg
26
Fabris Windsor 026.jpg

1624 edition

This was not a true second edition, but rather a re-release of unsold copies of the first edition. The inner and outer sheets of the first signature (including the title page) were replaced, possibly due to damage to all remaining books. The replacement pages are included below. Additionally, the colophon on the final page was covered up with a decorative paper patch.

A1
Fabris 1624 I Title.jpg
A1v
Fabris 1624 A1v.png
A2 (standard)
A2v (standard)
A3
Fabris 1624 A3r.png
A3v
Fabris 1624 A3v.png
1
Fabris 1624 001.png
2
Fabris 1624 002.png
3 (standard)
4 (standard)
5
Fabris 1624 005.png
6
Fabris 1624 006.png
256
Fabris 1624 256.png


Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

None.

References

  1. Of 24 copies surveyed by Michael Chidester, 14 had only the first title page, 3 had only the second title page, 6 had both title pages, and 1 had neither (instead, a second copy of page 151 was glued into the beginning of the book to serve as a title page and modified to refer to the first book).
  2. This is often described as a second edition.
  3. This accusation was first made by Johann Joachim Hynitzsch (see below), who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.

Copyright and License Summary

For further information, including transcription and translation notes, see the discussion page.

Work Author(s) Source License
Images Nicolaus Andrea of Flensburg, Jan van Halbeeck, Francesco Valesio Guy Windsor
Public Domain.png
Transcription (1606) Michael Chidester Index:Scienza d’Arme (Salvator Fabris) 1606
CCBYNCSA30.png
French Translation (1619) Index:Escrime Novvelle ou Theatre (Salvator Fabris) Book 2
CCBYSA30.png
German Translation (1677) Alex Kiermayer Index:Sienza e pratica d'arme (Johann Joachim Hynitzsch)
Copyrighted.png