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{{Infobox book
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{{DISPLAYTITLE:''Scienza d’Arme'' (Salvator Fabris)}}
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{{infobox book
 
<!----------Name---------->
 
<!----------Name---------->
| name                      = Scienza d’Arme
+
| name                      = ''Scienza d’Arme''
 
| subtitle                  = [[title::The Science of Arms]]
 
| subtitle                  = [[title::The Science of Arms]]
  
 
<!----------Image---------->
 
<!----------Image---------->
| image                    = File:Scienza d’Arme (Fabris) Title 2.jpg
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| image                    = File:Scienza d’Arme (Fabris) Title 1.jpg
 
| width                    = 200px
 
| width                    = 200px
 
| caption                  =  
 
| caption                  =  
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| translator(s)            =  
 
| translator(s)            =  
 
| patron                    =  
 
| patron                    =  
| dedicated to              =  
+
| dedicated to              = Christian Ⅳ of Denmark
| place of origin          = Copenhagen, Denmark
+
| place of origin          = Copenhagen
 
| language                  = [[language::Italian]]
 
| language                  = [[language::Italian]]
 
| subject                  =  
 
| subject                  =  
 
| genre                    = [[type::Fencing manual]]
 
| genre                    = [[type::Fencing manual]]
| sources                  =  
+
| sources                  = [[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|GI.kgl.Saml.1868 4040]] (1601)
 
| publisher                = [[publisher::Henrico Waltkirch]]
 
| publisher                = [[publisher::Henrico Waltkirch]]
 
| pub_date                  = [[year::1606,&nbsp;1619,&nbsp;1622,<br/>1624,&nbsp;1672,&nbsp;1676,<br/>1713|1606,&nbsp;1619,&nbsp;1622,&nbsp;1624,&nbsp;1650,&nbsp;1672,<br/>1676, 1713]]
 
| pub_date                  = [[year::1606,&nbsp;1619,&nbsp;1622,<br/>1624,&nbsp;1672,&nbsp;1676,<br/>1713|1606,&nbsp;1619,&nbsp;1622,&nbsp;1624,&nbsp;1650,&nbsp;1672,<br/>1676, 1713]]
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| images                    = {{collapsible list
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<!-- | [http://www.faegtekunstensvenner.net/SalvatoreFabris/Index.htm Digital scans] (1606) -->
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  | [http://www.umass.edu/renaissance/sites/default/files/assets/renaissance/lord/Fabris_1606.pdf B&W photocopy] (1606)
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  | [http://mac9.ucc.nau.edu/manuscripts/sfabris.pdf B&W photocopy] (1606)
 
  | [http://mac9.ucc.nau.edu/manuscripts/sfabris.pdf B&W photocopy] (1606)
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  | [http://resolver.sub.uni-goettingen.de/purl?PPN653927681 Digital scans] (1713)
 
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}}
 
}}
 
| below                    =  
 
| below                    =  
 
}}
 
}}
'''''Sienza e Pratica d’Arme''''' ("Science and Practice of Arms") or '''''De lo Schermo, overo Scienza d’Arme''''' ("On Defense, or the Science of Arms") is an [[nationality::Italian]] [[fencing manual]] written by [[Salvator Fabris]] in the 1590s and printed in 1606. It treats the use of the [[rapier]], both solo and in conjunction with the cloak, [[dagger]], and [[rotella]] shield; it also discusses unarmed defenses against the dagger. Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors.
+
'''''De lo Schermo, overo Scienza d’Arme''''' ("On Defense, or the Science of Arms") or '''''Sienza e Pratica d’Arme''''' ("Science and Practice of Arms") is an [[nationality::Italian]] [[fencing manual]] written by [[Salvator Fabris]] in the 1590s and printed in 1606. It treats the use of the [[rapier]], both solo and in conjunction with the [[dagger]] and the cloak; it also discusses unarmed defenses against the dagger.
 +
 
 +
Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors for over a century after his death.
  
 
== Publication History ==
 
== Publication History ==
  
''Scienza d’Arme'' was first printed in Copenhagen, Denmark, in 1606 by [[Henrico Waltkirch]]. It was based on Fabris' earlier manuscript treatise ''[[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|Scientia e Prattica dell'Arme]]'' (GI.kgl.Saml.1868.4040). The text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, neoclassical style. It included a title page and portraits engraved by [[Nicolaus Andrea of Flensburg]], coat of arms and most illustrations by Christian IV's court artist [[Jan van Halbeeck]], and additional illustrations by [[Francesco Valesio]]. In 1624, Pietro-Paolo Tozzi reprinted the treatise in Fabris' native Padua under the title ''Della vera pratica et scienza d’armi, libri due, pera di Salvatore Fabris''.  
+
''Scienza d’Arme'' was first printed in Copenhagen, Denmark, in 1606 by [[Henrico Waltkirch]]. It was based on Fabris' earlier manuscript treatise ''[[Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040)|Scientia e Prattica dell'Arme]]'' (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by [[Nicolaus Andrea of Flensburg]], heraldry and most illustrations by Christian 's court artist [[Jan van Halbeeck]], and additional illustrations by [[Francesco Valesio]]. At some point, probably during or immediately after the printing, a second title page was created with a much longer title (using the same decorative frame as the original but masking out and replacing the original text); this was added as a second title page to some copies and replaced the original title page in others (perhaps because some of the original title pages were damaged and unusable).<ref>Of 24 copies surveyed by [[Michael Chidester]], 14 had only the first title page, 3 had only the second title page, 6 had both title pages, and 1 had neither (instead, a second copy of page 151 was glued into the beginning of the book to serve as a title page and modified to refer to the first book).</ref>
  
The first translation of Frabris was in 1619, a German edition published in Leiden by Isack Elzevier under the title ''Des Kunstreichen Italiänische Fechtkunst'' ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. In 1672, Fabris' work was translated into Latin and published in Württemberg.
+
In 1624, unsold copies of the first edition were apparently acquired by Pietro-Paolo Tozzi in Fabris' native Padua, who re-released them under the title ''Della vera pratica et scienza d’armi''.<ref>This is often described as a second edition.</ref> To ready them for sale, Tozzi replaced damaged pages from the first signature, including the title page, with new printed pages and also covered the publication information at the back of the book with a decorative paper patch.
  
Also in 1619, Jacob de Zeter published the first parallel text edition of Fabris' work, including both French and German versions of Book II, under the title ''Escrime Novvelle ov Theatre'' ("New Fencing or Theater") in Vienna; two further editions were printed in 1622 and 1624. (This first parallel text was a compendium beginning with [[Nicoletto Giganti]]'s 1606 treatise ''[[Scola, overo teatro (Nicoletto Giganti)|Scola, overo teatro]]'', leading some later writers to label Giganti a plagiarist.)<ref>This accusation was first made by [[Johann Joachim Hynitzsch]], who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.</ref> In 1676, [[Johann Joachim Hynitzsch]] published an Italian-German parallel text in Leipzig, Germany, entitled ''Sienza e pratica d’arme''; this edition included a new preface by Hynitzsch in which he denigrates all prior German translations (including the 1619 edition and the works of [[Hans Wilhelm Schöffer von Dietz|Hans Wilhelm Schöffer]] and [[Sebastian Heußler]]). Hynitzsch's edition was reprinted in Leipzig in 1713.
+
The first translation of Fabris came in 1619, a German edition published in Leiden by Isack Elzevier under the title ''Des Kunstreichen Italiänische Fechtkunst'' ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the [[Fechtkunst aus dem Italienischen (MS Dresd.C.94a)|MS Dresd.C.94a]].
  
Fabris' treatise was translated into English by Tom Leoni and published through [[Chivalry Bookshelf]] in 2005 under the title ''Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''; this was reissued through Lulu.com in 2016. In 2010, it was translated into Spanish by [[Eugenio Garcia-Salmones]] and published under the title ''La esgrima o la ciencia de las armas''.
+
In 1622, book II of Fabris' treatise received another German translation and its first French translation, which were published in Frankfurt by Jacob de Zeter. This the first multilingual and parallel text edition of Fabris' work. Zeter included this work as book II of his 1619 translations of [[Nicoletto Giganti]]'s 1606 treatise ''[[Scola, overo teatro (Nicoletto Giganti)|Scola, overo teatro]]'' ("School or Theater"), which he published in separate French and German editions titled ''Escrime Novvelle ov Theatre'' ("New Fencing or Theater") and ''Newe Fechtkunst Oder Schawplatz'' ("New Fencing Art or Show Place") respectively, both of which contained both translations of the text. This has oddly lead various fencing historians to accuse Giganti himself of plagiarism.<ref>This accusation was first made by [[Johann Joachim Hynitzsch]] (see below), who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.</ref> Unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of Fabris' section with a slip of paper saying "1644".
 +
 
 +
In 1676, [[Johann Joachim Hynitzsch]] published an Italian-German parallel text in Leipzig titled ''Sienza e pratica d'arme''. This edition included yet another German translation, either by Hynitzsch or possibly his teacher, [[Hans von und zum Felde]], as well as a preface in which he denigrated all prior German publications on Fabris (specifically mentioning the translations of Elzevier and Zeter and the derivative works of [[Hans Wilhelm Schöffer von Dietz|Hans Wilhelm Schöffer]] and [[Sebastian Heußler]]). There is evidence that this translation was circulated in multiple manuscripts prior to publication. Hynitzsch's edition was reprinted in Leipzig in 1713.
 +
 
 +
Fabris' treatise was translated into English by [[A. F. Johnson]] in the early 1900s and given the title ''Fencing or the Science of Arms''; multiple typescripts were produced of the final draft, but it was not published until the [[HEMA Bookshelf]] edition of 2022. A second English translation was produced by Tom Leoni and published by [[Chivalry Bookshelf]] in 2005 under the title ''The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''; this was reprinted (without its introductory material) through a self-publishing service in 2016. In 2010, it was translated into Spanish by [[Eugenio Garcia-Salmones]] and published under the title ''La esgrima o la ciencia de las armas'' ("Fencing, or the Science of Arms").
  
 
== Contents ==
 
== Contents ==
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<h3 style="clear: both;"> Title pages </h3>
 
<h3 style="clear: both;"> Title pages </h3>
  
{{image|Scienza d’Arme (Fabris) Title 1.jpg|First title (1606)}}
+
{{image|Scienza d’Arme (Fabris) Title 1.png|First title (1606)}}
 
{{image|Scienza d’Arme (Fabris) Title 2.jpg|Second title (1606)}}
 
{{image|Scienza d’Arme (Fabris) Title 2.jpg|Second title (1606)}}
 
{{image|Fabris 1619 Title.png|1619 German}}
 
{{image|Fabris 1619 Title.png|1619 German}}
{{image|h=1|Fabris 1619 II Title.png|1619 French/German}}
 
 
{{image|h=1|Fabris 1622 Title.jpg|1522 French/German}}
 
{{image|h=1|Fabris 1622 Title.jpg|1522 French/German}}
 
{{image|Fabris 1624 I Title.jpg|1624 Italian}}
 
{{image|Fabris 1624 I Title.jpg|1624 Italian}}
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{{image|Scienza d’Arme (Fabris) Heraldry.jpg|Heraldry}}
 
{{image|Scienza d’Arme (Fabris) Heraldry.jpg|Heraldry}}
{{image|Scienza d’Arme (Fabris) Portrait 1.jpg|Christian IV}}
+
{{image|Scienza d’Arme (Fabris) Portrait 1.jpg|Christian }}
 
{{image|Scienza d’Arme (Fabris) Portrait 2.jpg|Salvator Fabris}}
 
{{image|Scienza d’Arme (Fabris) Portrait 2.jpg|Salvator Fabris}}
 
{{image|h=1|Scienza d’Arme (Fabris) Segno.jpg|Cutting diagram}}
 
{{image|h=1|Scienza d’Arme (Fabris) Segno.jpg|Cutting diagram}}
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{{image|h=1|Scienza d’Arme (Fabris) 189.jpg|Figure 189}}
 
{{image|h=1|Scienza d’Arme (Fabris) 189.jpg|Figure 189}}
 
{{image|h=1|Scienza d’Arme (Fabris) 190.jpg|Figure 190}}
 
{{image|h=1|Scienza d’Arme (Fabris) 190.jpg|Figure 190}}
 +
 +
<h3 style="clear: both;"> Windsor variant </h3>
 +
 +
An apparently-unique copy of Fabris owned by a private collector in UK has the title page and dedication from the first dition, but the entire second signature and one sheet from the third signature were replaced for unknown reasons, apparently prior to the original binding; the type was reset for the replacement pages and the page breaks don't quite align with the original. These pages are included below.
 +
 +
{{image|Fabris Windsor 007.jpg|7}}
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{{image|Fabris Windsor 008.jpg|8}}
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{{image|Fabris Windsor 009.jpg|9}}
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{{image|Fabris Windsor 010.jpg|10}}
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{{image|Fabris Windsor 011.jpg|11}}
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{{image|Fabris Windsor 012.jpg|12}}
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{{image|Fabris Windsor 013.jpg|13}}
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{{image|Fabris Windsor 014.jpg|14}}
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{{image|Fabris Windsor 015.jpg|15}}
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{{image|Fabris Windsor 016.jpg|16}}
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{{image|Fabris Windsor 017.jpg|17}}
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{{image|Fabris Windsor 018.jpg|18}}
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{{image|ph=1||19 (standard)}}
 +
{{image|ph=1||20 (standard)}}
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{{image|ph=1||21 (standard)}}
 +
{{image|ph=1||22 (standard)}}
 +
{{image|Fabris Windsor 023.jpg|23}}
 +
{{image|Fabris Windsor 024.jpg|24}}
 +
{{image|Fabris Windsor 025.jpg|25}}
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{{image|Fabris Windsor 026.jpg|26}}
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 +
<h3 style="clear: both;"> 1624 edition </h3>
 +
 +
This was not a true second edition, but rather a re-release of unsold copies of the first edition. The inner and outer sheets of the first signature (including the title page) were replaced, possibly due to damage to all remaining books. The replacement pages are included below. Additionally, the colophon on the final page was covered up with a decorative paper patch.
 +
 +
{{image|Fabris 1624 I Title.jpg|A1}}
 +
{{image|Fabris 1624 A1v.png|A1v}}
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{{image|ph=1||A2 (standard)}}
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{{image|ph=1||A2v (standard)}}
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{{image|Fabris 1624 A3r.png|A3}}
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{{image|Fabris 1624 A3v.png|A3v}}
 +
{{image|Fabris 1624 001.png|1}}
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{{image|Fabris 1624 002.png|2}}
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{{image|ph=1||3 (standard)}}
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{{image|ph=1||4 (standard)}}
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{{image|Fabris 1624 005.png|5}}
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{{image|Fabris 1624 006.png|6}}
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{{image|Fabris 1624 256.png|256}}
 +
 
{{-}}
 
{{-}}
  
 
== Additional Resources ==
 
== Additional Resources ==
  
* [[Salvator Fabris|Fabris, Salvator]] and Leoni, Tom. ''Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606''.
+
{{bibliography}}
** First Edition: Highland Village, TX: [[Chivalry Bookshelf]], 2005. ISBN 1-891448-23-4
 
** Second Edition: Lulu.com, 2016.
 
* [[Salvator Fabris|Fabris, Salvator]] and [[Eugenio Garcia-Salmones|Garcia-Salmones, Eugenio]]. ''La esgrima o la ciencia de las armas: Libro primero, 1606''. [[Editorial Sacauntos]], 2010. ISBN 978-84-937207-8-0
 
* [[Salvator Fabris|Fabris, Salvator]] and [[Eugenio Garcia-Salmones|Garcia-Salmones, Eugenio]]. ''La esgrima o la ciencia de las armas: Libro segundo, 1606''. [[Editorial Edizer]], 2011. ISBN 978-84-938120-8-9
 
  
 
== References ==
 
== References ==
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  | work        = Images
 
  | work        = Images
 
  | authors    = [[Nicolaus&nbsp;Andrea&nbsp;of&nbsp;Flensburg]], [[Jan&nbsp;van&nbsp;Halbeeck]], [[Francesco&nbsp;Valesio]]
 
  | authors    = [[Nicolaus&nbsp;Andrea&nbsp;of&nbsp;Flensburg]], [[Jan&nbsp;van&nbsp;Halbeeck]], [[Francesco&nbsp;Valesio]]
  | source link = http://www.faegtekunstensvenner.net/SalvatoreFabris/Index.htm
+
  | source link = https://guywindsor.net/2016/04/this-belongs-to-you-fabriss-sienza-darme-the-best-rapier-book-ever-yours-free/
  | source title= Fægtekunstens Venner
+
  | source title= Guy Windsor
 
  | license    = public domain
 
  | license    = public domain
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
  | work        = Transcription
+
  | work        = Transcription (1606)
 +
| authors    = [[transcriber::Michael Chidester]]
 +
| source link =
 +
| source title= [[Index:Scienza d’Arme (Salvator Fabris) 1606.pdf|Index:Scienza d’Arme (Salvator Fabris) 1606]]
 +
| license    = noncommercial
 +
}}
 +
{{sourcebox
 +
| work        = French Translation (1619)
 
  | authors    =  
 
  | authors    =  
 
  | source link =  
 
  | source link =  
  | source title= [[Index:Scienza d’Arme (Salvator Fabris) 1606.pdf|Index:Scienza d’Arme (Salvator Fabris)]]
+
  | source title= [[Index:Escrime Novvelle ou Theatre (Salvator Fabris) Book 2 1619.pdf|Index:Escrime Novvelle ou Theatre (Salvator Fabris) Book 2]]
 
  | license    =  
 
  | license    =  
 +
}}
 +
{{sourcebox
 +
| work        = German Translation (1677)
 +
| authors    = [[transcriber::Alex Kiermayer]]
 +
| source link =
 +
| source title= [[Index:Sienza e pratica d'arme (Johann Joachim Hynitzsch) 1677.pdf|Index:Sienza e pratica d'arme (Johann Joachim Hynitzsch)]]
 +
| license    = copyrighted
 
}}
 
}}
 
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Latest revision as of 18:45, 10 April 2024

Scienza d’Arme
The Science of Arms
Scienza d’Arme (Fabris) Title 1.png
Author(s) Salvator Fabris
Illustrated by
Dedicated to Christian Ⅳ of Denmark
Place of origin Copenhagen
Language Italian
Genre(s) Fencing manual
Sources GI.kgl.Saml.1868 4040 (1601)
Publisher Henrico Waltkirch
Publication date 1606, 1619, 1622, 1624, 1650, 1672,
1676, 1713
First english
edition
Leoni, 2005
Pages 256 pages
Treatise scans

De lo Schermo, overo Scienza d’Arme ("On Defense, or the Science of Arms") or Sienza e Pratica d’Arme ("Science and Practice of Arms") is an Italian fencing manual written by Salvator Fabris in the 1590s and printed in 1606. It treats the use of the rapier, both solo and in conjunction with the dagger and the cloak; it also discusses unarmed defenses against the dagger.

Fabris's treatise is one of the most influential rapier manuals in history, reprinted many times and copied or expanded by numerous other authors for over a century after his death.

Publication History

Scienza d’Arme was first printed in Copenhagen, Denmark, in 1606 by Henrico Waltkirch. It was based on Fabris' earlier manuscript treatise Scientia e Prattica dell'Arme (GI.kgl.Saml.1868.4040); the text was rewritten in a more flowery style, and the artwork of the manuscript (which was drawn from life) was redrawn in an exaggerated, classical style. It included a title page and portraits engraved by Nicolaus Andrea of Flensburg, heraldry and most illustrations by Christian Ⅳ's court artist Jan van Halbeeck, and additional illustrations by Francesco Valesio. At some point, probably during or immediately after the printing, a second title page was created with a much longer title (using the same decorative frame as the original but masking out and replacing the original text); this was added as a second title page to some copies and replaced the original title page in others (perhaps because some of the original title pages were damaged and unusable).[1]

In 1624, unsold copies of the first edition were apparently acquired by Pietro-Paolo Tozzi in Fabris' native Padua, who re-released them under the title Della vera pratica et scienza d’armi.[2] To ready them for sale, Tozzi replaced damaged pages from the first signature, including the title page, with new printed pages and also covered the publication information at the back of the book with a decorative paper patch.

The first translation of Fabris came in 1619, a German edition published in Leiden by Isack Elzevier under the title Des Kunstreichen Italiänische Fechtkunst ("The Illustrated Italian Art of Fencing"); this version also replaced the elaborate copperplate engravings of the original with rudimentary woodblock figures. This edition was reissued in Nuremberg in ca. 1650. Another German translation was produced in ca. 1635, but was never published and only survived in the MS Dresd.C.94a.

In 1622, book II of Fabris' treatise received another German translation and its first French translation, which were published in Frankfurt by Jacob de Zeter. This the first multilingual and parallel text edition of Fabris' work. Zeter included this work as book II of his 1619 translations of Nicoletto Giganti's 1606 treatise Scola, overo teatro ("School or Theater"), which he published in separate French and German editions titled Escrime Novvelle ov Theatre ("New Fencing or Theater") and Newe Fechtkunst Oder Schawplatz ("New Fencing Art or Show Place") respectively, both of which contained both translations of the text. This has oddly lead various fencing historians to accuse Giganti himself of plagiarism.[3] Unsold copies were sold as a new edition, including a new title page but merely covering the year 1622 on the title of Fabris' section with a slip of paper saying "1644".

In 1676, Johann Joachim Hynitzsch published an Italian-German parallel text in Leipzig titled Sienza e pratica d'arme. This edition included yet another German translation, either by Hynitzsch or possibly his teacher, Hans von und zum Felde, as well as a preface in which he denigrated all prior German publications on Fabris (specifically mentioning the translations of Elzevier and Zeter and the derivative works of Hans Wilhelm Schöffer and Sebastian Heußler). There is evidence that this translation was circulated in multiple manuscripts prior to publication. Hynitzsch's edition was reprinted in Leipzig in 1713.

Fabris' treatise was translated into English by A. F. Johnson in the early 1900s and given the title Fencing or the Science of Arms; multiple typescripts were produced of the final draft, but it was not published until the HEMA Bookshelf edition of 2022. A second English translation was produced by Tom Leoni and published by Chivalry Bookshelf in 2005 under the title The Art of Dueling: Salvator Fabris' Rapier Fencing Treatise of 1606; this was reprinted (without its introductory material) through a self-publishing service in 2016. In 2010, it was translated into Spanish by Eugenio Garcia-Salmones and published under the title La esgrima o la ciencia de las armas ("Fencing, or the Science of Arms").

Contents

1 - 76 Book 1 part 1 - Rapier by Salvator Fabris
76 - 133 Book 1 part 2 - Rapier and dagger by Salvator Fabris
134 - 149 Book 1 part 3 - Rapier and cloak by Salvator Fabris
151 - 218 Book 2 part 1 - Rapier by Salvator Fabris
218 - 242 Book 2 part 2 - Rapier and dagger by Salvator Fabris
243 - 256 Book 2 part 3 - Grappling, dagger, and cloak

Gallery

Title pages

First title (1606)
Scienza d’Arme (Fabris) Title 1.png
Second title (1606)
Scienza d’Arme (Fabris) Title 2.jpg
1619 German
Fabris 1619 Title.png
1522 French/German
Fabris 1622 Title.jpg
1624 Italian
Fabris 1624 I Title.jpg
1644 French/German
Fabris 1644 Title.png
1650 German
1672 Latin
1677 Italian/German
Fabris 1677 Title.png
1713 Italian/German
Fabris 1713 Title.jpg


Illustrations

Heraldry
Scienza d’Arme (Fabris) Heraldry.jpg
Christian Ⅳ
Scienza d’Arme (Fabris) Portrait 1.jpg
Salvator Fabris
Scienza d’Arme (Fabris) Portrait 2.jpg
Cutting diagram
Scienza d’Arme (Fabris) Segno.jpg
Figure 1
Scienza d’Arme (Fabris) 001.jpg
Figure 2
Scienza d’Arme (Fabris) 002.jpg
Figure 3
Scienza d’Arme (Fabris) 003.jpg
Figure 4
Scienza d’Arme (Fabris) 004.jpg
Figure 5
Scienza d’Arme (Fabris) 005.jpg
Figure 6
Scienza d’Arme (Fabris) 006.jpg
Figure 7
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Figure 8
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Figure 9
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Figure 10
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Figure 11
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Figure 12
Scienza d’Arme (Fabris) 012.jpg
Figure 13
Scienza d’Arme (Fabris) 013.jpg
Figure 14
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Figure 15
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Figure 16
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Figure 17
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Figure 18
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Figure 19
Scienza d’Arme (Fabris) 019.jpg
Figure 20
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Figure 21
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Figure 22
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Figure 23
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Figure 24
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Figure 25
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Figure 26
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Figure 27
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Figure 28
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Figure 29
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Figure 30
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Figure 31
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Figure 32
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Figure 33
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Figure 34
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Figure 35
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Figure 36
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Figure 37
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Figure 38
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Figure 39
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Figure 40
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Figure 41
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Figure 42
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Figure 43
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Figure 44
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Figure 45
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Figure 46
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Figure 47
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Figure 48
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Figure 49
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Figure 50
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Figure 51
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Figure 52
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Figure 53
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Figure 54
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Figure 55
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Figure 56
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Figure 57
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Figure 58
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Figure 59
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Figure 60
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Figure 61
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Figure 62
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Figure 63
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Figure 64
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Figure 65
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Figure 66
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Figure 67
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Figure 68
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Figure 69
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Figure 70
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Figure 71
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Figure 72
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Figure 73
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Figure 74
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Figure 75
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Figure 76
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Figure 77
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Figure 78
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Figure 79
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Figure 80
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Figure 81
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Figure 82
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Figure 83
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Figure 84
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Figure 85
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Figure 86
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Figure 87
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Figure 88
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Figure 89
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Figure 90
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Figure 91
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Figure 92
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Figure 93
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Figure 94
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Figure 95
Scienza d’Arme (Fabris) 095.jpg
Figure 96
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Figure 97
Scienza d’Arme (Fabris) 097.jpg
Figure 98
Scienza d’Arme (Fabris) 098.jpg
Figure 99
Scienza d’Arme (Fabris) 099.jpg
Figure 100
Scienza d’Arme (Fabris) 100.jpg
Figure 101
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Figure 102
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Figure 103
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Figure 104
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Figure 105
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Figure 106
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Figure 107
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Figure 108
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Figure 109
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Figure 110
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Figure 111
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Figure 112
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Figure 113
Scienza d’Arme (Fabris) 113.jpg
Figure 114
Scienza d’Arme (Fabris) 114.jpg
Figure 115
Scienza d’Arme (Fabris) 115.jpg
Figure 116
Scienza d’Arme (Fabris) 116.jpg
Figure 117
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Figure 118
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Figure 119
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Figure 120
Scienza d’Arme (Fabris) 120.jpg
Figure 121
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Figure 122
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Figure 123
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Figure 124
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Figure 125
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Figure 126
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Figure 127
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Figure 128
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Figure 129
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Figure 130
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Figure 131
Scienza d’Arme (Fabris) 131.jpg
Figure 132
Scienza d’Arme (Fabris) 132.jpg
Figure 133
Scienza d’Arme (Fabris) 133.jpg
Figure 134
Scienza d’Arme (Fabris) 134.jpg
Figure 135
Scienza d’Arme (Fabris) 135.jpg
Figure 136
Scienza d’Arme (Fabris) 136.jpg
Figure 137
Scienza d’Arme (Fabris) 137.jpg
Figure 138
Scienza d’Arme (Fabris) 138.jpg
Figure 139
Scienza d’Arme (Fabris) 139.jpg
Figure 140
Scienza d’Arme (Fabris) 140.jpg
Figure 141
Scienza d’Arme (Fabris) 141.jpg
Figure 142
Scienza d’Arme (Fabris) 142.jpg
Figure 143
Scienza d’Arme (Fabris) 143.jpg
Figure 144
Scienza d’Arme (Fabris) 144.jpg
Figure 145
Scienza d’Arme (Fabris) 145.jpg
Figure 146
Scienza d’Arme (Fabris) 146.jpg
Figure 147
Scienza d’Arme (Fabris) 147.jpg
Figure 148
Scienza d’Arme (Fabris) 148.jpg
Figure 149
Scienza d’Arme (Fabris) 149.jpg
Figure 150
Scienza d’Arme (Fabris) 150.jpg
Figure 151
Scienza d’Arme (Fabris) 151.jpg
Figure 152
Scienza d’Arme (Fabris) 152.jpg
Figure 153
Scienza d’Arme (Fabris) 153.jpg
Figure 154
Scienza d’Arme (Fabris) 154.jpg
Figure 155
Scienza d’Arme (Fabris) 155.jpg
Figure 156
Scienza d’Arme (Fabris) 156.jpg
Figure 157
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Figure 158
Scienza d’Arme (Fabris) 158.jpg
Figure 159
Scienza d’Arme (Fabris) 159.jpg
Figure 160
Scienza d’Arme (Fabris) 160.jpg
Figure 161
Scienza d’Arme (Fabris) 161.jpg
Figure 162
Scienza d’Arme (Fabris) 162.jpg
Figure 163
Scienza d’Arme (Fabris) 163.jpg
Figure 164
Scienza d’Arme (Fabris) 164.jpg
Figure 165
Scienza d’Arme (Fabris) 165.jpg
Figure 166
Scienza d’Arme (Fabris) 166.jpg
Figure 167
Scienza d’Arme (Fabris) 167.jpg
Figure 168
Scienza d’Arme (Fabris) 168.jpg
Figure 169
Scienza d’Arme (Fabris) 169.jpg
Figure 170
Scienza d’Arme (Fabris) 170.jpg
Figure 171
Scienza d’Arme (Fabris) 171.jpg
Figure 172
Scienza d’Arme (Fabris) 172.jpg
Figure 173
Scienza d’Arme (Fabris) 173.jpg
Figure 174
Scienza d’Arme (Fabris) 174.jpg
Figure 175
Scienza d’Arme (Fabris) 175.jpg
Figure 176
Scienza d’Arme (Fabris) 176.jpg
Figure 177
Scienza d’Arme (Fabris) 177.jpg
Figure 178
Scienza d’Arme (Fabris) 178.jpg
Figure 179
Scienza d’Arme (Fabris) 179.jpg
Figure 180
Scienza d’Arme (Fabris) 180.jpg
Figure 181
Scienza d’Arme (Fabris) 181.jpg
Figure 182
Scienza d’Arme (Fabris) 182.jpg
Figure 183
Scienza d’Arme (Fabris) 183.jpg
Figure 184
Scienza d’Arme (Fabris) 184.jpg
Figure 185
Scienza d’Arme (Fabris) 185.jpg
Figure 186
Scienza d’Arme (Fabris) 186.jpg
Figure 187
Scienza d’Arme (Fabris) 187.jpg
Figure 188
Scienza d’Arme (Fabris) 188.jpg
Figure 189
Scienza d’Arme (Fabris) 189.jpg
Figure 190
Scienza d’Arme (Fabris) 190.jpg

Windsor variant

An apparently-unique copy of Fabris owned by a private collector in UK has the title page and dedication from the first dition, but the entire second signature and one sheet from the third signature were replaced for unknown reasons, apparently prior to the original binding; the type was reset for the replacement pages and the page breaks don't quite align with the original. These pages are included below.

7
Fabris Windsor 007.jpg
8
Fabris Windsor 008.jpg
9
Fabris Windsor 009.jpg
10
Fabris Windsor 010.jpg
11
Fabris Windsor 011.jpg
12
Fabris Windsor 012.jpg
13
Fabris Windsor 013.jpg
14
Fabris Windsor 014.jpg
15
Fabris Windsor 015.jpg
16
Fabris Windsor 016.jpg
17
Fabris Windsor 017.jpg
18
Fabris Windsor 018.jpg
19 (standard)
20 (standard)
21 (standard)
22 (standard)
23
Fabris Windsor 023.jpg
24
Fabris Windsor 024.jpg
25
Fabris Windsor 025.jpg
26
Fabris Windsor 026.jpg

1624 edition

This was not a true second edition, but rather a re-release of unsold copies of the first edition. The inner and outer sheets of the first signature (including the title page) were replaced, possibly due to damage to all remaining books. The replacement pages are included below. Additionally, the colophon on the final page was covered up with a decorative paper patch.

A1
Fabris 1624 I Title.jpg
A1v
Fabris 1624 A1v.png
A2 (standard)
A2v (standard)
A3
Fabris 1624 A3r.png
A3v
Fabris 1624 A3v.png
1
Fabris 1624 001.png
2
Fabris 1624 002.png
3 (standard)
4 (standard)
5
Fabris 1624 005.png
6
Fabris 1624 006.png
256
Fabris 1624 256.png


Additional Resources

The following is a list of publications containing scans, transcriptions, and translations relevant to this article, as well as published peer-reviewed research.

None.

References

  1. Of 24 copies surveyed by Michael Chidester, 14 had only the first title page, 3 had only the second title page, 6 had both title pages, and 1 had neither (instead, a second copy of page 151 was glued into the beginning of the book to serve as a title page and modified to refer to the first book).
  2. This is often described as a second edition.
  3. This accusation was first made by Johann Joachim Hynitzsch (see below), who attributed the edition to Giganti rather than Zeter and was incensed that he gave no credit to Fabris.

Copyright and License Summary

For further information, including transcription and translation notes, see the discussion page.

Work Author(s) Source License
Images Nicolaus Andrea of Flensburg, Jan van Halbeeck, Francesco Valesio Guy Windsor
Public Domain.png
Transcription (1606) Michael Chidester Index:Scienza d’Arme (Salvator Fabris) 1606
CCBYNCSA30.png
French Translation (1619) Index:Escrime Novvelle ou Theatre (Salvator Fabris) Book 2
CCBYSA30.png
German Translation (1677) Alex Kiermayer Index:Sienza e pratica d'arme (Johann Joachim Hynitzsch)
Copyrighted.png