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Difference between revisions of "Johannes Liechtenauer/Michael Chidester LS 2025"
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(Created page with "<section begin="1"/><section end="1"/> <section begin="2"/> {| class="zettel" |- | <small>1</small> | |- | <small>2</small> | |- | <small>3</small> | |- | <small>4</sm...") |
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|- | |- | ||
| <small>1</small> | | <small>1</small> | ||
− | | | + | | Young knight, learn first: have love for god,<br/> And honor women—that I laud. |
|- | |- | ||
| <small>2</small> | | <small>2</small> | ||
− | | | + | | So that your honor great may grow,<br/> Practice chivalry and know |
|- | |- | ||
| <small>3</small> | | <small>3</small> | ||
− | | | + | | Arts that adorn you well in play<br/> And bring you fame in war some day. |
|- | |- | ||
| <small>4</small> | | <small>4</small> | ||
− | | | + | | Gain wrestling's artful holds with might;<br/> With lance, spear, sword, and knife do fight, |
|- | |- | ||
| <small>5</small> | | <small>5</small> | ||
− | | | + | | And wield them all with gallant hand,<br/> So that against you none may stand. |
|- | |- | ||
| <small>6</small> | | <small>6</small> | ||
− | | | + | | Cut here and there and close with this;<br/> Charge through and you will hit or miss. |
|- | |- | ||
| <small>7</small> | | <small>7</small> | ||
− | | | + | | The wise ones hate and will disdain<br/> All those who praise themselves in vain; |
|- | |- | ||
| <small>8</small> | | <small>8</small> | ||
− | | | + | | So grasp when all is said and done:<br/> All art needs measure, moderation. |
|}<section end="2"/> | |}<section end="2"/> | ||
− | <section begin="3"/> | + | <section begin="3"/><br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>9</small> | | <small>9</small> | ||
− | | | + | | If you would bring the art to light,<br/> See left advance and strike with right, |
|- | |- | ||
| <small>10</small> | | <small>10</small> | ||
− | | | + | | For you will find that left with right<br/> Is how you may most strongly fight. |
|- | |- | ||
| <small>11</small> | | <small>11</small> | ||
− | | | + | | Who chases after blow and bind,<br/> Will little joy in this art find. |
|- | |- | ||
| <small>12</small> | | <small>12</small> | ||
− | | | + | | Cut close to them; your will revealed,<br/> No changer comes to breach your shield; |
|- | |- | ||
| <small>13</small> | | <small>13</small> | ||
− | | | + | | Toward head and body, forth you race,<br/> The skirmish you should then embrace. |
|- | |- | ||
| <small>14</small> | | <small>14</small> | ||
− | | | + | | And always fight with all your strength,<br/> Your body tight at any length. |
|- | |- | ||
| <small>15</small> | | <small>15</small> | ||
− | | | + | | A simple rule you should not slight:<br/> Fence not from left when you are right. |
|- | |- | ||
| <small>16</small> | | <small>16</small> | ||
− | | | + | | If on your left is how you fight,<br/> You'll be quite clumsy on the right. |
|- | |- | ||
| <small>17</small> | | <small>17</small> | ||
− | | | + | | Before and After, these two things:<br/> The font from which all true art springs. |
|- | |- | ||
| <small>18</small> | | <small>18</small> | ||
− | | | + | | With Strong and Weak, you'll rule the bind;<br/> The word “Within” bear well in mind. |
|- | |- | ||
| <small>19</small> | | <small>19</small> | ||
− | | | + | | Learn onward in this art until<br/> You can defend and work with skill. |
|- | |- | ||
| <small>20</small> | | <small>20</small> | ||
− | | | + | | But if you easily get spooked,<br/> Then fencing is a poor pursuit. |
|- | |- | ||
| <small>21</small> | | <small>21</small> | ||
− | | | + | | Five strikes you must now learn to heed,<br/> Perform them with your right hand’s speed; |
|- | |- | ||
| <small>22</small> | | <small>22</small> | ||
− | | | + | | Those fencers skilled whose art we vow<br/> To reward well will show us how: |
|}<section end="3"/> | |}<section end="3"/> | ||
− | <section begin="4"/> | + | <section begin="4"/><br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>23</small> | | <small>23</small> | ||
− | | | + | | The wrathful one hates crook and cross;<br/> So cock your eye and parting cause. |
|- | |- | ||
| <small>24</small> | | <small>24</small> | ||
− | | | + | | A fool will parry all strikes, so<br/> Pursue, run down, and set the blow. |
|- | |- | ||
| <small>25</small> | | <small>25</small> | ||
− | | | + | | Change it through, pull your point back,<br/> Run through, slice off, or hands attack. |
|- | |- | ||
| <small>26</small> | | <small>26</small> | ||
− | | | + | | Then hang and wind, expose them more,<br/> Strike, catch, sweep, and push your point fore. |
|}<section end="4"/> | |}<section end="4"/> | ||
− | <section begin="5"/> | + | <section begin="5"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>27</small> | | <small>27</small> | ||
− | | | + | | When from above they cut in near,<br/> The point of wrath makes danger clear. |
|- | |- | ||
| <small>28</small> | | <small>28</small> | ||
− | | | + | | If they should sense the threat and shove,<br/> Care not, just take it off above. |
|- | |- | ||
| <small>29</small> | | <small>29</small> | ||
− | | | + | | Or if they're strong, then more strength show<br/> And thrust—if seen, take it below. |
|- | |- | ||
| <small>30</small> | | <small>30</small> | ||
− | | | + | | Bear this in mind once in the fray:<br/> Cut, thrust, then Hard or Soft you lay, |
|- | |- | ||
| <small>31</small> | | <small>31</small> | ||
− | | | + | | “Within”, and then drive after more,<br/> But calmly—do not rush to war; |
|- | |- | ||
| <small>32</small> | | <small>32</small> | ||
− | | | + | | If at the war above they aim,<br/> Go down below and bring them shame. |
|- | |- | ||
| <small>33</small> | | <small>33</small> | ||
− | | | + | | Down every path that you may wind,<br/> Cut, thrust, and slice you'll learn to find; |
|- | |- | ||
| <small>34</small> | | <small>34</small> | ||
− | | | + | | You also must learn to assess<br/> Which one of them would serve you best, |
|- | |- | ||
| <small>35</small> | | <small>35</small> | ||
− | | | + | | So that, whenever steel meets steel,<br/> The masters you'll confound with zeal. |
|}<section end="5"/> | |}<section end="5"/> | ||
− | <section begin="6"/> | + | <section begin="6"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>36</small> | | <small>36</small> | ||
− | | | + | | Know there are but four exposures;<br/> Clear your path and aim for closure, |
|- | |- | ||
| <small>37</small> | | <small>37</small> | ||
− | | | + | | In every threat, in each attack,<br/> Without regard for how they act. |
|}<section end="6"/> | |}<section end="6"/> | ||
− | <section begin="7"/> | + | <section begin="7"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>38</small> | | <small>38</small> | ||
− | | | + | | If they attack, revenge is sweet;<br/> Break through and four exposures beat: |
|- | |- | ||
| <small>39</small> | | <small>39</small> | ||
− | | | + | | To strike above you should redouble;<br/> Transmute below to cause them trouble. |
|- | |- | ||
| <small>40</small> | | <small>40</small> | ||
− | | | + | | Now let me make this plain and clear:<br/> No one defends without some fear, |
|- | |- | ||
| <small>41</small> | | <small>41</small> | ||
− | | | + | | And if this truth one learns and knows,<br/> Then scarcely can they come to blows. |
|}<section end="7"/> | |}<section end="7"/> | ||
− | <section begin="8"/> | + | <section begin="8"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>42</small> | | <small>42</small> | ||
− | | | + | | Throw a curve with crooked grace;<br/> Onto their hands your point will race. |
|- | |- | ||
| <small>43</small> | | <small>43</small> | ||
− | | | + | | Curve in to set aside down low,<br/> And step to hinder many blows. |
|- | |- | ||
| <small>44</small> | | <small>44</small> | ||
− | | | + | | Cut crookedly up toward the flat,<br/> Subvert the masters' strength with that. |
|- | |- | ||
| <small>45</small> | | <small>45</small> | ||
− | | | + | | When steel on steel above should spark,<br/> Stand fast and I will praise your art. |
|- | |- | ||
| <small>46</small> | | <small>46</small> | ||
− | | | + | | Curve not: cut short, your plan concealed,<br/> Then with it, changing through reveal. |
|- | |- | ||
| <small>47</small> | | <small>47</small> | ||
− | | | + | | Who crookedly leads you astray,<br/> The noble war will them dismay; |
|- | |- | ||
| <small>48</small> | | <small>48</small> | ||
− | | | + | | They'll truly have no way to know<br/> Where they'd be safe from any blow. |
|}<section end="8"/> | |}<section end="8"/> | ||
− | <section begin="9"/> | + | <section begin="9"/><br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>49</small> | | <small>49</small> | ||
− | | | + | | The cross takes what from sky comes down,<br/> Rewarding all with glory's crown. |
|- | |- | ||
| <small>50</small> | | <small>50</small> | ||
− | | | + | | The cross in Strength performed its deed,<br/> Your work remains, take careful heed. |
|- | |- | ||
| <small>51</small> | | <small>51</small> | ||
− | | | + | | When to the plow you drive across,<br/> Yoke it hard then to the ox. |
|- | |- | ||
| <small>52</small> | | <small>52</small> | ||
− | | | + | | Cross yourself and take a leap,<br/> And threaten heads while yours you keep. |
|- | |- | ||
| <small>53</small> | | <small>53</small> | ||
− | | | + | | Mislead by missing skillfully;<br/> Go low and harry willfully. |
|- | |- | ||
| <small>54</small> | | <small>54</small> | ||
− | | | + | | Inversion forces and constrains;<br/> Run through and wrestling holds you'll gain: |
|- | |- | ||
| <small>55</small> | | <small>55</small> | ||
− | | | + | | Their elbow take; be sure, then leap;<br/> Done right, their balance you will reap. |
|- | |- | ||
| <small>56</small> | | <small>56</small> | ||
− | | | + | | Now then, miss twice, and when you hit,<br/> Just make a classic slice with it. |
|- | |- | ||
| <small>57</small> | | <small>57</small> | ||
− | | | + | | The second time you miss, I say<br/> To step in left, and don't delay. |
|}<section end="9"/> | |}<section end="9"/> | ||
− | <section begin="10"/> | + | <section begin="10"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>58</small> | | <small>58</small> | ||
− | | | + | | When buffalo will cut or thrust,<br/> The cockeye breaks and enters thus. |
|- | |- | ||
| <small>59</small> | | <small>59</small> | ||
− | | | + | | If, with the changer, threat they lay,<br/> The cockeye robs them anyway. |
|- | |- | ||
| <small>60</small> | | <small>60</small> | ||
− | | | + | | If you see that they're shorting you,<br/> Take your revenge by changing through. |
|- | |- | ||
| <small>61</small> | | <small>61</small> | ||
− | | | + | | Down to their point you cock your eye,<br/> But, fearless, take their neck up high. |
|- | |- | ||
| <small>62</small> | | <small>62</small> | ||
− | | | + | | Or cock your eye up to their part,<br/> If you would spoil their hands with art. |
|}<section end="10"/> | |}<section end="10"/> | ||
− | <section begin="11"/> | + | <section begin="11"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>63</small> | | <small>63</small> | ||
− | | | + | | Cut from your part to seek your prize<br/> And threaten them under the eyes. |
|- | |- | ||
| <small>64</small> | | <small>64</small> | ||
− | | | + | | Then turn and take it down below,<br/> And threats against their heart bestow. |
|- | |- | ||
| <small>65</small> | | <small>65</small> | ||
− | | | + | | Whatever from your part descends,<br/> Their lofty crown can well defend. |
|- | |- | ||
| <small>66</small> | | <small>66</small> | ||
− | | | + | | Slice through their crown, refuse to kneel,<br/> Its glory broken by your steel. |
|- | |- | ||
| <small>67</small> | | <small>67</small> | ||
− | | | + | | With sweeping cuts press your attack;<br/> Slice through and then pull yourself back. |
+ | |||
|}<section end="11"/> | |}<section end="11"/> | ||
− | <section begin="12"/> | + | <section begin="12"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>68</small> | | <small>68</small> | ||
− | | | + | | In four lairs only should you lie;<br/> Hold there and vulgar guards decry. |
|- | |- | ||
| <small>69</small> | | <small>69</small> | ||
− | | | + | | The ox that plows, the foolish one,<br/> And from the day you should not shun. |
|}<section end="12"/> | |}<section end="12"/> | ||
− | <section begin="13"/> | + | <section begin="13"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>70</small> | | <small>70</small> | ||
− | | | + | | Now four displacements learn with care,<br/> Which also flush them from their lair. |
|- | |- | ||
| <small>71</small> | | <small>71</small> | ||
− | | | + | | Be mindful of displacement's game,<br/> It guards you well or brings you shame. |
|- | |- | ||
| <small>72</small> | | <small>72</small> | ||
− | | | + | | Should you become displaced at last,<br/> However this has come to pass, |
|- | |- | ||
| <small>73</small> | | <small>73</small> | ||
− | | | + | | Then listen now to what I say:<br/> Wrench off, cut in, and don't delay. |
|- | |- | ||
| <small>74</small> | | <small>74</small> | ||
− | | | + | | Set on to four extremities,<br/> Learn to remain and end with ease. |
|}<section end="13"/> | |}<section end="13"/> | ||
− | <section begin="14"/> | + | <section begin="14"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>75</small> | | <small>75</small> | ||
− | | | + | | Learn to pursue, then learn it twice;<br/> Or into their defenses slice. |
|- | |- | ||
| <small>76</small> | | <small>76</small> | ||
− | | | + | | When they're outside, there take them on<br/> In two forms; start what work you want. |
|- | |- | ||
| <small>77</small> | | <small>77</small> | ||
− | | | + | | Then gauge each threat with hand and blade:<br/> If pushing Hard or Softly laid; |
|- | |- | ||
| <small>78</small> | | <small>78</small> | ||
− | | | + | | For this you must learn how to feel;<br/> The word “Within” cuts deep as steel. |
|- | |- | ||
| <small>79</small> | | <small>79</small> | ||
− | | | + | | Pursue again, and if you hit,<br/> Then make the same old slice with it. |
|}<section end="14"/> | |}<section end="14"/> | ||
− | <section begin="15"/> | + | <section begin="15"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>80</small> | | <small>80</small> | ||
− | | | + | | If down below your sword they aim,<br/> Flow over them and bring them shame. |
|- | |- | ||
| <small>81</small> | | <small>81</small> | ||
− | | | + | | When steel on steel above should spark,<br/> Stay strong and I will praise your art. |
|- | |- | ||
| <small>82</small> | | <small>82</small> | ||
− | | | + | | Work onward then with skill and ardor,<br/> Or press them hard and press them harder. |
|}<section end="15"/> | |}<section end="15"/> | ||
− | <section begin="16"/> | + | <section begin="16"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>83</small> | | <small>83</small> | ||
− | | | + | | Learn how to set aside, and thus,<br/> With art you'll hinder cut and thrust. |
|- | |- | ||
| <small>84</small> | | <small>84</small> | ||
− | | | + | | Whoever tries to stab at you,<br/> Your point meets theirs and breaks on through. |
|- | |- | ||
| <small>85</small> | | <small>85</small> | ||
− | | | + | | From either side, both left and right,<br/> Your swords will meet if forth you stride. |
|}<section end="16"/> | |}<section end="16"/> | ||
− | <section begin="17"/> | + | <section begin="17"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>86</small> | | <small>86</small> | ||
− | | | + | | Learn to change through, your sword untied,<br/> Then thrust sharply from either side. |
|- | |- | ||
| <small>87</small> | | <small>87</small> | ||
− | | | + | | Whomever tries to bind on you<br/> You'll swiftly find by changing through. |
|}<section end="17"/> | |}<section end="17"/> | ||
− | <section begin="18"/> | + | <section begin="18"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>88</small> | | <small>88</small> | ||
− | | | + | | Now step in close, engage the bind,<br/> Then pull, and what you seek you'll find. |
|- | |- | ||
| <small>89</small> | | <small>89</small> | ||
− | | | + | | Pull back; if sword you meet, pull more;<br/> Devise a work that hurts them sore. |
|- | |- | ||
| <small>90</small> | | <small>90</small> | ||
− | | | + | | Pull back whenever steel meets steel<br/> And masters you’ll confound with zeal. |
|}<section end="18"/> | |}<section end="18"/> | ||
− | <section begin="19"/> | + | <section begin="19"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>91</small> | | <small>91</small> | ||
− | | | + | | Hold pommel high, let blade hang down,<br/> Run through and wrestling abounds. |
|- | |- | ||
| <small>92</small> | | <small>92</small> | ||
− | | | + | | When strength would press and oppress you,<br/> Remember this: just run on through. |
|}<section end="19"/> | |}<section end="19"/> | ||
− | <section begin="20"/> | + | <section begin="20"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>93</small> | | <small>93</small> | ||
− | | | + | | Whenever hardness blocks your plays,<br/> Slice off from underneath both ways. |
|- | |- | ||
| <small>94</small> | | <small>94</small> | ||
− | | | + | | There are four slices you must know:<br/> Two falling high, two rising low. |
|}<section end="20"/> | |}<section end="20"/> | ||
− | <section begin="21"/> | + | <section begin="21"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>95</small> | | <small>95</small> | ||
− | | | + | | Turn every slice to serve your end,<br/> Their hands to press and arms to bend. |
|}<section end="21"/> | |}<section end="21"/> | ||
− | <section begin="22"/> | + | <section begin="22"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>96</small> | | <small>96</small> | ||
− | | | + | | Two hangers rise upon command,<br/> Up from the earth, out of your hand. |
|- | |- | ||
| <small>97</small> | | <small>97</small> | ||
− | | | + | | In every threat, in each foray,<br/> Cut, thrust, then Hard or Soft you lay. |
|}<section end="22"/> | |}<section end="22"/> | ||
− | <section begin="23"/> | + | <section begin="23"/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>98</small> | | <small>98</small> | ||
− | | | + | | Spread windows wide that speech may flow;<br/> Stand cheerful and hear their case so; |
|- | |- | ||
| <small>99</small> | | <small>99</small> | ||
− | | | + | | But snap the windows shut upon<br/> Whoever tries to cut and run. |
|- | |- | ||
| <small>100</small> | | <small>100</small> | ||
− | | | + | | Now let me make this plain and clear:<br/> No one defends without some fear, |
|- | |- | ||
| <small>101</small> | | <small>101</small> | ||
− | | | + | | And if this truth one learns and knows,<br/> Then scarcely can they come to blows. |
|}<section end="23"/> | |}<section end="23"/> | ||
− | <section begin="24"/> | + | <section begin="24"/><br/><br/> |
{| class="zettel" | {| class="zettel" | ||
|- | |- | ||
| <small>102</small> | | <small>102</small> | ||
− | | | + | | If you lead well and break through right,<br/> To this end you may guide the fight, |
|- | |- | ||
| <small>103</small> | | <small>103</small> | ||
− | | | + | | And breaking in with flashing steel,<br/> Three wonders of the sword reveal. |
|- | |- | ||
| <small>104</small> | | <small>104</small> | ||
− | | | + | | Hang your point in straight and true,<br/> And wind your sword to follow through. |
|- | |- | ||
| <small>105</small> | | <small>105</small> | ||
− | | | + | | Now eight winds note with thoughtful mind,<br/> And weigh the paths that each may find: |
|- | |- | ||
| <small>106</small> | | <small>106</small> | ||
− | | | + | | In each and every wind of sword,<br/> Three wonders wait to be explored. |
|- | |- | ||
| <small>107</small> | | <small>107</small> | ||
− | | | + | | They thus expand to twenty-four<br/> Count one by one, you won't need more. |
|- | |- | ||
| <small>108</small> | | <small>108</small> | ||
− | | | + | | From either side, both left and right,<br/> Learn these eight winds when forth you'd stride. |
|- | |- | ||
| <small>109</small> | | <small>109</small> | ||
− | | | + | | Then gauge each threat with hand and blade:<br/> But pushing Hard or Softly laid. |
|}<section end="24"/> | |}<section end="24"/> | ||
<section begin="25"/><section end="25"/> | <section begin="25"/><section end="25"/> |
Revision as of 22:35, 24 June 2025
1 | Young knight, learn first: have love for god, And honor women—that I laud. |
2 | So that your honor great may grow, Practice chivalry and know |
3 | Arts that adorn you well in play And bring you fame in war some day. |
4 | Gain wrestling's artful holds with might; With lance, spear, sword, and knife do fight, |
5 | And wield them all with gallant hand, So that against you none may stand. |
6 | Cut here and there and close with this; Charge through and you will hit or miss. |
7 | The wise ones hate and will disdain All those who praise themselves in vain; |
8 | So grasp when all is said and done: All art needs measure, moderation. |
9 | If you would bring the art to light, See left advance and strike with right, |
10 | For you will find that left with right Is how you may most strongly fight. |
11 | Who chases after blow and bind, Will little joy in this art find. |
12 | Cut close to them; your will revealed, No changer comes to breach your shield; |
13 | Toward head and body, forth you race, The skirmish you should then embrace. |
14 | And always fight with all your strength, Your body tight at any length. |
15 | A simple rule you should not slight: Fence not from left when you are right. |
16 | If on your left is how you fight, You'll be quite clumsy on the right. |
17 | Before and After, these two things: The font from which all true art springs. |
18 | With Strong and Weak, you'll rule the bind; The word “Within” bear well in mind. |
19 | Learn onward in this art until You can defend and work with skill. |
20 | But if you easily get spooked, Then fencing is a poor pursuit. |
21 | Five strikes you must now learn to heed, Perform them with your right hand’s speed; |
22 | Those fencers skilled whose art we vow To reward well will show us how: |
23 | The wrathful one hates crook and cross; So cock your eye and parting cause. |
24 | A fool will parry all strikes, so Pursue, run down, and set the blow. |
25 | Change it through, pull your point back, Run through, slice off, or hands attack. |
26 | Then hang and wind, expose them more, Strike, catch, sweep, and push your point fore. |
27 | When from above they cut in near, The point of wrath makes danger clear. |
28 | If they should sense the threat and shove, Care not, just take it off above. |
29 | Or if they're strong, then more strength show And thrust—if seen, take it below. |
30 | Bear this in mind once in the fray: Cut, thrust, then Hard or Soft you lay, |
31 | “Within”, and then drive after more, But calmly—do not rush to war; |
32 | If at the war above they aim, Go down below and bring them shame. |
33 | Down every path that you may wind, Cut, thrust, and slice you'll learn to find; |
34 | You also must learn to assess Which one of them would serve you best, |
35 | So that, whenever steel meets steel, The masters you'll confound with zeal. |
36 | Know there are but four exposures; Clear your path and aim for closure, |
37 | In every threat, in each attack, Without regard for how they act. |
38 | If they attack, revenge is sweet; Break through and four exposures beat: |
39 | To strike above you should redouble; Transmute below to cause them trouble. |
40 | Now let me make this plain and clear: No one defends without some fear, |
41 | And if this truth one learns and knows, Then scarcely can they come to blows. |
42 | Throw a curve with crooked grace; Onto their hands your point will race. |
43 | Curve in to set aside down low, And step to hinder many blows. |
44 | Cut crookedly up toward the flat, Subvert the masters' strength with that. |
45 | When steel on steel above should spark, Stand fast and I will praise your art. |
46 | Curve not: cut short, your plan concealed, Then with it, changing through reveal. |
47 | Who crookedly leads you astray, The noble war will them dismay; |
48 | They'll truly have no way to know Where they'd be safe from any blow. |
49 | The cross takes what from sky comes down, Rewarding all with glory's crown. |
50 | The cross in Strength performed its deed, Your work remains, take careful heed. |
51 | When to the plow you drive across, Yoke it hard then to the ox. |
52 | Cross yourself and take a leap, And threaten heads while yours you keep. |
53 | Mislead by missing skillfully; Go low and harry willfully. |
54 | Inversion forces and constrains; Run through and wrestling holds you'll gain: |
55 | Their elbow take; be sure, then leap; Done right, their balance you will reap. |
56 | Now then, miss twice, and when you hit, Just make a classic slice with it. |
57 | The second time you miss, I say To step in left, and don't delay. |
58 | When buffalo will cut or thrust, The cockeye breaks and enters thus. |
59 | If, with the changer, threat they lay, The cockeye robs them anyway. |
60 | If you see that they're shorting you, Take your revenge by changing through. |
61 | Down to their point you cock your eye, But, fearless, take their neck up high. |
62 | Or cock your eye up to their part, If you would spoil their hands with art. |
63 | Cut from your part to seek your prize And threaten them under the eyes. |
64 | Then turn and take it down below, And threats against their heart bestow. |
65 | Whatever from your part descends, Their lofty crown can well defend. |
66 | Slice through their crown, refuse to kneel, Its glory broken by your steel. |
67 | With sweeping cuts press your attack; Slice through and then pull yourself back. |
68 | In four lairs only should you lie; Hold there and vulgar guards decry. |
69 | The ox that plows, the foolish one, And from the day you should not shun. |
70 | Now four displacements learn with care, Which also flush them from their lair. |
71 | Be mindful of displacement's game, It guards you well or brings you shame. |
72 | Should you become displaced at last, However this has come to pass, |
73 | Then listen now to what I say: Wrench off, cut in, and don't delay. |
74 | Set on to four extremities, Learn to remain and end with ease. |
75 | Learn to pursue, then learn it twice; Or into their defenses slice. |
76 | When they're outside, there take them on In two forms; start what work you want. |
77 | Then gauge each threat with hand and blade: If pushing Hard or Softly laid; |
78 | For this you must learn how to feel; The word “Within” cuts deep as steel. |
79 | Pursue again, and if you hit, Then make the same old slice with it. |
80 | If down below your sword they aim, Flow over them and bring them shame. |
81 | When steel on steel above should spark, Stay strong and I will praise your art. |
82 | Work onward then with skill and ardor, Or press them hard and press them harder. |
83 | Learn how to set aside, and thus, With art you'll hinder cut and thrust. |
84 | Whoever tries to stab at you, Your point meets theirs and breaks on through. |
85 | From either side, both left and right, Your swords will meet if forth you stride. |
86 | Learn to change through, your sword untied, Then thrust sharply from either side. |
87 | Whomever tries to bind on you You'll swiftly find by changing through. |
88 | Now step in close, engage the bind, Then pull, and what you seek you'll find. |
89 | Pull back; if sword you meet, pull more; Devise a work that hurts them sore. |
90 | Pull back whenever steel meets steel And masters you’ll confound with zeal. |
91 | Hold pommel high, let blade hang down, Run through and wrestling abounds. |
92 | When strength would press and oppress you, Remember this: just run on through. |
93 | Whenever hardness blocks your plays, Slice off from underneath both ways. |
94 | There are four slices you must know: Two falling high, two rising low. |
95 | Turn every slice to serve your end, Their hands to press and arms to bend. |
96 | Two hangers rise upon command, Up from the earth, out of your hand. |
97 | In every threat, in each foray, Cut, thrust, then Hard or Soft you lay. |
98 | Spread windows wide that speech may flow; Stand cheerful and hear their case so; |
99 | But snap the windows shut upon Whoever tries to cut and run. |
100 | Now let me make this plain and clear: No one defends without some fear, |
101 | And if this truth one learns and knows, Then scarcely can they come to blows. |
102 | If you lead well and break through right, To this end you may guide the fight, |
103 | And breaking in with flashing steel, Three wonders of the sword reveal. |
104 | Hang your point in straight and true, And wind your sword to follow through. |
105 | Now eight winds note with thoughtful mind, And weigh the paths that each may find: |
106 | In each and every wind of sword, Three wonders wait to be explored. |
107 | They thus expand to twenty-four Count one by one, you won't need more. |
108 | From either side, both left and right, Learn these eight winds when forth you'd stride. |
109 | Then gauge each threat with hand and blade: But pushing Hard or Softly laid. |