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<!----------Name---------->
 
<!----------Name---------->
 
| name              = [[name::Walpurgis Fechtbuch]]
 
| name              = [[name::Walpurgis Fechtbuch]]
| location          = [[inventory::MS I.33]], [[museum::Royal Armouries]]<br/>Leeds, United Kingdom
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| location          = MS I.33{{#set: inventory = FECHT1}}, [[museum::Royal Armouries]]<br/>Leeds, United Kingdom
 
<!----------Image---------->
 
<!----------Image---------->
 
| imageleft          = File:MS I.33 31v.jpg
 
| imageleft          = File:MS I.33 31v.jpg
 
| imageright        = File:MS I.33 32r.jpg
 
| imageright        = File:MS I.33 32r.jpg
| width              = x165px
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| width              = x175px
 
| caption            = ff 31v-32r, including St. Walpurga in her ward
 
| caption            = ff 31v-32r, including St. Walpurga in her ward
 
| keyimage          = File:MS I.33 32r.jpg
 
| keyimage          = File:MS I.33 32r.jpg
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<!----------Form and content---------->
 
<!----------Form and content---------->
 
| Material          = Parchment, in a modern <br/>binding
 
| Material          = Parchment, in a modern <br/>binding
| Size              = 34 [[folia]]
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| Size              = 34 [[folia]] (300 mm x 230 mm)
 
| Format            = Double-sided; two illustrations <br/>per side with text above and <br/>below
 
| Format            = Double-sided; two illustrations <br/>per side with text above and <br/>below
 
| Condition          =  
 
| Condition          =  
| Script            = [[script::Bastarda]]
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| Script            =  
 
| Contents          =  
 
| Contents          =  
 
| Illumination(s)    =  
 
| Illumination(s)    =  
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| below              =  
 
| below              =  
 
}}
 
}}
The '''MS I.33''' is a [[nationality::German]] [[fencing manual]] dating to the 1320s.<ref>The manuscript has received a wide variety of dates. Anglo (1988) dated it to "the very end of the 13th century" and Hils (1985) to the early 14th century; Cinato and Surprenant (2009) are even less precise, placing it at around the turn of the 14th century. Most recent analysis has suggested a slightly later date, with Leng (2008) dating it to 1320-1330 and Hester (2012) to "around 1320".</ref> It currently rests in the holdings of the [[Royal Armouries]] at Leeds, United Kingdom. The I.33 is earliest extant treatise on Medieval martial arts, and it appears to have been devised by a secular priest, possibly the "Lutegerus" (or Liutger) mentioned in the text.<ref>See [[page:Ms I33 fol 01v.jpg|folio 1v]].</ref> It was the work of three scribes and potentially as many as 17 illustrators.<ref name="Hester">Hester (2012).</ref>
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{{under construction}}
 +
The '''MS I.33''' (or FECHT 1) is a [[nationality::German]] [[fencing manual]] dating to the 1320s.<ref>The manuscript has received a wide variety of dates. Anglo (1988) dated it to "the very end of the 13th century" and Hils (1985) to the early 14th century; Cinato and Surprenant (2009) are even less precise, placing it at around the turn of the 14th century. Most recent analysis has suggested a slightly later date, with Leng (2008) dating it to 1320-1330 and Hester (2012) to "around 1320".</ref> It currently rests in the holdings of the [[Royal Armouries]] at Leeds, United Kingdom. The I.33 is earliest extant treatise on Medieval martial arts, and it appears to have been devised by a secular priest, possibly the "Lutegerus" (or Liutger) mentioned in the text.<ref>See [[page:Ms I33 fol 01v.jpg|folio 1v]].</ref> It was the work of three scribes and potentially as many as 17 illustrators.<ref name="Hester">Hester (2012).</ref>
  
 
The treatise is fully illustrated, and consists of both mnemonic verses and longer explanations in a vernacular Medieval Latin. (The format of verse and gloss may indicate that the priest was explaining a much older tradition.) It treats unarmored fencing with [[arming sword|sword]] and [[buckler]]; the intriguing fact that the fencers depicted are a priest and a student (and on the last two pages, a priest and a woman identified as St. Walpurga), seems to suggest that this was a middle class or priestly art rather than one of the knightly class. Repeatedly, the text makes mention of the pupils (''scolaris/discipulus'') of the priest, as well as youths (''iuvenis'') and clients (''clientulum''). It seems, therefore, to have been prepared for secular priests who were offering fencing lessons to young men.
 
The treatise is fully illustrated, and consists of both mnemonic verses and longer explanations in a vernacular Medieval Latin. (The format of verse and gloss may indicate that the priest was explaining a much older tradition.) It treats unarmored fencing with [[arming sword|sword]] and [[buckler]]; the intriguing fact that the fencers depicted are a priest and a student (and on the last two pages, a priest and a woman identified as St. Walpurga), seems to suggest that this was a middle class or priestly art rather than one of the knightly class. Repeatedly, the text makes mention of the pupils (''scolaris/discipulus'') of the priest, as well as youths (''iuvenis'') and clients (''clientulum''). It seems, therefore, to have been prepared for secular priests who were offering fencing lessons to young men.
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* Written in the 1320s, possibly by a priest named Liutger; owned by Franconian monks until the 1500s.
 
* Written in the 1320s, possibly by a priest named Liutger; owned by Franconian monks until the 1500s.
* 1400s – an additional couplet was inscribed at the top of [[:File:MS I.33 01r.jpg|folio 1r]], possibly by Enea Silvio Piccolomini (Pope Pius II; 1405-1464).{{cn}}
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* 1400s – an additional couplet was inscribed at the top of [[:File:MS I.33 01r.jpg|folio 1r]].
* 1552-53 – looted from a monastery by [[Johannes Herbart von Würzburg]] during the Franconian campaigns of Albert-Archibald, Duke of Brandenburg-Kulmbach.<ref name="Gunterrodt">[[Heinrich von Gunterrodt|von Gunterrodt, Heinrich]]. ''[[De Veris Principiis Artis Dimicatorie (Heinrich von Gunterrodt)|De Veris Principiis Artis Dimicatorie]]''. Wittenberg, 1579. p C3rv</ref><ref name="Hester"/> Würzburg was a belt-maker by trade and later served as [[fencing master]] to the dukes of Sachsen-Gotha; he inscribed his name on [[:File:MS I.33 07r.jpg|folio 7r]].
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* 1552-53 – looted from a monastery by [[Johannes Herbart von Würzburg]] during the Franconian campaigns of Albrecht II, margrave of Brandenburg-Kulmbach.<ref name="Gunterrodt">[[Heinrich von Gunterrodt|von Gunterrodt, Heinrich]]. ''[[De Veris Principiis Artis Dimicatorie (Heinrich von Gunterrodt)|De Veris Principiis Artis Dimicatorie]]''. Wittenberg, 1579. p C3rv</ref><ref name="Hester"/> Würzburg was a belt-maker by trade and later served as [[fencing master]] to the dukes of Sachsen-Gotha; he inscribed his name on [[:File:MS I.33 07r.jpg|folio 7r]].
 
* before 1579 – possibly duplicated by [[Heinrich von Gunterrodt]] while compiling material for his book<ref name="Gunterrodt"/> (such a copy is currently unknown).
 
* before 1579 – possibly duplicated by [[Heinrich von Gunterrodt]] while compiling material for his book<ref name="Gunterrodt"/> (such a copy is currently unknown).
 
* late 1500s-1945 – owned by the dukes of Sachsen-Gotha; listed in an 18th century library catalog as Cod.Membr.I.no.115.{{cn}} The second device on [[:File:MS I.33 26r.jpg|folio 26r]] was copied into the [[Talhoffer Fechtbuch (Cod.Guelf.125.16.Extrav.)|Codex Guelf 125.16 Extravagante]] in the 1600s by a scribe who couldn't decipher the Latin text.<ref>See [[Page:Cod.Guelf.125.16.Extrav. 45r.jpg|Codex Guelf 125.16.Extrav., f 45r]].</ref> The manuscript was further described on six leaves of paper (with short excerpts of the text) by Heinrich Niewöhner in 1910. (Lost during World War II.)
 
* late 1500s-1945 – owned by the dukes of Sachsen-Gotha; listed in an 18th century library catalog as Cod.Membr.I.no.115.{{cn}} The second device on [[:File:MS I.33 26r.jpg|folio 26r]] was copied into the [[Talhoffer Fechtbuch (Cod.Guelf.125.16.Extrav.)|Codex Guelf 125.16 Extravagante]] in the 1600s by a scribe who couldn't decipher the Latin text.<ref>See [[Page:Cod.Guelf.125.16.Extrav. 45r.jpg|Codex Guelf 125.16.Extrav., f 45r]].</ref> The manuscript was further described on six leaves of paper (with short excerpts of the text) by Heinrich Niewöhner in 1910. (Lost during World War II.)
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{| class="treatise"
 
{| class="treatise"
 
|-  
 
|-  
! id="page" | 1r&nbsp;-&nbsp;32v
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! id="page" | Irv
 +
| Front matter
 +
 
 +
|-
 +
! 1r&nbsp;-&nbsp;32v
 
| {{treatise begin
 
| {{treatise begin
 
   | title = Sword and buckler, possibly by Liutger
 
   | title = Sword and buckler, possibly by Liutger
   | width = 84em
+
   | width = 90em
 
}}
 
}}
{| class="floated treatisecontent"
+
{| class="treatisecontent"
 
|-  
 
|-  
! id="thin" | <p>Images</p>
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! <p>Images</p>
 
! <p>{{rating|B}}<br/>by [[Dieter Bachmann]]</p>
 
! <p>{{rating|B}}<br/>by [[Dieter Bachmann]]</p>
 
! <p>Transcription{{edit index|Walpurgis Fechtbuch (MS I.33)}}<br/>by [[Dieter Bachmann]]</p>
 
! <p>Transcription{{edit index|Walpurgis Fechtbuch (MS I.33)}}<br/>by [[Dieter Bachmann]]</p>
  
 
|-  
 
|-  
| rowspan="4" | [[File:MS I.33 1r.jpg|300px|center|Folio 1r]]
+
| rowspan="4" | [[File:MS I.33 01r.png|300px|center|Folio 1r]]
| <p>[1] <em>Stygian Pluto dares not attempt, what dare<br/>the mindless monk, and the deceitful old woman.</em><ref>The introductory verse was added on the upper margin of the page. According to [Forgeng], it is attributed to Aenas Sylvius (later pope Pius II; 1405-64). It is obviously referring to other sorts of unmonkish behaviour, but it seems to underline the unusual nature of fencing monks and women.</ref></p>
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| <p>[1] ''Stygian Pluto dares not attempt what a rogue monk and a treacherous hag dare do.''<ref>The introductory verse is added on the top margin of the page in a 15th-century hand. The distichon was apparently added in the 15th century, when the manuscript was still kept in a monastery library. It seems to express a disparaging view of “armed clerics” and clearly also refers to the depiction of a female fencer on the last folium. This verse is attested in print in the 16th century, and there attributed to Aeneas Sylvius Piccolomini (Pope Pius II, 1405–64), as follows:
 +
 
 +
* Andreas Gärtner, Proverbialia dicteria (1574): “''Non audet Stygius Pluto tentare, quod audet Eff renis monachus plenaque fraudis anus''” (cited after Wilhelm Binder, ''Novus Thesaurus Adagiorum Latinorum'', 1861 who off ers the German paraphrase “Wo der Teufel nicht selbst hin will, schickt er entweder einen Pfaff en, oder ein altes Weib.”)
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* ''Holinshed's Chronicles'' (1577): “Æneas Sylvius (and before him many more driving upon the like argument) dooth saie in this distichon: ''Non audet Stygius Pluto tentare, quod audent / Eff rænis monachus, plenaque fraudis illa''. Meaning ''Mulier'', a woman.
 +
 
 +
A longer variant is given by Richard Gough, ''Human Nature Displayed in the History of Myddle (1824): “I remember what Eneas Sylvius said: Non audet Stygius Pluto tentare, quod audet / Eff renis monachus, plenaque fraudis anus. / Vix adfert Stygius Pluto tot damna quot audet / Credo bibax ebrius, plenaque fraudis anus.'' Not Stygian Pluto ever durst pursue, What a rogue monk, and treacherous hag can do. The Stygian fi end can scarce such mischief do man, as This drunken cobler and dissembling woman has.”
 +
 
 +
I have not been able to locate the verse in Aeneas Sylvius' works directly; in any case, the presence of the verse (with ''dolis'' for ''fraudis'') in a 15th-century hand in our manuscript (more or less conteporary with Aeneas Sylvius, and certainly predating any printed edition of his works) would seem to suggest that he is not its original author.</ref></p>
 
| {{section|Page:MS I.33 01r.jpg|1|lbl=1r}}
 
| {{section|Page:MS I.33 01r.jpg|1|lbl=1r}}
  
 
|-  
 
|-  
| <p>[2] It is to be noted, how in general all fencers, or all men holding a sword in hand, even if ignorant in the art of fencing, use these seven wards, of which we have seven verses:</p>
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| <p>[2] Note how in general all fencers, or all men who hold a sword in hand, even when ignorant in the art of fencing, make use of these seven guards, on which we have seven verses:</p>
 
| {{section|Page:MS I.33 01r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 01r.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| <p>[3] {{red|Seven wards there are, under the arm the foremost,<br/>to the right shoulder is given the second, to the left the third,<br/>to the head give the fourth, give to the right side the fifth,<br/>to the breast give the sixth, and finally have you the ''langort''.}}</p>
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| <p>[3] {{red|Seven guards there are, under the arm the first<br/>On the right shoulder the second, the third on the left<br/>To the head give the fourth, to the right side the fifth<br/>To the breast give the sixth, and as the final one have ''langort''.}}</p>
 
| {{section|Page:MS I.33 01r.jpg|3|lbl=-}}
 
| {{section|Page:MS I.33 01r.jpg|3|lbl=-}}
  
 
|-  
 
|-  
| <p>[4] It is to be noted, that the art of fencing is so described: Fencing is the the ordering of diverse strikes, and is divided in seven parts, as here.</p>
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| <p>[4] Note that the art of fencing is described as follows: Fencing is the ordering of various strikes, and it is divided into seven parts as here.</p>
 
| {{section|Page:MS I.33 01r.jpg|4|lbl=-}}
 
| {{section|Page:MS I.33 01r.jpg|4|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 1v.jpg|300px|center|Folio 1v]]
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| rowspan="2" | [[File:MS I.33 01v.png|300px|center|Folio 1v]]
| <p>[5] Note, that the nucleus of all the art of fencing consists in this latter ward which is called ''langort''. Also, all actions of the wards or of the sword are determined by it, i.e. they end in it and not in others. Therefore, do first consider well this above-mentioned ward.</p>
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| <p>[5] Note that the whole core of the art of fencing consists in this final guard which is called ''langort'', because in it, all actions of the guards or the sword terminate, i.e. they end in it and not in the others, therefore consider it more than the the above-mentioned first one.</p>
 
| {{section|Page:MS I.33 01v.jpg|1|lbl=1v}}
 
| {{section|Page:MS I.33 01v.jpg|1|lbl=1v}}
  
 
|-  
 
|-  
| <p>[6] {{red|It is three that precede, the remaining do follow<br/>These seven parts are (also) executed by the common,<br/>(but) Brother Liutger<ref>''lutegerus:'' presumably the name of the author / ''sacerdos'': ''Liutger''.</ref> has the defense and the means.}}</p>
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| <p>[6] {{red|There are three which go forward, and the remaining then flee.<ref>Gunterrodt: ''Tres quae praecedunt, reliquae tantum fugientes''.</ref><br/>These seven parts are executed by the common [fencers],<br/>Luitger the cleric<ref>It is suggestive that the author (if we accept the instructor in the verses and in the manual as the same person) is called ''cler[ic]us'' “the cleric” (or “the clerk”) three times in these verses, but never in the text; conversely, the text consistently calls him ''sacerdos'', and never ''clericus'' (Middle Latin use of ''clerus'' for ''clericus'' is noted in Du Cange's ''Glossarium''). It is almost as if he had composed the verses as a mnenomic orally at an earlier time, before envisaging the project of creating this manual, when he was younger and not yet ordained as a priest. Latin ''clericus'' renders MHG ''pfaffe'', which may could to either a priest, a deacon or a member of the minor orders. Note that it is not unusual to find the designation ''pfaffe''  associated with fencing masters of the late medieval tradition, so [[Hanko Döbringer]] (still in the 14th century) and [[Hans Lecküchner]] (in the later 15th century).<p>The interpretation of the name Lutegerus in the verse on fol. 1v depends on the interpretation of the verse of which it forms a part. This verse is very difficult to interpret in a number of ways. In fact, nothing about it is entirely clear to me.</p></ref> holds the opposite and the middle.<ref>Are we to understand that the seven guards are the same as the “seven parts”, and of these three “precede” (or “go forward” as antonym to ''fugiunt''?) and the remaining (i.e. four) “flee” or “go backward” in some way? CS translate ''Il y en a trois qui avancent, tandis que les autres replient''. But “reply” isn't really what a ''custodia'' does, the system has the separate term ''obsessio'' just for that, and there is nothing in the subsequent material that would somehow suggest that some of the guards have a function of replying or reacting to the others. It is also anyone's guess how the guards are to be grouped. One reasonable assumption would be the the first four, shown on 1r, as opposed to the final three, shown on 1v. There is, in fact, a conceptual difference between the groups, guards 1-4 as described in the manual initiate a strike, while 5 and 6 initiate a thrust, and 7 is a special case, inviting a bind instead of posing a direct threat.<p>Now, the verse goes on to say “these seven (parts, guards) are done by the common fencers”, followed by “the cleric holds the opposite, and Luitger holds the middle”. This may be interpreted in a number of ways.  It is important to note that neither ''medium'' nor ''oppositum'' is used in any technical sense anywhere in the manual outside of this verse.</p><p>CS have ''Le clerc est a l'opposé et Luitger à mi-chemin'' “the cleric is opposite, and Luitger is at halfway”, i.e. they here treat “the cleric” as a different person from Luitger. In the reading of Ukert, Lutegerus is a reference by name to a notable “common fencer”, so that the cleric holding “the opposite” would presumably be preferable to the “common fencer” Luitger who holds merely “the middle”.</p><p>It does seem more probable to me, however, that the entire line refers to a single person, ''clerus Lutegerus'', who holds “both the opposite and the middle” and that this statement, as a whole, contrasts with the “common fencers” mentioned in the preceding line. Note that this would mean that the author here employs ''hyperbaton'' (the separation of the two associated nominatives), in apparent aspiration to a “poetic” mode of speech entirely absent from the rest of the “verses”.</p><p>I am unsure whether the terms ''oppositum'' and ''medium'' should be interpreted in a figurative way, as it were “he is in possession of the counter and the means”, or in a strictly spatial sense, as it were “he holds ''against'' (his opponent)” and at the same time “he holds or occupies the ''center''” between the fencers. This latter interpretation strikes me as a useful description of the “conflict of binder and bound” referenced throughout the manual, but it must be admitted that a discussion in the terms used in the verse is not repeated anywhere in the following text. It nevertheless remains my preferred reading, against both CS and Ukert, that “clerus Lutegerus” here refers to a single person, and most likely the manual's author himself (compare the discussion of ''de Alkersleiben'' below).</p></ref>}}</p>
 
| {{section|Page:MS I.33 01v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 01v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| rowspan="4" | [[File:MS I.33 2r.jpg|300px|center|Folio 2r]]
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| rowspan="5" | [[File:MS I.33 02r.png|300px|center|Folio 2r]]
| <p>[7] (+)''' It is to be seen that here is the first ward contained, i.e. the one under the arm, and the displacer is in ''halpschilt''. I give the good counsel that the one (assuming the ward) under the arm do not execute a strike, which is commendable from the ''albersleiben'', for the reason that he could not reach the upper part, and (reaching anywhere) lower would be pernicious to the head. But the displacer entering to attack may reach him at any time if he fails to observe what is written below:</p>
+
| <p>[7] '''(+)''' Note, here is contained the first guard, viz. the one under the arm, and the siege is ''halbschilt''. And I give the sensible counsel that the one under the arm should not execute any strike, as recommends ''de Alkersleiben'',<ref>Gunterrodt (1579) read this name as ''Albenslaiben'' recognising it as the name of the “ancient stem and most famous family” (''vetustissima prosapia et clarissima familia'') of Alvensleben. Ukert, on the other hand, reads ''Alkersleiben''. Both Gunterrodt and Ukert recognised the word as a personal name (while a reading ''albersleiben'' is due to Forgeng, who identified the word as a fencing term, a “proto-Liechtenauerian” version of Alber). ''Alkersleiben'' is clearly more consistent with the manuscript, and Gunterrodt's reading should perhaps be considered an emendation, inserting the more familiar name of Alvensleben, a prominent noble family of Brandenburg in Gunterrodt's time (which also had held extensive possessions already in the 1300s). For Gunterrodt, it was obvious that the author of the manuscript must have been a nobleman who had retired to a monastery in his old age, and he took his reading as a confirmation of the association with nobility without positively identifying the name as referencing the manual's author.<p>However, reading ''de Alkersleiben'' (with Ukert) we have a reference to the Thuringian village of Alkersleben (recorded in the 13th century as ''Alkesleibin''), at the time of merely local importance as the site of a manor and a deanery. Alkersleben is some 200 km to the north of the parts of Franconia affected by the Second Margravian War, the presumed area of production of our manuscript. Ukert interprets both ''Lutegerus'' and ''de Alkersleiben'' as the names of “common fencers” (''generales dimicatores'', “gemeine Fechtmeister”). This depends entirely on the context we give to the occurrence of the names, in the case of ''de Alkersleiben'':  ''Non ducat aliquam plagam quod probat de Alkersleiben'' “He should not deliver any strike, as recommended by ''de Alkersleiben''” – are we to understand that this is a counsel against the recommendation to “deliver a strike” attributed to a notable “common fencer” known as ''de Alkersleiben'', or are we much rather to understand that the counsel not to deliver a strike is attributed to the highly profi cient fencer known by this name, which would amount to nothing less than yet another reference by the author to himself in the third person? If we are ready to interpret ''Lutegerus'' in this way, I see no obstacle to adopt the same position here, which would give us an author ''Clericus Lutegerus de Alkersleiben'', or, in German, ''Pfaffe Luitger von Alkersleben''. Incidentially, the term ''nucken'' happens to be more consistent with a Thuringian rather than a Franconian origin of whoever is responsible for coining it.</p></ref> for the reason that he cannot reach the upper part; if [he should aim] lower, it would be pernicious to [his] head. But the besieger by entering could invade him at any time if he omits what is being held, as is written below.</p>
 
| {{section|Page:MS I.33 02r.jpg|1|lbl=2r}}
 
| {{section|Page:MS I.33 02r.jpg|1|lbl=2r}}
  
 
|-  
 
|-  
| <p>[8] Verse:<br/>{{red|The first ward / Has two counters,<br/>The first counter being ''halbschilt'', / The second ''Langort''.}}</p>
+
| <p>[8] Verse:<br/>{{red|The first guard has a two-fold counter:<br/>The first counter is ''halbshilt'', the second is ''langort''.}}</p>
 
 
{{red|If ''Halbschild'' is adopted, fall / Below both sword and shield.<br/>If he is a common fencer, he will strike to the head, / Then you should apply ''stichschlach'',<br/>If he binds and enters, / Then you should counter with ''schiltschlac''.}}
 
 
| {{section|Page:MS I.33 02r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 02r.jpg|2|lbl=-}}
  
{{section|Page:MS I.33 02r.jpg|3|lbl=-}}
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|-
 +
| <p>[9] {{red|When ''halbschilt'' is executed, fall underneath sword and shield.<br/>If he is common, he will reach [for] the head, then you should do a ''stichschlac''.<br/>If he binds and presses, you should counter with a ''schiltschlac''.}}</p>
 +
| {{section|Page:MS I.33 02r.jpg|3|lbl=-}}
  
 
|-  
 
|-  
| <p>[9] It is to be seen that the one who is higher is directing a strike to the head, without ''schiltslac'', if he is a common fencer. But if you would be instructed by the priest's counsel, do bind and enter.</p>
+
| <p>[10] Note that the one who lies above will direct a strike to the head without ''schiltslac'' if he is common. But if you want to be informed by the counsel of the priest, bind and press. </p>
 
| {{section|Page:MS I.33 02r.jpg|4|lbl=-}}
 
| {{section|Page:MS I.33 02r.jpg|4|lbl=-}}
  
 
|-  
 
|-  
| <p>[10] ''Note that the first ward, i.e. the one under the arm, may be displaced by itself, namely, the displacer may displace the one assuming the first ward with that selfsame ward. Nevertheless, the one assuming first ward can displace the displacer with a displacement that in a way corresponds to the displacement called ''halpschilt'', but differs from it in this, that the sword below the arm is extended above the shield, so that the hand holding the shield is enclosed by the hand holding the sword.''</p>
+
| <p>[11] ''Note that the first guard, viz. the one under the arm, can besiege itself, so that the one besieging with this guard can besiege the first guard; but nevertheless the one assuming first guard against the besieger can besiege the siege which corresponds with the siege that is called ''halbschilt'', differing in this, that the sword is extended below the arm and above the shield so that the hand holding the shield is included in the hand holding the sword.''<ref>CS praise this image as “one of the most beautiful aesthetic successes” of the codex. The postures are drawn very carefully, including an indication that each fencer has the right foot forward, a detail that will not be evident in later figures. The final (and let's face it, rather awkward) paragraph is in hand B and alludes to changed dynamics that arise if first guard is answered with first guard.</ref></p>
 
| {{section|Page:MS I.33 02r.jpg|5|lbl=-}}
 
| {{section|Page:MS I.33 02r.jpg|5|lbl=-}}
  
 
|-  
 
|-  
| rowspan="6" | [[File:MS I.33 2v.jpg|300px|center]]
+
| rowspan="6" | [[File:MS I.33 02v.png|300px|center]]
| <p>[11] It is to be seen, that the pupil is here binding and entering, so that he may place a ''schiltschlac'', as below. But he should take heed of what is done by the priest, as after the bind the priest will be the first to act.</p>
+
| <p>[12] Note that the scholar here binds and applies pressure so that he gets to perform a ''schiltslac'' as [in the image] below. But he should take care that what is to be done on the
 +
part of the priest [because] after the bind, the priest will be the first to act. Note also that the priest can do nothing other than a ''schiltslac'' or embracing with the left hand the arms of the priest, i.e. sword and shield.</p>
 
| {{section|Page:MS I.33 02v.jpg|1|lbl=2v}}
 
| {{section|Page:MS I.33 02v.jpg|1|lbl=2v}}
  
 
|-  
 
|-  
| <p>[12] It is to be seen, that the pupil has no option but to do a ''schiltslac'', or to grip the arms of the priest with his left hand, namely sword and shield.</p>
+
| <p>[13] It is to be seen, that the pupil has no option but to do a ''schiltslac'', or to grip the arms of the priest with his left hand, namely sword and shield.</p>
 
| {{section|Page:MS I.33 02v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 02v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| <p>[13] Verse:<br/>{{red|Here the pupil binds and enters, for him is a ''schiltslac''<br/>Or with the left hand he grip the arms of the priest.}}</p>
+
| <p>[14] Verse:<br/>{{red|Here the scholar binds and presses, for him is a ''schildschlac''.<br/>Or with the left hand he is to embrace the priest's arms.}}</p>
 
| {{section|Page:MS I.33 02v.jpg|3|lbl=-}}
 
| {{section|Page:MS I.33 02v.jpg|3|lbl=-}}
  
 
|-  
 
|-  
| <p>[14] The priest, on the other hand, has three options, namely mutation of the sword, so that it be higher, or ''durchtreten'', or with the {{dec|s|left}}<sup>right</sup> hand grasp the pupil's arms, i.e. sword and shield.</p>
+
| <p>[15] The priest here has three options, viz. sword-change, so that he is above, or ''durchtreten'', or with the {{dec|s|left}}<sup>right</sup> hand embrace the arms of the scholar, i.e. sword and shield.</p>
 
| {{section|Page:MS I.33 02v.jpg|4|lbl=-}}
 
| {{section|Page:MS I.33 02v.jpg|4|lbl=-}}
  
 
|-  
 
|-  
| <p>[15] {{red|These three are for the priest: ''durchtritt'', mutation of the sword,<br/>or with the right hand he may grasp sword and shield.}}</p>
+
| <p>[16] {{red|These three are for the cleric: ''durchtrit'', sword-change,<br/>or with the right hand he could take the sword [and] shield.}}<ref>This is written vertically on the right margin. The image is damaged, but it is the first of dozen identical images illustrating “overbind” (see §11). This image is also the first instance of a “change of perspective” (i.e. the position of fencers is inverted; this is done on purpose in order to show the hand position of the fencer).</ref></p>
 
| {{section|Page:MS I.33 02v.jpg|5|lbl=-}}
 
| {{section|Page:MS I.33 02v.jpg|5|lbl=-}}
  
 
|-  
 
|-  
| <p>[16] Note that you find here what was said above, executed in the example.</p>
+
| <p>[17] Note that what is said above you find in this example.<ref>i.e. Showing the ''schiltslac''.</ref></p>
 
| {{section|Page:MS I.33 02v.jpg|6|lbl=-}}
 
| {{section|Page:MS I.33 02v.jpg|6|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 3r.jpg|300px|center]]
+
| rowspan="2" | [[File:MS I.33 03r.png|300px|center]]
| <p>[17] (+)''' It is to be seen how the first ward is again assumed, because of certain actions of this first section, i.e. because of the first ward that was treated first. But all things that belong here you will find on the first page, up to the mutation of the sword.</p>
+
| <p>[18] '''(+)''' Note that the first guard is resumed here, due to certain actions from the first section, i.e. of the first guard of which was treated before, but all that belongs here you find in the first page, up to the sword-change.</p>
 
| {{section|Page:MS I.33 03r.jpg|1|lbl=3r}}
 
| {{section|Page:MS I.33 03r.jpg|1|lbl=3r}}
  
 
|-  
 
|-  
| <p>[18] {{red|If ''halbschilt'' is assumed, fall<br/>below both sword and shield.}}<ref>This verse is open to disputation. Most likely, ''quoque'' combines sword and shield into a unity; ''sub'' seems to refer to a lower bind, as ''halpschilt'' threatens a blow from above. The same situation is depicted 8v and 23v. That a binding between sword and shield is not intended becomes clear on fol. 11r, where exactly that move is deprecated.</ref></p>
+
| <p>[19] {{red|When ''halbschilt'' is assumed, fall<br/>under sword and shield.}}<ref>The verse is written between the two images on the left side (the side of the fencer performing the technique).</ref></p>
 
| {{section|Page:MS I.33 03r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 03r.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| rowspan="4" | [[File:MS I.33 3v.jpg|300px|center]]
+
| rowspan="4" | [[File:MS I.33 03v.png|300px|center]]
| <p>[19] Here is a binding of the pupil's, and all other things, of which was talked above, until the mutation of the sword.</p>
+
| <p>[20] Here is a bind on the part of the scholar, and all other things which were treated above, until the sword-change below.<ref>The first three images of the second play are equivalent to the first play. This is made explicit in the text, the sword-change in the following image being shown as a counter to the overbind. But note the explicit depiction of step with the left foot forward for the overbind (based on the position of the rear foot), a detail absent from the equivalent situation as shown in 2v.</ref></p>
 
| {{section|Page:MS I.33 03v.jpg|1|lbl=3v}}
 
| {{section|Page:MS I.33 03v.jpg|1|lbl=3v}}
  
 
|-  
 
|-  
| <p>[20] Here the pupil is wanting good counsel how he could withstand this, and you must know, that if the game stands as here, then a ''stich'' must be executed, as commonly contained in the book, even if here is no image.</p>
+
| <p>[21] Here the scholar gets good counsel as to how he may resist this. And know that when the game is as shown here, then a ''stich'' must be executed as generally contained in the book, even though there are no images of this [here].</p>
 
| {{section|Page:MS I.33 03v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 03v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| <p>[21] It is to be seen, that the priest is here mutating the sword, because he was below earlier, now he will be above. Then, he moves the free sword upwards, which is called ''nucken'', whence follows a separation of sword and shield of the pupil's.</p>
+
| <p>[22] Note how the priest here changes the sword, because it was below and now it will be above; then he puts the sword to his adversary's head, which is called ''nucken'', from which results a separation of the sword and the shield of the scholar.<ref>The two paragraphs are arranged on the left and on the right, referring to the scholar and the priest, respectively. The image shows the situation after the sword-change (''mutatio gladii''); the scholar is instructed to counter this with a ''stich'', but this isn't pursued further. This is presumably the action depicted in 10r, where it is, however, referred to as ''stichslac''. The play here instead continues with the action of ''nucken'' performed by the priest immediately after the sword-change. The last part of the second paragraph is already in reference to the following image on the next page, i.e. the one depicting the priest's ''nucken''.
 +
 
 +
The word is written ''nucken'' in prose, but then ''nukcen'' in the verse: is this a simple error, or is the creation of an apparent rhyme with ''schutzen'' significant?</ref></p>
 
| {{section|Page:MS I.33 03v.jpg|3|lbl=-}}
 
| {{section|Page:MS I.33 03v.jpg|3|lbl=-}}
  
 
|-  
 
|-  
| <p>[22] Thence the verse:<br/>{{red|Such is the monk's ''nucken'',<br/>where most of the common will ''schutzen''.}}</p>
+
| <p>[23] Hence the verse:<br/>{{red|So the cleric's ''nucken'',<br/>[where] the common fencers [will rather?] ''schutzen''.}}</p>
 
| {{section|Page:MS I.33 03v.jpg|4|lbl=-}}
 
| {{section|Page:MS I.33 03v.jpg|4|lbl=-}}
  
 
|-  
 
|-  
| rowspan="3" | [[File:MS I.33 4r.jpg|300px|center]]
+
| rowspan="3" | [[File:MS I.33 04r.jpg|300px|center]]
| <p>[23] Here the priest should pay attention that he tarry not one instant with the sword, lest from that instant arise an act which is called grappling, but he must immediately re-establish the binding out of caution.</p>
+
| <p>[24] Here the priest should take care not to delay with the sword in the slightest, lest out of this delay an action should arise which is called wrestling, but out of caution he must immediately re-establish the bind.<ref>The paragraph is centered on the page above the image, perhaps added as an afterthought as the scribe realised that the description intended for this image has already been given on the previous page. This image is unique in the book, and CS point out correctly a mistake on the part of the illustrator, who has given the priest two left hands.</ref></p>
 
| {{section|Page:MS I.33 04r.jpg|1|lbl=4r}}
 
| {{section|Page:MS I.33 04r.jpg|1|lbl=4r}}
  
 
|-  
 
|-  
| <p>[24] (+)''' {{red|H}}ere the first ward is re-assumed, to which ward the displacement will be very rare, because none uses to apply it save the priest or his clients, i.e. his students, and this displacement is called ''krucke'', and I counsel in good faith that the one executing the ward should bind immediately after the displacement, because it is not good to tarry, or that he should do aught by which he may be saved, or that he should immediately do that, which his displacer does.</p>
+
| <p>[24] '''(+)''' {{red|H}}ere the first guard is resumed, the siege to which guard will be very rare, because nobody is in the habit of performing it except for the priest, or his little clients, i.e. students, and this siege is called ''krucke'', and I counsel in good faith that he who assumes the guard should bind immediately after the siege, as it isn't good to lag, or to do any of the things by which he might be saved, or that he at least execute the same as the [besieger] did.</p>
 
| {{section|Page:MS I.33 04r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 04r.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| <p>[25] You must know that the displacer must not hesitate, but he should execute immediately a ''stich'' towards the displacer, so that his adversary cannot deliberate what he intend, and that should diligently comprehended.<ref>''diligenter intell...'': seems unclear to me; either the instructions, that one should not hesitate should be understood diligently, or the diligence with which the adversary will judge one's actions is stressed.</ref></p>
+
| <p>[25] Know that the besieger must not hesitate but immediately after the siege should execute a ''stich''; thus the adversary cannot deliberate on what he might intend and this is to be understood diligently.<ref>The second paragraph is written on the right margin. The ''krucke'' is introduced as an alternative reaction to first guard (other than ''halbschilt''), and advertised as a speciality of the priest's system. This position at the same time covers the right side (threatened by first guard) and threatens a thrust to the opponent's sword side. CS interpret the image as reflecting the fencers maintaining eye contact under the shield. I do not think this is the case: ''Krucke'' should be performed with a step to the right, and eye-contact is maintained in a line passing left of the shield.</ref></p>
 
| {{section|Page:MS I.33 04r.jpg|3|lbl=-}}
 
| {{section|Page:MS I.33 04r.jpg|3|lbl=-}}
  
 
|-  
 
|-  
| rowspan="4" | [[File:MS I.33 4v.jpg|300px|center]]
+
| rowspan="4" | [[File:MS I.33 04v.jpg|300px|center]]
| <p>[26] Here the priest binds above the pupil's displacement, and immediately, all the preceding things which you had above; granted, you did not have the other two images which follow, where he grasps sword and shield.</p>
+
| <p>[26] Here the priest binds above the scholar's siege, and immediately there follow all the preceding things, which you had before, although granted, two images you did not yet see, they follow below, where he catches sword and shield.</p>
 
| {{section|Page:MS I.33 04v.jpg|1|lbl=4v}}
 
| {{section|Page:MS I.33 04v.jpg|1|lbl=4v}}
  
 
|-  
 
|-  
| <p>[27] Note that whenever binder and bound are competing as here, then the bound may flee whither he chooses, if he likes, and this is required in all bindings. But of this you must be admonished, that where ever the bound (flees to), you should follow him.</p>
+
| <p>[27] Note that whenever binder and bound are in conflict as here, then the bound can flee wherever he wants, if he so chooses, and it is necessary in all binds. But for this you have to be prepared, that wheresoever the bound [flees], you should pursue him.</p>
 
| {{section|Page:MS I.33 04v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 04v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| <p>[28] {{red|Binder and bound<ref>''ligans ligati'': One would expect ''*ligans ligatusque'' vel. sim. (plural subject). Literally, the translation would be "The binder of the bound - they are...", or "The binder; the bound ones are...". But I believe my translation correctly renders the intended meaning.</ref> are adverse and irate;<br/>The bound flees to the side,<ref>''fugit ad partes laterum'': refers to side-stepping, i.e. taking into account the 3rd dimension not rendered in the images.</ref> I try to follow.}}</p>
+
| <p>[28] {{red|Binder and bound are contrary and irate;<br/>The bound flees to the side, I aim to pursue.}}<ref>The first occurrence of the ''ligans-ligati'' verse, written on the left margin; note that the verse is grammatically dubious, you would expect ''ligans ligatusque'' or something similar. The text is distracted from the play at hand to give general advice on the bind, but 5v below can be seen as immediately following the establishment of the bind here.</ref></p>
 
| {{section|Page:MS I.33 04v.jpg|3|lbl=-}}
 
| {{section|Page:MS I.33 04v.jpg|3|lbl=-}}
  
 
|-  
 
|-  
| <p>[29] Here the priest teaches his pupil, how from these above things he may grasp sword and shield. And you must know, that the priest cannot free himself from such a grip without the loss of sword and shield.</p>
+
| <p>[29] Here the priest teaches his student how from the above he may catch sword and shield, and know that the priest cannot free himself from such an embrace without letting go of his sword and shield.</p>
 
| {{section|Page:MS I.33 04v.jpg|4|lbl=-}}
 
| {{section|Page:MS I.33 04v.jpg|4|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 5r.jpg|300px|center]]
+
| rowspan="2" | [[File:MS I.33 05r.jpg|300px|center]]
| <p>[30] Here the priest defends against what the pupil did above.</p>
+
| <p>[30] Here the priest defends against what the scholar does above.</p>
 
| {{section|Page:MS I.33 05r.jpg|1|lbl=5r}}
 
| {{section|Page:MS I.33 05r.jpg|1|lbl=5r}}
  
 
|-  
 
|-  
| <p>[31] (+)''' Here the first ward is re-assumed, but all that is necessary you have here in it, except only the omission of the binding, which the pupil omits.</p>
+
| <p>[31] '''(+)''' Here first guard is resumed, but all that is required here you have likewise [i.e. as discussed above], with the sole exception of the scholar's omission of the bind.</p>
 
| {{section|Page:MS I.33 05r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 05r.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 5v.jpg|300px|center|Folio 5v]]
+
| rowspan="2" | [[File:MS I.33 05v.jpg|300px|center|Folio 5v]]
| <p>[32] Here the pupil has neglected to bind, and the priest has promptly entered, and not undeservedly, as whenever the one assuming the ward omits something he should do, the displacer must immediately enter, as here.</p>
+
| <p>[32] Here the scholar has omitted [all actions], as he did not bind; the scholar enters straight [away],<ref>''prossus'' for ''prorsus'' or ''prosus'' “straight ahead, directly, truly”; even though the literal meaning of the adverb is “straight ahead”, the intended meaning is not necessarily spatial but rather temporal, i.e. the priest enters “straight away” as the scholar omits the bind, but not necessarily in a straight line.</ref> and not without merit, because whenever the one assuming the guard omits that which he has to do, the besieger has to enter as [shown] here.</p>
 
| {{section|Page:MS I.33 05v.jpg|1|lbl=5v}}
 
| {{section|Page:MS I.33 05v.jpg|1|lbl=5v}}
  
 
|-  
 
|-  
| <p>[33] (+)''' Displacement as before, but the game is varied.</p>
+
| <p>[33] '''(+)''' The siege is as before, but the play is different.<ref>The short gloss is written without the initial usually used for new sections, and squeezed between the feet of the fencers in the above image.</ref></p>
 
| {{section|Page:MS I.33 05v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 05v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 6r.jpg|300px|center|Folio 6r]]
+
| rowspan="2" | [[File:MS I.33 06r.jpg|300px|center|Folio 6r]]
| <p>[34] Above, the priest displaced the pupil. Here now, the pupil is executing the same action as the priest before. But the displacer should enter first, if the pupil omits it, as below. Also, he should take care that the other reach not his head, which he may.</p>
+
| <p>[34] Above, the priest besieges the scholar; here, the scholar performs the same action as the priest, but the besieger is the first to enter if the scholar omits [further action], as below. Moreover, he should take care lest the other might reach the head, as he can [do that].<ref>The text has a stray ''lu'', the beginning of the word ''ludem'', amended to ''actum'' on the fly (because ''ludus'' “game” is used for a sequence of techniques, while ''actus'' refers to a single tempo, in this case the assumption of ''krucke''). The addition of ''scholaris'' as the subject of ''obmittit'' is in the later hand B.</ref><ref>The technique described is an example of ''Fühlen'' in the bind, the priest may thrust to the belly in the (strong) bind, but the scholar has the opportunity to release the bind and strike to the head, scoring an easy double-hit. As soon as the attacker feels he is losing the bind, he has to interrupt the attack and perform the counter shown in the next image.</ref></p>
 
| {{section|Page:MS I.33 06r.jpg|1|lbl=6r}}
 
| {{section|Page:MS I.33 06r.jpg|1|lbl=6r}}
  
 
|-  
 
|-  
| <p>[35] And from the above actions, the priest enters, I have said: he should therefore mind his head.</p>
+
| <p>[35] From these above actions, the priest enters; as I said above, he should mind the head.</p>
 
| {{section|Page:MS I.33 06r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 06r.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 6v.jpg|300px|center|Folio 6v]]
+
| rowspan="2" | [[File:MS I.33 06v.jpg|300px|center|Folio 6v]]
| <p>[36] (+)''' Here the first ward is re-assumed, namely the one under the arm, which is displaced with a certain counter that is called ''langort'', and it is a common displacement, and the counters to this displacement are, for the part of the one assuming the ward, bindings above and below,</p>
+
| <p>[36]<ref>The top image is without text (and without lineation). It shows a counter against the double-hit discussed under the previous image. The counter is worth closer scrutiny, as it does not recur (but compare the counter on 19v as conceptually related).</ref> '''(+)''' Here once again the first guard, viz. the one under the arm, is re-assumed, which is besieged with a certain counter that is called ''langort'', and it is a siege of the common fencers, and the counters to this siege on the part of the one in the guard are the binds below and above.</p>
 
| {{section|Page:MS I.33 06v.jpg|1|lbl=6v}}
 
| {{section|Page:MS I.33 06v.jpg|1|lbl=6v}}
  
Line 253: Line 268:
 
| <p>[37] Whence the verse:</p>
 
| <p>[37] Whence the verse:</p>
  
<p>{{red|When langort is executed, do bind immediately, above or else below.<br/>But the higher binding is always more useful than the lower one.}}</p>
+
<p>{{red|When ''langort'' is performed, quickly bind below or above.<br/>But the upper bind will always be more useful than the lower one.}}</p>
 
| {{section|Page:MS I.33 06v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 06v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 7r.jpg|300px|center|Folio 7r]]
+
| rowspan="2" | [[File:MS I.33 07r.jpg|300px|center|Folio 7r]]
| <p>[38] Here the game of the former ward will take place, namely of binder and bound,</p>
+
| <p>[38] Here will follow the game of the first guard, that is, of the binder and the bound.</p>
 
| {{section|Page:MS I.33 07r.jpg|1|lbl=7r}}
 
| {{section|Page:MS I.33 07r.jpg|1|lbl=7r}}
  
Line 264: Line 279:
 
| <p>[39] Whence the verse:</p>
 
| <p>[39] Whence the verse:</p>
  
<p>{{red|Binder and bound are adverse and irate;<br/>The bound flees to the side, I try to follow.}}</p>
+
<p>{{red|Binder and bound are contrary and irate<br/>The bound flees to the side, I aim to pursue.}}<ref>This page once again shows the overbind-schiltslac sequence; there is a change of perspective from the previous. The lower image has lineation but no text. On the bottom of the page, Johann Herbart (Herwart) of Würzburg, who acquired the manuscript in the 1550s, has left his name.</ref></p>
 
| {{section|Page:MS I.33 07r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 07r.jpg|2|lbl=-}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 7v.jpg|300px|center|Folio 7v]]
+
| rowspan="2" | [[File:MS I.33 07v.jpg|300px|center|Folio 7v]]
| <p>[41] (+)''' First ward and common displacement as above, but the game varies at the end of the passage.</p>
+
| <p>[41] '''(+)''' The first guard and the siege of the common [fencers]<ref>i.e. ''langort''</ref> as above, but the game is varied at the end of the play.</p>
 
| {{section|Page:MS I.33 07v.jpg|1|lbl=7v}}
 
| {{section|Page:MS I.33 07v.jpg|1|lbl=7v}}
  
 
|-  
 
|-  
 
| <p>[42] Above</p>
 
| <p>[42] Above</p>
:Below. But the priest has bound, in spite of being below.
+
 
 +
:Below, but the priest has established the bind, even though he is in the lower position.<ref>This is a rare instance of an actively established ''under''bind (followed immediately by a sword-change), the only other example of this being 19r.</ref>
 
| {{section|Page:MS I.33 07v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 07v.jpg|2|lbl=-}}
  
Line 280: Line 296:
  
 
|-  
 
|-  
| [[File:MS I.33 8r.jpg|300px|center|Folio 8r]]
+
| [[File:MS I.33 08r.jpg|300px|center|Folio 8r]]
| <p>[43] Here a mutation of the sword below is taking place.</p>
+
| <p>[43] Here is the change of the sword in lower position.<ref>The text is written between the two images, on the right side (the side of the fencer performing the technique). There is no
 +
other text (or lineation) on the page. The prior image (the underbind) is closely reproduced in the top image, the only difference in posture being the scholar's having moved his shield to his left hand side. It thus shows the same situation as the top of 7r (with the role of the two fencers reversed), i.e. the overbind, but in this case, the ''Vor'' is held not by the fencer in the overbind, but by the fencer in the underbind, who next performs sword-change, so that the sequence on 8r becomes a repetition of 3v.</ref></p>
 
| {{section|Page:MS I.33 08r.jpg|1|lbl=8r}}
 
| {{section|Page:MS I.33 08r.jpg|1|lbl=8r}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 8v.jpg|300px|center|Folio 8v]]
+
| rowspan="2" | [[File:MS I.33 08v.jpg|300px|center|Folio 8v]]
| <p>[44] (+)''' The first ward is re-assumed and displaced by the first displacement, namely ''halpschilt'', and you will have all of the above.</p>
+
| <p>[44] '''(+)''' First guard is resumed here, and it is besieged with the first [siege], that is ''halpschilt'', and you will have all of the things [treated] before.<ref>This “play” on the final page of the first quire has no new material, but it is important as the only instance of the frequently used action of “falling under” being shown from the reverse perspective, showing the hands of the fencer in halpschilt. The variant ''possessio'' for ''obsessio'' here occurs for the last time (otherwise only as possessor on 4r, and in the late addition on 2r).</ref></p>
 
|  {{section|Page:MS I.33 08v.jpg|1|lbl=8v}}
 
|  {{section|Page:MS I.33 08v.jpg|1|lbl=8v}}
  
Line 292: Line 309:
 
| <p>[45] Verse:</p>
 
| <p>[45] Verse:</p>
  
<p>{{red|When ''halbschild'' is assumed, fall<br/>below both sword and shield.}}</p>
+
<p>{{red|When ''halpschilt'' is assumed, fall<br/>under sword and shield.}}<ref>The verse is written between the two images, on the right side (the side of the fencer performing the technique).</ref></p>
 
|  {{section|Page:MS I.33 08v.jpg|2|lbl=-}}
 
|  {{section|Page:MS I.33 08v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
! colspan="3" style="padding:2em 0em 2em 0em;" | One leaf (four plays) is missing between 8v and 9r.
+
! colspan="3" style="padding:2em 0em 2em 0em;" | {{blue|One leaf (four plays) is missing between 8v and 9r.}}
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 9r.jpg|300px|center|Folio 9r]]
+
| rowspan="2" | [[File:MS I.33 09r.jpg|300px|center|Folio 9r]]
| <p>[46] (+)''' It can be seen how here is taught in which way the second ward may be displaced. And I say the second ward, because the third ward which is given to the left shoulder, does not differ much from the second. But here we speak of the second ward, which is given to the right shoulder. And from the same ward, the displacer executes the displacement called ''schutzen'', because every ward has its protection (which is the meaning of ''schutzen'').</p>
+
| <p>[46] '''(+)''' It can be seen how here is taught in which way the second ward may be displaced. And I say the second ward, because the third ward which is given to the left shoulder, does not differ much from the second. But here we speak of the second ward, which is given to the right shoulder. And from the same ward, the displacer executes the displacement called ''schutzen'', because every ward has its protection (which is the meaning of ''schutzen'').</p>
 
|  {{section|Page:MS I.33 09r.jpg|1|lbl=9r}}
 
|  {{section|Page:MS I.33 09r.jpg|1|lbl=9r}}
  
Line 308: Line 325:
  
 
|-  
 
|-  
| rowspan="2" | [[File:MS I.33 9v.jpg|300px|center|Folio 9v]]
+
| rowspan="2" | [[File:MS I.33 09v.jpg|300px|center|Folio 9v]]
 
| <p>[48] Here the pupil, instructed by the priest, executes an action that is called ''durchtritt''.<ref>''durchtritt'': a step to the side seems intended; for the (preferable) action depicted, we would expect 'to the left', so dexteram may be taking the opponent's view.</ref> He might get an opportunity far a strike to the left, as it is done by general fencers, or to the right, as it is done by the priest and his youths. To counter these two possibilities, the priest may, with the sword under the arm, reach the bare hands of him who executes the abovementioned strikes, although this counter is not depicted in the example image.</p>
 
| <p>[48] Here the pupil, instructed by the priest, executes an action that is called ''durchtritt''.<ref>''durchtritt'': a step to the side seems intended; for the (preferable) action depicted, we would expect 'to the left', so dexteram may be taking the opponent's view.</ref> He might get an opportunity far a strike to the left, as it is done by general fencers, or to the right, as it is done by the priest and his youths. To counter these two possibilities, the priest may, with the sword under the arm, reach the bare hands of him who executes the abovementioned strikes, although this counter is not depicted in the example image.</p>
 
| {{section|Page:MS I.33 09v.jpg|1|lbl=9v}}
 
| {{section|Page:MS I.33 09v.jpg|1|lbl=9v}}
Line 322: Line 339:
  
 
|-  
 
|-  
| <p>[51] (+)''' "the second to the right shoulder", i.e. the second ward. And note, that both the one assuming the ward and the one displacing it are in the same position as in the previous example.</p>
+
| <p>[51] '''(+)''' "the second to the right shoulder", i.e. the second ward. And note, that both the one assuming the ward and the one displacing it are in the same position as in the previous example.</p>
 
| {{section|Page:MS I.33 10r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 10r.jpg|2|lbl=-}}
  
Line 331: Line 348:
  
 
|-  
 
|-  
| <p>[53] (+)''' same ward, but with a different displacement, and it is the one called ''halbschilt'' first treated displacing the first ward, i.e. the one under the arm.</p>
+
| <p>[53] '''(+)''' same ward, but with a different displacement, and it is the one called ''halbschilt'' first treated displacing the first ward, i.e. the one under the arm.</p>
 
| {{section|Page:MS I.33 10v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 10v.jpg|2|lbl=-}}
  
Line 345: Line 362:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 11v.jpg|300px|center|Folio 11v]]
 
| rowspan="2" | [[File:MS I.33 11v.jpg|300px|center|Folio 11v]]
| <p>[56] (+)''' Here the priest re-adopts the first ward, i.e. the one under the arm; some things were omitted which you had not put before, as shown in the example below.</p>
+
| <p>[56] '''(+)''' Here the priest re-adopts the first ward, i.e. the one under the arm; some things were omitted which you had not put before, as shown in the example below.</p>
 
| {{section|Page:MS I.33 11v.jpg|1|lbl=11v}}
 
| {{section|Page:MS I.33 11v.jpg|1|lbl=11v}}
  
Line 354: Line 371:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 12r.jpg|300px|center|Folio 12r]]
 
| rowspan="2" | [[File:MS I.33 12r.jpg|300px|center|Folio 12r]]
| <p>[58] (+)''' Here, the priest adopts third ward, which is displaced by the student as shown. The counter to this displacement will be a bind, and I say bind, but only above, and no other as in the example below.</p>
+
| <p>[58] '''(+)''' Here, the priest adopts third ward, which is displaced by the student as shown. The counter to this displacement will be a bind, and I say bind, but only above, and no other as in the example below.</p>
 
| {{section|Page:MS I.33 12r.jpg|1|lbl=12r}}
 
| {{section|Page:MS I.33 12r.jpg|1|lbl=12r}}
  
Line 376: Line 393:
  
 
|-  
 
|-  
| <p>[63] (+)''' The same third ward, viz. on the left shoulder, and the same displacement called ''halbschilt'', as above.</p>
+
| <p>[63] '''(+)''' The same third ward, viz. on the left shoulder, and the same displacement called ''halbschilt'', as above.</p>
 
| {{section|Page:MS I.33 13r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 13r.jpg|2|lbl=-}}
  
Line 386: Line 403:
 
|-  
 
|-  
 
| [[File:MS I.33 14r.jpg|300px|center|Folio 14r]]
 
| [[File:MS I.33 14r.jpg|300px|center|Folio 14r]]
| <p>[65] (+)''' Here the third ward is re-adopted, which will be displaced by ''langort'', which all common fencers execute, and the counter to this displacement are two binds, one on the right above the sword, the other on the left.</p>
+
| <p>[65] '''(+)''' Here the third ward is re-adopted, which will be displaced by ''langort'', which all common fencers execute, and the counter to this displacement are two binds, one on the right above the sword, the other on the left.</p>
 
| {{section|Page:MS I.33 14r.jpg|1|lbl=14r}}
 
| {{section|Page:MS I.33 14r.jpg|1|lbl=14r}}
  
Line 397: Line 414:
  
 
|-  
 
|-  
| <p>[67] (+)''' Now that the third ward has been treated, here the fourth is treated, which will have ''halbschilt'' as its displacement, and all that you had before you will find here up to the next sign of the cross.</p>
+
| <p>[67] '''(+)''' Now that the third ward has been treated, here the fourth is treated, which will have ''halbschilt'' as its displacement, and all that you had before you will find here up to the next sign of the cross.</p>
 
| {{section|Page:MS I.33 14v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 14v.jpg|2|lbl=-}}
  
Line 405: Line 422:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 15r.jpg|300px|center|Folio 15r]]
 
| rowspan="2" | [[File:MS I.33 15r.jpg|300px|center|Folio 15r]]
| <p>[68] (+)''' Here the priest re-adopts the fourth ward; the displacement of this fourth ward will be the first ward, and this as an example to his pupils, as here shown in the example.</p>
+
| <p>[68] '''(+)''' Here the priest re-adopts the fourth ward; the displacement of this fourth ward will be the first ward, and this as an example to his pupils, as here shown in the example.</p>
 
| {{section|Page:MS I.33 15r.jpg|1|lbl=15r}}
 
| {{section|Page:MS I.33 15r.jpg|1|lbl=15r}}
  
Line 419: Line 436:
 
|-  
 
|-  
 
| [[File:MS I.33 16r.jpg|300px|center|Folio 16r]]
 
| [[File:MS I.33 16r.jpg|300px|center|Folio 16r]]
| <p>[70] (+)''' Here the first ward is re-adopted, viz. under the arm, and its displacement will be ''langort'', and it is common and of limited value, and note that he who adopts the ward has three possibilities: firstly, he may bind right, above the sword; secondly, he may left, below the sword; thirdly, he may grip the sword with his hand, as shown below in the next example.</p>
+
| <p>[70] '''(+)''' Here the first ward is re-adopted, viz. under the arm, and its displacement will be ''langort'', and it is common and of limited value, and note that he who adopts the ward has three possibilities: firstly, he may bind right, above the sword; secondly, he may left, below the sword; thirdly, he may grip the sword with his hand, as shown below in the next example.</p>
 
| {{section|Page:MS I.33 16r.jpg|1|lbl=16r}}
 
| {{section|Page:MS I.33 16r.jpg|1|lbl=16r}}
  
Line 436: Line 453:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 17r.jpg|300px|center|Folio 17r]]
 
| rowspan="2" | [[File:MS I.33 17r.jpg|300px|center|Folio 17r]]
| <p>[73] (+)''' Here the priest adopts the sixth ward, which is given to the breast. And note, it is solely this stab that must be executed which is executed from the fifth ward, up to the next sign of the cross.</p>
+
| <p>[73] '''(+)''' Here the priest adopts the sixth ward, which is given to the breast. And note, it is solely this stab that must be executed which is executed from the fifth ward, up to the next sign of the cross.</p>
 
| {{section|Page:MS I.33 17r.jpg|1|lbl=17r}}
 
| {{section|Page:MS I.33 17r.jpg|1|lbl=17r}}
  
Line 449: Line 466:
  
 
|-  
 
|-  
| <p>[76] (+)''' After all the wards above have been treated, here the seventh ward is treated, which is called ''langort'', and note that there are four binds, that answer to this ward, namely two from the right, and the other two from the left. But here we speak only of the first bind above the sword, which you have all in the first ward, up to the fourth example, where sword and shield are taken.</p>
+
| <p>[76] '''(+)''' After all the wards above have been treated, here the seventh ward is treated, which is called ''langort'', and note that there are four binds, that answer to this ward, namely two from the right, and the other two from the left. But here we speak only of the first bind above the sword, which you have all in the first ward, up to the fourth example, where sword and shield are taken.</p>
 
| {{section|Page:MS I.33 17v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 17v.jpg|2|lbl=-}}
  
Line 476: Line 493:
  
 
|-  
 
|-  
| <p>[82] (+)''' Here the same final ward is adopted by the pupil. The priest counters, and it is one of the four binds, namely the one below and left, as shown in the images.</p>
+
| <p>[82] '''(+)''' Here the same final ward is adopted by the pupil. The priest counters, and it is one of the four binds, namely the one below and left, as shown in the images.</p>
 
| {{section|Page:MS I.33 19r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 19r.jpg|2|lbl=-}}
  
Line 496: Line 513:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 20r.jpg|300px|center|Folio 20r]]
 
| rowspan="2" | [[File:MS I.33 20r.jpg|300px|center|Folio 20r]]
| <p>[86] (+)''' Here the final ward is again adopted, which is called ''langort'', and here the priest is adopting it. But the pupil executes one of the four binds, viz. above the sword, as shown here in the example.</p>
+
| <p>[86] '''(+)''' Here the final ward is again adopted, which is called ''langort'', and here the priest is adopting it. But the pupil executes one of the four binds, viz. above the sword, as shown here in the example.</p>
 
| {{section|Page:MS I.33 20r.jpg|1|lbl=20r}}
 
| {{section|Page:MS I.33 20r.jpg|1|lbl=20r}}
  
Line 505: Line 522:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 20v.jpg|300px|center|Folio 20v]]
 
| rowspan="2" | [[File:MS I.33 20v.jpg|300px|center|Folio 20v]]
| <p>[88] (+)''' Here the final ward is adopted, viz. ''langort'', by the pupil. Above this ward, the priest binds with one of the four binds, viz. above the sword and to the right. And note that whenever there is a bind, the bound may flee from the binder to wherever he likes, to the left or to the right. Thence you may diligently see that if he flees, you will follow him, as in the verse: The bound flees to the side, I try to follow.</p>
+
| <p>[88] '''(+)''' Here the final ward is adopted, viz. ''langort'', by the pupil. Above this ward, the priest binds with one of the four binds, viz. above the sword and to the right. And note that whenever there is a bind, the bound may flee from the binder to wherever he likes, to the left or to the right. Thence you may diligently see that if he flees, you will follow him, as in the verse: The bound flees to the side, I try to follow.</p>
  
 
:{{red|''Binder and bound are adverse and irate;<br/>The bound flees to the side, I try to follow.''}}
 
:{{red|''Binder and bound are adverse and irate;<br/>The bound flees to the side, I try to follow.''}}
Line 516: Line 533:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 21r.jpg|300px|center|Folio 21r]]
 
| rowspan="2" | [[File:MS I.33 21r.jpg|300px|center|Folio 21r]]
| <p>[90] (+)''' Note that this is a different ward, viz. upper ''langort'' which is adopted here by the priest as an example to his pupils, and he instructs his pupil to execute this action, viz. to position himself as shown here in the example.</p>
+
| <p>[90] '''(+)''' Note that this is a different ward, viz. upper ''langort'' which is adopted here by the priest as an example to his pupils, and he instructs his pupil to execute this action, viz. to position himself as shown here in the example.</p>
 
| {{section|Page:MS I.33 21r.jpg|1|lbl=21r}}
 
| {{section|Page:MS I.33 21r.jpg|1|lbl=21r}}
  
Line 534: Line 551:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 22r.jpg|300px|center|Folio 22r]]
 
| rowspan="2" | [[File:MS I.33 22r.jpg|300px|center|Folio 22r]]
| <p>[94] (+)''' Here a common ward is adopted, which is called ''vidilpoge'',<ref>''vidilpoge'' = "fiddle-bow".</ref> executed by the priest. The pupil counters it positioning himself as shown here in the images.</p>
+
| <p>[94] '''(+)''' Here a common ward is adopted, which is called ''vidilpoge'',<ref>''vidilpoge'' = "fiddle-bow".</ref> executed by the priest. The pupil counters it positioning himself as shown here in the images.</p>
 
| {{section|Page:MS I.33 22r.jpg|1|lbl=22r}}
 
| {{section|Page:MS I.33 22r.jpg|1|lbl=22r}}
  
Line 543: Line 560:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 22v.jpg|300px|center|Folio 22v]]
 
| rowspan="2" | [[File:MS I.33 22v.jpg|300px|center|Folio 22v]]
| <p>[96] (+)''' Here the same ward is re-adopted, viz. ''vidilpoge'', executed by the priest, the pupil acting as above.</p>
+
| <p>[96] '''(+)''' Here the same ward is re-adopted, viz. ''vidilpoge'', executed by the priest, the pupil acting as above.</p>
 
| {{section|Page:MS I.33 22v.jpg|1|lbl=22v}}
 
| {{section|Page:MS I.33 22v.jpg|1|lbl=22v}}
  
Line 556: Line 573:
  
 
|-  
 
|-  
| <p>[99] (+)''' Note that the final ward is re-adopted, viz. ''langort'', concerning which it should be noted that a stab is executed, by means of which the one in the ward is stabbed in the belly, i.e. he is penetrated by the sword, and note that of this paragraph not more than these two images are shown, which was the fault of the painter.<ref>''fingitur for figitur; fuit vicium pictoris'': Here is evidence that the author is not identical with the draftsman.</ref></p>
+
| <p>[99] '''(+)''' Note that the final ward is re-adopted, viz. ''langort'', concerning which it should be noted that a stab is executed, by means of which the one in the ward is stabbed in the belly, i.e. he is penetrated by the sword, and note that of this paragraph not more than these two images are shown, which was the fault of the painter.<ref>''fingitur for figitur; fuit vicium pictoris'': Here is evidence that the author is not identical with the draftsman.</ref></p>
 
| {{section|Page:MS I.33 23r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 23r.jpg|2|lbl=-}}
  
 
|-  
 
|-  
 
| rowspan="3" | [[File:MS I.33 23v.jpg|300px|center|Folio 23v]]
 
| rowspan="3" | [[File:MS I.33 23v.jpg|300px|center|Folio 23v]]
| <p>[100] (+)''' Here, the priest adopts his special ward, viz. ''langort'', which is displaced by the pupil, whose displacement will be ''halpschilt'', as shown here in the example.</p>
+
| <p>[100] '''(+)''' Here, the priest adopts his special ward, viz. ''langort'', which is displaced by the pupil, whose displacement will be ''halpschilt'', as shown here in the example.</p>
 
| {{section|Page:MS I.33 23v.jpg|1|lbl=23v}}
 
| {{section|Page:MS I.33 23v.jpg|1|lbl=23v}}
  
Line 587: Line 604:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 24v.jpg|300px|center|Folio 24v]]
 
| rowspan="2" | [[File:MS I.33 24v.jpg|300px|center|Folio 24v]]
| <p>[105] (+)''' Here the special ward of the priest's is re-adopted, which is called ''langort'', as seen above, and again the pupil displaces it with ''haloschilt'', as above, but other examples follow, as shown below.</p>
+
| <p>[105] '''(+)''' Here the special ward of the priest's is re-adopted, which is called ''langort'', as seen above, and again the pupil displaces it with ''haloschilt'', as above, but other examples follow, as shown below.</p>
 
| {{section|Page:MS I.33 24v.jpg|1|lbl=24v}}
 
| {{section|Page:MS I.33 24v.jpg|1|lbl=24v}}
  
Line 600: Line 617:
  
 
|-  
 
|-  
| <p>[108] (+)''' Note, that here again the special ward of the priest is assumed that is called ''langort'', but it is a very strange displacement that is depicted here, and very rare, and you must know that this can be reduced to the first ward and to the displacement called ''halpschilt'' etc.</p>
+
| <p>[108] '''(+)''' Note, that here again the special ward of the priest is assumed that is called ''langort'', but it is a very strange displacement that is depicted here, and very rare, and you must know that this can be reduced to the first ward and to the displacement called ''halpschilt'' etc.</p>
 
| {{section|Page:MS I.33 25r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 25r.jpg|2|lbl=-}}
  
Line 621: Line 638:
  
 
|-  
 
|-  
| <p>[112] (+)''' Here, the third ward is displaced by the special ward of the priest's that is called ''langort'', and I counsel in good faith, that he who is performing the third ward should not at all delay his actions, because otherwise the one performing the priest's displacement will enter with a stab, which is a common practice of the priest's.</p>
+
| <p>[112] '''(+)''' Here, the third ward is displaced by the special ward of the priest's that is called ''langort'', and I counsel in good faith, that he who is performing the third ward should not at all delay his actions, because otherwise the one performing the priest's displacement will enter with a stab, which is a common practice of the priest's.</p>
 
| {{section|Page:MS I.33 26r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 26r.jpg|2|lbl=-}}
  
Line 630: Line 647:
  
 
|-  
 
|-  
| <p>[114] (+)''' Here the fourth ward is assumed again, and it is displaced by the special ward of the priest. It is now up to the priest to displace, and the pupil enters as above, and all the actions that you had before will follow.</p>
+
| <p>[114] '''(+)''' Here the fourth ward is assumed again, and it is displaced by the special ward of the priest. It is now up to the priest to displace, and the pupil enters as above, and all the actions that you had before will follow.</p>
 
| {{section|Page:MS I.33 26v.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 26v.jpg|2|lbl=-}}
  
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 27r.jpg|300px|center|Folio 27r]]
 
| rowspan="2" | [[File:MS I.33 27r.jpg|300px|center|Folio 27r]]
| <p>[115] (+)''' Here again the fifth ward is assumed, and it is displaced by the special ward of the priest that is called ''langort'', as shown in the example.</p>
+
| <p>[115] '''(+)''' Here again the fifth ward is assumed, and it is displaced by the special ward of the priest that is called ''langort'', as shown in the example.</p>
 
| {{section|Page:MS I.33 27r.jpg|1|lbl=27r}}
 
| {{section|Page:MS I.33 27r.jpg|1|lbl=27r}}
  
Line 644: Line 661:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 27v.jpg|300px|center|Folio 27v]]
 
| rowspan="2" | [[File:MS I.33 27v.jpg|300px|center|Folio 27v]]
| <p>[117] (+)''' Here the fifth ward is displaced, its displacement being ''halbschilt''. And note, that the one executing the ward may do only two things: Firstly, he can execute a stab, secondly, he can execute a strike to divide shield and sword.</p>
+
| <p>[117] '''(+)''' Here the fifth ward is displaced, its displacement being ''halbschilt''. And note, that the one executing the ward may do only two things: Firstly, he can execute a stab, secondly, he can execute a strike to divide shield and sword.</p>
 
| {{section|Page:MS I.33 27v.jpg|1|lbl=27v}}
 
| {{section|Page:MS I.33 27v.jpg|1|lbl=27v}}
  
Line 657: Line 674:
  
 
|-  
 
|-  
| <p>[120] (+)''' Here the fifth ward is resumed which will be countered by ''halpschilt'' as shown in the example.</p>
+
| <p>[120] '''(+)''' Here the fifth ward is resumed which will be countered by ''halpschilt'' as shown in the example.</p>
 
| {{section|Page:MS I.33 28r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 28r.jpg|2|lbl=-}}
  
Line 679: Line 696:
  
 
|-  
 
|-  
| <p>[125] (+)''' Here the fifth ward is again resumed, of which much was said above, and it is to be noted that the priest is displacing the pupil with a displacement that is rare and very good, as an example for his students. And you have to know, that if the pupil executes a stab, which to execute is usually the use, the priest also must execute a stab against the stab of the pupil, because his will be more effective, entering with the left foot. But if he does not want to enter he should nevertheless retract his right foot and not omit this stab. But if the pupil displaces against him by means of ''halpscilt'', the priest should fall below sword and shield, and then will follow those things which were seen before.</p>
+
| <p>[125] '''(+)''' Here the fifth ward is again resumed, of which much was said above, and it is to be noted that the priest is displacing the pupil with a displacement that is rare and very good, as an example for his students. And you have to know, that if the pupil executes a stab, which to execute is usually the use, the priest also must execute a stab against the stab of the pupil, because his will be more effective, entering with the left foot. But if he does not want to enter he should nevertheless retract his right foot and not omit this stab. But if the pupil displaces against him by means of ''halpscilt'', the priest should fall below sword and shield, and then will follow those things which were seen before.</p>
 
| {{section|Page:MS I.33 29r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 29r.jpg|2|lbl=-}}
  
Line 699: Line 716:
 
|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 30r.jpg|300px|center|Folio 30r]]
 
| rowspan="2" | [[File:MS I.33 30r.jpg|300px|center|Folio 30r]]
| <p>[129] (+)''' It is to be seen that here the fourth ward is again assumed, and the displacement to this fourth ward is the special ''langort'' of the priest. But the displacer should see that the one assuming the ward does not execute a strike, as it would be dangerous to tarry; therefore he should execute schuzin, and finally not omit a stab.</p>
+
| <p>[129] '''(+)''' It is to be seen that here the fourth ward is again assumed, and the displacement to this fourth ward is the special ''langort'' of the priest. But the displacer should see that the one assuming the ward does not execute a strike, as it would be dangerous to tarry; therefore he should execute schuzin, and finally not omit a stab.</p>
 
| {{section|Page:MS I.33 30r.jpg|1|lbl=30r}}
 
| {{section|Page:MS I.33 30r.jpg|1|lbl=30r}}
  
Line 723: Line 740:
  
 
|-  
 
|-  
| <p>[134] (+)''' Here, the fourth ward is reassumed, whose displacement is the special ''langort'' of the priest. And it is to be noted, that whenever the game is set in this way, I counsel the one assuming the ward, and also the one displacing him, that none should delay what they have to do, i.e. on one hand the one assuming the ward, a displacement, on the other hand the one displacing, a stab.</p>
+
| <p>[134] '''(+)''' Here, the fourth ward is reassumed, whose displacement is the special ''langort'' of the priest. And it is to be noted, that whenever the game is set in this way, I counsel the one assuming the ward, and also the one displacing him, that none should delay what they have to do, i.e. on one hand the one assuming the ward, a displacement, on the other hand the one displacing, a stab.</p>
 
| {{section|Page:MS I.33 31r.jpg|2|lbl=-}}
 
| {{section|Page:MS I.33 31r.jpg|2|lbl=-}}
  
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|-  
 
|-  
 
| rowspan="2" | [[File:MS I.33 32r.jpg|300px|center|Folio 32r]]
 
| rowspan="2" | [[File:MS I.33 32r.jpg|300px|center|Folio 32r]]
| <p>[137] (+)''' It is to be seen, that the first ward is reassumed, i.e. the one below the arm, the replacement to which is the special second ward of the priest on the right shoulder, and take note, that the one assuming the ward will ''schuzin'' without delay, otherwise his opponent will execute ''halbschilt'' which would be disastrous for the one assuming the ward. And from here will be generated all the things related to the first ward that were treated in the first quire.</p>
+
| <p>[137] '''(+)''' It is to be seen, that the first ward is reassumed, i.e. the one below the arm, the replacement to which is the special second ward of the priest on the right shoulder, and take note, that the one assuming the ward will ''schuzin'' without delay, otherwise his opponent will execute ''halbschilt'' which would be disastrous for the one assuming the ward. And from here will be generated all the things related to the first ward that were treated in the first quire.</p>
 
| {{section|Page:MS I.33 32r.jpg|1|lbl=32r}}
 
| {{section|Page:MS I.33 32r.jpg|1|lbl=32r}}
  
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== Gallery ==
 
== Gallery ==
  
Identification and placement of missing leaves based on work by Dr. [[Jeffrey L. Forgeng]]{{cn}} and James Hester.<ref name="Hester"/> These scans are licensed under the terms of the [http://royalarmouries.org/assets-uploaded/documents/Non-Commercial_Image_Licence.pdf Royal Armouries Non-Commercial Image Licence].{{-}}
+
These scans are licensed under the terms of the [https://royalarmouries.org/wp-content/uploads/2018/03/Non-Commercial-Licence.pdf Royal Armouries Non-Commercial Licence].
 +
 
 +
Folia 1r-3v have been conceptually restored by artist [[Mariana López Rodríguez]]; unmodified versions can be viewed on the Royal Armouries website.{{-}}
  
 
{{image|ph=1|Cover|Front cover}}
 
{{image|ph=1|Cover|Front cover}}
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{{image|MS I.33 Ir.jpg|Ir}}
 
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{{image|MS I.33 Iv.jpg|Iv}}
 
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{{image|MS I.33 03v.png|Folio 3v}}
 
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{{image|MS I.33 08r.jpg|Folio 8r}}
 
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{{image|MS I.33 16v.jpg|Folio 16v}}
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{{image|MS I.33 17r.jpg|Folio 17r}}
 
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{{image|MS I.33 25r.jpg|Folio 25r}}
 
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{{image|MS I.33 25v.jpg|Folio 25v}}
 
{{image|MS I.33 25v.jpg|Folio 25v}}
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{{image|MS I.33 32v.jpg|Folio 32v}}
{{image|ph=1|Lost|Missing folio}}
 
{{image|ph=1|Lost|Missing folio}}
 
 
{{image|ph=1|Cover|Inside cover}}
 
{{image|ph=1|Cover|Inside cover}}
 
{{image|ph=1|Cover|Back cover}}
 
{{image|ph=1|Cover|Back cover}}
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* Binard, Fanny and Jaquet, Daniel. "Investigation on the collation of the first Fight book (Leeds, Royal Armouries, Ms I.33)". ''[[Acta Periodica Duellatorum]]'' '''4'''(1): 3-21. 2016. {{doi|10.1515/apd-2016-0001}}.
 
* Binard, Fanny and Jaquet, Daniel. "Investigation on the collation of the first Fight book (Leeds, Royal Armouries, Ms I.33)". ''[[Acta Periodica Duellatorum]]'' '''4'''(1): 3-21. 2016. {{doi|10.1515/apd-2016-0001}}.
 
* Cinato, Franck and Surprenant, André (in French). ''Le Livre de l'art du Combat: Liber de arte dimicatoria. Édition critique du Royal Armouries MS. I.33, collection Sources d'Histoire Médiévale nº39.'' Paris: CNRS Editions, 2009. ISBN 978-2-271-06757-9
 
* Cinato, Franck and Surprenant, André (in French). ''Le Livre de l'art du Combat: Liber de arte dimicatoria. Édition critique du Royal Armouries MS. I.33, collection Sources d'Histoire Médiévale nº39.'' Paris: CNRS Editions, 2009. ISBN 978-2-271-06757-9
* Dawson, Timothy. "The Walpurgis Fechtbuch: An Inheritance of Constantinople?" ''Arms & Armour '''6'''(1):79-92. April 2009. {{doi|10.1179/174962609X417536}}
+
* Dawson, Timothy. "The Walpurgis Fechtbuch: An Inheritance of Constantinople?" ''Arms & Armour'' '''6'''(1):79-92. April 2009. {{doi|10.1179/174962609X417536}}
 
* [[Jeffrey L. Forgeng|Forgeng, Jeffrey L.]] ''[http://illuminatedfightbook.co.uk/ The Illuminated Fightbook Royal Armouries Manuscript I.33]''. Extraordinary Editions, 2012.
 
* [[Jeffrey L. Forgeng|Forgeng, Jeffrey L.]] ''[http://illuminatedfightbook.co.uk/ The Illuminated Fightbook Royal Armouries Manuscript I.33]''. Extraordinary Editions, 2012.
 
* [[Jeffrey L. Forgeng|Forgeng, Jeffrey L.]] ''The Medieval Art of Swordsmanship: A Facsimile & Translation of Europe's Oldest Personal Combat Treatise, Royal Armouries MS I.33 (Royal Armouries Monograph)''. [[Chivalry Bookshelf]], 2003. ISBN 1-891448-38-2
 
* [[Jeffrey L. Forgeng|Forgeng, Jeffrey L.]] ''The Medieval Art of Swordsmanship: A Facsimile & Translation of Europe's Oldest Personal Combat Treatise, Royal Armouries MS I.33 (Royal Armouries Monograph)''. [[Chivalry Bookshelf]], 2003. ISBN 1-891448-38-2
 
*:* [http://www.wpi.edu/~jforgeng/I.33_Corrigenda.pdf Corrigenda for Forgeng (2003)]
 
*:* [http://www.wpi.edu/~jforgeng/I.33_Corrigenda.pdf Corrigenda for Forgeng (2003)]
 +
* [[Jeffrey L. Forgeng|Forgeng, Jeffrey L.]] ''The Medieval Art of Swordsmanship: Royal Armouries MS I.33''. [[Royal Armouries]], 2018. ISBN 978-0948092855
 +
* Gräf, Julia. "Fighting in women’s clothes: The pictorial evidence of Walpurgis in Ms. I.33". ''Acta Periodica Duellatorum'' '''5'''(2):47-71. December 2017. {{doi|10.1515/apd-2017-0008}}.
 
* Hester, James. "A Few Leaves Short of a Quire: Is the ‘Tower Fechtbuch’ Incomplete?" ''Arms & Armour'' '''9'''(1):20-25. April 2012. {{doi|10.1179/1741612411Z.0000000003}}
 
* Hester, James. "A Few Leaves Short of a Quire: Is the ‘Tower Fechtbuch’ Incomplete?" ''Arms & Armour'' '''9'''(1):20-25. April 2012. {{doi|10.1179/1741612411Z.0000000003}}
 
* Hester, James. "Home-Grown Fighting: A Response to the Argument for a Byzantine Influence on MS I.33". ''Arms & Armour'' '''9'''(1):76-84. April 2012. {{doi|10.1179/1741612411Z.0000000008}}
 
* Hester, James. "Home-Grown Fighting: A Response to the Argument for a Byzantine Influence on MS I.33". ''Arms & Armour'' '''9'''(1):76-84. April 2012. {{doi|10.1179/1741612411Z.0000000008}}
* Kellett, Rachel E. "Royal Armouries MS I.33: The Judicial Combat and the Art of Fencing in Thirteenth- and Fourteenth- Century German Literature". ''Oxford German Studies'' '''41'''(1):32-56. April 1012. {{doi|10.1179/0078719112Z.0000000003}}
+
* Kellett, Rachel E. "Royal Armouries MS I.33: The Judicial Combat and the Art of Fencing in Thirteenth- and Fourteenth- Century German Literature". ''Oxford German Studies'' '''41'''(1):32-56. April 2012. {{doi|10.1179/0078719112Z.0000000003}}
 
* [[Andrea Morini|Morini, Andrea]] and Rudilosso, Riccardo (in Italian). ''Manoscritto I.33''. Rome: Il Cerchio Iniziative Editoriali, 2012.
 
* [[Andrea Morini|Morini, Andrea]] and Rudilosso, Riccardo (in Italian). ''Manoscritto I.33''. Rome: Il Cerchio Iniziative Editoriali, 2012.
  
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  | authors    = [[Royal Armouries]]
 
  | authors    = [[Royal Armouries]]
 
  | source link =  
 
  | source link =  
  | source title= Used under the [http://royalarmouries.org/assets-uploaded/documents/Non-Commercial_Image_Licence.pdf Royal Armouries Non-Commercial Image Licence]
+
  | source title= Used under the [https://royalarmouries.org/wp-content/uploads/2018/03/Non-Commercial-Licence.pdf Royal Armouries Non-Commercial Licence]
  | license    = permission
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  | license    = copyrighted
 
}}
 
}}
 
{{sourcebox
 
{{sourcebox
 
  | work        = Translation
 
  | work        = Translation
 
  | authors    = [[Dieter Bachmann]]
 
  | authors    = [[Dieter Bachmann]]
  | source link = http://schwertfechten.ch/html/i33/
+
  | source link = http://schwertfechten.ch/pdf/i33.pdf
 
  | source title= Kunst des Fechtens
 
  | source title= Kunst des Fechtens
 
  | license    = copyrighted
 
  | license    = copyrighted
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[[Category:Latin]]
 
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[[Category:New format]]

Revision as of 23:41, 3 June 2020

Walpurgis Fechtbuch
MS I.33, Royal Armouries
Leeds, United Kingdom

MS I.33 31v.jpg
MS I.33 32r.jpg
ff 31v-32r, including St. Walpurga in her ward
HagedornLeng38.9.8
Wierschin9Hils30
Also known as
  • Liber de Arte Dimicatoria
  • "The Tower Fechtbuch"
  • No.14.E.iii; No.20
Type Fencing manual
Date ca. 1320s
Place of origin Franconia
Language(s) Medieval Latin
Ascribed to Clerus Lutegerus
Scribe(s) Unknown (three hands)
Illustrator(s) Unknown (up to 17 artists)
Material Parchment, in a modern
binding
Size 34 folia (300 mm x 230 mm)
Format Double-sided; two illustrations
per side with text above and
below
Previously kept MS Membr.I 115,
Schloß Friedenstein
Treatise scans
Other translations

The MS I.33 (or FECHT 1) is a German fencing manual dating to the 1320s.[1] It currently rests in the holdings of the Royal Armouries at Leeds, United Kingdom. The I.33 is earliest extant treatise on Medieval martial arts, and it appears to have been devised by a secular priest, possibly the "Lutegerus" (or Liutger) mentioned in the text.[2] It was the work of three scribes and potentially as many as 17 illustrators.[3]

The treatise is fully illustrated, and consists of both mnemonic verses and longer explanations in a vernacular Medieval Latin. (The format of verse and gloss may indicate that the priest was explaining a much older tradition.) It treats unarmored fencing with sword and buckler; the intriguing fact that the fencers depicted are a priest and a student (and on the last two pages, a priest and a woman identified as St. Walpurga), seems to suggest that this was a middle class or priestly art rather than one of the knightly class. Repeatedly, the text makes mention of the pupils (scolaris/discipulus) of the priest, as well as youths (iuvenis) and clients (clientulum). It seems, therefore, to have been prepared for secular priests who were offering fencing lessons to young men.

The manuscript in its present form consists of five quires, of which all but the first are incomplete; at least eight leaves are believed to be missing (assuming it started with complete quires of four bifolia each).[3] The precise contents of these missing leaves are unknown, but it is possible that they were a source for the thirty uncaptioned sword and buckler plays which appear in the Libri Picture A 83, the Codex I.6.2º.4, and the Cgm 3712; alternatively, these may originate from another manuscript in the same tradition. The anonymous plays seem in turn to have been the primary source for Paulus Hector Mair's treatment of the side sword and buckler, which he captioned with his own interpretations.

Provenance

The known provenance of the MS I.33 is:

  • Written in the 1320s, possibly by a priest named Liutger; owned by Franconian monks until the 1500s.
  • 1400s – an additional couplet was inscribed at the top of folio 1r.
  • 1552-53 – looted from a monastery by Johannes Herbart von Würzburg during the Franconian campaigns of Albrecht II, margrave of Brandenburg-Kulmbach.[4][3] Würzburg was a belt-maker by trade and later served as fencing master to the dukes of Sachsen-Gotha; he inscribed his name on folio 7r.
  • before 1579 – possibly duplicated by Heinrich von Gunterrodt while compiling material for his book[4] (such a copy is currently unknown).
  • late 1500s-1945 – owned by the dukes of Sachsen-Gotha; listed in an 18th century library catalog as Cod.Membr.I.no.115.[citation needed] The second device on folio 26r was copied into the Codex Guelf 125.16 Extravagante in the 1600s by a scribe who couldn't decipher the Latin text.[5] The manuscript was further described on six leaves of paper (with short excerpts of the text) by Heinrich Niewöhner in 1910. (Lost during World War II.)
  • 1945-1950 – location unknown (sold London, Sotheby's, 27 March 1950). Sotheby's listed the manuscript as "a 14th-century manuscript of unknown provenance", and it was not identified as the lost Cod.Membr.I.no.115. until Krämer in 1975.[6]
  • 1950-1996 – held by the Royal Armouries and stored in the Tower of London; known variously as "Tower of London Ms. I.33" or "British Museum No. 14 E iii, No. 20, D. vi. I".
  • 1996 – moved to the newly-opened Royal Armouries Museum in Leeds.

Contents

Irv Front matter
1r - 32v

Gallery

These scans are licensed under the terms of the Royal Armouries Non-Commercial Licence.

Folia 1r-3v have been conceptually restored by artist Mariana López Rodríguez; unmodified versions can be viewed on the Royal Armouries website.

Front cover
Inside Cover
MS I.33 Cover 2.jpg
Ir
MS I.33 Ir.jpg
Iv
MS I.33 Iv.jpg
Folio 1r
MS I.33 01r.png
Folio 1v
MS I.33 01v.png
Folio 2r
MS I.33 02r.png
Folio 2v
MS I.33 02v.png
Folio 3r
MS I.33 03r.png
Folio 3v
MS I.33 03v.png
Folio 4r
MS I.33 04r.jpg
Folio 4v
MS I.33 04v.jpg
Folio 5r
MS I.33 05r.jpg
Folio 5v
MS I.33 05v.jpg
Folio 6r
MS I.33 06r.jpg
Folio 6v
MS I.33 06v.jpg
Folio 7r
MS I.33 07r.jpg
Folio 7v
MS I.33 07v.jpg
Folio 8r
MS I.33 08r.jpg
Folio 8v
MS I.33 08v.jpg
Folio 9r
MS I.33 09r.jpg
Folio 9v
MS I.33 09v.jpg
Folio 10r
MS I.33 10r.jpg
Folio 10v
MS I.33 10v.jpg
Folio 11r
MS I.33 11r.jpg
Folio 11v
MS I.33 11v.jpg
Folio 12r
MS I.33 12r.jpg
Folio 12v
MS I.33 12v.jpg
Folio 13r
MS I.33 13r.jpg
Folio 13v
MS I.33 13v.jpg
Folio 14r
MS I.33 14r.jpg
Folio 14v
MS I.33 14v.jpg
Folio 15r
MS I.33 15r.jpg
Folio 15v
MS I.33 15v.jpg
Folio 16r
MS I.33 16r.jpg
Folio 16v
MS I.33 16v.jpg
Folio 17r
MS I.33 17r.jpg
Folio 17v
MS I.33 17v.jpg
Folio 18r
MS I.33 18r.jpg
Folio 18v
MS I.33 18v.jpg
Folio 19r
MS I.33 19r.jpg
Folio 19v
MS I.33 19v.jpg
Folio 20r
MS I.33 20r.jpg
Folio 20v
MS I.33 20v.jpg
Folio 21r
MS I.33 21r.jpg
Folio 21v
MS I.33 21v.jpg
Folio 22r
MS I.33 22r.jpg
Folio 22v
MS I.33 22v.jpg
Folio 23r
MS I.33 23r.jpg
Folio 23v
MS I.33 23v.jpg
Folio 24r
MS I.33 24r.jpg
Folio 24v
MS I.33 24v.jpg
Folio 25r
MS I.33 25r.jpg
Folio 25v
MS I.33 25v.jpg
Folio 26r
MS I.33 26r.jpg
Folio 26v
MS I.33 26v.jpg
Folio 27r
MS I.33 27r.jpg
Folio 27v
MS I.33 27v.jpg
Folio 28r
MS I.33 28r.jpg
Folio 28v
MS I.33 28v.jpg
Folio 29r
MS I.33 29r.jpg
Folio 29v
MS I.33 29v.jpg
Folio 30r
MS I.33 30r.jpg
Folio 30v
MS I.33 30v.jpg
Folio 31r
MS I.33 31r.jpg
Folio 31v
MS I.33 31v.jpg
Folio 32r
MS I.33 32r.jpg
Folio 32v
MS I.33 32v.jpg
Inside cover
Back cover

Additional Resources

References

  1. The manuscript has received a wide variety of dates. Anglo (1988) dated it to "the very end of the 13th century" and Hils (1985) to the early 14th century; Cinato and Surprenant (2009) are even less precise, placing it at around the turn of the 14th century. Most recent analysis has suggested a slightly later date, with Leng (2008) dating it to 1320-1330 and Hester (2012) to "around 1320".
  2. See folio 1v.
  3. 3.0 3.1 3.2 Hester (2012).
  4. 4.0 4.1 von Gunterrodt, Heinrich. De Veris Principiis Artis Dimicatorie. Wittenberg, 1579. p C3rv
  5. See Codex Guelf 125.16.Extrav., f 45r.
  6. S. Krämer. "Verbleib unbekannt Angeblich verschollene und wiederaufgetauchte Handschriften." Zeitschrift für Deutsches Altertum und Deutsche Literatur, volume 104. 1975
  7. The introductory verse is added on the top margin of the page in a 15th-century hand. The distichon was apparently added in the 15th century, when the manuscript was still kept in a monastery library. It seems to express a disparaging view of “armed clerics” and clearly also refers to the depiction of a female fencer on the last folium. This verse is attested in print in the 16th century, and there attributed to Aeneas Sylvius Piccolomini (Pope Pius II, 1405–64), as follows:
    • Andreas Gärtner, Proverbialia dicteria (1574): “Non audet Stygius Pluto tentare, quod audet Eff renis monachus plenaque fraudis anus” (cited after Wilhelm Binder, Novus Thesaurus Adagiorum Latinorum, 1861 who off ers the German paraphrase “Wo der Teufel nicht selbst hin will, schickt er entweder einen Pfaff en, oder ein altes Weib.”)
    • Holinshed's Chronicles (1577): “Æneas Sylvius (and before him many more driving upon the like argument) dooth saie in this distichon: Non audet Stygius Pluto tentare, quod audent / Eff rænis monachus, plenaque fraudis illa. Meaning Mulier, a woman.”
    A longer variant is given by Richard Gough, Human Nature Displayed in the History of Myddle (1824): “I remember what Eneas Sylvius said: Non audet Stygius Pluto tentare, quod audet / Eff renis monachus, plenaque fraudis anus. / Vix adfert Stygius Pluto tot damna quot audet / Credo bibax ebrius, plenaque fraudis anus. Not Stygian Pluto ever durst pursue, What a rogue monk, and treacherous hag can do. The Stygian fi end can scarce such mischief do man, as This drunken cobler and dissembling woman has.” I have not been able to locate the verse in Aeneas Sylvius' works directly; in any case, the presence of the verse (with dolis for fraudis) in a 15th-century hand in our manuscript (more or less conteporary with Aeneas Sylvius, and certainly predating any printed edition of his works) would seem to suggest that he is not its original author.
  8. Gunterrodt: Tres quae praecedunt, reliquae tantum fugientes.
  9. It is suggestive that the author (if we accept the instructor in the verses and in the manual as the same person) is called cler[ic]us “the cleric” (or “the clerk”) three times in these verses, but never in the text; conversely, the text consistently calls him sacerdos, and never clericus (Middle Latin use of clerus for clericus is noted in Du Cange's Glossarium). It is almost as if he had composed the verses as a mnenomic orally at an earlier time, before envisaging the project of creating this manual, when he was younger and not yet ordained as a priest. Latin clericus renders MHG pfaffe, which may could to either a priest, a deacon or a member of the minor orders. Note that it is not unusual to find the designation pfaffe associated with fencing masters of the late medieval tradition, so Hanko Döbringer (still in the 14th century) and Hans Lecküchner (in the later 15th century).

    The interpretation of the name Lutegerus in the verse on fol. 1v depends on the interpretation of the verse of which it forms a part. This verse is very difficult to interpret in a number of ways. In fact, nothing about it is entirely clear to me.

  10. Are we to understand that the seven guards are the same as the “seven parts”, and of these three “precede” (or “go forward” as antonym to fugiunt?) and the remaining (i.e. four) “flee” or “go backward” in some way? CS translate Il y en a trois qui avancent, tandis que les autres replient. But “reply” isn't really what a custodia does, the system has the separate term obsessio just for that, and there is nothing in the subsequent material that would somehow suggest that some of the guards have a function of replying or reacting to the others. It is also anyone's guess how the guards are to be grouped. One reasonable assumption would be the the first four, shown on 1r, as opposed to the final three, shown on 1v. There is, in fact, a conceptual difference between the groups, guards 1-4 as described in the manual initiate a strike, while 5 and 6 initiate a thrust, and 7 is a special case, inviting a bind instead of posing a direct threat.

    Now, the verse goes on to say “these seven (parts, guards) are done by the common fencers”, followed by “the cleric holds the opposite, and Luitger holds the middle”. This may be interpreted in a number of ways. It is important to note that neither medium nor oppositum is used in any technical sense anywhere in the manual outside of this verse.

    CS have Le clerc est a l'opposé et Luitger à mi-chemin “the cleric is opposite, and Luitger is at halfway”, i.e. they here treat “the cleric” as a different person from Luitger. In the reading of Ukert, Lutegerus is a reference by name to a notable “common fencer”, so that the cleric holding “the opposite” would presumably be preferable to the “common fencer” Luitger who holds merely “the middle”.

    It does seem more probable to me, however, that the entire line refers to a single person, clerus Lutegerus, who holds “both the opposite and the middle” and that this statement, as a whole, contrasts with the “common fencers” mentioned in the preceding line. Note that this would mean that the author here employs hyperbaton (the separation of the two associated nominatives), in apparent aspiration to a “poetic” mode of speech entirely absent from the rest of the “verses”.

    I am unsure whether the terms oppositum and medium should be interpreted in a figurative way, as it were “he is in possession of the counter and the means”, or in a strictly spatial sense, as it were “he holds against (his opponent)” and at the same time “he holds or occupies the center” between the fencers. This latter interpretation strikes me as a useful description of the “conflict of binder and bound” referenced throughout the manual, but it must be admitted that a discussion in the terms used in the verse is not repeated anywhere in the following text. It nevertheless remains my preferred reading, against both CS and Ukert, that “clerus Lutegerus” here refers to a single person, and most likely the manual's author himself (compare the discussion of de Alkersleiben below).

  11. Gunterrodt (1579) read this name as Albenslaiben recognising it as the name of the “ancient stem and most famous family” (vetustissima prosapia et clarissima familia) of Alvensleben. Ukert, on the other hand, reads Alkersleiben. Both Gunterrodt and Ukert recognised the word as a personal name (while a reading albersleiben is due to Forgeng, who identified the word as a fencing term, a “proto-Liechtenauerian” version of Alber). Alkersleiben is clearly more consistent with the manuscript, and Gunterrodt's reading should perhaps be considered an emendation, inserting the more familiar name of Alvensleben, a prominent noble family of Brandenburg in Gunterrodt's time (which also had held extensive possessions already in the 1300s). For Gunterrodt, it was obvious that the author of the manuscript must have been a nobleman who had retired to a monastery in his old age, and he took his reading as a confirmation of the association with nobility without positively identifying the name as referencing the manual's author.

    However, reading de Alkersleiben (with Ukert) we have a reference to the Thuringian village of Alkersleben (recorded in the 13th century as Alkesleibin), at the time of merely local importance as the site of a manor and a deanery. Alkersleben is some 200 km to the north of the parts of Franconia affected by the Second Margravian War, the presumed area of production of our manuscript. Ukert interprets both Lutegerus and de Alkersleiben as the names of “common fencers” (generales dimicatores, “gemeine Fechtmeister”). This depends entirely on the context we give to the occurrence of the names, in the case of de Alkersleiben: Non ducat aliquam plagam quod probat de Alkersleiben “He should not deliver any strike, as recommended by de Alkersleiben” – are we to understand that this is a counsel against the recommendation to “deliver a strike” attributed to a notable “common fencer” known as de Alkersleiben, or are we much rather to understand that the counsel not to deliver a strike is attributed to the highly profi cient fencer known by this name, which would amount to nothing less than yet another reference by the author to himself in the third person? If we are ready to interpret Lutegerus in this way, I see no obstacle to adopt the same position here, which would give us an author Clericus Lutegerus de Alkersleiben, or, in German, Pfaffe Luitger von Alkersleben. Incidentially, the term nucken happens to be more consistent with a Thuringian rather than a Franconian origin of whoever is responsible for coining it.

  12. CS praise this image as “one of the most beautiful aesthetic successes” of the codex. The postures are drawn very carefully, including an indication that each fencer has the right foot forward, a detail that will not be evident in later figures. The final (and let's face it, rather awkward) paragraph is in hand B and alludes to changed dynamics that arise if first guard is answered with first guard.
  13. This is written vertically on the right margin. The image is damaged, but it is the first of dozen identical images illustrating “overbind” (see §11). This image is also the first instance of a “change of perspective” (i.e. the position of fencers is inverted; this is done on purpose in order to show the hand position of the fencer).
  14. i.e. Showing the schiltslac.
  15. The verse is written between the two images on the left side (the side of the fencer performing the technique).
  16. The first three images of the second play are equivalent to the first play. This is made explicit in the text, the sword-change in the following image being shown as a counter to the overbind. But note the explicit depiction of step with the left foot forward for the overbind (based on the position of the rear foot), a detail absent from the equivalent situation as shown in 2v.
  17. The two paragraphs are arranged on the left and on the right, referring to the scholar and the priest, respectively. The image shows the situation after the sword-change (mutatio gladii); the scholar is instructed to counter this with a stich, but this isn't pursued further. This is presumably the action depicted in 10r, where it is, however, referred to as stichslac. The play here instead continues with the action of nucken performed by the priest immediately after the sword-change. The last part of the second paragraph is already in reference to the following image on the next page, i.e. the one depicting the priest's nucken. The word is written nucken in prose, but then nukcen in the verse: is this a simple error, or is the creation of an apparent rhyme with schutzen significant?
  18. The paragraph is centered on the page above the image, perhaps added as an afterthought as the scribe realised that the description intended for this image has already been given on the previous page. This image is unique in the book, and CS point out correctly a mistake on the part of the illustrator, who has given the priest two left hands.
  19. The second paragraph is written on the right margin. The krucke is introduced as an alternative reaction to first guard (other than halbschilt), and advertised as a speciality of the priest's system. This position at the same time covers the right side (threatened by first guard) and threatens a thrust to the opponent's sword side. CS interpret the image as reflecting the fencers maintaining eye contact under the shield. I do not think this is the case: Krucke should be performed with a step to the right, and eye-contact is maintained in a line passing left of the shield.
  20. The first occurrence of the ligans-ligati verse, written on the left margin; note that the verse is grammatically dubious, you would expect ligans ligatusque or something similar. The text is distracted from the play at hand to give general advice on the bind, but 5v below can be seen as immediately following the establishment of the bind here.
  21. prossus for prorsus or prosus “straight ahead, directly, truly”; even though the literal meaning of the adverb is “straight ahead”, the intended meaning is not necessarily spatial but rather temporal, i.e. the priest enters “straight away” as the scholar omits the bind, but not necessarily in a straight line.
  22. The short gloss is written without the initial usually used for new sections, and squeezed between the feet of the fencers in the above image.
  23. The text has a stray lu, the beginning of the word ludem, amended to actum on the fly (because ludus “game” is used for a sequence of techniques, while actus refers to a single tempo, in this case the assumption of krucke). The addition of scholaris as the subject of obmittit is in the later hand B.
  24. The technique described is an example of Fühlen in the bind, the priest may thrust to the belly in the (strong) bind, but the scholar has the opportunity to release the bind and strike to the head, scoring an easy double-hit. As soon as the attacker feels he is losing the bind, he has to interrupt the attack and perform the counter shown in the next image.
  25. The top image is without text (and without lineation). It shows a counter against the double-hit discussed under the previous image. The counter is worth closer scrutiny, as it does not recur (but compare the counter on 19v as conceptually related).
  26. This page once again shows the overbind-schiltslac sequence; there is a change of perspective from the previous. The lower image has lineation but no text. On the bottom of the page, Johann Herbart (Herwart) of Würzburg, who acquired the manuscript in the 1550s, has left his name.
  27. i.e. langort
  28. The text has been re-traced in darker ink, according to CS by hand C (but closely following the original ductus of hand A).
  29. This is a rare instance of an actively established underbind (followed immediately by a sword-change), the only other example of this being 19r.
  30. The text is written between the two images, on the right side (the side of the fencer performing the technique). There is no other text (or lineation) on the page. The prior image (the underbind) is closely reproduced in the top image, the only difference in posture being the scholar's having moved his shield to his left hand side. It thus shows the same situation as the top of 7r (with the role of the two fencers reversed), i.e. the overbind, but in this case, the Vor is held not by the fencer in the overbind, but by the fencer in the underbind, who next performs sword-change, so that the sequence on 8r becomes a repetition of 3v.
  31. This “play” on the final page of the first quire has no new material, but it is important as the only instance of the frequently used action of “falling under” being shown from the reverse perspective, showing the hands of the fencer in halpschilt. The variant possessio for obsessio here occurs for the last time (otherwise only as possessor on 4r, and in the late addition on 2r).
  32. The verse is written between the two images, on the right side (the side of the fencer performing the technique).
  33. recipere plagam: to execute (not to receive) a blow. Probably intended as 'receive the opportunity to strike'.
  34. durchtritt: a step to the side seems intended; for the (preferable) action depicted, we would expect 'to the left', so dexteram may be taking the opponent's view.
  35. 35.0 35.1 dampnum for damnum
  36. vidilpoge = "fiddle-bow".
  37. fingitur for figitur; fuit vicium pictoris: Here is evidence that the author is not identical with the draftsman.
  38. Concerning the name of the woman fencer: The name walprgis as written directly above the word sac'dos (below which are five dots forming a line). It is not entirely clear, whether Walpurgis is meant to replace sacerdos or if it is an addition (in which case it would be genitive of Walpurga). But since in the picture, the woman is executing the schiltslac, and because the woman is said to have been ready first (parata), she must be called (in the nominative) Walpurgis.

Copyright and License Summary

For further information, including transcription and translation notes, see the discussion page.

Work Author(s) Source License
Images Royal Armouries Used under the Royal Armouries Non-Commercial Licence
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Translation Dieter Bachmann Kunst des Fechtens
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Transcription Dieter Bachmann Index:Walpurgis Fechtbuch (MS I.33)
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