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Difference between revisions of "Talk:Fiore de'i Liberi"

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| work        = Images (Getty)
 
| authors    = [[J. Paul Getty Museum]]
 
| source link =
 
| source title= Digital images courtesy of the Getty's [http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=1706 Open Content Program]
 
| license    = public domain
 
}}
 
{{sourcebox
 
| work        = Images (Morgan)
 
| authors    = [[Morgan Library & Museum]]
 
| source link =
 
| source title= [[Fior di Battaglia (MS M.383)/Images|Princeton Institute of Christian Art]]
 
| license    = fair use
 
}}
 
{{sourcebox
 
| work        = Images (Novati)
 
| authors    = [[Francesco Novati]]
 
| source link =
 
| source title= [[:File:Novati.pdf|'' Flos Duellatorum, Il Fior di Battaglia di Maestro Fiore dei Liberi...'']]
 
| license    = public domain
 
}}
 
{{sourcebox
 
| work        = Images
 
| authors    = [[Bibliothèque Nationale de France]]
 
| source link = http://gallica.bnf.fr/ark:/12148/btv1b8514426f
 
| source title= Bibliothèque Nationale de France
 
| license    = fair use
 
}}
 
{{sourcebox
 
| work        = English Translation
 
| authors    = [[Colin Hatcher]]
 
| source link =
 
| source title= Private communication
 
| license    = noncommercial
 
}}
 
{{sourcebox
 
| work        = English Translation
 
| authors    = [[Michael Chidester]]
 
| source link =
 
| source title= Wiktenauer
 
| license    = noncommercial
 
}}
 
{{sourcebox
 
| work        = English Translation
 
:(Getty and Morgan Preface)
 
| authors    = [[Matt Easton]] and [[Eleonora Durban]]
 
| source link = http://www.fioredeiliberi.org/fiore/
 
| source title= Schola Gladiatoria
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = English Translation
 
:(Pisani-Dossi Preface)
 
| authors    = [[Hermes Michelini]]
 
| source link =
 
| source title= Document circulated online
 
| license    = orphan
 
}}
 
{{sourcebox
 
| work        = English Translation
 
:(Getty Longsword, Poleaxe)
 
| authors    = [[Matt Easton]] and [[Eleonora Durban]]
 
| source link = http://www.fioredeiliberi.org/getty/
 
| source title= Schola Gladiatoria
 
| license    = copyrighted
 
}}
 
{{sourcebox
 
| work        = [[Fior di Battaglia (MS M.383)|Morgan Version]]
 
| authors    = Open for editing
 
| source link =
 
| source title= [[Index:Fior di Battaglia (MS M.383)]]
 
| license    = noncommercial
 
}}
 
{{sourcebox
 
| work        = [[Fior di Battaglia (MS Ludwig XV 13)|Getty Version]]
 
| authors    = Open for editing
 
| source link =
 
| source title= [[Index:Fior di Battaglia (MS Ludwig XV 13)]]
 
| license    = noncommercial
 
}}
 
{{sourcebox
 
| work        = [[Flos Duellatorum (Pisani Dossi MS)|Pisani Dossi Version]]
 
| authors    = [[Francesco Novati]]
 
| source link =
 
| source title= [[Index:Flos Duellatorum (Pisani Dossi MS)]]
 
| license    = public domain
 
}}
 
{{sourcebox
 
| work        = [[Florius de Arte Luctandi (MS Latin 11269)|Paris Version]]
 
| authors    = [[Charlélie Berthaut]]
 
| source link =
 
| source title= [[Index:Florius de Arte Luctandi (MS Latin 11269)]]
 
| license    = noncommercial
 
}}
 
{{sourcebox
 
| work        = [[Fior di Battaglia (MS XXIV)|San Daniele del Friuli Version]]
 
| authors    = [[D. Luigi Zanutto]]
 
| source link =
 
| source title= [[Index:Fior di Battaglia (MS XXIV)]]
 
| license    = public domain
 
}}
 
{{sourcebox footer}}
 
  
== Transcriber's notes (Paris Version) ==
+
== Translation Notes (Paris) ==
  
{{#lsth: Index talk:Florius de Arte Luctandi (MS Latin 11269) | Transcriber's notes }}
+
For a longer discussion of the process of creating this translation, see Kendra Brown et al.'s article ''[http://hroarr.com/florius-de-arte-luctandi-challenges-and-discoveries-in-a-contemporary-latin-translation-of-fiore-dei-liberi/ Florius de Arte Luctandi: Challenges and Discoveries in a Contemporary Latin Translation of Fiore dei Liberi]''.
 +
 
 +
We would like to state from the outset that the translation offered here should not be considered complete or final. Instead we offer it in the spirit of collaboration, with which it was composed, to the wider pool of knowledge in hopes that this will lead to improvements and fruitful discussion. Therefore, this introduction serves both as a brief record of our difficulties with the text, as a springboard to some of our questions, and as an invitation to improve the translation.
 +
 
 +
There are already two print translations extant. Charlélie Berthaut’s initial transcription and translation into French (to be included in a forthcoming publication)<ref>Berthaut, Charlélie. “Florius, de Arte Luctandi - MS Latin 11269 - trancription & traduction.” Pôle d’Etude d’Arts Martiaux Historiques Européens, 2013. http://peamhe.wordpress.com/articles/traduction-du-florius-de-arte-luctandi/. Accessed 2015-11-23.</reF> was unfortunately based on poorer quality scans, which prevented him from identifying many of the later edits/erasures to the text, although Emmeline Baudet’s 2013 French thesis, transcription, and translation takes a much more detailed approach, addressing interlineal and marginal notes.<ref>Baudet, Emmeline. Édition du Florius, de arte luctandi, BNF lat. 11269 (Master’s thesis). Paris: Université Paris Sorbonne IV, 2013. http://www.academia.edu/5420225/%C3%89dition_et_analyse_du_Florius_de_Arte_Luctandi_BNF_Lat._11269. Accessed 2015-11-23.</ref> The more recent Italian translation by Francesco Lodà in 2014 took advantage of the higher-resolution scans that we also used.<ref>Lodà, Francesco. Florius. De arte luctandi. Traduzione e cura del testo di Francesco Lodà. Rome: Bonanno Editore, 2014.</ref> The Lodà transcription is of excellent quality and highly recommended. Due to these publications, an English translation seemed overdue.
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The text is difficult. We began this process in mid-2013, when one of our Germanists had to stop attending for a semester due to her teaching schedule. Given our Latinists' experience with Medieval and early Modern Latin, including translating the Ms. I.33 and parts of Paulus Hector Mair's treatise, we expected that a manuscript of just 44 folia and a little over 200 verses would be an easy diversion, possibly not even lasting the full semester.
 +
 
 +
Instead, the first complete draft took close to two years.
 +
 
 +
The reasons for this are numerous, and largely given in Kendra's article. In addition, while it would have been easy to rely on the Pisani Dossi Ms. to guide the translation process (especially since Michael had previously authored a complete translation of it), we discovered early on that even though the two manuscripts often showed considerable overlap in word choice, arranging the text of Florius to match the Pisani Dossi would be entirely ungrammatical more often than not. Instead, the Latin was first translated in isolation, and only after this step was the Pisani Dossi (and occasionally the Getty and Morgan) consulted to see if it suggested alternative valid readings.
 +
 
 +
After all that time, this translation is still a work in progress, and we openly invite others to collaborate with us in this endeavor. We freely acknowledge the limits of our expertise, and hope that others will contribute theirs to ultimately yield a high-quality, fluent, English translation, as well as an accurate transcription of the Florius.
 +
 
 +
== References ==
 +
 
 +
{{reflist}}

Latest revision as of 22:57, 3 April 2016

Work Author(s) Source License
Illustrations (Getty) J. Paul Getty Museum Digital images courtesy of the Getty's Open Content Program
Getty open content program.png
Illustrations (Morgan) Morgan Library & Museum Princeton Institute of Christian Art
Public Domain.png
Illustrations (Novati) Francesco Novati Flos Dvellatorvm in Armis, sine Armis, Eqvester, Pedester
Public Domain Contribution.png
Illustrations (Paris) Bibliothèque Nationale de France Gallica
Public Domain.png
Translation Colin Hatcher Private communication
CCBYNCSA30.png
Translation Michael Chidester Wiktenauer
CCBYNCSA30.png
Translation Kendra Brown and Rebecca Garber Cambridge HEMA Society
Copyrighted.png
Morgan Version Michael Chidester Index:Tratt‍ato della sch‍erma (MS M.383)
CCBYNCSA30.png
Getty Version Michael Chidester Index:Fior di Battaglia (MS Ludwig XV 13)
CCBYNCSA30.png
Pisani Dossi Version Michael Chidester Index:Flos Duellatorum (Pisani Dossi MS)
CCBYNCSA30.png
Paris Version Kendra Brown and Rebecca Garber Index:Florius de Arte Luctandi (MS Latin 11269)
Copyrighted.png
San Daniele del Friuli Version Luigi Zanutto Index:Fior di Battaglia (MS XXIV)
Public Domain.png

Translation Notes (Paris)

For a longer discussion of the process of creating this translation, see Kendra Brown et al.'s article Florius de Arte Luctandi: Challenges and Discoveries in a Contemporary Latin Translation of Fiore dei Liberi.

We would like to state from the outset that the translation offered here should not be considered complete or final. Instead we offer it in the spirit of collaboration, with which it was composed, to the wider pool of knowledge in hopes that this will lead to improvements and fruitful discussion. Therefore, this introduction serves both as a brief record of our difficulties with the text, as a springboard to some of our questions, and as an invitation to improve the translation.

There are already two print translations extant. Charlélie Berthaut’s initial transcription and translation into French (to be included in a forthcoming publication)[1] was unfortunately based on poorer quality scans, which prevented him from identifying many of the later edits/erasures to the text, although Emmeline Baudet’s 2013 French thesis, transcription, and translation takes a much more detailed approach, addressing interlineal and marginal notes.[2] The more recent Italian translation by Francesco Lodà in 2014 took advantage of the higher-resolution scans that we also used.[3] The Lodà transcription is of excellent quality and highly recommended. Due to these publications, an English translation seemed overdue.

The text is difficult. We began this process in mid-2013, when one of our Germanists had to stop attending for a semester due to her teaching schedule. Given our Latinists' experience with Medieval and early Modern Latin, including translating the Ms. I.33 and parts of Paulus Hector Mair's treatise, we expected that a manuscript of just 44 folia and a little over 200 verses would be an easy diversion, possibly not even lasting the full semester.

Instead, the first complete draft took close to two years.

The reasons for this are numerous, and largely given in Kendra's article. In addition, while it would have been easy to rely on the Pisani Dossi Ms. to guide the translation process (especially since Michael had previously authored a complete translation of it), we discovered early on that even though the two manuscripts often showed considerable overlap in word choice, arranging the text of Florius to match the Pisani Dossi would be entirely ungrammatical more often than not. Instead, the Latin was first translated in isolation, and only after this step was the Pisani Dossi (and occasionally the Getty and Morgan) consulted to see if it suggested alternative valid readings.

After all that time, this translation is still a work in progress, and we openly invite others to collaborate with us in this endeavor. We freely acknowledge the limits of our expertise, and hope that others will contribute theirs to ultimately yield a high-quality, fluent, English translation, as well as an accurate transcription of the Florius.

References

  1. Berthaut, Charlélie. “Florius, de Arte Luctandi - MS Latin 11269 - trancription & traduction.” Pôle d’Etude d’Arts Martiaux Historiques Européens, 2013. http://peamhe.wordpress.com/articles/traduction-du-florius-de-arte-luctandi/. Accessed 2015-11-23.
  2. Baudet, Emmeline. Édition du Florius, de arte luctandi, BNF lat. 11269 (Master’s thesis). Paris: Université Paris Sorbonne IV, 2013. http://www.academia.edu/5420225/%C3%89dition_et_analyse_du_Florius_de_Arte_Luctandi_BNF_Lat._11269. Accessed 2015-11-23.
  3. Lodà, Francesco. Florius. De arte luctandi. Traduzione e cura del testo di Francesco Lodà. Rome: Bonanno Editore, 2014.