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{{Infobox manuscript
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{{infobox manuscript
 
<!----------Name---------->
 
<!----------Name---------->
| name             = [[name::Paulus Kal Fechtbuch]]
+
| name               = [[name::Paulus Kal Fechtbuch]]
| location         = [[inventory::MS KK5126]], [[museum::Kunsthistorisches Museum]]<br/>Vienna, Austria
+
| location           = [[inventory::MS KK5126]], [[museum::Kunsthistorisches Museum]]<br/>Vienna, Austria
 
<!----------Image---------->
 
<!----------Image---------->
| imageleft       = File:MS KK5126 8v.jpg
+
| imageleft         = File:MS KK5126 8v.jpg
| imageright       = File:MS KK5126 9r.jpg
+
| imageright         = File:MS KK5126 9r.jpg
| width           = x185px
+
| width             = x200px
| caption         = Folia 8v - 9r
+
| caption           = Folia 8v - 9r
 +
| keyimage          = File:MS KK5126 10r.jpg
 
<!----------General---------->
 
<!----------General---------->
| Index number     = [[WI::—]]
+
| Index number       = [[WI::—]]
| Wierschin's catalog=[[WC::37]]
+
| Wierschin's catalog= [[WC::37]]
| Hils' catalog   = [[HK::48]]
+
| Hils' catalog     = [[HK::48]]
| Beck catalog     = [[BC::38.5.4]]
+
| Beck catalog       = [[BC::38.5.4]]
| Also known as   =  
+
| Also known as     =  
| Type             = {{plainlist | [[type::Fencing manual]] | [[type::Wrestling manual]] }}
+
| Type               = {{plainlist
| Date            = ca. [[year::1480s]]
+
| [[type::Fencing manual]]
| Place of origin  =
+
| [[type::Wrestling manual]]
| Language(s)      = [[language::Early New High German]]
 
| Scribe(s)        =
 
| Author(s)        = {{collapsible list
 
| title = List of authors
 
| 1 = [[author::Martin Huntfeltz]]
 
| 2 = [[author::Paulus Kal]]
 
| 3 = [[author::Johannes Liechtenauer]]
 
| 4 = [[author::Andre Liegniczer]]
 
| 5 = [[author::Ott Jud]]
 
 
}}
 
}}
| Compiled by     = Unknown
+
| Date              = ca. [[year::1480s]]
| Illuminated by   = Unknown
+
| Place of origin    =
| Patron           =  
+
| Language(s)        = [[language::Early New High German]]
| Dedicated to     =  
+
| Scribe(s)          =
 +
| Author(s)          = {{collapsible list
 +
| [[author::Martin Huntsfeld]]
 +
| [[author::Paulus Kal]]
 +
| [[author::Johannes Liechtenauer]]
 +
| [[author::Andre Lignitzer]]
 +
| [[author::Ott Jud]]
 +
}}
 +
| Compiled by       = Unknown
 +
| Illuminated by     = Unknown
 +
| Patron             =  
 +
| Dedicated to       =  
 
<!----------Form and content---------->
 
<!----------Form and content---------->
| Material         = Paper, in a wood and leather<br/>binding
+
| Material           = Paper, in a wood and leather binding
| Size             = 129 [[folia]]
+
| Size               = 129 [[folia]] (285 mm × 410 mm)
| Format           = Double-sided; one uncaptioned<br/>illustration per side (ff 1r-100r),<br/>unillustrated (ff 104v-129r)
+
| Format             = Double-sided; one illustration per side <br/>(ff 1r-100r), unillustrated (ff 104v-129r)
| Condition       =  
+
| Condition         =  
| Script           = [[script::Bastarda]]
+
| Script             =  
| Contents         =  
+
| Contents           =  
| Illumination(s) =  
+
| Illumination(s)   =  
| Additions       =  
+
| Additions         =  
| Exemplar(s)     = [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca. 1470)
+
| Exemplar(s)       = [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] (ca. 1470)
| Previously kept =  
+
| Previously kept   =  
| Discovered       =  
+
| Discovered         =  
| Website         =  
+
| Website           =  
| Images           = [[:File:KK5126.pdf|Digital scans]] (thumbs)
+
| Images             = [[:File:KK5126.pdf|Digital scans]] (thumbs)
| below           =  
+
| below             =  
 
}}
 
}}
'''''Allerley Kampf zur Roß und Fueß in und an Harnisch''''' ("All Manner of Combat on Horse and on Foot, Both Armored and Unarmored", MS KK5126) is a [[nationality::German]] [[fencing manual]] probably created in the 1480s.{{cn}} The original currently rests in the holdings of the [[Kunsthistorisches Museum]] in Vienna, Austria. Though [[Paulus Kal]] was in the service of Archduke Sigismund of Austria at the time that this manuscript was likely created, it bears no dedication; it may be that it was created by Kal as a revised and expanded version of his earlier works for his own personal use.<ref>[[Carsten Lorbeer|Lorbeer, Carsten]] and [[Julia Lorbeer|Julia]]; [[Andreas Meier|Meier, Andreas]]; [[Marita Wiedner|Wiedner, Marita]]. ''Die Handschriften Paulus Kals''. [http://www.pragmatische-schriftlichkeit.de/transkription/edition_paulus_kal.pdf Pragmatische Schriftlichkeit]. Retrieved 3 October 2012.</ref>
+
'''''Allerley Kampf zur Roß und Fueß in und an Harnisch''''' ("All Manner of Combat on Horse and on Foot, Both Armored and Unarmored", MS KK5126) is a [[nationality::German]] [[fencing manual]] probably created in the 1480s.{{cn}} The original currently rests in the holdings of the [[Kunsthistorisches Museum]] in Vienna, Austria. Though [[Paulus Kal]] was in the service of Archduke Sigismund of Austria at the time that this manuscript was likely created, it bears the same dedication to Ludwig IV "the Rich" of Wittelsbach (1417-1479),<ref>See [[Page:MS KK5126 9r.jpg|folio 9r]]</ref> Duke of Bavaria-Landshut, as the other two contemporary manuscripts (perhaps providing evidence that this is an unaltered copy commissioned by someone other than Kal).
  
Kal's treatise consists of a partial redaction of the writings of Johannes Liechtenauer on Kampffechten, Roßfechten, and Bloßfechten, as well as Kal's own teachings on a variety of other weapons. It differs from the works of other followers of Liechtenauer in that instead of offering extensive glosses of the high master's verses, Kal explains them with detailed illustrations. Unlike the earlier manuscripts containing Kal's works, this is a much larger compilation incorporating material from several other masters within the tradition of [[Johannes Liechtenauer]]. At the same time, the text of Kal's own work is omitted and the art is somewhat inferior to that of the Cgm 1507.<ref>[[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p79.</ref>
+
Kal's writings (exemplified in the [[Paulus Kal Fechtbuch (Cgm 1507)|Cgm 1507]] consist of a redaction of some of the teachings of [[Johannes Liechtenauer]] on mounted fencing, armored fencing, and unarmored fencing, as well as Kal's own teachings on a variety of other weapons. It differs from the works of other followers of Liechtenauer in that instead of offering extensive [[gloss]]es of the high master's verse, Kal relies on detailed illustrations. Unlike the earlier manuscripts containing Kal's works, this is a much larger compilation incorporating material from several other masters within the tradition of Johannes Liechtenauer. At the same time, the text of Kal's own work is omitted (apart from the preface) and the art is somewhat inferior to that of the Cgm 1507.<ref>[[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. p79.</ref>
  
 
== Provanance ==
 
== Provanance ==
Line 57: Line 60:
 
== Contents ==
 
== Contents ==
  
{| class="wikitable treatise"
+
{| class="treatise"
|-
 
! id="page" | Folio
 
! Section
 
 
 
 
|-  
 
|-  
! 1r - 8v
+
! id="page" | 1r - 8v
 
| Blank pages
 
| Blank pages
  
 
|-  
 
|-  
 
! [[Paulus Kal|9r - 10r]]
 
! [[Paulus Kal|9r - 10r]]
| Introductory material by Paulus Kal
+
| Introductory material by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|10v - 23r]]
 
! [[Paulus Kal|10v - 23r]]
| [[Roßfechten]] illustrations by Paulus Kal
+
| [[Mounted fencing]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|23v - 40v]]
 
! [[Paulus Kal|23v - 40v]]
| [[Kampffechten]] illustrations by Paulus Kal
+
| [[Short sword]] fencing illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|41v - 46v]]
 
! [[Paulus Kal|41v - 46v]]
| Armored [[poleaxe]] illustrations by Paulus Kal
+
| Armored [[poleaxe]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|47v - 52v]]
 
! [[Paulus Kal|47v - 52v]]
| [[Longshield]] illustrations by Paulus Kal
+
| [[Longshield]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|53v - 55v]]
 
! [[Paulus Kal|53v - 55v]]
| [[Duel]] between a man and a woman by Paulus Kal
+
| [[Duel]] between a man and a woman by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|56v - 61r]]
 
! [[Paulus Kal|56v - 61r]]
| [[Arming sword|Sword]] and [[buckler]] illustrations by Paulus Kal
+
| [[Arming sword|Sword]] and [[buckler]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|62r - 75v]]
 
! [[Paulus Kal|62r - 75v]]
| [[Bloßfechten]] illustrations by Paulus Kal
+
| [[Long sword]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|76v - 79v]]
 
! [[Paulus Kal|76v - 79v]]
| [[Messer]] illustrations by Paulus Kal
+
| [[Messer]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|80v - 85r]]
 
! [[Paulus Kal|80v - 85r]]
| [[Dagger]] illustrations by Paulus Kal
+
| [[Dagger]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Paulus Kal|86r - 100r]]
 
! [[Paulus Kal|86r - 100r]]
| [[Grappling]] illustrations by Paulus Kal
+
| [[Grappling]] illustrations by [[Paulus Kal]]
  
 
|-  
 
|-  
 
! [[Johannes Liechtenauer|104v - 106r]]
 
! [[Johannes Liechtenauer|104v - 106r]]
| [[Epitome]] by Johannes Liechtenauer
+
| [[Recital]] by [[Johannes Liechtenauer]]
  
 
|-  
 
|-  
! [[Pseudo-Peter von Danzig|106r - 114r]]
+
! [[Nicolaüs|106r - 114r]]
| [[Gloss]] of Liechtenauer's Bloßfechten by Pseudo-Peter von Danzig
+
| [[Gloss]] of Liechtenauer's Recital on long sword fencing by [[Nicolaüs]]
  
 
|-  
 
|-  
 
! [[Pseudo-Peter von Danzig|114r - 117v]]
 
! [[Pseudo-Peter von Danzig|114r - 117v]]
| Gloss of Liechtenauer's Roßfechten by Pseudo-Peter von Danzig
+
| Gloss of Liechtenauer's Recital on mounted fencing by [[Pseudo-Peter von Danzig]]
  
 
|-  
 
|-  
 
! [[Pseudo-Peter von Danzig|117v - 122v]]
 
! [[Pseudo-Peter von Danzig|117v - 122v]]
| Gloss of Liechtenauer's Kampffechten by Pseudo-Peter von Danzig
+
| Gloss of Liechtenauer's Recital on short sword fencing by [[Pseudo-Peter von Danzig]]
  
 
|-  
 
|-  
 
! [[Ott Jud|122v - 124v]]
 
! [[Ott Jud|122v - 124v]]
| Grappling by Ott Jud
+
| Grappling by [[Ott Jud]]
  
 
|-  
 
|-  
! {{nowrap|[[Martin Huntfeltz|124v - 125v]]}}
+
! {{nowrap|[[Martin Huntsfeld|124v - 125v]]}}
| [[Armored fencing]] by Martin Huntfeltz
+
| Short sword fencing by [[Martin Huntsfeld]]
  
 
|-  
 
|-  
! [[Martin Huntfeltz|125v - 126r]]
+
! [[Martin Huntsfeld|125v - 126r]]
| Armored grappling by Martin Huntfeltz
+
| Armored grappling by [[Martin Huntsfeld]]
  
 
|-  
 
|-  
! [[Martin Huntfeltz|126r - 127r]]
+
! [[Martin Huntsfeld|126r - 127r]]
| [[Mounted fencing]] by Martin Huntfeltz
+
| Mounted fencing by [[Martin Huntsfeld]]
  
 
|-  
 
|-  
 
! 127r
 
! 127r
| {{hidden begin
+
| {{treatise begin
   | title     = Anonymous devices of [[poleaxe]]
+
   | title = Anonymous poleaxe teachings
   | titlestyle= background:#f2f2f2; border:1px solid #aaaaaa; font-weight:normal; padding:0em 0.3em; vertical-align:middle; width:28em;
+
   | width = 60em
  | bodystyle = display:block; width:56em;
 
 
}}
 
}}
{| class="wikitable floated master"
+
{| class="treatisecontent"
 
|-  
 
|-  
! {{rating|start}}
+
! <p>{{rating|C}}<br/>by [[Harrison Ridgeway ]]</p>
by [[Roger Norling]]
+
! <p>Transcription{{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
! Transcription
+
 
by [[Carsten&nbsp;Lorbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]
 
 
|-  
 
|-  
|  
+
| <p>Note now when you use the pollaxe to fence, learn high and low binding-on as with the staff.<ref>It is unclear whether Paulus Kal left behind any staff treatises, but this indicates a clear connection between staff and pollaxe fighting.</ref></p>
| '''[127r]''' Jtem also schik dich mit der streyt agkst zu vecht[e]n lern obenn vnd vndenn anpindenn als mit der stanngenn
+
| {{section|Page:MS KK5126 127r.jpg|2|lbl=127r}}
 +
 
 
|-  
 
|-  
 +
| <p>Next you come to the first play If he holds his hammer above him, then hold your thumb underneath by the left leg across the body. If he strikes from above, then parry with the lower part of the axe held above, or let fly at him with a sweep and hook the axe inside the right knee to pull him down.</p>
 
|  
 
|  
| Jtem in das erst stuck schick dich also helt er denn hamer vbersich so halt dw denn dumen vnter sich bey deinem tennckenn pain twerchs ann den leyb slecht er vonn dach so versecz mit dem vndern tail der agst oben od[er] lass fur gen den Straich vnnd hennckelsu mit der agst in der rechtenn chnypüg vnnd zuck in nyder
+
{{section|Page:MS KK5126 127r.jpg|3|lbl=-|p=1}} {{section|Page:MS KK5126 127r.jpg|4|lbl=-|p=1}}
 +
 
 
|-  
 
|-  
|  
+
| <p>Next he wants to perform the above play on you and hook you. When he lays the hook on you, strike with your axe from inside against his axe, lay with it against his leg and pull upwards with it as mentioned.</p>
| J[t]em wil er dir das ober stuck chun{{ref|1|[1]}} vnd wil dich henngeln legt er dir denn hackenn an so slach mit deiner achst inen an sein achst vnnd leg inen wider ann sein pain vnd ruck als obenn geschribenn stet
+
| {{section|Page:MS KK5126 127r.jpg|5|lbl=-}}
 +
 
 
|-  
 
|-  
 +
| <p>Next if he counters the play above, then come in with the axe and wind in upwards. Wrench at his neck from above and set him back over your left leg on the right, or over the right leg to the left, and throw him. The play works from both sides.</p>
 
|  
 
|  
| Jtem ob er das obgeschribenn stuck pricht so secz im an mit der agst[en] vnd wind im auf vnd nym das ober reyssenn bey dem hals vnd secz im in vb[er]{{ref|2|[2]}} das tennck pain hinder an das recht oder das recht pain das gelinck vnd wurff das stuck get zw baidenn seytenn
+
{{section|Page:MS KK5126 127r.jpg|6|lbl=-}} {{section|Page:MS KK5126 127r.jpg|7|lbl=-}}
 +
 
 
|-  
 
|-  
| Item: Binds he together with both your hammers held high and strikes as a peasant, so feel/sense and act as if you wish to displace and let his strike pass through, so you have your handle by the neck or a free (unobstructed) strike at the head, the shoulder or the arm.
+
| <p>Next, he binds on to you and both hammers stand upright. If he makes a peasant strike at you, sense and act as if you will parry, but let his strike go through forward so you can hook him by the nape, or strike him freely to the head, the shoulder or the arm.</p>
| jtem pint er dir ann das paid hamer obenn stennd vnd slecht peẅrleins so enpfind vnd thue als wild dw verseczenn vnd lass sein chlag fur genn so hastu das hennckeln pey dem nackenn oder frey sleg zw dem chopf zw der achsel zw dem arm
+
| {{section|Page:MS KK5126 127r.jpg|8|lbl=-}}
 +
 
 
|-  
 
|-  
 +
| <p>Next if he strikes at the same time as you and wants to pull your leading hand free, then give way and take his (hand) from him. If he sets his axe on to you, then set yours also onto him,<ref>Original appears to be nonsensical. With some consultation this is about as clear a translation I came across.</ref> and lengthen your your axe. Then pull the left leg backward and place your axe on your right side, thus you have over-extended him.</p>
 
|  
 
|  
| Jtem slecht er mit ein zw gleich ein slag vnd wil dir dy voder hant ledigmachenn so gib nach vnd nym im die sein als er dir mit der agkst secz er dir dar inen an wie er dir anseczt also secz im auch ann vnd lenng dein agkst also zuck das tennck pain hindersich vnd secz dein agkst an dein rechte seytenn so hast dw in vberlenngt
+
{{section|Page:MS KK5126 127r.jpg|9|lbl=-}} {{section|Page:MS KK5126 127r.jpg|10|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>Next, then lay the axe across the body with the hammer underneath and act as though you want to parry with the upper point, but seek to wrench<ref>“suech den vnttern rist”</ref> him from below, if he then strikes wide,<ref>Presumably since you are only acting as though you will parry, you are voiding, which could expose the armpit etc.</ref> seek the opening inside the hand or under the armpit and set upon<ref>Impalement is implied, probably with the queue.</ref> him.</p>
| Jtm schick dein agkst twerchs nach dem leyb das der ha / mer vnttersich sey vnd thue als wild dw mit dem obernn ort verseczenn wild vnd suech den vnttern rist slecht er aber weyt ein her so suech dy ploss inder hand oder vnder dem vechsen vnd secz im an
+
| {{section|Page:MS KK5126 127r.jpg|11|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| class="noline" | <p>Next if you are performing the previous play and parry with the upper point,<ref>The point standing upwards happens to be the queue in this play, but likely does not matter.</ref> then guide all his strikes to the side, and the play goes like Hildebrand’s Cut<ref>Hildebrand’s Cut is described by Paurenfeyndt as a parry which allows the opponent’s attack to slide downward off the weapon and to the side.</ref> in the long sword, however<ref>“Indes” - most likely not in the fencing sense but used as it commonly is.</ref> it works with the axe as well as with other weapons.</p>
| Jtm schick dich als in dem oben geschrib[e]n stuck vnd versecz mit dem obernn ort so hilft er dir an der ain seytenn zw allen sleg[e]n vnd die stuck genn als hilprantz haw in dem langenn swert in allen pfinden vnd jndes get in der agkst als wol als in anndern wern
+
| class="noline" | {{section|Page:MS KK5126 127r.jpg|12|lbl=-}}
|-
+
 
|
 
| '''Notes:'''
 
{{note|1}}1. Es ist wahrscheinlich thun gemeint.<br/>
 
{{note|2}}2. Am rechten Rand.
 
 
|}
 
|}
{{hidden end}}
+
{{treatise end}}
  
 
|-  
 
|-  
 
! 127r - 127v
 
! 127r - 127v
| {{hidden begin
+
| {{treatise begin
   | title     = Anonymous devices of [[longshield]]
+
   | title = Anonymous longshield teachings
   | titlestyle= background:#f2f2f2; border:1px solid #aaaaaa; font-weight:normal; padding:0em 0.3em; vertical-align:middle; width:28em;
+
   | width = 60em
  | bodystyle = display:block; width:56em;
 
 
}}
 
}}
{| class="wikitable floated master"
+
{| class="treatisecontent"
 
|-  
 
|-  
! {{rating|B}}
+
! <p>{{rating|B}}<br/>by [[Christian Henry Tobler]]</p>
by [[Christian Henry Tobler]]
+
! <p>Transcription{{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
! Transcription
+
 
by [[Carsten&nbsp;Lorbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]
 
 
|-  
 
|-  
| Item, do thus with the long shield: learn to deliver the ''Oberhau'' and ''Unterhau'' and learn to bind well below and above, and in the techniques described hereafter you will learn the side wrenching.
+
| <p>Item, do thus with the long shield: learn to deliver the ''Oberhau'' and ''Unterhau'' and learn to bind well below and above, and in the techniques described hereafter you will learn the side wrenching.</p>
| '''[127r]''' Jtem also schick dich in dem lanngen schilt lern im anfang den ober[e]n vnd denn vntern haw vnd vntten vnd oben{{ref|3|[3]}} wol lernst an pintn vnd in denn her nach geschribenn stuckenn wirstu lernnen die seytenn reysenn
+
| {{section|Page:MS KK5126 127r.jpg|13|lbl=-}}
 +
 
 
|-  
 
|-  
| Item, do thus the first technique behind the shield if you have a sword or mace: if you have a sword strike whatever opening you see; or cast [the mace] and call your marshal to give you another mace.
+
| <p>Item, do thus the first technique behind the shield if you have a sword or mace: if you have a sword strike whatever opening you see; or cast [the mace] and call your marshal to give you another mace.</p>
| Jtem das erst stuck schick dich hinder den schilt also dastu ein swert oder kolb[e]m hast dw ein swert wo dw in plossenn sichst so slach oder wurf da hin vnd Hays dir deinen grieswartl ein anndern cholbenn gebn
+
| {{section|Page:MS KK5126 127r.jpg|14|lbl=-}}
 +
 
 
|-  
 
|-  
| Item, do this with the shield and with mace near to him and shoot with the point of the mace to his shield’s barb [?] so that he must expose himself; immediately strike or thrust.
+
| <p>Item, do this with the shield and with mace near to him and shoot with the point of the mace to his shield’s barb [?] so that he must expose himself; immediately strike or thrust.</p>
| [J]tem schick dich mit dem schilt vnd mit dem cholben nachet zw im vnd sch //eub mit dem ort vom cholben auf sein parcz schilcz so magstu in plos Jndes slach oder stich
+
| {{section|Page:MS KK5126 127r.jpg|15|lbl=-}}
 +
 
 
|-  
 
|-  
| Item, do this nearer to him and step with a foot on a point of his shield so that he is completely exposed, then strike to lame the wrist.
+
| <p>Item, do this nearer to him and step with a foot on a point of his shield so that he is completely exposed, then strike to lame the wrist.</p>
| Jtem schick dich mer nachet zw im vnd drit mit ainem fues an ein ortt seins schilcz also wirt er ganncz plos so slach nach dem lem zw denn glidernn 
+
| {{section|Page:MS KK5126 127r.jpg|16|lbl=-}}
 +
 
 
|-  
 
|-  
| Item, if you have used all of your maces, and stand freely with the shield and he also stands freely with his shield, see if you can go under his shield by the point and wrench it toward you, then take it and quickly cast it from you and work with your shield.
+
| <p>Item, if you have used all of your maces, and stand freely with the shield and he also stands freely with his shield, see if you can go under his shield by the point and wrench it toward you, then take it and quickly cast it from you and work with your shield.</p>
| Jtem ob dw die cholben al vernuczest vnd dw frey mit dem schilt stuenst vnd er auch frey mit dem seinen stet so besich ob dw im sein schilt vnder gen mochst bey dem ort vnd reys vrbering an dich so nymbstu ymen wurff von dir pald vnd arbait mit deinen schilt
+
| {{section|Page:MS KK5126 127r.jpg|17|lbl=-}}
 +
 
 
|-  
 
|-  
| Item, if you have no mace and he has none then wind against him and note, as you thrust, the feeling; this is called ‘finding’ or ‘weak and strong’.
+
| <p>Item, if you have no mace and he has none then wind against him and note, as you thrust, the feeling; this is called ‘finding’ or ‘weak and strong’.</p>
| Jtem hastu chain cholb[e]n vnd er chain so wint mit im auf vnd merck auf die stoss im fullenn das in an haist den pfindenn oder swech vnd sterck
+
| {{section|Page:MS KK5126 127r.jpg|18|lbl=-}}
 +
 
 
|-  
 
|-  
| Item, if you have come from the mace and shield, then remember the “murder grips”: with the bottom of the feet pressing to the shin and stepping on the knee, grasping the genitals, the wrestling at the hip, the punch to the heart, the arm break, to the neck and the nose, to the eyes, under the ears, or the Sun Pointer.
+
| <p>Item, if you have come from the mace and shield, then remember the “murder grips”: with the bottom of the feet pressing to the shin and stepping on the knee, grasping the genitals, the wrestling at the hip, the punch to the heart, the arm break, to the neck and the nose, to the eyes, under the ears, or the Sun Pointer.</p>
| '''[127v]''' Jtem ob dw chumbst von cholbenn vnd von schilt so merck auf dy mort griff bey denn fuessenn vntenn das drucken auf die schinpain treten auf die chnye griff zw denn hodenn die huff ringen die stoss zw dem herczen die armpruch zw dem hals vnd den [n]aslechern zw den augen hinder dj ornn oder das Sunen Zaigenn
+
| {{section|Page:MS KK5126 127v.jpg|1|lbl=127v}}
|-
+
 
|  
 
| '''Notes:'''
 
{{note|3}}3. n wurde aus r korrigiert.
 
 
|}
 
|}
{{hidden end}}
+
{{treatise end}}
  
 
|-  
 
|-  
! [[Andre Liegniczer#Treatise|127v]]
+
! [[Andre Lignitzer|127v]]
| Sword and buckler by Andre Liegniczer
+
| Sword and buckler by [[Andre Lignitzer]]
  
 
|-  
 
|-  
! [[Andre Liegniczer#Treatise|127v - 128r]]
+
! class="noline" | [[Andre Lignitzer|127v - 128r]]
| Dagger by Andre Liegniczer
+
| class="noline" | Dagger by [[Andre Lignitzer]]
  
 
|-  
 
|-  
 
! 128v - 129r
 
! 128v - 129r
| {{hidden begin
+
| {{treatise begin
   | title     = Anonymous instructions on [[trial by combat|judicial combat]]
+
   | title = Anonymous instructions on [[trial by combat|judicial combat]]
   | titlestyle= background:#f2f2f2; border:1px solid #aaaaaa; font-weight:normal; padding:0em 0.3em; vertical-align:middle; width:28em;
+
   | width = 60em
  | bodystyle = display:block; width:56em;
 
 
}}
 
}}
{| class="wikitable floated master"
+
{| class="treatisecontent"
 
|-  
 
|-  
! {{rating}}
+
! <p>{{rating|C}}<br/>by [[Jens P. Kleinau]]</p>
 +
! <p>Transcription{{edit index|Paulus Kal Fechtbuch (MS KK5126)}}<br/>by [[Dierk Hagedorn]]</p>
  
! Transcription
 
by [[Carsten&nbsp;Lorbeer]], [[Julia&nbsp;Lorbeer]], [[Andreas&nbsp;Meier]], [[Marita&nbsp;Wiedner]]
 
 
|-  
 
|-  
|  
+
| <p>First he should inquire before the assembly about all things and rights which a fighter should have according to the law, may it be an advisor, a listener and a grid-wardner, and what a fighter should have (possess or be equipped with)
| Tout zw dem erstn sol im sein fursprech wandel dingenn vnd alle recht die ein chempfer von rechtz wegenn habenn sol es sey warner lüsner grieswartl vnd was ein chempfer habenn sol
+
| {{section|Page:MS KK5126 128v.jpg|1|lbl=128v}}
 +
 
 
|-  
 
|-  
|  
+
| <p>When his advisor is named, he should ask how he should advise, so that he does it lawfully and not unlawfully.
| Jtem wenn er sein warn benennt so sol er fragenn wie er warnenn sol das er recht thu vnnd nicht vnrecht
+
| {{section|Page:MS KK5126 128v.jpg|2|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask if he and the advisor may go to the fighter while he is seated at his rest-place and speak to him (negotiate) about their claims.</p>
| Jtem er sol auch fragenn ob er vnd der warner wol zw dem chempfer gen müge dy weyl er an seiner rue siczt vnnd mit in ir notturfft redenn
+
| {{section|Page:MS KK5126 128v.jpg|3|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should then ask wether he won or lost victory, if he and his advisor may go to him and talk about their claims, when he his back again at his rest-place in the circle.</p>
| Jtem er sol aber fragenn ob er ein sig gewinne oder verlornn ob er vnnd sein warner wol zw im gen mügen vnd ir noturfft wol mit ym redenn also so er wider
+
| {{section|Page:MS KK5126 128v.jpg|4|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>When the grid-warden or the listener is named, then he should ask how he should loose so that he does it lawfully and not unlawfully</p>
| An sein rue chumbt ym chrais
+
| {{section|Page:MS KK5126 128v.jpg|5|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask how he should handle the staff so that he does it lawfully</p>
| Jtem wenn er denn grieswertel oder lusner genannt so sol er in fragenn wie er lüsen Sol das er recht thue vnnd nicht vnrecht
+
| {{section|Page:MS KK5126 128v.jpg|6|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask, if one requires the staff, how he should push down the staff, so that he does it lawfully and not unlawfully</p>
| Jtem er sol auch fragenn wie er mit der stängenn thun sol das er recht thue
+
| {{section|Page:MS KK5126 128v.jpg|7|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask what the grid-warden or the listener should listen or see and how they should bring it forward, so that they do it lawfully and not unlawfully.</p>
| Jtem er sol auch fragenn ob ir ainer der stangenn begert wie er die vntterstossenn sol das er recht thue vnnd nicht vnrecht
+
| {{section|Page:MS KK5126 128v.jpg|8|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask, if that, what the grid-warden say unanimously, when they had seen or listen something, will rightfully stay that way.</p>
| Jtem er sol auch fragenn was die grieswertel oder lusner hornn oder sehenn wie sy das furbringen das sy recht thunn vnnd nicht vnrecht
+
| {{section|Page:MS KK5126 128v.jpg|9|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask, if the grid-warden, are not related to each other, that they do not reject together, what the judges had seen or listened, such that it not stays rightfully, what should stay, and should be said by them too.</p>
| Jtem er sol auch fragenn was die grieswärtl ein müetiglich sagenn als die das gesehenn oder gehort habenn ob es icht billichenn do bey beleyb
+
| {{section|Page:MS KK5126 128v.jpg|10|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask, may it be the grid-warden or the judge, that they should say, that they process the law, that one can find [in a book].</p>
| Jtem er sol auch fragenn ob die griswertel mit ein ander nicht stössig sein vnd nit vber ains mochten wern zw sagenn was dann dy vrtailer gesehenn oder gehort hiettenn ob es nit billichenn do peleybe das weybe leyb vnd das die auch dar vmb sagenn süllenn
+
| {{section|Page:MS KK5126 128v.jpg|11|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also then ask which fighter shall be the first to strike, if he has the right to choose and to have the advantage to be the first to enter the circle to sit with his chair where he wants.</p>
| Er sol auch fragenn es sey grieswertl oder vrtailer wie sy darvmben sagenn sullenn das sy recht thunn das man das ausfunndig{{ref|4|[4]}} mach
+
| {{section|Page:MS KK5126 128v.jpg|12|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask how many maces he should have and what he shall have for the combat.</p>
| Es sol auch denn chempfer frag[e]n wellicher ein anchlager sey ob er icht billich[e]n die wal vnnd die vorfart hab zu dem chrais zw siczenn mit seinem stull wo er wil
+
| {{section|Page:MS KK5126 128v.jpg|13|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask what the regulation is, when he loses a mace outside of the circle.</p>
| Er so auch denn chempfer fragenn wie manigen cholben er habenn sul vnd was er habenn sol zw dem champf
+
| {{section|Page:MS KK5126 128v.jpg|14|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask too, if he loses a mace, which remains inside of the circle, if he will have the right to get it back, if he requires it.</p>
| Er sol auch fragenn ob er ein cholbenn verwHrff der aus dem chrais chemb was recht werr
+
| {{section|Page:MS KK5126 128v.jpg|15|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask if his grid-warden is allowed to have a mace on him or is allowed to request one, that he may bring to him, so that he does it with Right and not unlawfully.</p>
| Er sol auch fragenn ob er ein cholbenn verwürff der im chrais be lib ob im der nicht, billichenn zw staten wider chem ob er sein begert
+
| {{section|Page:MS KK5126 128v.jpg|16|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask what can go outside the circle, may it be a hand, a body, a foot, a shield, or a mace, what is the regulation on this.</p>
| Jtem er sol fragenn ob sein grieswärtl ycht billichenn ein cholbenn bey im habenn sull oder eins begert das er im denn mocht zw pringenn das das (sic) er Recht dar ann tat vnnd nicht vnnrecht
+
| {{section|Page:MS KK5126 128v.jpg|17|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask how many staffs, he is allowed to request for, and after how many he would lose the victory.</p>
| Er sol fragn was aus dem chrais chem es wer an hennden am leyb an ann{{ref|5|[5]}} fuessenn ain{{ref|6|[6]}} schilt ann cholbenn was darvmb Recht sey
+
| {{section|Page:MS KK5126 128v.jpg|18|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask, if they should not be rightfully proved, such that they are not of the same size or his is uncorrectly.</p>
| Er sol fragenn wie manige stanngenn er beger[e]nn sul vnd wie offt er den Sig domit v[er]lorn hab
+
| {{section|Page:MS KK5126 129r.jpg|1|lbl=129r}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should also ask if one should not be allowed to check  the shield and other things if they are correct.</p>
| Er sol fragenn ob man sy nicht billich[e]n beschauenn sul ob sy nichtz vngleichs oder vnpillichs bey in hettenn
+
| {{section|Page:MS KK5126 129r.jpg|2|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask how often he may have his rest and how long.</p>
| Er sol auch frag[e]n ob man die schilt vnnd anndern Zeug nicht billichenn beschauen sull
+
| {{section|Page:MS KK5126 129r.jpg|3|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask how he should stand up in the combat.</p>
| Er sol fragn wie offt er sein zue habm sull vnnd wie lanng
+
| {{section|Page:MS KK5126 129r.jpg|4|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should request that the all the formerly as given law declared and approved paragraphs and articles were written in(to) the book.</p>
| Er sol fragenn wie er auf stenn sull zw dem champf
+
| {{section|Page:MS KK5126 129r.jpg|5|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask, if someone steps back from the fight, how he will be judged and by whom.</p>
| Er sol fragenn ob icht pillichenn beleyb panalenn puntten vnd artikel[e]n als die vor mit recht ertaylt sein wordenn vnd in dem puech geschribenn stenn
+
| {{section|Page:MS KK5126 129r.jpg|6|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| <p>He should ask, if someone disturbs or makes noise, by words or any other means, what the law says on this, and if it is not rightfully forbidden, and how it is forbidden.</p>
| Er sol frag[e]n welcher des chambs der nyderlig wie man zw dem selbm richt[e]n sol er sol fragenn wer richtenn sull
+
| {{section|Page:MS KK5126 129r.jpg|7|lbl=-}}
 +
 
 
|-  
 
|-  
|  
+
| class="noline" | <p>If a crowd gathers behind the circle, what are the precautions, that this will not bring any problems to the fighter</p>
| Er sol fragn ob yemand steurt oder lerm[m]it mit wortten oder mit werckenn was darvmb recht sey vnnd ob man das icht billichenn verpiett vnd wie man das verpietenn sull
+
| class="noline" | {{section|Page:MS KK5126 129r.jpg|8|lbl=-}}
|-
+
 
|
 
| Ob auf lauff hinder dem ring geschehe ob das denn chempfernn kain schadn pring[e]n sold
 
|-
 
|  
 
| '''Notes:'''
 
{{note|4}}4. i mit 2 Punkten<br/>
 
{{note|5}}5. aim<br/>
 
{{note|6}}6. ain
 
 
|}
 
|}
{{hidden end}}
+
{{treatise end}}
  
 
|}
 
|}
  
 
== Gallery ==
 
== Gallery ==
 
+
{{-}}
 
{{image|MS KK5126 Cover 1.jpg|Front Cover}}
 
{{image|MS KK5126 Cover 1.jpg|Front Cover}}
 
{{image|MS KK5126 Cover 2.jpg|Inside Cover}}
 
{{image|MS KK5126 Cover 2.jpg|Inside Cover}}
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{{image|MS KK5126 129r.jpg|Folio 129r}}
 
{{image|MS KK5126 129r.jpg|Folio 129r}}
 
{{image|MS KK5126 129v.jpg|Folio 129v}}
 
{{image|MS KK5126 129v.jpg|Folio 129v}}
{{image|MS KK5126 130r.jpg|Folio 130r}}
 
{{image|ph=1|Blank|Folio 130v}}
 
 
{{image|ph=1|Cover|Inside Cover}}
 
{{image|ph=1|Cover|Inside Cover}}
 
{{image|ph=1|Cover|Back Cover}}
 
{{image|ph=1|Cover|Back Cover}}
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== Additional Resources ==
 
== Additional Resources ==
  
 +
* Jaquet, Daniel; [[Bartłomiej Walczak|Walczak, Bartłomiej]]. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". ''[[Acta Periodica Duellatorum]]'' '''2'''(1): 105-148. 2014. {{doi|10.1515/apd-2015-0015}}.
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 
* Tobler, Christian Henry. ''In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal''. Highland Village, TX: [[Chivalry Bookshelf]], 2006. ISBN 978-1-891448-25-0
 
* Tobler, Christian Henry. ''In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal''. Highland Village, TX: [[Chivalry Bookshelf]], 2006. ISBN 978-1-891448-25-0
Line 615: Line 633:
 
== References ==
 
== References ==
  
{{reflist}}
+
{{reflist|2}}
 +
 
 +
== Copyright and License Summary ==
 +
 
 +
For further information, including transcription and translation notes, see the [[Talk:{{PAGENAME}}|discussion page]].
 +
 
 +
<section begin="sourcebox"/>{{sourcebox header}}
 +
{{sourcebox
 +
| work        = Images
 +
| authors    = [[Kunsthistorisches Museum]]
 +
| source link =
 +
| source title=
 +
| license    = public domain
 +
}}
 +
{{sourcebox
 +
| work        = Translation
 +
| authors    = [[Christian Henry Tobler]]
 +
| source link = http://www.freelanceacademypress.com/duelingshield.aspx
 +
| source title= Freelance Academy Press
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox
 +
| work        = Transcription
 +
| authors    = [[Dierk Hagedorn]]
 +
| source link =
 +
| source title= [[Index:Paulus Kal Fechtbuch (MS KK5126)]]
 +
| license    = copyrighted
 +
}}
 +
{{sourcebox footer}}<section end="sourcebox"/>
  
 
[[Category:Treatises]]
 
[[Category:Treatises]]
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[[Category:German]]
 
[[Category:German]]
  
[[Category:Digital Scanning]]
 
 
[[Category:Research/Background Information]]
 
[[Category:Research/Background Information]]
[[Category:Translation]]
 
[[Category:Orphan]]
 
 
[[Category:Longshield]]
 
[[Category:Pole Weapons]]
 

Revision as of 03:40, 2 March 2021

Paulus Kal Fechtbuch
MS KK5126, Kunsthistorisches Museum
Vienna, Austria

MS KK5126 8v.jpg
MS KK5126 9r.jpg
Folia 8v - 9r
HagedornLeng38.5.4
Wierschin37Hils48
Type
Date ca. 1480s
Language(s) Early New High German
Author(s)
Compiler Unknown
Illustrator(s) Unknown
Material Paper, in a wood and leather binding
Size 129 folia (285 mm × 410 mm)
Format Double-sided; one illustration per side
(ff 1r-100r), unillustrated (ff 104v-129r)
Exemplar(s) Cgm 1507 (ca. 1470)
Treatise scans Digital scans (thumbs)

Allerley Kampf zur Roß und Fueß in und an Harnisch ("All Manner of Combat on Horse and on Foot, Both Armored and Unarmored", MS KK5126) is a German fencing manual probably created in the 1480s.[citation needed] The original currently rests in the holdings of the Kunsthistorisches Museum in Vienna, Austria. Though Paulus Kal was in the service of Archduke Sigismund of Austria at the time that this manuscript was likely created, it bears the same dedication to Ludwig IV "the Rich" of Wittelsbach (1417-1479),[1] Duke of Bavaria-Landshut, as the other two contemporary manuscripts (perhaps providing evidence that this is an unaltered copy commissioned by someone other than Kal).

Kal's writings (exemplified in the Cgm 1507 consist of a redaction of some of the teachings of Johannes Liechtenauer on mounted fencing, armored fencing, and unarmored fencing, as well as Kal's own teachings on a variety of other weapons. It differs from the works of other followers of Liechtenauer in that instead of offering extensive glosses of the high master's verse, Kal relies on detailed illustrations. Unlike the earlier manuscripts containing Kal's works, this is a much larger compilation incorporating material from several other masters within the tradition of Johannes Liechtenauer. At the same time, the text of Kal's own work is omitted (apart from the preface) and the art is somewhat inferior to that of the Cgm 1507.[2]

Provanance

Contents

1r - 8v Blank pages
9r - 10r Introductory material by Paulus Kal
10v - 23r Mounted fencing illustrations by Paulus Kal
23v - 40v Short sword fencing illustrations by Paulus Kal
41v - 46v Armored poleaxe illustrations by Paulus Kal
47v - 52v Longshield illustrations by Paulus Kal
53v - 55v Duel between a man and a woman by Paulus Kal
56v - 61r Sword and buckler illustrations by Paulus Kal
62r - 75v Long sword illustrations by Paulus Kal
76v - 79v Messer illustrations by Paulus Kal
80v - 85r Dagger illustrations by Paulus Kal
86r - 100r Grappling illustrations by Paulus Kal
104v - 106r Recital by Johannes Liechtenauer
106r - 114r Gloss of Liechtenauer's Recital on long sword fencing by Nicolaüs
114r - 117v Gloss of Liechtenauer's Recital on mounted fencing by Pseudo-Peter von Danzig
117v - 122v Gloss of Liechtenauer's Recital on short sword fencing by Pseudo-Peter von Danzig
122v - 124v Grappling by Ott Jud
124v - 125v Short sword fencing by Martin Huntsfeld
125v - 126r Armored grappling by Martin Huntsfeld
126r - 127r Mounted fencing by Martin Huntsfeld
127r
127r - 127v
127v Sword and buckler by Andre Lignitzer
127v - 128r Dagger by Andre Lignitzer
128v - 129r

Gallery


Front Cover
MS KK5126 Cover 1.jpg
Inside Cover
MS KK5126 Cover 2.jpg
Folio 1r
Folio 1v
Folio 2r
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Folio 9r
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Folio 45v
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Folio 46r
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Folio 46v
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Folio 47r
Folio 47v
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Folio 48r
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Folio 48v
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Folio 49r
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Folio 49v
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Folio 50r
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Folio 50v
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Folio 51r
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Folio 51v
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Folio 52r
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Folio 52v
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Folio 53r
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Folio 53v
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Folio 54r
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Folio 54v
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Folio 55r
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Folio 55v
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Folio 56r
Folio 56v
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Folio 57r
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Folio 57v
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Folio 58r
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Folio 58v
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Folio 59r
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Folio 59v
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Folio 60r
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Folio 60v
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Folio 61r
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Folio 61v
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Folio 62r
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Folio 62v
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Folio 63r
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Folio 63v
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Folio 64r
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Folio 64v
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Folio 65r
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Folio 65v
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Folio 66r
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Folio 66v
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Folio 67r
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Folio 67v
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Folio 68r
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Folio 68v
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Folio 69r
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Folio 69v
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Folio 70r
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Folio 70v
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Folio 71r
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Folio 71v
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Folio 72r
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Folio 72v
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Folio 73r
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Folio 73v
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Folio 74r
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Folio 74v
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Folio 75r
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Folio 75v
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Folio 76r
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Folio 76v
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Folio 77r
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Folio 77v
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Folio 78r
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Folio 78v
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Folio 79r
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Folio 79v
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Folio 80r
Folio 80v
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Folio 81r
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Folio 81v
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Folio 82r
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Folio 82v
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Folio 83r
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Folio 83v
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Folio 84r
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Folio 84v
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Folio 85r
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Folio 85v
Folio 86r
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Folio 86v
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Folio 87r
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Folio 87v
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Folio 88r
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Folio 88v
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Folio 89r
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Folio 89v
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Folio 90r
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Folio 90v
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Folio 91r
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Folio 91v
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Folio 92r
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Folio 92v
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Folio 93r
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Folio 93v
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Folio 94r
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Folio 94v
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Folio 95r
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Folio 95v
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Folio 96r
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Folio 96v
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Folio 97r
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Folio 97v
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Folio 98r
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Folio 98v
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Folio 99r
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Folio 99v
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Folio 100r
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Folio 100v
Folio 101r
Folio 101v
Folio 102r
Folio 102v
Folio 103r
Folio 103v
Folio 104r
Folio 104v
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Folio 105r
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Folio 105v
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Folio 106r
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Folio 106v
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Folio 107r
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Folio 107v
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Folio 108r
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Folio 108v
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Folio 109r
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Folio 109v
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Folio 110r
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Folio 110v
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Folio 111r
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Folio 111v
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Folio 112r
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Folio 112v
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Folio 113r
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Folio 113v
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Folio 114r
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Folio 114v
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Folio 115r
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Folio 115v
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Folio 116r
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Folio 116v
MS KK5126 116v.jpg
Folio 117r
MS KK5126 117r.jpg
Folio 117v
MS KK5126 117v.jpg
Folio 118r
MS KK5126 118r.jpg
Folio 118v
MS KK5126 118v.jpg
Folio 119r
MS KK5126 119r.jpg
Folio 119v
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Folio 120r
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Folio 120v
MS KK5126 120v.jpg
Folio 121r
MS KK5126 121r.jpg
Folio 121v
MS KK5126 121v.jpg
Folio 122r
MS KK5126 122r.jpg
Folio 122v
MS KK5126 122v.jpg
Folio 123r
MS KK5126 123r.jpg
Folio 123v
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Folio 124r
MS KK5126 124r.jpg
Folio 124v
MS KK5126 124v.jpg
Folio 125r
MS KK5126 125r.jpg
Folio 125v
MS KK5126 125v.jpg
Folio 126r
MS KK5126 126r.jpg
Folio 126v
MS KK5126 126v.jpg
Folio 127r
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Folio 127v
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Folio 128r
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Folio 128v
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Folio 129r
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Folio 129v
MS KK5126 129v.jpg
Inside Cover
Back Cover

Additional Resources

References

  1. See folio 9r
  2. Tobler, Christian Henry. In Saint George's Name: An Anthology of Medieval German Fighting Arts. Wheaton, IL: Freelance Academy Press, 2010. p79.
  3. It is unclear whether Paulus Kal left behind any staff treatises, but this indicates a clear connection between staff and pollaxe fighting.
  4. Original appears to be nonsensical. With some consultation this is about as clear a translation I came across.
  5. “suech den vnttern rist”
  6. Presumably since you are only acting as though you will parry, you are voiding, which could expose the armpit etc.
  7. Impalement is implied, probably with the queue.
  8. The point standing upwards happens to be the queue in this play, but likely does not matter.
  9. Hildebrand’s Cut is described by Paurenfeyndt as a parry which allows the opponent’s attack to slide downward off the weapon and to the side.
  10. “Indes” - most likely not in the fencing sense but used as it commonly is.

Copyright and License Summary

For further information, including transcription and translation notes, see the discussion page.

Work Author(s) Source License
Images Kunsthistorisches Museum
Public Domain.png
Translation Christian Henry Tobler Freelance Academy Press
Copyrighted.png
Transcription Dierk Hagedorn Index:Paulus Kal Fechtbuch (MS KK5126)
Copyrighted.png