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| principal manuscript(s)=
 
| principal manuscript(s)=
 
| first printed edition= [[Christian Henry Tobler|Tobler]], 2006
 
| first printed edition= [[Christian Henry Tobler|Tobler]], 2006
| wiktenauer compilation by=[[Michael Chidester]], [[Carsten Lorbeer]], [[Julia Lorbeer]], [[Andreas Meier]], [[Marita Wiedner]]
+
| wiktenauer compilation by=[[Michael Chidester]]
  
 
| signature            =  
 
| signature            =  
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  | {{Hungarian translation|http://www.middleages.hu/magyar/harcmuveszet/vivokonyvek/paulus_kal.php|1}}
 
  | {{Hungarian translation|http://www.middleages.hu/magyar/harcmuveszet/vivokonyvek/paulus_kal.php|1}}
 
}}
 
}}
| below                = [[File:Edition.jpg|link=http://www.pragmatische-schriftlichkeit.de/transkription/edition_paulus_kal.pdf]]
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| below                = [[File:Paulus Kal Heraldry.png|200px|center|thumb|''Paulus Kal's heraldry'']]
 
}}
 
}}
'''Paulus Kal''' was a [[century::15th century]] [[nationality::German]] [[fencing master]]. He wrote that he studied martial arts under [[Hans Stettner von Mörnsheim]], and was an initiate of the tradition of [[Johannes Liechtenauer]]. He was also attached as ''Schirrmeister'' to three different courts in his career, serving in various military capacities including commanding men in at least three campaigns.<ref name="Welle">[[Rainer Welle]]. "''… und wisse das alle höbischeit kompt von deme ringen. Der Ringkampf als adelige Kunst im 15. Und 16. Jahrhundert. Eine sozialhistorische und bewegungsbiographische Interpretation aufgrund der handschriften und gedruckten Ringlehren des Spätmittelalters." ''Forum für Sozialgeschichte 4''. Pfaffenweiler, 1993. pp 243-253.</ref> Perhaps his most significant legacy is an honor role of masters which he styled the [[Fellowship of Liechtenauer]] (''Geselschaft Liechtenauers''). While many of these masters remain unknown, the several wrote treatises of their own and Kal's list stands as an independent confirmation of their connection to the grand master. Kal's treatise is also of interest in that it represents the oldest attempt to illustrate portions of Liechtenauer's [[Recital]] (''Zettel'').
+
'''Paulus Kal''' was a [[century::15th century]] [[nationality::German]] [[fencing master]]. He wrote that he studied martial arts under [[Hans Stettner von Mörnsheim]], and was an initiate of the tradition of [[Johannes Liechtenauer]]. He was also attached as ''Schirrmeister'' to three different courts in his career, serving in various military capacities including commanding men in at least three campaigns.<ref name="Welle">[[Rainer Welle]]. "…und wisse das alle höbischeit kompt von deme ringen. Der Ringkampf als adelige Kunst im 15. Und 16. Jahrhundert. Eine sozialhistorische und bewegungsbiographische Interpretation aufgrund der handschriften und gedruckten Ringlehren des Spätmittelalters." ''Forum für Sozialgeschichte 4''. Pfaffenweiler, 1993. pp 243-253.</ref> Perhaps his most significant legacy is an honor role of masters which he styled the [[Fellowship of Liechtenauer]] (''Geselschaft Liechtenauers''). While many of these masters remain unknown, the several wrote treatises of their own and Kal's list stands as an independent confirmation of their connection to the grand master. Kal's treatise is also of interest in that it represents the oldest attempt to illustrate portions of Liechtenauer's [[Recital]] (''Zettel'').
  
 
Little is known of Kal's early life, but from 1440 to ca. 1449 he served Ludwig IV "the Gentle" of Wittelsbach, Count Palatine of the Rhine. In 1448, while in the Elector's service he participated in the defense Nuremberg, commanding a unit of wheel cannons below the gates.<ref name="JPK">Jens P. Kleinau. [https://talhoffer.wordpress.com/2011/07/03/paulus-kal-a-schirrmeister/ Paulus Kal, a Schirrmeister]. ''Hans Talhoffer ~ A Historical Martial Arts blog by Jens P. Kleinau'', 2011. Retrieved 17 August 2015.</ref> The Nuremberg Council notes from 17 March 1449 mention that he had broken the peace of the city at that time by drawing his weapons.<ref name="JPK"/>
 
Little is known of Kal's early life, but from 1440 to ca. 1449 he served Ludwig IV "the Gentle" of Wittelsbach, Count Palatine of the Rhine. In 1448, while in the Elector's service he participated in the defense Nuremberg, commanding a unit of wheel cannons below the gates.<ref name="JPK">Jens P. Kleinau. [https://talhoffer.wordpress.com/2011/07/03/paulus-kal-a-schirrmeister/ Paulus Kal, a Schirrmeister]. ''Hans Talhoffer ~ A Historical Martial Arts blog by Jens P. Kleinau'', 2011. Retrieved 17 August 2015.</ref> The Nuremberg Council notes from 17 March 1449 mention that he had broken the peace of the city at that time by drawing his weapons.<ref name="JPK"/>
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== Treatise ==
 
== Treatise ==
  
In total, Paulus Kal's teachings are preserved in at least six manuscripts written between 1460 and 1514. Aside from the three already mentioned, two other extensive, text-less copies also exist (the [[Paulus Kal Fechtbuch (MS Chart.B.1021)|Gotha version]], copied from the Bologna, and the [[Solothurner Fechtbuch (Cod.S.554)|Solothurn version]], copied from an unknown source). A [[Paulus Kal Fechtbuch (Gotti MS)|sixth version]] was sold at auction in Italy during the 20th century as individual leaves; this copy contains unintelligible single-word captions<ref>Possibly abbreviated phrases from Latin or Italian.</ref> and was likely based on either the Bologna or Vienna. All six are listed in the concordance below, though only the Munich accompanies its illustrations with text. This concordance also includes the [[poleaxe]] and [[longshield]] text from the [[Paulus Kal Fechtbuch (MS KK5126)|Vienna version]], which largely matched the illustrations (though it's unknown whether it was intended for that purpose).
+
In total, Paulus Kal's teachings are preserved in at least seven manuscripts written between 1460 and 1514. Aside from the three already mentioned, two other extensive, text-less copies also exist (the [[Paulus Kal Fechtbuch (MS Chart.B.1021)|Gotha version]], copied from the Bologna, and the [[Solothurner Fechtbuch (Cod.S.554)|Solothurn version]], copied from an unknown source). A [[Paulus Kal Fechtbuch (Gotti MS)|sixth version]] was sold at auction in Italy during the 20th century as individual leaves; this copy contains unintelligible single-word captions<ref>Possibly abbreviated phrases from Latin or Italian.</ref> and was likely based on either the Bologna or Vienna; another single leaf, roughly coeval with Solothurn, appeared at a rare book dealer in 2019, but the whereabouts of the rest of the manuscript are unknown. The five substantial versions are listed in the concordance below, though only the Munich accompanies its illustrations with text. This concordance also includes the separate, unillustrated [[poleaxe]] and [[longshield]] advice from the [[Paulus Kal Fechtbuch (MS KK5126)|Vienna version]], which largely matched the illustrations (though it's unknown whether it was intended for that purpose).
  
[[Paulus Hector Mair]] included content based on Kal's work in several sections of the [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich]] and [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna]] versions of his ''Opus Amplissimum de Arte Athletica''. Rather than using Kal's descriptions (if the copy he used had them), Mair wrote his own extensive commentary on the illustrations. The precise set of images Mair drew upon do not appear in any of the six extant manuscripts, which may signify that he used a seventh copy of Kal's work which has since been lost. Because Mair's version represents substantial original work, it is listed on his page rather than being incorporated into the concordance here.
+
[[Paulus Hector Mair]] included content based on Kal's work in several sections of the [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich]] and [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna]] versions of his ''Opus Amplissimum de Arte Athletica''. Rather than using Kal's descriptions (if the copy he used had them), Mair wrote his own extensive commentary on the illustrations. The precise set of illustrations Mair drew upon do not appear in any of the extant manuscripts, which may signify that he used yet another copy of Kal's work which has since been lost. Because Mair's version represents substantial original work, it is listed on his page rather than being incorporated into the concordance here.
  
 
{{master begin
 
{{master begin
 
  | title = Preface
 
  | title = Preface
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Paulus Kal Fechtbuch (MS 1825)|Bologna]] Versions</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
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|-  
 
|-  
 
|  
 
|  
| <p>With the help of God and of the highborn lord Duke Ludwig, Count Palatine of the Rhine, Duke of Lower and Upper Bavaria, I, Master Paulus Kal, an exponent of art, have made this book, which deals with all knightly weapons in brief succession.</p>
+
| <p>With the help of God and of the highborn lord Duke Ludwig, Count Palatine of the Rhine, Duke of Lower and Upper Bavaria, I, Master Paulus Kal, an exponent of the art, have made this book, which deals with all knightly weapons in brief succession.</p>
 
| {{section|Page:Cgm 1507 02r.jpg|1|lbl=02r}}
 
| {{section|Page:Cgm 1507 02r.jpg|1|lbl=02r}}
 
| {{paget|Page:MS 1825|02r|jpg}}
 
| {{paget|Page:MS 1825|02r|jpg}}
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|-  
 
|-  
 
|  
 
|  
| <p>Master Johannes Liechtenauer.<br/>Master Peter Wildigans von Glatz.<br/>Master Peter von Danzig zum Ingolstadt.<br/>Master Hans Spindler von Znaim.<br/>Master Lamprecht von Prague.<br/>Master Hans Seydenfaden von Erfurt.<br/>Master Andres Lignitzer.<br/>Master Jacob Lignitzer (his brother).<br/>Master Sigmund ain Ringeck.<br/>Master Hartman von Nuremberg.<br/>Master Martin Huntfeltz.<br/>Master Hans Pegnitzer.<br/>Master Philipp Perger.<br/>Master Virgil von Kraków.<br/>Master Dietrich Degenfechter von Braunschweig.<br/>Master Ott, a Jew, who was the wrestler to the Lords of Austria.</p>
+
| <p>Master Johannes Liechtenauer.<br/>Master Peter Wildigans von Glatz.<br/>Master Peter von Danzig zum Ingolstadt.<br/>Master Hans Spindler von Znaim.<br/>Master Lamprecht von Prague.<br/>Master Hans Seydenfaden von Erfurt.<br/>Master Andres Lignitzer.<br/>Master Jacob Lignitzer (his brother).<br/>Master Sigmund ain Ringeck.<br/>Master Hartman von Nuremberg.<br/>Master Martin Huntsfeld.<br/>Master Hans Pegnitzer.<br/>Master Philipp Perger.<br/>Master Virgil von Kraków.<br/>Master Dietrich Degenfechter von Braunschweig.<br/>Master Ott, a Jew, who was the wrestler to the Lords of Austria.</p>
 
| {{section|Page:Cgm 1507 02r.jpg|3|lbl=-}}
 
| {{section|Page:Cgm 1507 02r.jpg|3|lbl=-}}
 
|  
 
|  
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|-  
 
|-  
| [[File:MS 1825 05v.jpg|250px|center]]
+
| [[File:MS 1825 05v.jpg|400px|center]]
 
| <p>God, thou Eternal Word, help the body here, the soul there.</p>
 
| <p>God, thou Eternal Word, help the body here, the soul there.</p>
 
|  
 
|  
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|-  
 
|-  
| [[File:Cgm 1507 04r.jpg|250px|center]]
+
| [[File:Cgm 1507 04r.jpg|400px|center]]
 
| <p>My Lord, I vow to serve you. My God and his dear mother to be our help.</p>
 
| <p>My Lord, I vow to serve you. My God and his dear mother to be our help.</p>
 
| {{paget|Page:Cgm 1507|04r|jpg}}
 
| {{paget|Page:Cgm 1507|04r|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 05r.jpg|250px|center]]
+
| [[File:Cgm 1507 05r.jpg|400px|center]]
 
| <p>Take the sword, my lord, you will be protected by the Mother of God and the chivalrous knight, St. George.</p>
 
| <p>Take the sword, my lord, you will be protected by the Mother of God and the chivalrous knight, St. George.</p>
 
| {{paget|Page:Cgm 1507|05r|jpg}}
 
| {{paget|Page:Cgm 1507|05r|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 06r.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 06r.jpg|400px|center]]
| <p>I have eyes like a hawk, so you do not deceive me.</p>
+
| class="noline" | <p>I have eyes like a hawk, so you do not deceive me.</p>
  
 
:I have a heart like a lion, so I strive forward.
 
:I have a heart like a lion, so I strive forward.
  
::I have feet like a deer, so I can spring to and fro.
+
::I have feet like a hind, so I can spring to and fro.
| {{paget|Page:Cgm 1507|06r|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|06r|jpg}}
| {{paget|Page:MS 1825|06r|jpg}}
+
| class="noline" | {{paget|Page:MS 1825|06r|jpg}}
| {{paget|Page:MS KK5126|10r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|10r|jpg|blk=1}}
| {{paget|Page:MS Chart.B.1021|02r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS Chart.B.1021|02r|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
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{{master begin
 
{{master begin
 
  | title = Mounted Fencing
 
  | title = Mounted Fencing
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version]]</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
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|-  
 
|-  
| {{double page|Cod.S.554 001.jpg|Cgm 1507 07r.jpg|150px|165px|linkr=http://daten.digitale-sammlungen.de/bsb00001840/image_19}}
+
| {{double page|Cgm 1507 06v.jpg|Cgm 1507 07r.jpg|x210px|x210px}}
 
| <p>Your spear extends very far.</p>
 
| <p>Your spear extends very far.</p>
 
: Change through and set upon.
 
: Change through and set upon.
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|-  
 
|-  
| {{double page|Cgm 1507 07v.jpg|Cgm 1507 08r.jpg|x172px|x172px|linkl=http://daten.digitale-sammlungen.de/bsb00001840/image_18|linkr=http://daten.digitale-sammlungen.de/bsb00001840/image_19}}
+
| {{double page|Cgm 1507 07v.jpg|Cgm 1507 08r.jpg|x210px|x210px}}
 
| <p>At the half spear, set aside the long spear.</p>
 
| <p>At the half spear, set aside the long spear.</p>
 
| {{paget|Page:Cgm 1507|07v|jpg}}
 
| {{paget|Page:Cgm 1507|07v|jpg}}
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|-  
 
|-  
| {{double page|Cgm 1507 08v.jpg|Cgm 1507 09r.jpg|x172px|x172px|linkl=http://daten.digitale-sammlungen.de/bsb00001840/image_20|linkr=http://daten.digitale-sammlungen.de/bsb00001840/image_21}}
+
| {{double page|Cgm 1507 08v.jpg|Cgm 1507 09r.jpg|x210px|x210px}}
 
| <p>Raise your spear over the shoulder and turn the horse to him, or set the spear behind the buttocks and meet him.</p>
 
| <p>Raise your spear over the shoulder and turn the horse to him, or set the spear behind the buttocks and meet him.</p>
 
| {{paget|Page:Cgm 1507|08v|jpg}}
 
| {{paget|Page:Cgm 1507|08v|jpg}}
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|-  
 
|-  
| {{double page|Cgm 1507 09v.jpg|Cgm 1507 10r.jpg|x172px|x172px|linkl=http://daten.digitale-sammlungen.de/bsb00001840/image_22|linkr=http://daten.digitale-sammlungen.de/bsb00001840/image_23}}
+
| {{double page|Cgm 1507 09v.jpg|Cgm 1507 10r.jpg|x210px|x210px}}
 
| <p>Set aside on your right.</p>
 
| <p>Set aside on your right.</p>
 
| {{paget|Page:Cgm 1507|09v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|09v|jpg|blk=1}}
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|-  
 
|-  
| {{double page|Cgm 1507 10v.jpg|Cgm 1507 11r.jpg|x172px|x172px|linkl=http://daten.digitale-sammlungen.de/bsb00001840/image_24|linkr=http://daten.digitale-sammlungen.de/bsb00001840/image_25}}
+
| {{double page|Cgm 1507 10v.jpg|Cgm 1507 11r.jpg|x210px|x210px}}
 
| <p>Strike on his spear to the right side and catch his lance under your right arm. Put your pommel at the beginning of his saddle with the point.</p>
 
| <p>Strike on his spear to the right side and catch his lance under your right arm. Put your pommel at the beginning of his saddle with the point.</p>
 
| {{paget|Page:Cgm 1507|10v|jpg}}
 
| {{paget|Page:Cgm 1507|10v|jpg}}
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|-  
 
|-  
| {{double page|Cgm 1507 11v.jpg|Cgm 1507 12r.jpg|x172px|x172px|linkl=http://daten.digitale-sammlungen.de/bsb00001840/image_26|linkr=http://daten.digitale-sammlungen.de/bsb00001840/image_27}}
+
| {{double page|Cgm 1507 11v.jpg|Cgm 1507 12r.jpg|x210px|x210px}}
 
| <p>Put your sword on the left hand on your bridle, and as far away from you as you can. Setting it aside with the blade and plunge with the hilt his spear to the ground. Turn your pommel to the saddle bow, and set upon him with the point where you can.</p>
 
| <p>Put your sword on the left hand on your bridle, and as far away from you as you can. Setting it aside with the blade and plunge with the hilt his spear to the ground. Turn your pommel to the saddle bow, and set upon him with the point where you can.</p>
 
| {{paget|Page:Cgm 1507|11v|jpg}}
 
| {{paget|Page:Cgm 1507|11v|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 12v.jpg|250px|center]]
+
| [[File:Cgm 1507 12v.jpg|400px|center]]
 
| <p>The first guard.</p>
 
| <p>The first guard.</p>
 
:Abensperg
 
:Abensperg
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|-  
 
|-  
| [[File:Cgm 1507 13r.jpg|250px|center]]
+
| [[File:Cgm 1507 13r.jpg|400px|center]]
 
| <p>The third guard.</p>
 
| <p>The third guard.</p>
 
:The fourth guard.
 
:The fourth guard.
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|-  
 
|-  
| [[File:Cgm 1507 13v.jpg|250px|center]]
+
| [[File:Cgm 1507 13v.jpg|400px|center]]
 
| <p>The outer sword taking.</p>
 
| <p>The outer sword taking.</p>
 
| {{paget|Page:Cgm 1507|13v|jpg}}
 
| {{paget|Page:Cgm 1507|13v|jpg}}
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|-  
 
|-  
| [[File:Cod.S.554 014.jpg|200px|center]]
+
| [[File:Cgm 1507 14r.jpg|400px|center]]
 
| <p>The inner sword taking.</p>
 
| <p>The inner sword taking.</p>
 
| {{paget|Page:Cgm 1507|14r|jpg}}
 
| {{paget|Page:Cgm 1507|14r|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 14v.jpg|250px|center]]
+
| [[File:Cgm 1507 14v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|14v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|14v|jpg|blk=1}}
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|-  
 
|-  
| [[File:Cgm 1507 15r.jpg|250px|center]]
+
| [[File:Cgm 1507 15r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|15r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|15r|jpg|blk=1}}
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|-  
 
|-  
| [[File:Cgm 1507 15v.jpg|250px|center]]
+
| [[File:Cgm 1507 15v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|15v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|15v|jpg|blk=1}}
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|-  
 
|-  
| [[File:Cod.S.554 015.jpg|200px|center]]
+
| [[File:Cgm 1507 16r.jpg|400px|center]]
 
| <p>The sheep grip fights what's under the face.</p>
 
| <p>The sheep grip fights what's under the face.</p>
 
| {{paget|Page:Cgm 1507|16r|jpg}}
 
| {{paget|Page:Cgm 1507|16r|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 16v.jpg|250px|center]]
+
| [[File:Cgm 1507 16v.jpg|400px|center]]
 
| <p>Fall over whoever wants those who wrestle with you on the neck.</p>
 
| <p>Fall over whoever wants those who wrestle with you on the neck.</p>
 
| {{paget|Page:Cgm 1507|16v|jpg}}
 
| {{paget|Page:Cgm 1507|16v|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 17r.jpg|250px|center]]
+
| [[File:Cgm 1507 17r.jpg|400px|center]]
 
| <p>Set aside from the front of the head whoever will grab you.</p>
 
| <p>Set aside from the front of the head whoever will grab you.</p>
 
| {{paget|Page:Cgm 1507|17r|jpg}}
 
| {{paget|Page:Cgm 1507|17r|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 17v.jpg|250px|center]]
+
| [[File:Cgm 1507 17v.jpg|400px|center]]
 
| <p>If you set aside and lock the arm, turn around with your horse away from the man.</p>
 
| <p>If you set aside and lock the arm, turn around with your horse away from the man.</p>
 
| {{paget|Page:Cgm 1507|17v|jpg}}
 
| {{paget|Page:Cgm 1507|17v|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 18r.jpg|250px|center]]
+
| [[File:Cgm 1507 18r.jpg|400px|center]]
 
| <p>This is the sun pointer.</p>
 
| <p>This is the sun pointer.</p>
 
| {{paget|Page:Cgm 1507|18r|jpg}}
 
| {{paget|Page:Cgm 1507|18r|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 18v.jpg|250px|center]]
+
| [[File:Cgm 1507 18v.jpg|400px|center]]
 
| <p>Embark so against the man on horseback.</p>
 
| <p>Embark so against the man on horseback.</p>
 
| {{paget|Page:Cgm 1507|18v|jpg}}
 
| {{paget|Page:Cgm 1507|18v|jpg}}
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|-  
 
|-  
| [[File:Cgm 1507 19r.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 19r.jpg|400px|center]]
| <p>Embark so to throw a man on horseback.</p>
+
| class="noline" | <p>Embark so to throw a man on horseback.</p>
| {{paget|Page:Cgm 1507|19r|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|19r|jpg}}
|  
+
| class="noline" |  
| {{paget|Page:MS KK5126|23r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|23r|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 427: Line 427:
 
{{master begin
 
{{master begin
 
  | title = Short Sword
 
  | title = Short Sword
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]], [[Paulus Kal Fechtbuch (MS Chart.B.1021)|Gotha]], and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
Line 441: Line 441:
  
 
|-  
 
|-  
| {{double page|MS Chart.B.1021 17v.jpg|MS Chart.B.1021 18r.jpg|x198px|x198px}}
+
| [[File:Cgm 1507 19v.jpg|400px|center]]
 
| <p>Embark so to set aside a throw.</p>
 
| <p>Embark so to set aside a throw.</p>
 
| {{paget|Page:Cgm 1507|19v|jpg}}
 
| {{paget|Page:Cgm 1507|19v|jpg}}
 
|  
 
|  
 
| {{paget|Page:MS KK5126|23v|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|23v|jpg|blk=1}}
| {{paget|Page:MS Chart.B.1021|17v|jpg|blk=1}}{{paget|Page:MS Chart.B.1021|18r|jpg|blk=1}}
+
| {{paget|Page:MS Chart.B.1021|17v|jpg|blk=1}}
 +
 
 +
{{paget|Page:MS Chart.B.1021|18r|jpg|blk=1}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cgm 1507 20r.jpg|250px|center]]
+
| [[File:Cgm 1507 20r.jpg|400px|center]]
 
| <p>Setting aside the long spear with his hand and rotating it and setting it aside with the sword.</p>
 
| <p>Setting aside the long spear with his hand and rotating it and setting it aside with the sword.</p>
 
| {{paget|Page:Cgm 1507|20r|jpg}}
 
| {{paget|Page:Cgm 1507|20r|jpg}}
Line 461: Line 463:
  
 
|-  
 
|-  
| [[File:Cgm 1507 20v.jpg|250px|center]]
+
| [[File:Cgm 1507 20v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|20v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|20v|jpg|blk=1}}
Line 471: Line 473:
  
 
|-  
 
|-  
| [[File:Cgm 1507 21r.jpg|250px|center]]
+
| [[File:Cgm 1507 21r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|21r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|21r|jpg|blk=1}}
Line 481: Line 483:
  
 
|-  
 
|-  
| {{double page|MS Chart.B.1021 19v.jpg|MS Chart.B.1021 20r.jpg|x196px|x196px}}
+
| [[File:Cgm 1507 21v.jpg|400px|center]]
 
| <p>The bottom guard in the short sword.</p>
 
| <p>The bottom guard in the short sword.</p>
 
: The second guard in the short sword.
 
: The second guard in the short sword.
Line 487: Line 489:
 
|  
 
|  
 
| {{paget|Page:MS KK5126|25v|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|25v|jpg|blk=1}}
| {{paget|Page:MS Chart.B.1021|19v|jpg|blk=1}}{{paget|Page:MS Chart.B.1021|20r|jpg|blk=1}}
+
| {{paget|Page:MS Chart.B.1021|19v|jpg|blk=1}}
 +
 
 +
{{paget|Page:MS Chart.B.1021|20r|jpg|blk=1}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| {{double page|MS Chart.B.1021 20v.jpg|MS Chart.B.1021 21r.jpg|x197px|x197px}}
+
| [[File:Cgm 1507 22r.jpg|400px|center]]
 
| <p>The third guard under the arm.</p>
 
| <p>The third guard under the arm.</p>
 
:The fourth guard is good for throwing and murder strikes.
 
:The fourth guard is good for throwing and murder strikes.
Line 498: Line 502:
 
|  
 
|  
 
| {{paget|Page:MS KK5126|26r|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|26r|jpg|blk=1}}
| {{paget|Page:MS Chart.B.1021|20v|jpg|blk=1}}{{paget|Page:MS Chart.B.1021|21r|jpg|blk=1}}
+
| {{paget|Page:MS Chart.B.1021|20v|jpg|blk=1}}
 +
 
 +
{{paget|Page:MS Chart.B.1021|21r|jpg|blk=1}}
 
|  
 
|  
 
|  
 
|  
  
 
|-  
 
|-  
| [[File:Cgm 1507 22v.jpg|250px|center]]
+
| [[File:Cgm 1507 22v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|22v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|22v|jpg|blk=1}}
Line 513: Line 519:
  
 
|-  
 
|-  
| [[File:Cgm 1507 23r.jpg|250px|center]]
+
| [[File:Cgm 1507 23r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|23r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|23r|jpg|blk=1}}
Line 523: Line 529:
  
 
|-  
 
|-  
| [[File:Cgm 1507 23v.jpg|250px|center]]
+
| [[File:Cgm 1507 23v.jpg|400px|center]]
 
| <p>A murder strike to the elbow.</p>
 
| <p>A murder strike to the elbow.</p>
 
| {{paget|Page:Cgm 1507|23v|jpg}}
 
| {{paget|Page:Cgm 1507|23v|jpg}}
Line 533: Line 539:
  
 
|-  
 
|-  
| [[File:Cgm 1507 24r.jpg|250px|center]]
+
| [[File:Cgm 1507 24r.jpg|400px|center]]
 
| <p>Seek his openings under the arms.</p>
 
| <p>Seek his openings under the arms.</p>
 
| {{paget|Page:Cgm 1507|24r|jpg}}
 
| {{paget|Page:Cgm 1507|24r|jpg}}
Line 543: Line 549:
  
 
|-  
 
|-  
| [[File:MS Chart.B.1021 21v.jpg|200px|center]]
+
| [[File:MS Chart.B.1021 21v.jpg|325px|center]]
 
|  
 
|  
 
|  
 
|  
Line 553: Line 559:
  
 
|-  
 
|-  
| [[File:Cgm 1507 24v.jpg|250px|center]]
+
| [[File:Cgm 1507 24v.jpg|400px|center]]
 
| <p>The free driving in the hand.</p>
 
| <p>The free driving in the hand.</p>
 
| {{paget|Page:Cgm 1507|24v|jpg}}
 
| {{paget|Page:Cgm 1507|24v|jpg}}
Line 563: Line 569:
  
 
|-  
 
|-  
| [[File:Cgm 1507 25r.jpg|250px|center]]
+
| [[File:Cgm 1507 25r.jpg|400px|center]]
 
| <p>It reached behind the gauntlet.</p>
 
| <p>It reached behind the gauntlet.</p>
 
| {{paget|Page:Cgm 1507|25r|jpg}}
 
| {{paget|Page:Cgm 1507|25r|jpg}}
Line 573: Line 579:
  
 
|-  
 
|-  
| [[File:Cgm 1507 25v.jpg|250px|center]]
+
| [[File:Cgm 1507 25v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|25v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|25v|jpg|blk=1}}
Line 583: Line 589:
  
 
|-  
 
|-  
| [[File:Cgm 1507 26r.jpg|250px|center]]
+
| [[File:Cgm 1507 26r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|26r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|26r|jpg|blk=1}}
Line 593: Line 599:
  
 
|-  
 
|-  
| [[File:Cgm 1507 26v.jpg|250px|center]]
+
| [[File:Cgm 1507 26v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|26v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|26v|jpg|blk=1}}
Line 603: Line 609:
  
 
|-  
 
|-  
| [[File:Cgm 1507 27r.jpg|250px|center]]
+
| [[File:Cgm 1507 27r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|27r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|27r|jpg|blk=1}}
Line 613: Line 619:
  
 
|-  
 
|-  
| [[File:Cgm 1507 27v.jpg|250px|center]]
+
| [[File:Cgm 1507 27v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|27v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|27v|jpg|blk=1}}
Line 623: Line 629:
  
 
|-  
 
|-  
| [[File:Cgm 1507 28r.jpg|250px|center]]
+
| [[File:Cgm 1507 28r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|28r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|28r|jpg|blk=1}}
Line 633: Line 639:
  
 
|-  
 
|-  
| [[File:Cgm 1507 28v.jpg|250px|center]]
+
| [[File:Cgm 1507 28v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|28v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|28v|jpg|blk=1}}
Line 643: Line 649:
  
 
|-  
 
|-  
| [[File:Cgm 1507 29r.jpg|250px|center]]
+
| [[File:Cgm 1507 29r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|29r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|29r|jpg|blk=1}}
Line 653: Line 659:
  
 
|-  
 
|-  
| [[File:Cgm 1507 29v.jpg|250px|center]]
+
| [[File:Cgm 1507 29v.jpg|400px|center]]
 
| <p>A sword taking.</p>
 
| <p>A sword taking.</p>
 
| {{paget|Page:Cgm 1507|29v|jpg}}
 
| {{paget|Page:Cgm 1507|29v|jpg}}
Line 663: Line 669:
  
 
|-  
 
|-  
| [[File:Cgm 1507 30r.jpg|250px|center]]
+
| [[File:Cgm 1507 30r.jpg|400px|center]]
 
| <p>How he does if he loses his sword.</p>
 
| <p>How he does if he loses his sword.</p>
 
| {{paget|Page:Cgm 1507|30r|jpg}}
 
| {{paget|Page:Cgm 1507|30r|jpg}}
Line 673: Line 679:
  
 
|-  
 
|-  
| [[File:Cgm 1507 30v.jpg|250px|center]]
+
| [[File:Cgm 1507 30v.jpg|400px|center]]
 
| <p>How to break him by jerking the leg and tearing of the neck.</p>
 
| <p>How to break him by jerking the leg and tearing of the neck.</p>
 
| {{paget|Page:Cgm 1507|30v|jpg}}
 
| {{paget|Page:Cgm 1507|30v|jpg}}
Line 683: Line 689:
  
 
|-  
 
|-  
| [[File:Cgm 1507 31r.jpg|250px|center]]
+
| [[File:Cgm 1507 31r.jpg|400px|center]]
 
| <p>The break to the tearing at the neck.</p>
 
| <p>The break to the tearing at the neck.</p>
 
| {{paget|Page:Cgm 1507|31r|jpg}}
 
| {{paget|Page:Cgm 1507|31r|jpg}}
Line 693: Line 699:
  
 
|-  
 
|-  
| [[File:Cgm 1507 31v.jpg|250px|center]]
+
| [[File:Cgm 1507 31v.jpg|400px|center]]
 
| <p>How to ward off the tearing at the neck by pushing against the elbow.</p>
 
| <p>How to ward off the tearing at the neck by pushing against the elbow.</p>
 
| {{paget|Page:Cgm 1507|31v|jpg}}
 
| {{paget|Page:Cgm 1507|31v|jpg}}
Line 703: Line 709:
  
 
|-  
 
|-  
| [[File:Cgm 1507 32r.jpg|250px|center]]
+
| [[File:Cgm 1507 32r.jpg|400px|center]]
 
| <p>Put the leg to the side and raise him up with the knob inside his leg.</p>
 
| <p>Put the leg to the side and raise him up with the knob inside his leg.</p>
 
| {{paget|Page:Cgm 1507|32r|jpg}}
 
| {{paget|Page:Cgm 1507|32r|jpg}}
Line 713: Line 719:
  
 
|-  
 
|-  
| [[File:Cod.S.554 50.jpg|200px|center]]
+
| [[File:Cgm 1507 32v.jpg|400px|center]]
 
| <p>Defeat a beaten man with power.</p>
 
| <p>Defeat a beaten man with power.</p>
 
| {{paget|Page:Cgm 1507|32v|jpg}}
 
| {{paget|Page:Cgm 1507|32v|jpg}}
Line 723: Line 729:
  
 
|-  
 
|-  
| [[File:Cod.S.554 51.jpg|200px|center]]
+
| [[File:Cgm 1507 33r.jpg|400px|center]]
 
| <p>Pass under his eyes near the knee, bend and tear with the pommel.</p>
 
| <p>Pass under his eyes near the knee, bend and tear with the pommel.</p>
 
| {{paget|Page:Cgm 1507|33r|jpg}}
 
| {{paget|Page:Cgm 1507|33r|jpg}}
Line 733: Line 739:
  
 
|-  
 
|-  
| [[File:Cgm 1507 33v.jpg|250px|center]]
+
| [[File:Cgm 1507 33v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|33v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|33v|jpg|blk=1}}
Line 743: Line 749:
  
 
|-  
 
|-  
| [[File:Cgm 1507 34r.jpg|250px|center]]
+
| [[File:Cgm 1507 34r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|34r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|34r|jpg|blk=1}}
Line 753: Line 759:
  
 
|-  
 
|-  
| [[File:Cod.S.554 52.jpg|200px|center]]
+
| [[File:Cgm 1507 34v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|34v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|34v|jpg|blk=1}}
Line 763: Line 769:
  
 
|-  
 
|-  
| [[File:Cod.S.554 53.jpg|200px|center]]
+
| [[File:Cod.S.554 53.jpg|325px|center]]
 
|  
 
|  
 
|  
 
|  
Line 773: Line 779:
  
 
|-  
 
|-  
| [[File:Cgm 1507 35r.jpg|250px|center]]
+
| [[File:Cgm 1507 35r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|35r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|35r|jpg|blk=1}}
Line 783: Line 789:
  
 
|-  
 
|-  
| [[File:Cod.S.554 54.jpg|200px|center]]
+
| [[File:Cgm 1507 35v.jpg|400px|center]]
 
| <p>How to keep someone on his back on the ground.</p>
 
| <p>How to keep someone on his back on the ground.</p>
 
| {{paget|Page:Cgm 1507|35v|jpg}}
 
| {{paget|Page:Cgm 1507|35v|jpg}}
Line 793: Line 799:
  
 
|-  
 
|-  
| [[File:Cod.S.554 55.jpg|200px|center]]
+
| [[File:Cgm 1507 36r.jpg|400px|center]]
 
| <p>How to hold someone on his nose on the ground.</p>
 
| <p>How to hold someone on his nose on the ground.</p>
 
| {{paget|Page:Cgm 1507|36r|jpg}}
 
| {{paget|Page:Cgm 1507|36r|jpg}}
Line 803: Line 809:
  
 
|-  
 
|-  
| [[File:Cgm 1507 36v.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 36v.jpg|400px|center]]
| <p>Praised be Mary and her child and all who live with them.</p>
+
| class="noline" | <p>Praised be Mary and her child and all who live with them.</p>
| {{paget|Page:Cgm 1507|36v|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|36v|jpg}}
|  
+
| class="noline" |  
| {{paget|Page:MS KK5126|40v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|40v|jpg|blk=1}}
| {{paget|Page:MS Chart.B.1021|29r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS Chart.B.1021|29r|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 817: Line 823:
 
{{master begin
 
{{master begin
 
  | title = Poleaxe
 
  | title = Poleaxe
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version]]</p>
 
! <p>{{rating|C}}<br/>by [[Harrison Ridgeway]]</p>
 
! <p>{{rating|C}}<br/>by [[Harrison Ridgeway]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
Line 831: Line 837:
  
 
|-  
 
|-  
| [[File:Cgm 1507 37v.jpg|250px|center]]
+
| [[File:Cgm 1507 37v.jpg|400px|center]]
 
| <p>'''The way you will confront someone with the axe.'''</p>
 
| <p>'''The way you will confront someone with the axe.'''</p>
 
| {{paget|Page:Cgm 1507|37v|jpg}}
 
| {{paget|Page:Cgm 1507|37v|jpg}}
Line 841: Line 847:
  
 
|-  
 
|-  
| [[File:Cgm 1507 38r.jpg|250px|center]]
+
| [[File:Cgm 1507 38r.jpg|400px|center]]
 
| <p>'''The first binding-on with the axe.'''</p>
 
| <p>'''The first binding-on with the axe.'''</p>
  
Line 855: Line 861:
  
 
|-  
 
|-  
| [[File:Cgm 1507 38v.jpg|250px|center]]
+
| [[File:Cgm 1507 38v.jpg|400px|center]]
 
| <p>'''The first attempt at the wrenching.'''</p>
 
| <p>'''The first attempt at the wrenching.'''</p>
  
<p>Next you come to the first play. If he holds his hammer above him, then hold your thumb underneath by the left leg across the body. If he strikes from above, then parry with the lower part of the axe held above...</p>
+
<p>Next you come to the first play. If he holds his hammer above him, then hold your thumb underneath by the left leg across the body. If he strikes from above, then parry with the lower part of the axe held above. Or let fly at him with a sweep and hook the axe inside the right knee to pull him down.</p>
 
| {{paget|Page:Cgm 1507|38v|jpg}}
 
| {{paget|Page:Cgm 1507|38v|jpg}}
 
|  
 
|  
 
| {{paget|Page:MS KK5126|42v|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|42v|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|3|lbl=-|p=1}}
+
{{section|Page:MS KK5126 127r.jpg|3|lbl=127r|p=1}} {{section|Page:MS KK5126 127r.jpg|4|lbl=-|p=1}}
 
|  
 
|  
 
|  
 
|  
Line 869: Line 875:
  
 
|-  
 
|-  
| [[File:Cgm 1507 39r.jpg|250px|center]]
+
| [[File:Cgm 1507 39r.jpg|400px|center]]
 
| <p>'''Another attempt at crippling and pulling.'''</p>
 
| <p>'''Another attempt at crippling and pulling.'''</p>
 
<p>...Or let fly at him with a sweep and hook the axe inside the right knee to pull him down.</p>
 
  
 
<p>Next he wants to perform the above play on you and hook you. When he lays the hook on you, strike with your axe from inside against his axe, lay with it against his leg and pull upwards with it as mentioned.</p>
 
<p>Next he wants to perform the above play on you and hook you. When he lays the hook on you, strike with your axe from inside against his axe, lay with it against his leg and pull upwards with it as mentioned.</p>
Line 879: Line 883:
 
| {{paget|Page:MS KK5126|43r|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|43r|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|4|lbl=-|p=1}}
+
{{section|Page:MS KK5126 127r.jpg|5|lbl=127r}}
 
 
{{section|Page:MS KK5126 127r.jpg|5|lbl=-|p=1}}
 
 
| {{paget|Page:MS Chart.B.1021|15v|jpg|blk=1}}
 
| {{paget|Page:MS Chart.B.1021|15v|jpg|blk=1}}
 
|  
 
|  
Line 887: Line 889:
  
 
|-  
 
|-  
| [[File:Cgm 1507 39v.jpg|250px|center]]
+
| [[File:Cgm 1507 39v.jpg|400px|center]]
 
| <p>'''A parry and hook in return.'''</p>
 
| <p>'''A parry and hook in return.'''</p>
  
Line 895: Line 897:
 
| {{paget|Page:MS KK5126|43v|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|43v|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|6|lbl=-}}
+
{{section|Page:MS KK5126 127r.jpg|6|lbl=127r}}
 
|  
 
|  
 
|  
 
|  
Line 901: Line 903:
  
 
|-  
 
|-  
| [[File:Cgm 1507 40r.jpg|250px|center]]
+
| [[File:Cgm 1507 40r.jpg|400px|center]]
 
| <p>'''Displace, wind up, and wrench him down by the neck.'''</p>
 
| <p>'''Displace, wind up, and wrench him down by the neck.'''</p>
  
Line 909: Line 911:
 
| {{paget|Page:MS KK5126|44r|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|44r|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|7|lbl=-}}
+
{{section|Page:MS KK5126 127r.jpg|7|lbl=127r}}
 
| {{paget|Page:MS Chart.B.1021|16r|jpg|blk=1}}
 
| {{paget|Page:MS Chart.B.1021|16r|jpg|blk=1}}
 
|  
 
|  
Line 915: Line 917:
  
 
|-  
 
|-  
| [[File:Cgm 1507 40v.jpg|250px|center]]
+
| [[File:Cgm 1507 40v.jpg|400px|center]]
 
| <p>'''Wind through quickly and directly like this; bind on and cast your point forward, pulling the axe towards you.'''<ref>This looks something like the ''reissen'' in Messer.</ref></p>
 
| <p>'''Wind through quickly and directly like this; bind on and cast your point forward, pulling the axe towards you.'''<ref>This looks something like the ''reissen'' in Messer.</ref></p>
  
Line 921: Line 923:
 
| {{paget|Page:Cgm 1507|40v|jpg}}
 
| {{paget|Page:Cgm 1507|40v|jpg}}
 
|  
 
|  
| {{paget|Page:MS KK5126|44v|jpg|blk=1}}
+
|  
 +
{{paget|Page:MS KK5126|44v|jpg|blk=1|p=1}}<br/><br/><br/>
  
{{section|Page:MS KK5126 127r.jpg|8|lbl=-}}
+
{{section|Page:MS KK5126 127r.jpg|8|lbl=127r}}
 
| {{paget|Page:MS Chart.B.1021|16v|jpg|blk=1}}
 
| {{paget|Page:MS Chart.B.1021|16v|jpg|blk=1}}
 
|  
 
|  
Line 929: Line 932:
  
 
|-  
 
|-  
| [[File:Cgm 1507 41r.jpg|250px|center]]
+
| [[File:Cgm 1507 41r.jpg|400px|center]]
 
| <p>'''And if he straightens the axe to pull your leading hand free, when he pulls, hang<ref>Hang likely means to push the shaft through with your rear hand, suspending the head of the axe in front of you.</ref> after and impale<ref>''Ansetzen''.</ref> him, or wrench him down by the neck.'''</p>
 
| <p>'''And if he straightens the axe to pull your leading hand free, when he pulls, hang<ref>Hang likely means to push the shaft through with your rear hand, suspending the head of the axe in front of you.</ref> after and impale<ref>''Ansetzen''.</ref> him, or wrench him down by the neck.'''</p>
  
Line 935: Line 938:
 
| {{paget|Page:Cgm 1507|41r|jpg}}
 
| {{paget|Page:Cgm 1507|41r|jpg}}
 
|  
 
|  
| {{paget|Page:MS KK5126|45r|jpg|blk=1}}
+
|  
 +
{{paget|Page:MS KK5126|45r|jpg|blk=1|p=1}}<br/><br/><br/>
  
{{section|Page:MS KK5126 127r.jpg|9|lbl=-}}
+
{{section|Page:MS KK5126 127r.jpg|9|lbl=127r}}
 
| {{paget|Page:MS Chart.B.1021|17r|jpg|blk=1}}
 
| {{paget|Page:MS Chart.B.1021|17r|jpg|blk=1}}
 
|  
 
|  
Line 943: Line 947:
  
 
|-  
 
|-  
| [[File:Cgm 1507 41v.jpg|250px|center]]
+
| [[File:Cgm 1507 41v.jpg|400px|center]]
 
| <p>'''The wrenching from the previous play.'''</p>
 
| <p>'''The wrenching from the previous play.'''</p>
  
Line 951: Line 955:
 
| {{paget|Page:MS KK5126|45v|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|45v|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|10|lbl=-}}
+
{{section|Page:MS KK5126 127r.jpg|10|lbl=127r}}
 
|  
 
|  
 
|  
 
|  
Line 957: Line 961:
  
 
|-  
 
|-  
| [[File:Cgm 1507 42r.jpg|250px|center]]
+
| [[File:Cgm 1507 42r.jpg|400px|center]]
 
| <p>'''Seek to pierce between the armour.'''</p>
 
| <p>'''Seek to pierce between the armour.'''</p>
 +
 +
<p>Next, then lay the axe across the body with the hammer underneath and act as though you want to parry with the upper point, but seek to wrench<ref>“suech den vnttern rist”</ref> him from below, if he then strikes wide,<ref>Presumably since you are only acting as though you will parry, you are voiding, which could expose the armpit etc.</ref> seek the opening inside the hand or under the armpit and set upon<ref>Impalement is implied, probably with the queue.</ref> him.</p>
 +
 +
<p>Next if you are performing the previous play and parry with the upper point,<ref>The point standing upwards happens to be the queue in this play, but likely does not matter.</ref> then guide all his strikes to the side, and the play goes like Hildebrand’s Cut<ref>Hildebrand’s Cut is described by Paurenfeyndt as a parry which allows the opponent’s attack to slide downward off the weapon and to the side.</ref> in the long sword, however<ref>“Indes” - most likely not in the fencing sense but used as it commonly is.</ref> it works with the axe as well as with other weapons.</p>
 
| {{paget|Page:Cgm 1507|42r|jpg}}
 
| {{paget|Page:Cgm 1507|42r|jpg}}
 
|  
 
|  
 
| {{paget|Page:MS KK5126|46r|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|46r|jpg|blk=1}}
 +
 +
{{section|Page:MS KK5126 127r.jpg|11|lbl=127r}}
 +
 +
{{section|Page:MS KK5126 127r.jpg|12|lbl=-}}
 
|  
 
|  
 
|  
 
|  
Line 967: Line 979:
  
 
|-  
 
|-  
| [[File:Cgm 1507 42v.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 42v.jpg|400px|center]]
| <p>'''Blessed be Maria and Child, and all who are with them.'''</p>
+
| class="noline" | <p>Blessed be Maria and Child, and all who are with them.</p>
| {{paget|Page:Cgm 1507|42v|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|42v|jpg}}
|  
+
| class="noline" |  
| {{paget|Page:MS KK5126|46v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|46v|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 980: Line 992:
  
 
{{master begin
 
{{master begin
  | title = Advice on dueling
+
  | title = Questions for dueling
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version]]</p>
 
! <p>{{rating|C}}<br/>by [[Jens P. Kleinau]]</p>
 
! <p>{{rating|C}}<br/>by [[Jens P. Kleinau]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
Line 996: Line 1,008:
 
|-  
 
|-  
 
|  
 
|  
| <p>First he should inquire before the assembly about all things and rights which a fighter should have according to the law, may it be an advisor, a listener and a grid-wardner, and what a fighter should have (possess or be equipped with). </p>
+
| <p>First he should inquire before the assembly about all things and rights which a fighter should have according to the law, may it be an advisor, a listener and a grid-warden, and what a fighter should have (possess or be equipped with). </p>
 
|  
 
|  
 
|  
 
|  
Line 1,002: Line 1,014:
 
|  
 
|  
 
|  
 
|  
 +
|
 +
 +
|-
 +
| [[File:Cgm 1507 43v.jpg|400px|center]]
 +
| <p>Advisor</p>
 +
 +
<p><br/></p>
 +
 +
<p>Fighter</p>
 +
| {{paget|Page:Cgm 1507|43v|jpg}}
 +
|
 +
| {{paget|Page:MS KK5126|47v|jpg|blk=1}}
 +
|
 +
| {{paget|Page:Cod.S.554|059|jpg|blk=1}}
 +
|
 +
 +
|-
 +
| [[File:Cgm 1507 44r.jpg|400px|center]]
 +
| <p>Listerner</p>
 +
:Grid-warden
 +
| {{paget|Page:Cgm 1507|44r|jpg}}
 +
|
 +
| {{paget|Page:MS KK5126|48r|jpg|blk=1}}
 +
|
 +
| {{paget|Page:Cod.S.554|060|jpg|blk=1}}
 
|  
 
|  
  
Line 1,245: Line 1,282:
  
 
|-  
 
|-  
|  
+
| class="noline" |  
| <p>If a crowd gathers behind the circle, what are the precautions, that this will not bring any problems to the fighter.</p>
+
| class="noline" | <p>If a crowd gathers behind the circle, what are the precautions, that this will not bring any problems to the fighter.</p>
|  
+
| class="noline" |  
|  
+
| class="noline" |  
| {{section|Page:MS KK5126 129r.jpg|8|lbl=-}}
+
| class="noline" | {{section|Page:MS KK5126 129r.jpg|8|lbl=-}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 1,259: Line 1,296:
 
{{master begin
 
{{master begin
 
  | title = Longshield
 
  | title = Longshield
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version]]</p>
 
! <p>{{rating|B}}<br/>by [[Christian Henry Tobler]]</p>
 
! <p>{{rating|B}}<br/>by [[Christian Henry Tobler]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
Line 1,273: Line 1,310:
  
 
|-  
 
|-  
| [[File:Cgm 1507 43v.jpg|250px|center]]
+
| [[File:Cgm 1507 44v.jpg|400px|center]]
| <p>Monitor.</p>
+
| <p>'''The stroke at the shield'''</p>
:God help with your eternal protection this chaste body and its soul.
 
  
<p>Combatant.</p>
+
<p>Item, do thus with the long shield: learn to deliver the ''Oberhau'' and ''Unterhau'' and learn to bind well below and above, and in the techniques described hereafter you will learn the side wrenching.</p>
| {{paget|Page:Cgm 1507|43v|jpg}}
+
| {{paget|Page:Cgm 1507|44v|jpg}}
 
|  
 
|  
| {{paget|Page:MS KK5126|47v|jpg|blk=1}}
+
| {{paget|Page:MS KK5126|48v|jpg|blk=1}}
|
+
 
| {{paget|Page:Cod.S.554|059|jpg|blk=1}}
+
{{section|Page:MS KK5126 127r.jpg|13|lbl=127r}}
|
 
 
 
|-
 
| [[File:Cgm 1507 44r.jpg|250px|center]]
 
| <p>Referee.</p>
 
:Marshall of the Lists.
 
| {{paget|Page:Cgm 1507|44r|jpg}}
 
|
 
| {{paget|Page:MS KK5126|48r|jpg|blk=1}}
 
|
 
| {{paget|Page:Cod.S.554|060|jpg|blk=1}}
 
|
 
 
 
|-
 
| [[File:Cgm 1507 44v.jpg|250px|center]]
 
| <p>'''The stroke at the shield'''</p>
 
 
 
<p>Item, do thus with the long shield: learn to deliver the ''Oberhau'' and ''Unterhau'' and learn to bind well below and above, and in the techniques described hereafter you will learn the side wrenching.</p>
 
| {{paget|Page:Cgm 1507|44v|jpg}}
 
|
 
| {{paget|Page:MS KK5126|48v|jpg|blk=1}}
 
 
 
{{section|Page:MS KK5126 127r.jpg|10|lbl=127r}}
 
 
|  
 
|  
 
| {{paget|Page:Cod.S.554|061|jpg|blk=1}}{{paget|Page:Cod.S.554|062|jpg|blk=1}}
 
| {{paget|Page:Cod.S.554|061|jpg|blk=1}}{{paget|Page:Cod.S.554|062|jpg|blk=1}}
Line 1,311: Line 1,324:
  
 
|-  
 
|-  
| [[File:Cgm 1507 45r.jpg|250px|center]]
+
| [[File:Cgm 1507 45r.jpg|400px|center]]
 
| <p>'''How one should be behind the shield with the club'''</p>
 
| <p>'''How one should be behind the shield with the club'''</p>
  
Line 1,319: Line 1,332:
 
| {{paget|Page:MS KK5126|49r|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|49r|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|11|lbl=127r}}
+
{{section|Page:MS KK5126 127r.jpg|14|lbl=127r}}
 
|  
 
|  
 
| {{paget|Page:Cod.S.554|063|jpg|blk=1}}{{paget|Page:Cod.S.554|064|jpg|blk=1}}
 
| {{paget|Page:Cod.S.554|063|jpg|blk=1}}{{paget|Page:Cod.S.554|064|jpg|blk=1}}
Line 1,325: Line 1,338:
  
 
|-  
 
|-  
| [[File:Cgm 1507 45v.jpg|250px|center]]
+
| [[File:Cgm 1507 45v.jpg|400px|center]]
 
| <p>'''Here one seeks the other behind the shield'''</p>
 
| <p>'''Here one seeks the other behind the shield'''</p>
  
Line 1,333: Line 1,346:
 
| {{paget|Page:MS KK5126|49v|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|49v|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|12|lbl=127r}}
+
{{section|Page:MS KK5126 127r.jpg|15|lbl=127r}}
 
|  
 
|  
 
| {{paget|Page:Cod.S.554|065|jpg|blk=1}}{{paget|Page:Cod.S.554|066|jpg|blk=1}}
 
| {{paget|Page:Cod.S.554|065|jpg|blk=1}}{{paget|Page:Cod.S.554|066|jpg|blk=1}}
Line 1,339: Line 1,352:
  
 
|-  
 
|-  
| [[File:Cgm 1507 46r.jpg|250px|center]]
+
| [[File:Cgm 1507 46r.jpg|400px|center]]
 
| <p>'''The step between the shields whereby he can expose him and strike or thrust with the club'''</p>
 
| <p>'''The step between the shields whereby he can expose him and strike or thrust with the club'''</p>
  
Line 1,347: Line 1,360:
 
| {{paget|Page:MS KK5126|50r|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|50r|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|13|lbl=127r}}
+
{{section|Page:MS KK5126 127r.jpg|16|lbl=127r}}
 
|  
 
|  
 
| {{paget|Page:Cod.S.554|067|jpg|blk=1}}
 
| {{paget|Page:Cod.S.554|067|jpg|blk=1}}
Line 1,353: Line 1,366:
  
 
|-  
 
|-  
| [[File:Cgm 1507 46v.jpg|250px|center]]
+
| [[File:Cgm 1507 46v.jpg|400px|center]]
 
| <p>'''Here it comes to the winding and wrenching with the shields'''</p>
 
| <p>'''Here it comes to the winding and wrenching with the shields'''</p>
  
Line 1,361: Line 1,374:
 
| {{paget|Page:MS KK5126|50v|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|50v|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|14|lbl=127r}}
+
{{section|Page:MS KK5126 127r.jpg|17|lbl=127r}}
 
|  
 
|  
 
| {{paget|Page:Cod.S.554|068|jpg|blk=1}}
 
| {{paget|Page:Cod.S.554|068|jpg|blk=1}}
Line 1,367: Line 1,380:
  
 
|-  
 
|-  
| [[File:Cgm 1507 47r.jpg|250px|center]]
+
| [[File:Cgm 1507 47r.jpg|400px|center]]
 
| <p>'''From the winding comes the thrust to the heart'''</p>
 
| <p>'''From the winding comes the thrust to the heart'''</p>
  
Line 1,375: Line 1,388:
 
| {{paget|Page:MS KK5126|51r|jpg|blk=1}}
 
| {{paget|Page:MS KK5126|51r|jpg|blk=1}}
  
{{section|Page:MS KK5126 127r.jpg|15|lbl=127r}}
+
{{section|Page:MS KK5126 127r.jpg|18|lbl=127r}}
 
|  
 
|  
 
| {{paget|Page:Cod.S.554|069|jpg|blk=1}}
 
| {{paget|Page:Cod.S.554|069|jpg|blk=1}}
Line 1,381: Line 1,394:
  
 
|-  
 
|-  
| [[File:Cgm 1507 47v.jpg|250px|center]]
+
| [[File:Cgm 1507 47v.jpg|400px|center]]
 
| <p>'''Here the previously described technique is completed'''</p>
 
| <p>'''Here the previously described technique is completed'''</p>
  
Line 1,395: Line 1,408:
  
 
|-  
 
|-  
| [[File:Cgm 1507 48r.jpg|250px|center]]
+
| [[File:Cgm 1507 48r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|48r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|48r|jpg|blk=1}}
Line 1,405: Line 1,418:
  
 
|-  
 
|-  
| [[File:Cgm 1507 48v.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 48v.jpg|400px|center]]
| <p>Praised be Mary and her child and all who live with them.</p>
+
| class="noline" | <p>Praised be Mary and her child and all who live with them.</p>
| {{paget|Page:Cgm 1507|48v|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|48v|jpg}}
|  
+
| class="noline" |  
| {{paget|Page:MS KK5126|52v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|52v|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 1,419: Line 1,432:
 
{{master begin
 
{{master begin
 
  | title = Duel Between a Man and a Woman
 
  | title = Duel Between a Man and a Woman
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version]]</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>{{rating|C}}<br/>Open for editing</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
Line 1,433: Line 1,446:
  
 
|-  
 
|-  
| [[File:Cgm 1507 49v.jpg|250px|center]]
+
| [[File:Cgm 1507 49v.jpg|400px|center]]
 
| <p>So is the man against the woman in the pit: he is buried to the waist and can walk around a little in it. One hand is tied to him by the elbow to the side, but he can move well.</p>
 
| <p>So is the man against the woman in the pit: he is buried to the waist and can walk around a little in it. One hand is tied to him by the elbow to the side, but he can move well.</p>
 
:<br/><br/>The woman who faces him and a sleeve of her shirt that extends an Ell in front of the hand like a bag. In there she has a stone that weighs three pounds. She has nothing on except the shirt, which is tied between the legs with a cord.
 
:<br/><br/>The woman who faces him and a sleeve of her shirt that extends an Ell in front of the hand like a bag. In there she has a stone that weighs three pounds. She has nothing on except the shirt, which is tied between the legs with a cord.
Line 1,444: Line 1,457:
  
 
|-  
 
|-  
| [[File:Cgm 1507 50r.jpg|250px|center]]
+
| [[File:Cgm 1507 50r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|50r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|50r|jpg|blk=1}}
Line 1,454: Line 1,467:
  
 
|-  
 
|-  
| [[File:Cod.S.554 058.jpg|200px|center]]
+
| [[File:Cgm 1507 50v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|50v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|50v|jpg|blk=1}}
Line 1,464: Line 1,477:
  
 
|-  
 
|-  
| [[File:Cgm 1507 51r.jpg|250px|center]]
+
| [[File:Cgm 1507 51r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|51r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|51r|jpg|blk=1}}
Line 1,474: Line 1,487:
  
 
|-  
 
|-  
| [[File:Cgm 1507 51v.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 51v.jpg|400px|center]]
| <p>Praise be to Mary and her child and all of those with them in Paradise.</p>
+
| class="noline" | <p>Praise be to Mary and her child and all of those with them in Paradise.</p>
| {{paget|Page:Cgm 1507|51v|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|51v|jpg}}
|  
+
| class="noline" |  
| {{paget|Page:MS KK5126|55v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|55v|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 1,488: Line 1,501:
 
{{master begin
 
{{master begin
 
  | title = Sword and Buckler
 
  | title = Sword and Buckler
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich Version]]</p>
 
! <p>{{rating|C}}<br/>[[Cory Winslow]]</p>
 
! <p>{{rating|C}}<br/>[[Cory Winslow]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
Line 1,502: Line 1,515:
  
 
|-  
 
|-  
| [[File:Cgm 1507 52v.jpg|250px|center]]
+
| [[File:Cgm 1507 52v.jpg|400px|center]]
 
| <p>In the first guard position yourself thus.</p>
 
| <p>In the first guard position yourself thus.</p>
 
| {{paget|Page:Cgm 1507|52v|jpg}}
 
| {{paget|Page:Cgm 1507|52v|jpg}}
Line 1,512: Line 1,525:
  
 
|-  
 
|-  
| [[File:Cgm 1507 53r.jpg|250px|center]]
+
| [[File:Cgm 1507 53r.jpg|400px|center]]
 
| <p>In the first binding-on position yourself thus.</p>
 
| <p>In the first binding-on position yourself thus.</p>
 
| {{paget|Page:Cgm 1507|53r|jpg}}
 
| {{paget|Page:Cgm 1507|53r|jpg}}
Line 1,522: Line 1,535:
  
 
|-  
 
|-  
| [[File:Cgm 1507 53v.jpg|250px|center]]
+
| [[File:Cgm 1507 53v.jpg|400px|center]]
 
| <p>The first technique. Catch his strike on your buckler, meanwhile strike low where you want.</p>
 
| <p>The first technique. Catch his strike on your buckler, meanwhile strike low where you want.</p>
 
| {{paget|Page:Cgm 1507|53v|jpg}}
 
| {{paget|Page:Cgm 1507|53v|jpg}}
Line 1,532: Line 1,545:
  
 
|-  
 
|-  
| [[File:Cgm 1507 54r.jpg|250px|center]]
+
| [[File:Cgm 1507 54r.jpg|400px|center]]
 
| <p>If he does the previous technique to you, then parry him low thus.</p>
 
| <p>If he does the previous technique to you, then parry him low thus.</p>
 
| {{paget|Page:Cgm 1507|54r|jpg}}
 
| {{paget|Page:Cgm 1507|54r|jpg}}
Line 1,542: Line 1,555:
  
 
|-  
 
|-  
| [[File:Cgm 1507 54v.jpg|250px|center]]
+
| [[File:Cgm 1507 54v.jpg|400px|center]]
 
| <p>If he strikes to your head, then search for the nearest touch to his breast .</p>
 
| <p>If he strikes to your head, then search for the nearest touch to his breast .</p>
 
| {{paget|Page:Cgm 1507|54v|jpg}}
 
| {{paget|Page:Cgm 1507|54v|jpg}}
Line 1,552: Line 1,565:
  
 
|-  
 
|-  
| [[File:Cgm 1507 55r.jpg|250px|center]]
+
| [[File:Cgm 1507 55r.jpg|400px|center]]
 
| <p> If he parries you equally with the blade, then fall over his hand with your pommel and tear after his neck.</p>
 
| <p> If he parries you equally with the blade, then fall over his hand with your pommel and tear after his neck.</p>
 
| {{paget|Page:Cgm 1507|55r|jpg}}
 
| {{paget|Page:Cgm 1507|55r|jpg}}
Line 1,562: Line 1,575:
  
 
|-  
 
|-  
| [[File:Cgm 1507 55v.jpg|250px|center]]
+
| [[File:Cgm 1507 55v.jpg|400px|center]]
 
| <p>Position yourself thus when you want to take his buckler, and grip him inverted in his buckler and wind it from his hand.</p>
 
| <p>Position yourself thus when you want to take his buckler, and grip him inverted in his buckler and wind it from his hand.</p>
 
| {{paget|Page:Cgm 1507|55v|jpg}}
 
| {{paget|Page:Cgm 1507|55v|jpg}}
Line 1,572: Line 1,585:
  
 
|-  
 
|-  
| [[File:Cgm 1507 56r.jpg|250px|center]]
+
| [[File:Cgm 1507 56r.jpg|400px|center]]
 
| <p>The previously described technique.</p>
 
| <p>The previously described technique.</p>
 
| {{paget|Page:Cgm 1507|56r|jpg}}
 
| {{paget|Page:Cgm 1507|56r|jpg}}
Line 1,582: Line 1,595:
  
 
|-  
 
|-  
| [[File:Cgm 1507 56v.jpg|250px|center]]
+
| [[File:Cgm 1507 56v.jpg|400px|center]]
 
| <p>Wind the buckler over the elbow and take his sword, or throw him.</p>
 
| <p>Wind the buckler over the elbow and take his sword, or throw him.</p>
 
| {{paget|Page:Cgm 1507|56v|jpg}}
 
| {{paget|Page:Cgm 1507|56v|jpg}}
Line 1,592: Line 1,605:
  
 
|-  
 
|-  
| [[File:Cgm 1507 57r.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 57r.jpg|400px|center]]
| <p>Thus he is thrown from the previously described technique.</p>
+
| class="noline" | <p>Thus he is thrown from the previously described technique.</p>
| {{paget|Page:Cgm 1507|57r|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|57r|jpg}}
| {{paget|Page:MS 1825|17r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS 1825|17r|jpg|blk=1}}
| {{paget|Page:MS KK5126|61r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|61r|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
| {{paget|Page:Gotti MS|1|jpg}}
+
| class="noline" | {{paget|Page:Gotti MS|1|jpg}}
  
 
|}
 
|}
Line 1,606: Line 1,619:
 
{{master begin
 
{{master begin
 
  | title = Long Sword
 
  | title = Long Sword
  | width = 224em
+
  | width = 240em
 
}}
 
}}
 
<section begin="credits8"/>
 
<section begin="credits8"/>
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
+
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Paulus Kal Fechtbuch (MS KK5126)|Vienna]] Versions</p>
 
! <p>{{rating|C}}<br/>[[Cory Winslow]]</p>
 
! <p>{{rating|C}}<br/>[[Cory Winslow]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
 
! <p>[[Paulus Kal Fechtbuch (Cgm 1507)|Munich Transcription]] (ca. 1470){{edit index|Paulus Kal Fechtbuch (Cgm 1507)}}<br/>by [[Dierk Hagedorn]]</p>
Line 1,622: Line 1,635:
 
<section begin="Leger"/>
 
<section begin="Leger"/>
 
|-  
 
|-  
| {{double page|Cod.S.554 73.jpg|Cod.S.554 74.jpg|x205px|x205px}}
+
| [[File:Cgm 1507 58r.jpg|400px|center]]
 
| <p>The first guard is called the Ox.</p>
 
| <p>The first guard is called the Ox.</p>
 
:The second guard is called the Plow.  
 
:The second guard is called the Plow.  
Line 1,633: Line 1,646:
  
 
|-  
 
|-  
| {{double page|Cod.S.554 75.jpg|Cod.S.554 76.jpg|x205px|x205px}}
+
| [[File:Cgm 1507 58v.jpg|400px|center]]
 
| <p>The third guard is called the Fool.</p>
 
| <p>The third guard is called the Fool.</p>
 
:The fourth is called From the Roof.
 
:The fourth is called From the Roof.
Line 1,644: Line 1,657:
 
<section end="Leger"/><section begin="Zornhaw"/>
 
<section end="Leger"/><section begin="Zornhaw"/>
 
|-  
 
|-  
| [[File:Cod.S.554 77.jpg|200px|center]]
+
| [[File:Cgm 1507 59r.jpg|400px|center]]
 
| <p>The Wrath-hew Point threatens him.</p>
 
| <p>The Wrath-hew Point threatens him.</p>
 
| {{paget|Page:Cgm 1507|59r|jpg}}
 
| {{paget|Page:Cgm 1507|59r|jpg}}
Line 1,654: Line 1,667:
  
 
|-  
 
|-  
| [[File:Cgm 1507 59v.jpg|250px|center]]
+
| [[File:Cgm 1507 59v.jpg|400px|center]]
 
| <p>Take off above without danger.</p>
 
| <p>Take off above without danger.</p>
 
| {{paget|Page:Cgm 1507|59v|jpg}}
 
| {{paget|Page:Cgm 1507|59v|jpg}}
Line 1,664: Line 1,677:
  
 
|-  
 
|-  
| [[File:Cgm 1507 60r.jpg|250px|center]]
+
| [[File:Cgm 1507 60r.jpg|400px|center]]
 
| <p>Wind, stab.</p>
 
| <p>Wind, stab.</p>
 
| {{paget|Page:Cgm 1507|60r|jpg}}
 
| {{paget|Page:Cgm 1507|60r|jpg}}
Line 1,674: Line 1,687:
  
 
|-  
 
|-  
| [[File:Cgm 1507 60v.jpg|250px|center]]
+
| [[File:Cgm 1507 60v.jpg|400px|center]]
 
| <p>If he sees it, take it down.</p>
 
| <p>If he sees it, take it down.</p>
 
| {{paget|Page:Cgm 1507|60v|jpg}}
 
| {{paget|Page:Cgm 1507|60v|jpg}}
Line 1,684: Line 1,697:
 
<section end="Zornhaw"/><section begin="Blossen"/>
 
<section end="Zornhaw"/><section begin="Blossen"/>
 
|-  
 
|-  
| [[File:Cgm 1507 61r.jpg|250px|center]]
+
| [[File:Cgm 1507 61r.jpg|400px|center]]
 
| <p>Double above.</p>
 
| <p>Double above.</p>
 
| {{paget|Page:Cgm 1507|61r|jpg}}
 
| {{paget|Page:Cgm 1507|61r|jpg}}
Line 1,694: Line 1,707:
  
 
|-  
 
|-  
| [[File:Cod.S.554 082.jpg|200px|center]]
+
| [[File:Cgm 1507 61v.jpg|400px|center]]
 
| <p>Mutate below.</p>
 
| <p>Mutate below.</p>
 
| {{paget|Page:Cgm 1507|61v|jpg}}
 
| {{paget|Page:Cgm 1507|61v|jpg}}
Line 1,704: Line 1,717:
  
 
|-  
 
|-  
| [[File:Cod.S.554 83.jpg|200px|center]]
+
| [[File:Cgm 1507 62r.jpg|400px|center]]
 
| <p>Know to aim at Four Openings.</p>
 
| <p>Know to aim at Four Openings.</p>
 
| {{paget|Page:Cgm 1507|62r|jpg}}
 
| {{paget|Page:Cgm 1507|62r|jpg}}
Line 1,714: Line 1,727:
  
 
|-  
 
|-  
| [[File:Cod.S.554 84.jpg|200px|center]]
+
| [[File:Cgm 1507 62v.jpg|400px|center]]
 
| <p>So you strike wisely without danger.</p>
 
| <p>So you strike wisely without danger.</p>
 
| {{paget|Page:Cgm 1507|62v|jpg}}
 
| {{paget|Page:Cgm 1507|62v|jpg}}
Line 1,724: Line 1,737:
 
<section end="Blossen"/>
 
<section end="Blossen"/>
 
|-  
 
|-  
| [[File:Cod.S.554 085.jpg|200px|center]]
+
| [[File:Cgm 1507 63r.jpg|400px|center]]
 
| <p>Learn to work above.</p>
 
| <p>Learn to work above.</p>
 
| {{paget|Page:Cgm 1507|63r|jpg}}
 
| {{paget|Page:Cgm 1507|63r|jpg}}
Line 1,734: Line 1,747:
  
 
|-  
 
|-  
| [[File:MS KK5126 67v.jpg|200px|center]]
+
| [[File:MS KK5126 67v.jpg|325px|center]]
 
|  
 
|  
 
|  
 
|  
Line 1,744: Line 1,757:
  
 
|-  
 
|-  
| [[File:MS KK5126 68r.jpg|200px|center]]
+
| [[File:MS KK5126 68r.jpg|325px|center]]
 
|  
 
|  
 
|  
 
|  
Line 1,754: Line 1,767:
  
 
|-  
 
|-  
| [[File:Cod.S.554 91.jpg|200px|center]]
+
| [[File:Cgm 1507 63v.jpg|400px|center]]
 
| <p>The first hip wrestling with the sword.</p>
 
| <p>The first hip wrestling with the sword.</p>
 
| {{paget|Page:Cgm 1507|63v|jpg}}
 
| {{paget|Page:Cgm 1507|63v|jpg}}
Line 1,764: Line 1,777:
  
 
|-  
 
|-  
| [[File:Cod.S.554 92.jpg|200px|center]]
+
| [[File:Cgm 1507 64r.jpg|400px|center]]
 
| <p>The second hip wrestling with the sword.</p>
 
| <p>The second hip wrestling with the sword.</p>
 
| {{paget|Page:Cgm 1507|64r|jpg}}
 
| {{paget|Page:Cgm 1507|64r|jpg}}
Line 1,774: Line 1,787:
  
 
|-  
 
|-  
| [[File:Cod.S.554 93.jpg|200px|center]]
+
| [[File:Cgm 1507 64v.jpg|400px|center]]
 
| <p>The third hip wrestling with the sword.</p>
 
| <p>The third hip wrestling with the sword.</p>
 
| {{paget|Page:Cgm 1507|64v|jpg}}
 
| {{paget|Page:Cgm 1507|64v|jpg}}
Line 1,784: Line 1,797:
  
 
|-  
 
|-  
| [[File:Cgm 1507 65r.jpg|250px|center]]
+
| [[File:Cgm 1507 65r.jpg|400px|center]]
 
| <p>The fourth hip wrestling with the sword.</p>
 
| <p>The fourth hip wrestling with the sword.</p>
 
| {{paget|Page:Cgm 1507|65r|jpg}}
 
| {{paget|Page:Cgm 1507|65r|jpg}}
Line 1,794: Line 1,807:
  
 
|-  
 
|-  
| [[File:Cod.S.554 086.jpg|200px|center]]
+
| [[File:Cgm 1507 65v.jpg|400px|center]]
 
| <p>Travel-after twofold.</p>
 
| <p>Travel-after twofold.</p>
 
| {{paget|Page:Cgm 1507|65v|jpg}}
 
| {{paget|Page:Cgm 1507|65v|jpg}}
Line 1,804: Line 1,817:
  
 
|-  
 
|-  
| {{double page|MS Chart.B.1021 35v.jpg|MS Chart.B.1021 36r.jpg|x196px|x196px}}
+
| [[File:Cgm 1507 66r.jpg|400px|center]]
 
| <p>Changing-through learn from both sides.</p>
 
| <p>Changing-through learn from both sides.</p>
 
| {{paget|Page:Cgm 1507|66r|jpg}}
 
| {{paget|Page:Cgm 1507|66r|jpg}}
Line 1,814: Line 1,827:
 
<section begin="Krumphaw"/>
 
<section begin="Krumphaw"/>
 
|-  
 
|-  
| [[File:Cod.S.554 88.jpg|200px|center]]
+
| [[File:Cgm 1507 66v.jpg|400px|center]]
 
| <p>Crooked on nimbly, throw the point on the hands.</p>
 
| <p>Crooked on nimbly, throw the point on the hands.</p>
 
| {{paget|Page:Cgm 1507|66v|jpg}}
 
| {{paget|Page:Cgm 1507|66v|jpg}}
Line 1,824: Line 1,837:
 
<section end="Krumphaw"/><section begin="Fehler"/>
 
<section end="Krumphaw"/><section begin="Fehler"/>
 
|-  
 
|-  
| [[File:Cod.S.554 89.jpg|200px|center]]
+
| [[File:Cgm 1507 67r.jpg|400px|center]]
 
| <p>Take the elbow in the balance. Step in the day, be not too slow.</p>
 
| <p>Take the elbow in the balance. Step in the day, be not too slow.</p>
 
| {{paget|Page:Cgm 1507|67r|jpg}}
 
| {{paget|Page:Cgm 1507|67r|jpg}}
Line 1,834: Line 1,847:
 
<section end="Fehler"/>
 
<section end="Fehler"/>
 
|-  
 
|-  
| [[File:Cod.S.554 90.jpg|200px|center]]
+
| [[File:Cgm 1507 67v.jpg|400px|center]]
 
| <p>Grab-over on the  grip and tear.</p>
 
| <p>Grab-over on the  grip and tear.</p>
 
| {{paget|Page:Cgm 1507|67v|jpg}}
 
| {{paget|Page:Cgm 1507|67v|jpg}}
Line 1,844: Line 1,857:
  
 
|-  
 
|-  
| [[File:Cgm 1507 68r.jpg|250px|center]]
+
| [[File:Cgm 1507 68r.jpg|400px|center]]
 
| <p>Snap at him on both sides.</p>
 
| <p>Snap at him on both sides.</p>
 
| {{paget|Page:Cgm 1507|68r|jpg}}
 
| {{paget|Page:Cgm 1507|68r|jpg}}
Line 1,854: Line 1,867:
  
 
|-  
 
|-  
| [[File:Cgm 1507 68v.jpg|250px|center]]
+
| [[File:Cgm 1507 68v.jpg|400px|center]]
 
| <p>Tear at him on the blade.</p>
 
| <p>Tear at him on the blade.</p>
 
| {{paget|Page:Cgm 1507|68v|jpg}}
 
| {{paget|Page:Cgm 1507|68v|jpg}}
Line 1,864: Line 1,877:
  
 
|-  
 
|-  
| [[File:Cgm 1507 69r.jpg|250px|center]]
+
| [[File:Cgm 1507 69r.jpg|400px|center]]
 
| <p>The Outer Manner, your work therewith begins.</p>
 
| <p>The Outer Manner, your work therewith begins.</p>
 
| {{paget|Page:Cgm 1507|69r|jpg}}
 
| {{paget|Page:Cgm 1507|69r|jpg}}
Line 1,874: Line 1,887:
  
 
|-  
 
|-  
| [[File:Cgm 1507 69v.jpg|250px|center]]
+
| [[File:Cgm 1507 69v.jpg|400px|center]]
 
| <p>The Under-slice.</p>
 
| <p>The Under-slice.</p>
 
| {{paget|Page:Cgm 1507|69v|jpg}}
 
| {{paget|Page:Cgm 1507|69v|jpg}}
Line 1,884: Line 1,897:
  
 
|-  
 
|-  
| [[File:Cgm 1507 70r.jpg|250px|center]]
+
| [[File:Cgm 1507 70r.jpg|400px|center]]
 
| <p>The Over-slice.</p>
 
| <p>The Over-slice.</p>
 
| {{paget|Page:Cgm 1507|70r|jpg}}
 
| {{paget|Page:Cgm 1507|70r|jpg}}
Line 1,894: Line 1,907:
  
 
|-  
 
|-  
| {{double page|MS Chart.B.1021 45v.jpg|MS Chart.B.1021 46r.jpg|x196px|x196px}}
+
| class="noline" | [[File:Cgm 1507 70v.jpg|400px|center]]
| <p>Speaking-Window make. Stand freely, see his business. The conclusion of the entire Epitome.</p>
+
| class="noline" | <p>Speaking-Window make. Stand freely, see his business. The conclusion of the entire Epitome.</p>
| {{paget|Page:Cgm 1507|70v|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|70v|jpg}}
|  
+
| class="noline" |  
| {{paget|Page:MS KK5126|75v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|75v|jpg|blk=1}}
| {{paget|Page:MS Chart.B.1021|45v|jpg|blk=1}}{{paget|Page:MS Chart.B.1021|46r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS Chart.B.1021|45v|jpg|blk=1}}{{paget|Page:MS Chart.B.1021|46r|jpg|blk=1}}
| {{paget|Page:Cod.S.554|100|jpg|blk=1}}
+
| class="noline" | {{paget|Page:Cod.S.554|100|jpg|blk=1}}
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 1,908: Line 1,921:
 
{{master begin
 
{{master begin
 
  | title = Messer
 
  | title = Messer
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
 
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
 
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
Line 1,922: Line 1,935:
  
 
|-  
 
|-  
| [[File:Cgm 1507 71v.jpg|250px|center]]
+
| [[File:Cgm 1507 71v.jpg|400px|center]]
 
| <p>Thus position yourself in the first guard.</p>
 
| <p>Thus position yourself in the first guard.</p>
 
| {{paget|Page:Cgm 1507|71v|jpg}}
 
| {{paget|Page:Cgm 1507|71v|jpg}}
Line 1,932: Line 1,945:
  
 
|-  
 
|-  
| [[File:Cgm 1507 72r.jpg|250px|center]]
+
| [[File:Cgm 1507 72r.jpg|400px|center]]
 
| <p>Catch him behind the grip at the front with the edge.</p>
 
| <p>Catch him behind the grip at the front with the edge.</p>
 
| {{paget|Page:Cgm 1507|72r|jpg}}
 
| {{paget|Page:Cgm 1507|72r|jpg}}
Line 1,942: Line 1,955:
  
 
|-  
 
|-  
| [[File:Cgm 1507 72v.jpg|250px|center]]
+
| [[File:Cgm 1507 72v.jpg|400px|center]]
 
| <p>Simultaneous hews together.</p>
 
| <p>Simultaneous hews together.</p>
 
| {{paget|Page:Cgm 1507|72v|jpg}}
 
| {{paget|Page:Cgm 1507|72v|jpg}}
Line 1,952: Line 1,965:
  
 
|-  
 
|-  
| [[File:Cgm 1507 73r.jpg|250px|center]]
+
| [[File:Cgm 1507 73r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|73r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|73r|jpg|blk=1}}
Line 1,962: Line 1,975:
  
 
|-  
 
|-  
| [[File:Cgm 1507 73v.jpg|250px|center]]
+
| [[File:Cgm 1507 73v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|73v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|73v|jpg|blk=1}}
Line 1,972: Line 1,985:
  
 
|-  
 
|-  
| [[File:Cgm 1507 74r.jpg|250px|center]]
+
| [[File:Cgm 1507 74r.jpg|400px|center]]
 
| <p>Equal binding-on, so step in long and catch his arm with his messer, and throw him over the hip, or strike him.</p>
 
| <p>Equal binding-on, so step in long and catch his arm with his messer, and throw him over the hip, or strike him.</p>
 
| {{paget|Page:Cgm 1507|74r|jpg}}
 
| {{paget|Page:Cgm 1507|74r|jpg}}
Line 1,982: Line 1,995:
  
 
|-  
 
|-  
| [[File:Cgm 1507 74v.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 74v.jpg|400px|center]]
| <p>This is the break to the previous technique. Grip over his elbow to your messer, and wind that under his throat and slice.</p>
+
| class="noline" | <p>This is the break to the previous technique. Grip over his elbow to your messer, and wind that under his throat and slice.</p>
| {{paget|Page:Cgm 1507|74v|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|74v|jpg}}
| {{paget|Page:MS 1825|26v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS 1825|26v|jpg|blk=1}}
| {{paget|Page:MS KK5126|79v|png|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|79v|png|blk=1}}
| {{paget|Page:MS Chart.B.1021|48v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS Chart.B.1021|48v|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 1,996: Line 2,009:
 
{{master begin
 
{{master begin
 
  | title = Dagger
 
  | title = Dagger
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
 
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
 
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
Line 2,010: Line 2,023:
  
 
|-  
 
|-  
| [[File:Cod.S.554 101.jpg|200px|center]]
+
| [[File:Cgm 1507 75v.jpg|400px|center]]
 
| <p>This is the Over-slice with the dagger.</p>
 
| <p>This is the Over-slice with the dagger.</p>
 
| {{paget|Page:Cgm 1507|75v|jpg}}
 
| {{paget|Page:Cgm 1507|75v|jpg}}
Line 2,020: Line 2,033:
  
 
|-  
 
|-  
| [[File:Cod.S.554 102.jpg|200px|center]]
+
| [[File:Cgm 1507 76r.jpg|400px|center]]
 
| <p>This is the Under-slice with the dagger.</p>
 
| <p>This is the Under-slice with the dagger.</p>
 
| {{paget|Page:Cgm 1507|76r|jpg}}
 
| {{paget|Page:Cgm 1507|76r|jpg}}
Line 2,030: Line 2,043:
  
 
|-  
 
|-  
| [[File:Cod.S.554 103.jpg|200px|center]]
+
| [[File:Cgm 1507 76v.jpg|400px|center]]
 
| <p>The setting-off.</p>
 
| <p>The setting-off.</p>
 
| {{paget|Page:Cgm 1507|76v|jpg}}
 
| {{paget|Page:Cgm 1507|76v|jpg}}
Line 2,040: Line 2,053:
  
 
|-  
 
|-  
| [[File:Cod.S.554 104.jpg|200px|center]]
+
| [[File:Cgm 1507 77r.jpg|400px|center]]
 
| <p>The limb moving-over and set-off.</p>
 
| <p>The limb moving-over and set-off.</p>
 
| {{paget|Page:Cgm 1507|77r|jpg}}
 
| {{paget|Page:Cgm 1507|77r|jpg}}
Line 2,050: Line 2,063:
  
 
|-  
 
|-  
| [[File:Cod.S.554 105.jpg|200px|center]]
+
| [[File:Cgm 1507 77v.jpg|400px|center]]
 
| <p>The one-fold lock with the dagger.</p>
 
| <p>The one-fold lock with the dagger.</p>
 
| {{paget|Page:Cgm 1507|77v|jpg}}
 
| {{paget|Page:Cgm 1507|77v|jpg}}
Line 2,060: Line 2,073:
  
 
|-  
 
|-  
| [[File:Cod.S.554 106.jpg|200px|center]]
+
| [[File:Cgm 1507 78r.jpg|400px|center]]
 
| <p>The two-fold lock with the dagger.</p>
 
| <p>The two-fold lock with the dagger.</p>
 
| {{paget|Page:Cgm 1507|78r|jpg}}
 
| {{paget|Page:Cgm 1507|78r|jpg}}
Line 2,070: Line 2,083:
  
 
|-  
 
|-  
| [[File:Cod.S.554 107.jpg|200px|center]]
+
| [[File:Cgm 1507 78v.jpg|400px|center]]
 
| <p>How to break the lock with the dagger.</p>
 
| <p>How to break the lock with the dagger.</p>
 
| {{paget|Page:Cgm 1507|78v|jpg}}
 
| {{paget|Page:Cgm 1507|78v|jpg}}
Line 2,080: Line 2,093:
  
 
|-  
 
|-  
| [[File:Cgm 1507 79r.jpg|250px|center]]
+
| [[File:Cgm 1507 79r.jpg|400px|center]]
 
| <p>The arm locking with the dagger.</p>
 
| <p>The arm locking with the dagger.</p>
 
| {{paget|Page:Cgm 1507|79r|jpg}}
 
| {{paget|Page:Cgm 1507|79r|jpg}}
Line 2,090: Line 2,103:
  
 
|-  
 
|-  
| [[File:Cgm 1507 79v.jpg|250px|center]]
+
| [[File:Cgm 1507 79v.jpg|400px|center]]
 
| <p>The elbow in the balance.</p>
 
| <p>The elbow in the balance.</p>
 
| {{paget|Page:Cgm 1507|79v|jpg}}
 
| {{paget|Page:Cgm 1507|79v|jpg}}
Line 2,100: Line 2,113:
  
 
|-  
 
|-  
| [[File:Cgm 1507 80r.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 80r.jpg|400px|center]]
| <p>The unnamed turn with the dagger.</p>
+
| class="noline" | <p>The unnamed turn with the dagger.</p>
| {{paget|Page:Cgm 1507|80r|jpg}}
+
| class="noline" | {{paget|Page:Cgm 1507|80r|jpg}}
| {{paget|Page:MS 1825|30r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS 1825|30r|jpg|blk=1}}
| {{paget|Page:MS KK5126|85r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|85r|jpg|blk=1}}
| {{paget|Page:MS Chart.B.1021|54v|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS Chart.B.1021|54v|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 2,114: Line 2,127:
 
{{master begin
 
{{master begin
 
  | title = Grappling
 
  | title = Grappling
  | width = 224em
+
  | width = 240em
 
}}
 
}}
{| class="floated master" style="clear:both;"
+
{| class="master" style="clear:both;"
 
|-  
 
|-  
 
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
 
! <p>Images<br/>from the [[Paulus Kal Fechtbuch (Cgm 1507)|Munich]] and [[Solothurner Fechtbuch (Cod.S.554)|Solothurn]] Versions</p>
Line 2,128: Line 2,141:
  
 
|-  
 
|-  
| [[File:Cgm 1507 81r.jpg|250px|center]]
+
| [[File:Cgm 1507 81r.jpg|400px|center]]
 
| <p>How you shall position yourself in the first stance in the wrestling.</p>
 
| <p>How you shall position yourself in the first stance in the wrestling.</p>
 
| {{paget|Page:Cgm 1507|81r|jpg}}
 
| {{paget|Page:Cgm 1507|81r|jpg}}
Line 2,138: Line 2,151:
  
 
|-  
 
|-  
| [[File:Cgm 1507 81v.jpg|250px|center]]
+
| [[File:Cgm 1507 81v.jpg|400px|center]]
 
| <p>The striking-off in an equal hold.</p>
 
| <p>The striking-off in an equal hold.</p>
 
| {{paget|Page:Cgm 1507|81v|jpg}}
 
| {{paget|Page:Cgm 1507|81v|jpg}}
Line 2,148: Line 2,161:
  
 
|-  
 
|-  
| [[File:Cgm 1507 82r.jpg|250px|center]]
+
| [[File:Cgm 1507 82r.jpg|400px|center]]
 
| <p>The striking-out in an equal hold.</p>
 
| <p>The striking-out in an equal hold.</p>
 
| {{paget|Page:Cgm 1507|82r|jpg}}
 
| {{paget|Page:Cgm 1507|82r|jpg}}
Line 2,158: Line 2,171:
  
 
|-  
 
|-  
| [[File:Cgm 1507 82v.jpg|250px|center]]
+
| [[File:Cgm 1507 82v.jpg|400px|center]]
 
| <p>The first hip wrestling by the neck.</p>
 
| <p>The first hip wrestling by the neck.</p>
 
| {{paget|Page:Cgm 1507|82v|jpg}}
 
| {{paget|Page:Cgm 1507|82v|jpg}}
Line 2,168: Line 2,181:
  
 
|-  
 
|-  
| [[File:Cgm 1507 83r.jpg|250px|center]]
+
| [[File:Cgm 1507 83r.jpg|400px|center]]
 
| <p>The counter over that.</p>
 
| <p>The counter over that.</p>
 
| {{paget|Page:Cgm 1507|83r|jpg}}
 
| {{paget|Page:Cgm 1507|83r|jpg}}
Line 2,178: Line 2,191:
  
 
|-  
 
|-  
| [[File:Cod.S.554 116.jpg|200px|center]]
+
| [[File:Cgm 1507 83v.jpg|400px|center]]
 
| <p>The second hip wrestling over the shoulder.</p>
 
| <p>The second hip wrestling over the shoulder.</p>
 
| {{paget|Page:Cgm 1507|83v|jpg}}
 
| {{paget|Page:Cgm 1507|83v|jpg}}
Line 2,188: Line 2,201:
  
 
|-  
 
|-  
| [[File:Cod.S.554 117.jpg|200px|center]]
+
| [[File:Cgm 1507 84r.jpg|400px|center]]
 
| <p>The counter over that.</p>
 
| <p>The counter over that.</p>
 
| {{paget|Page:Cgm 1507|84r|jpg}}
 
| {{paget|Page:Cgm 1507|84r|jpg}}
Line 2,198: Line 2,211:
  
 
|-  
 
|-  
| [[File:Cod.S.554 118.jpg|200px|center]]
+
| [[File:Cgm 1507 84v.jpg|400px|center]]
 
| <p>The third hip wrestling over the elbow and the arm locked.</p>
 
| <p>The third hip wrestling over the elbow and the arm locked.</p>
 
| {{paget|Page:Cgm 1507|84v|jpg}}
 
| {{paget|Page:Cgm 1507|84v|jpg}}
Line 2,208: Line 2,221:
  
 
|-  
 
|-  
| [[File:Cod.S.554 119.jpg|200px|center]]
+
| [[File:Cgm 1507 85r.jpg|400px|center]]
 
| <p>The counter over that.</p>
 
| <p>The counter over that.</p>
 
| {{paget|Page:Cgm 1507|85r|jpg}}
 
| {{paget|Page:Cgm 1507|85r|jpg}}
Line 2,218: Line 2,231:
  
 
|-  
 
|-  
| [[File:Cod.S.554 120.jpg|200px|center]]
+
| [[File:Cgm 1507 85v.jpg|400px|center]]
 
| <p>The fourth hip wrestling after the thigh.</p>
 
| <p>The fourth hip wrestling after the thigh.</p>
 
| {{paget|Page:Cgm 1507|85v|jpg}}
 
| {{paget|Page:Cgm 1507|85v|jpg}}
Line 2,228: Line 2,241:
  
 
|-  
 
|-  
| [[File:Cod.S.554 121.jpg|200px|center]]
+
| [[File:Cgm 1507 86r.jpg|400px|center]]
 
| <p>The counter over that.</p>
 
| <p>The counter over that.</p>
 
| {{paget|Page:Cgm 1507|86r|jpg}}
 
| {{paget|Page:Cgm 1507|86r|jpg}}
Line 2,238: Line 2,251:
  
 
|-  
 
|-  
| [[File:Cod.S.554 122.jpg|200px|center]]
+
| [[File:Cgm 1507 86v.jpg|400px|center]]
 
| <p>The slipping-through wrestling on both sides.</p>
 
| <p>The slipping-through wrestling on both sides.</p>
 
| {{paget|Page:Cgm 1507|86v|jpg}}
 
| {{paget|Page:Cgm 1507|86v|jpg}}
Line 2,248: Line 2,261:
  
 
|-  
 
|-  
| [[File:Cod.S.554 123.jpg|200px|center]]
+
| [[File:Cgm 1507 87r.jpg|400px|center]]
 
| <p>The counter against all slipping through.</p>
 
| <p>The counter against all slipping through.</p>
 
| {{paget|Page:Cgm 1507|87r|jpg}}
 
| {{paget|Page:Cgm 1507|87r|jpg}}
Line 2,258: Line 2,271:
  
 
|-  
 
|-  
| [[File:Cgm 1507 87v.jpg|250px|center]]
+
| [[File:Cgm 1507 87v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|87v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|87v|jpg|blk=1}}
Line 2,268: Line 2,281:
  
 
|-  
 
|-  
| [[File:Cgm 1507 88r.jpg|250px|center]]
+
| [[File:Cgm 1507 88r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|88r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|88r|jpg|blk=1}}
Line 2,278: Line 2,291:
  
 
|-  
 
|-  
| [[File:Cgm 1507 88v.jpg|250px|center]]
+
| [[File:Cgm 1507 88v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|88v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|88v|jpg|blk=1}}
Line 2,288: Line 2,301:
  
 
|-  
 
|-  
| [[File:Cgm 1507 89r.jpg|250px|center]]
+
| [[File:Cgm 1507 89r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|89r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|89r|jpg|blk=1}}
Line 2,298: Line 2,311:
  
 
|-  
 
|-  
| [[File:Cgm 1507 89v.jpg|250px|center]]
+
| [[File:Cgm 1507 89v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|89v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|89v|jpg|blk=1}}
Line 2,308: Line 2,321:
  
 
|-  
 
|-  
| [[File:Cgm 1507 90r.jpg|250px|center]]
+
| [[File:Cgm 1507 90r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|90r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|90r|jpg|blk=1}}
Line 2,318: Line 2,331:
  
 
|-  
 
|-  
| [[File:Cgm 1507 90v.jpg|250px|center]]
+
| [[File:Cgm 1507 90v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|90v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|90v|jpg|blk=1}}
Line 2,328: Line 2,341:
  
 
|-  
 
|-  
| [[File:Cgm 1507 91r.jpg|250px|center]]
+
| [[File:Cgm 1507 91r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|91r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|91r|jpg|blk=1}}
Line 2,338: Line 2,351:
  
 
|-  
 
|-  
| [[File:Cgm 1507 91v.jpg|250px|center]]
+
| [[File:Cgm 1507 91v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|91v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|91v|jpg|blk=1}}
Line 2,348: Line 2,361:
  
 
|-  
 
|-  
| [[File:Cgm 1507 92r.jpg|250px|center]]
+
| [[File:Cgm 1507 92r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|92r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|92r|jpg|blk=1}}
Line 2,358: Line 2,371:
  
 
|-  
 
|-  
| [[File:Cgm 1507 92v.jpg|250px|center]]
+
| [[File:Cgm 1507 92v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|92v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|92v|jpg|blk=1}}
Line 2,368: Line 2,381:
  
 
|-  
 
|-  
| [[File:Cgm 1507 93r.jpg|250px|center]]
+
| [[File:Cgm 1507 93r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|93r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|93r|jpg|blk=1}}
Line 2,378: Line 2,391:
  
 
|-  
 
|-  
| [[File:Cgm 1507 93v.jpg|250px|center]]
+
| [[File:Cgm 1507 93v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|93v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|93v|jpg|blk=1}}
Line 2,388: Line 2,401:
  
 
|-  
 
|-  
| [[File:Cgm 1507 94r.jpg|250px|center]]
+
| [[File:Cgm 1507 94r.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|94r|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|94r|jpg|blk=1}}
Line 2,398: Line 2,411:
  
 
|-  
 
|-  
| [[File:Cgm 1507 94v.jpg|250px|center]]
+
| [[File:Cgm 1507 94v.jpg|400px|center]]
 
|  
 
|  
 
| {{paget|Page:Cgm 1507|94v|jpg|blk=1}}
 
| {{paget|Page:Cgm 1507|94v|jpg|blk=1}}
Line 2,408: Line 2,421:
  
 
|-  
 
|-  
| [[File:Cgm 1507 95r.jpg|250px|center]]
+
| class="noline" | [[File:Cgm 1507 95r.jpg|400px|center]]
|  
+
| class="noline" |  
| {{paget|Page:Cgm 1507|95r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:Cgm 1507|95r|jpg|blk=1}}
| {{paget|Page:MS 1825|44r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS 1825|44r|jpg|blk=1}}
| {{paget|Page:MS KK5126|100r|jpg|blk=1}}
+
| class="noline" | {{paget|Page:MS KK5126|100r|jpg|blk=1}}
|  
+
| class="noline" |  
|  
+
| class="noline" |  
|  
+
| class="noline" |  
  
 
|}
 
|}
Line 2,495: Line 2,508:
 
== Additional Resources ==
 
== Additional Resources ==
  
* [[Jeffrey Hull|Hull, Jeffrey]], with [[Monika Maziarz|Maziarz, Monika]] and [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''Knightly Dueling: The Fighting Arts of German Chivalry''. Boulder, CO: [[Paladin Press]], 2007. ISBN 1-58160-674-4
+
* [[Jeffrey Hull|Hull, Jeffrey]], with [[Monika Maziarz|Maziarz, Monika]] and [[Grzegorz Żabiński|Żabiński, Grzegorz]]. ''[http://www.academia.edu/1035644/Knightly_Dueling_the_Fighting_Arts_of_German_Chivalry Knightly Dueling: The Fighting Arts of German Chivalry]''. Boulder, CO: [[Paladin Press]], 2007. ISBN 1-58160-674-4
 
* Studer, Charles. ''Das Solothurner Fechtbuch''. [[Zentralbibliothek Solothurn]], 1989.
 
* Studer, Charles. ''Das Solothurner Fechtbuch''. [[Zentralbibliothek Solothurn]], 1989.
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Saint George's Name: An Anthology of Medieval German Fighting Arts''. Wheaton, IL: [[Freelance Academy Press]], 2010. ISBN 978-0-9825911-1-6
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal''. Highland Village, TX: [[Chivalry Bookshelf]], 2006. ISBN 978-1-891448-25-0
 
* [[Christian Henry Tobler|Tobler, Christian Henry]]. ''In Service of the Duke: The 15th Century Fighting Treatise of Paulus Kal''. Highland Village, TX: [[Chivalry Bookshelf]], 2006. ISBN 978-1-891448-25-0
 +
* [[Rainer Welle|Welle, Rainer]]. ''"…und wisse das alle höbischeit kompt von deme ringen". Der Ringkampf als adelige Kunst im 15. und 16. Jahrhundert.'' Pfaffenweiler: Centaurus-Verlagsgesellschaft, 1993. ISBN 3-89085-755-8
  
 
== References ==
 
== References ==
Line 2,521: Line 2,535:
 
[[Category:Pole Weapons]]
 
[[Category:Pole Weapons]]
 
[[Category:Sword and Buckler]]
 
[[Category:Sword and Buckler]]
 +
 +
[[Category:New format]]

Revision as of 15:06, 2 July 2020

Paulus Kal
Born ca.1420s
Dingolfing, Germany
Died after 1485
Occupation
Patron
  • Ludwig IV "the Gentle"
  • Ludwig IX "the Rich"
  • Sigismund of Austria
Movement Fellowship of Liechtenauer
Influences
Influenced Peter Falkner (?)
Genres
Language Early New High German
Archetype(s)
Manuscript(s)
First printed
english edition
Tobler, 2006
Concordance by Michael Chidester
Translations
Paulus Kal's heraldry

Paulus Kal was a 15th century German fencing master. He wrote that he studied martial arts under Hans Stettner von Mörnsheim, and was an initiate of the tradition of Johannes Liechtenauer. He was also attached as Schirrmeister to three different courts in his career, serving in various military capacities including commanding men in at least three campaigns.[1] Perhaps his most significant legacy is an honor role of masters which he styled the Fellowship of Liechtenauer (Geselschaft Liechtenauers). While many of these masters remain unknown, the several wrote treatises of their own and Kal's list stands as an independent confirmation of their connection to the grand master. Kal's treatise is also of interest in that it represents the oldest attempt to illustrate portions of Liechtenauer's Recital (Zettel).

Little is known of Kal's early life, but from 1440 to ca. 1449 he served Ludwig IV "the Gentle" of Wittelsbach, Count Palatine of the Rhine. In 1448, while in the Elector's service he participated in the defense Nuremberg, commanding a unit of wheel cannons below the gates.[2] The Nuremberg Council notes from 17 March 1449 mention that he had broken the peace of the city at that time by drawing his weapons.[2]

Kal entered the service of Ludwig IX "the Rich" of Wittelsbach, Duke of Bavaria-Landshut, on 29 September 1450.[1] In 1461, he is mentioned commanding a unit of 12 marksmen.[2] From 1465 to 1475, he seems to have also maintained a secondary occupation as a toll collector in Dingolfing.[2] In November 1468, he participated in military actions on the castle Saldenburg, which was successfully taken on 4 December.[2] Kal is listed as a guest at the wedding of Ludwig's son Georg,[2] and continued in the duke's service until his death on 18 January 1479. Paulus Kal created two manuscripts of his treatise while in the service of Ludwig IX, an uncaptioned version as well as a more elaborate presentation copy including brief explanations in German for most devices (including fragments of Liechtenauer's Recital).

On 12 February 1480, Paulus Kal entered the service of Sigismund of the House of Hapsburg, Archduke of Austria and Tyrol.[1] Kal acted as one of the archduke's witnesses at a number of interrogations held on 17 October 1485 in Innsbruck, related to the witch trials being conducted by Heinrich Kramer at that time.[2] This is the final time that Kal's name has been located in historical records. Several copies of Kal's treatise were created during the 1480s and 90s, but the only one which shows any probability of Kal's personal involvement is the extensive MS KK5126.

Treatise

In total, Paulus Kal's teachings are preserved in at least seven manuscripts written between 1460 and 1514. Aside from the three already mentioned, two other extensive, text-less copies also exist (the Gotha version, copied from the Bologna, and the Solothurn version, copied from an unknown source). A sixth version was sold at auction in Italy during the 20th century as individual leaves; this copy contains unintelligible single-word captions[3] and was likely based on either the Bologna or Vienna; another single leaf, roughly coeval with Solothurn, appeared at a rare book dealer in 2019, but the whereabouts of the rest of the manuscript are unknown. The five substantial versions are listed in the concordance below, though only the Munich accompanies its illustrations with text. This concordance also includes the separate, unillustrated poleaxe and longshield advice from the Vienna version, which largely matched the illustrations (though it's unknown whether it was intended for that purpose).

Paulus Hector Mair included content based on Kal's work in several sections of the Munich and Vienna versions of his Opus Amplissimum de Arte Athletica. Rather than using Kal's descriptions (if the copy he used had them), Mair wrote his own extensive commentary on the illustrations. The precise set of illustrations Mair drew upon do not appear in any of the extant manuscripts, which may signify that he used yet another copy of Kal's work which has since been lost. Because Mair's version represents substantial original work, it is listed on his page rather than being incorporated into the concordance here.

Additional Resources

References

  1. 1.0 1.1 1.2 Rainer Welle. "…und wisse das alle höbischeit kompt von deme ringen. Der Ringkampf als adelige Kunst im 15. Und 16. Jahrhundert. Eine sozialhistorische und bewegungsbiographische Interpretation aufgrund der handschriften und gedruckten Ringlehren des Spätmittelalters." Forum für Sozialgeschichte 4. Pfaffenweiler, 1993. pp 243-253.
  2. 2.0 2.1 2.2 2.3 2.4 2.5 2.6 Jens P. Kleinau. Paulus Kal, a Schirrmeister. Hans Talhoffer ~ A Historical Martial Arts blog by Jens P. Kleinau, 2011. Retrieved 17 August 2015.
  3. Possibly abbreviated phrases from Latin or Italian.
  4. It is unclear whether Paulus Kal left behind any staff treatises, but this indicates a clear connection between staff and pollaxe fighting.
  5. This looks something like the reissen in Messer.
  6. Hang likely means to push the shaft through with your rear hand, suspending the head of the axe in front of you.
  7. Ansetzen.
  8. Original appears to be nonsensical. With some consultation this is about as clear a translation I came across.
  9. “suech den vnttern rist”
  10. Presumably since you are only acting as though you will parry, you are voiding, which could expose the armpit etc.
  11. Impalement is implied, probably with the queue.
  12. The point standing upwards happens to be the queue in this play, but likely does not matter.
  13. Hildebrand’s Cut is described by Paurenfeyndt as a parry which allows the opponent’s attack to slide downward off the weapon and to the side.
  14. “Indes” - most likely not in the fencing sense but used as it commonly is.