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Difference between revisions of "Paulus Hector Mair/Image comparison"

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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
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! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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| [[File:Cod.10825 068v.png|600px|center]]
 
| [[File:Cod.10825 068v.png|600px|center]]
 
|  
 
|  
 
 
  
 
|}
 
|}
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{{master begin
 
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}}
  
{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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| [[File:Cod.10825 103v.png|600px|center]]
 
| [[File:Cod.10825 103v.png|600px|center]]
 
| [[File:Cod.icon. 393 I 106v.jpg|600px|center]]
 
| [[File:Cod.icon. 393 I 106v.jpg|600px|center]]
 
  
 
|-  
 
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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
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! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
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! <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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| [[File:Cod.icon. 393 I 174r.jpg|x443px|center]]
 
| [[File:Cod.icon. 393 I 174r.jpg|x443px|center]]
 
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|}
 
  
 
|-  
 
|-  
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{{master begin
 
{{master begin
 
  | title = Halberd
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|C}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
+
! <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Jason Taylor]]</p>
+
! <p>{{rating|C}}<br/>by [[Jason Taylor]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Reinier van  Noort]]</p>
+
! <p>{{rating|C}}<br/>by [[Reinier van  Noort]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
+
! <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|B}}<br/>by [[Reinier van Noort]]and [[Saskia Roselaar]]</p>
+
! <p>{{rating|B}}<br/>by [[Reinier van Noort]]and [[Saskia Roselaar]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Kendra Brown]], [[Rebecca Garber]], [[Mark Millman]],<br/>[[Jon Reynolds]], and [[Amy West]]</p>
+
! <p>{{rating|C}}<br/>by [[Kendra Brown]], [[Rebecca Garber]], [[Mark Millman]],<br/>[[Jon Reynolds]], and [[Amy West]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Images]] (1550s) </p>
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| [[File:Cod.10825 197r.png|600px|center]]
 
| [[File:Cod.10825 197r.png|600px|center]]
 
| [[File:Cod.icon. 393 II 010r.jpg|600px|center]]
 
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|-  
 
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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
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! <p>{{rating|B}}<br/>by [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
+
! <p>{{rating|C}}<br/>by [[Eric Mains]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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| [[File:Cod.10826 119v.png|600px|center]]
 
| [[File:Cod.10826 119v.png|600px|center]]
 
| [[File:Cod.icon. 393 I 184v.jpg|600px|center]]
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|C}}<br/>by [[Keith P. Myers]] and [[Per Magnus Haaland]]</p>
+
! <p>{{rating|C}}<br/>by [[Keith P. Myers]] and [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master begin
 
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|c}}<br/>by [[Per Magnus Haaland]]</p>
+
! <p>{{rating|c}}<br/>by [[Per Magnus Haaland]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master end}}
 
{{master end}}
  
== gfdsgsd ==
+
== Temporary break ==
  
 
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{{master begin
 
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  | title = Mounted fencing
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating}}<br/></p>
+
! <p>{{rating}}<br/></p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master end}}
 
{{master end}}
  
== hdfs ==
+
== Temporary break ==
  
 
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{{master begin
 
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{| class="floated imaster"
+
{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating}}<br/></p>
+
! <p>{{rating}}<br/></p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden II Images]] (1540s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna II Images]] (1550s) </p>
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{{master end}}
 
{{master end}}
  
== gdsffs ==
+
== Temporary break ==
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{| class="floated imaster"
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{| class="imaster"
 
|-  
 
|-  
! id="thin" | <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
+
! <p>{{rating|start}}<br/>by [[Keith P. Myers]]</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook]] (1530s-40s)</p>

Latest revision as of 18:53, 9 June 2020

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References

  1. German text says right
  2. The illustration suggests that this action should be done to your left side, rather than to your right.
  3. Literally: put
  4. Literally: pull back the left foot
  5. German: his
  6. German: grab with your left hand from below outside over his right arm
  7. Note: Change of grip required, or the illustration does not match.
  8. Dagger transfer necessary at this point.
  9. Note: person on left side starts with the dagger in the left hand according to the illustration.
  10. Note: push down, not out
  11. Arbait - technical term: work, force, struggle
  12. Vienna and Munich MS Latin: right.
  13. Latin: snatch up.
  14. Note: the illustration shows ice-pick grip.
  15. May not represent the changing though described.
  16. Note illustration shows ice-pick grip.
  17. Note: left is corrected from a right. Left is correct.
  18. This seems to imply both parallel action and simultaneity.
  19. Reib - strong twisting, bending, rotating motion.
  20. Image shows left.
  21. From the inner side.
  22. From the Latin text
  23. Correct from underich.
  24. Could also mean immediately
  25. zucken; Latin – to withdraw
  26. Only in the Latin.
  27. Inn - unclear whether directional or locational.
  28. The one in the left hand?
  29. Only in the Latin.
  30. ge..nen/ge..ch?; tibia in Latin
  31. weakness, hardship, trouble, difficulty, vulnerability, out of balance
  32. Possible abbreviation of gegen – geg.
  33. A variant on the o-goshi in judo.
  34. A technique for putting the opponent down head first with his feet in the air.
  35. 35.0 35.1 Choosing to read this as equivalent to modern German einengen. “Trapped” as a translation for eineinden follows from this choice. Buyer beware.
  36. Dagger transfer necessary at this point.
  37. Note: person on left side starts with the dagger in the left hand according to the illustration.
  38. Latin: snatch up.
  39. Could also mean immediately
  40. zucken; Latin – to withdraw
  41. The one in the left hand?