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! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.93)}}<br/>by [[Julia Gräf]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.93)}}<br/>by [[Julia Gräf]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [German] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}<br/>by [[Dieter Bachmann]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [German] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}<br/>by [[Dieter Bachmann]]</p>
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! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [Latin] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [Latin] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
 
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook Transcription]] (1540s){{edit index|Jörg Breu Draftbook (Cod.I.6.2º.4)}}</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook Transcription]] (1540s){{edit index|Jörg Breu Draftbook (Cod.I.6.2º.4)}}</p>
  
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'''To the''' honour-loving custom of the knightly sport did the Roman emperor ''Henry'', the first of this name, wish to dedicate himself and lend support with all his appetite and desire, so that it would not decay, with the good and timely counsel of his princes and other lords. And he did establish the praiseworthy knightly sport of the tourney in the year 938 with the counsel of his princes and lords, adorned with twelve praiseworthy, honourable and Christian articles, so as to conserve honour, virtue and honesty in the Holy Empire of the German Nation. In this manner that none among the nobility, princes or counts, might participate in the knightly sport of the tourney if they violated the said twelve articles. Whoever did so was made the mockery of all princes, lords and ladies, put on the barriers, denuded of horse, weapons and armour, and publicly proclaimed a villain by the heralds, so that the princes, lords and noblemen were incited to good virtues and avoided many great vices.
 
'''To the''' honour-loving custom of the knightly sport did the Roman emperor ''Henry'', the first of this name, wish to dedicate himself and lend support with all his appetite and desire, so that it would not decay, with the good and timely counsel of his princes and other lords. And he did establish the praiseworthy knightly sport of the tourney in the year 938 with the counsel of his princes and lords, adorned with twelve praiseworthy, honourable and Christian articles, so as to conserve honour, virtue and honesty in the Holy Empire of the German Nation. In this manner that none among the nobility, princes or counts, might participate in the knightly sport of the tourney if they violated the said twelve articles. Whoever did so was made the mockery of all princes, lords and ladies, put on the barriers, denuded of horse, weapons and armour, and publicly proclaimed a villain by the heralds, so that the princes, lords and noblemen were incited to good virtues and avoided many great vices.
 
'''The''' said twelve articles were set down in great earnest by the emperor and the princes of the holy empire, and recited orally. The first was recited by the emperor himself, [i.e.] whoso blasphemes the Christian faith and the holy Trinity or despoils and weakens the church of Christ. [The second by] the count Palatine: whoso treacherously acts against any proscription or prohibition of the emperor's. [The third by] the duke of Swabia: whoso dishonours or weakens ladies or virgins. [The fourth by] the duke of Bavaria: whoso is recognized as in breach of treaty, in perjury or dishonour. [The fifth by] the duke of Franconia, whoso betrays his own lord and deserts him. And so on by other lords beside: [6th] whoso slays his bed-fellow or instigates manslaughter; [7th] whoso despoils churches or hermitages, widows or orphans by threat of violence; [8th] whoso harries, pillages or feuds with another without declaration or proper claim. [9th] whoso would change or alter the law and order of the empire and cause unrest in the streets; [10th] whoso breaches his own or another's honour. [11th] Whoso is of noble birth but does not maintain his noble state by his pensions, revenue and liege's guerdon but instead involves himself with merchant's trade and usury. [12th] that none [may participate] unless he is of right noble birth on the part of [all] his four grandfathers and grandmothers. All these, blemished by such vices, must avoid the highly honourable knightly sport of the tourney and fully excluded on pains of severe penalty. At all times at each tourney, of which the first was held in the year 938 in Magdeburg and the last in the year 1487 in Worms, numbering thirty-six,<ref name="Ruxner">Mair's source is the ''Turnierbuch'' of Georg Rüxner (c. 1490), edited in Augsburg by Marx Würsung (1518). Rüxner describes a series of 36 "imperial tournaments" (''Reichs-Turniere'') between 938 and 1487, beginning with a legendary tournament held in Magdeburg during what Rüxner makes out as the reign of Henry I the Fowler.</ref> there attended the highest-born and most noble princesses, countesses and baronesses, in the state of wife, virgin or widow, who helped inspect helmets and coats-of-arms, observe[?], present treasures and prizes, gave thanks and honour[?] and held dances, all of this invented and performed for the preservation of honour and virtue.
 
 
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| <p>'''The''' said twelve articles were set down in great earnest by the emperor and the princes of the holy empire, and recited orally. The first was recited by the emperor himself, [i.e.] whoso blasphemes the Christian faith and the holy Trinity or despoils and weakens the church of Christ. [The second by] the count Palatine: whoso treacherously acts against any proscription or prohibition of the emperor's. [The third by] the duke of Swabia: whoso dishonours or weakens ladies or virgins. [The fourth by] the duke of Bavaria: whoso is recognized as in breach of treaty, in perjury or dishonour. [The fifth by] the duke of Franconia, whoso betrays his own lord and deserts him. And so on by other lords beside: [6th] whoso slays his bed-fellow or instigates manslaughter; [7th] whoso despoils churches or hermitages, widows or orphans by threat of violence; [8th] whoso harries, pillages or feuds with another without declaration or proper claim. [9th] whoso would change or alter the law and order of the empire and cause unrest in the streets; [10th] whoso breaches his own or another's honour. [11th] Whoso is of noble birth but does not maintain his noble state by his pensions, revenue and liege's guerdon but instead involves himself with merchant's trade and usury. [12th] that none [may participate] unless he is of right noble birth on the part of [all] his four grandfathers and grandmothers. All these, blemished by such vices, must avoid the highly honourable knightly sport of the tourney and fully excluded on pains of severe penalty. At all times at each tourney, of which the first was held in the year 938 in Magdeburg and the last in the year 1487 in Worms, numbering thirty-six,<ref name="Ruxner">Mair's source is the ''Turnierbuch'' of Georg Rüxner (c. 1490), edited in Augsburg by Marx Würsung (1518). Rüxner describes a series of 36 "imperial tournaments" (''Reichs-Turniere'') between 938 and 1487, beginning with a legendary tournament held in Magdeburg during what Rüxner makes out as the reign of Henry I the Fowler.</ref> there attended the highest-born and most noble princesses, countesses and baronesses, in the state of wife, virgin or widow, who helped inspect helmets and coats-of-arms, observe[?], present treasures and prizes, gave thanks and honour[?] and held dances, all of this invented and performed for the preservation of honour and virtue.</p>
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! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.93)}}<br/>by [[Julia Gräf]]and [[Ingo Petri]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|Dresden I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (MS Dresd.C.93)}}<br/>by [[Julia Gräf]]and [[Ingo Petri]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [German] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}<br/>by [[Michael Chidester]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [German] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}<br/>by [[Michael Chidester]]</p>
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! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [Latin] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}<br/>by [[Michael Chidester]]</p>
 
! <p>[[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Vienna I Transcription]] [Latin] (1550s){{edit index|Opus Amplissimum de Arte Athletica (Cod.10825)}}<br/>by [[Michael Chidester]]</p>
! <p>[[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Munich I Transcription]] (1540s){{edit index|Opus Amplissimum de Arte Athletica (Cod.icon. 393 I)}}</p>
 
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook Transcription]] (1540s){{edit index|Jörg Breu Draftbook (Cod.I.6.2º.4)}}</p>
 
! <p>[[Jörg Breu Draftbook (Cod.I.6.2º.4)|Draftbook Transcription]] (1540s){{edit index|Jörg Breu Draftbook (Cod.I.6.2º.4)}}</p>
  
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Revision as of 06:02, 22 November 2018

Paulus Hector Mair

"Mair", Cod.icon. 312b f 64r
Born 1517
Augsburg, Germany
Died 10 Dec 1579 (age 62)
Augsburg, Germany
Occupation
  • Civil servant
  • Historian
Movement
Influences
Genres
Language
Manuscript(s)
First printed
english edition
Knight and Hunt, 2008
Concordance by Michael Chidester
Translations Traduction française
Signature Paulus Hector Mair Sig.png

Paulus Hector Mair (Paulsen Hektor Mair, Paulus Hector Meyer; 1517 – 1579) was a 16th century German aristocrat, civil servant, and fencer. He was born in 1517 to a wealthy and influential Augsburg patrician family. In his youth, he likely received training in fencing and grappling from the masters of Augsburg fencing guild, and early on developed a deep fascination with fencing treatises. He began his civil service as a secretary to the Augsburg City Council; by 1541, Mair was the City Treasurer, and in 1545 he also took on the office of Master of Rations.

Mair's martial background is unknown, but as a citizen of a free city he would have had military obligations whenever the city went to war, and as a member of a patrician family he likely served in the cavalry. He was also an avid collector of fencing treatises and other literature on military history. Like his contemporary Joachim Meÿer, Mair believed that the Medieval martial arts were being forgotten, and he saw this as a tragedy, idealizing the arts of fencing as a civilizing and character-building influence on men. Where Meÿer sought to update the traditional fencing systems and apply them to contemporary weapons of war and defense, Mair was more interested in preserving historical teachings intact. Thus, some time in the latter part of the 1540s he commissioned what would become the most extensive compendium of German fencing treatises ever made, a massive two-volume manuscript compiling virtually every fencing treatise he could access. He retained Jörg Breu the Younger to create the illustrations for the text,[1] and hired two Augsburg fencers to pose for the illustrations.[2] This project was extraordinarily expensive and took at least four years to complete. Ultimately, three copies of this compendium were produced, each more extensive than the last; the first (MSS Dresden C.93/C.94) was written in Early New High German, the second and most artistically ambitious (Cod.icon. 393) in New Latin, and the rougher third version (Cod. 10825/10826) incorporated both languages.

Beginning in the 1540s, Mair began purchasing older fencing manuscripts, some from fellow collector Lienhart Sollinger (a Freifechter who lived in Augsburg for many years) and others from auctions. Perhaps most significant of all of his acquisitions was the partially-completed treatise of Antonius Rast, a Master of the Long Sword and three-time Captain of the Marxbrüder fencing guild. The venerable master left it incomplete when he died in 1549, and Mair ultimately produced a complete fencing manual (Reichsstadt "Schätze" Nr. 82) based on his notes. Ultimately, he owned over a dozen fencing manuscripts over the course of his life, including the following:

He also used several printed books as source material for his compendia, and presumably owned copies, including Der Altenn Fechter anfengliche kunst (compiled by Christian Egenolff), Opera Nova by Achille Marozzo, and Ringer Kunst by Fabian von Auerswald.

Mair not only spent incredible sums of money on his fencing interests, but generally lead a lavish lifestyle and maintained his political influence with expensive parties and other entertainments for the burghers and patricians of Augsburg. This habit of living far beyond his means for decades exhausted his family's wealth, eventually leading him to sell the Latin version of his fencing manuscript (netting the princely sum of 800 florins) and finally to begin embezzling money from the Augsburg city coffers. This embezzlement was not discovered for many years (or perhaps was overlooked due to the favor his parties garnered), until finally in 1579 a disgruntled assistant reported him to the Augsburg City Council and provoked an audit of his books. Mair was arrested, tried, and hanged as a thief at the age of 62. After Mair's death, his effects (including his library) were sold at auction to recoup some of the funds he had embezzled.

Whether viewed as an unwise scholar who paid the ultimate price for his art or an ignoble thief who violated his city's trust, Mair remains one of the most influential figures in the history of Kunst des Fechtens. By completing the fencing manual of Antonius Rast, Mair gave us valuable insight into the Nuremberg fencing tradition; his own works are impressive on both an artistic and practical level, and his extensive commentary on the uncaptioned treatises in his collection serves to make potentially useful training aids out of what would otherwise be mere curiosities. Finally, in purchasing so many important fencing treatises he succeeded in preserving them for future generations; they were purchased by the fabulously wealthy Fugger family after his death and ultimately passed to the Augsburg University Library, where they remain to this day.

Treatise

Much of Mair's content represents his revision and expansion of the older treatises listed above, including adding descriptive content to uncaptioned images. Where available, these images are displayed in the left-most column, labeled "Source Images", for comparison purposes. Mair's own illustrations appear in the second image column.

The Dresden version contains the fewest devices, and appears therefore to be the original copy. The Munich adds additional plays and sections on top of the Dresden's contents, and the Vienna likewise augments the Munich, suggesting that this is likely order of creation. To give a visual sense of the varying contents, the Dresden illustrations are used wherever possible; the Munich illustrations appear only in those plays that are omitted from the Dresden, and the Vienna in those that are unique to that work. (The exception to this rule is the the grappling section, in which the Munich scans show tighter-fitting clothes and therefore make the techniques easier to follow.)