Wiktenauer logo.png

Difference between revisions of "Main Page"

From Wiktenauer
Jump to navigation Jump to search
 
(45 intermediate revisions by 2 users not shown)
Line 1: Line 1:
{| style="background:#f6f6f6; border:1px solid #ccc; margin-bottom:12px; padding:0.3em; width:100%;"
+
<!--------------------------------------------
| style="min-width:55%; text-align:center;" | <h1 style="padding:0.1em; margin-bottom:0.1em;">{{nowrap|Welcome to the Wiktenauer!}}</h1>The world's largest library of [[Historical European Martial Arts]] books and manuscripts
+
                WELCOME
| style="width:10%;" |  
+
--------------------------------------------->
| style="font-size:90%; line-height:110%;" | ''Without books no one can be a good teacher nor even a good student of this art.''<br/ style="margin-bottom:0.5em;"><span style="margin-left:2em;">~ Master [[Fiore de'i Liberi]], ca. 1405</span>
+
<div style="background:#f9f9f9; border:1px solid #ddd; -moz-box-shadow: 0 1px 3px rgba(0, 0, 0, 0.35); -webkit-box-shadow: 0 1px 3px rgba(0, 0, 0, 0.35); box-shadow: 0 1px 3px rgba(0, 0, 0, 0.35); -moz-border-radius: 7px; -webkit-border-radius: 7px; border-radius: 7px; background: -moz-linear-gradient(top, #fff 75%, #f9f9f9 100%); background: -webkit-gradient(linear, left top, left bottom, color-stop(75%,#fff), color-stop(100%,#f9f9f9)); background: -webkit-linear-gradient(top, #fff 75%,#f9f9f9 100%); background: -o-linear-gradient(top, #fff 75%,#f9f9f9 100%); background: -ms-linear-gradient(top, #fff 75%,#f9f9f9 100%); background: linear-gradient(top, #fff 75%,#fff 100%); height:auto; padding-left:10px; padding-right:10px; padding-bottom:5px; padding-top:5px; margin-left:auto; margin-right:auto; margin-bottom:6px; width:90%; min-width:50em;">
 +
{| style="margin-bottom:.2em; width:100%;"
 +
| style="width:51%; text-align:center;" | <h1 style="padding:0.2em; margin: 0 0 0.2em 0; color:#343A47; font-size:225%;">Welcome&nbsp;to&nbsp;the&nbsp;Wiktenauer!</h1>The free library of [[Historical European Martial Arts]] books and manuscripts
 +
| style="width: 7%;" |  
 +
| style="width:42%; font-size:90%; line-height:150%;" |  
 +
<div style="float:center; margin:0 auto 0 auto;">
 +
''Without books no one can be a good teacher nor even a good student of this art.''<br/ style="margin-bottom:0.5em;"><span style="margin-left:1em;">~ Master [[Fiore de'i Liberi|Fiore Furlano de’i Liberi]], ca. 1405</span>
 +
</div>
 
|}
 
|}
Wiktenauer's mission is to collect all of the primary and secondary source literature that makes up the text of historical European martial arts research and to organize and present it in a scholarly but accessible format. The Wiktenauer project is funded by the [[Historical European Martial Arts Alliance]] and supported by researchers and practitioners from across the Western martial arts community. It is named for [[Johannes Liechtenauer]], grand master of the oldest known longsword fencing style; his tradition was also the best-documented of the early Modern era, the subject of many dozens of manuscripts and books during a period stretching from ca. 1389 to 1713. Here are a few basic categories of pages that are being constructed:
+
</div>
 
+
<div style="margin:0 auto 0 auto; padding:1em; clear:both; width:90%; min-width:50em;">
* '''Master Pages''' host biographical information about each master, as well as the transcription and translation of his complete works. In cases of multiple copies of a master's work, the transcriptions are laid out side-by-side to facilitate the most accurate translation possible. To aid in interpretation, the writings will also be illustrated with images from the masters' work as available. A bibliography at the end of each page lists additional transcriptions, translations, and scans that are available in print. The exemplar for this category of pages is [[Fiore de'i Liberi]]. Ultimately, every master in all of the traditions of Western Martial Arts will have a dedicated page.
+
{{Wiktenauer:About}}
* '''Treatise Pages''' host all relevant data on a book or manuscript, including description, provenance, table of contents (with links to the appropriate master pages), gallery of page scans, and bibliography of additional print resources. The exemplar for manuscripts is the [[Goliath (MS Germ.Quart.2020)|Goliath Fechtbuch]], while the exemplar for printed books is ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]''. Ultimately, every text in the corpus of Historical European Martial Arts literature will have a dedicated page.
+
</div>
* '''Technique Pages''' compile all of the relevant information from all of the relevant manuals on a particular technique, including transcriptions, translations, and images. There is also a section at the end of each page where groups may embed videos of their interpretations. The template for techniques is the [[Zornhaw]]. Ultimately, every technique mentioned in the manuals will have a dedicated page.
+
<!--------------------------------------------
* '''Weapon Pages''' provide information about how a specific weapon form is described and used in the treatises, data on surviving artifacts, an overview of archaeological research pertinent to a given weapon, and a comprehensive index of the treatises and writers that discuss each weapon.
+
                FIRST COLUMN
 
+
--------------------------------------------->
The wiki also features pages for HEMA groups, pages for HEMA events, general information pages, and almost other topic of interest to the HEMA community you can think of. If you'd like to pitch in, simply request an account and consult [[How can I help?]]
+
<div style="box-sizing:border-box; float:left; width:50%; min-width:26.25em; padding:0 5px 0 5px;">
 
+
{{Main Page/Frame
{| style="width: 100%; margin:12px 0px 12px 0px; background:none; border-spacing: 0px;"
+
| color      = 3b5998
| class="MainPageBG" style="width:45%; border:1px solid #cedff2; background:#f5faff; vertical-align:top;"|
+
| title      = Announcements
{| style="width:100%; vertical-align:top; background:#f5faff;"
+
| content    = {{#lst:Wiktenauer:Blog|current}}
! style="padding:2px;" | <h3 style="margin:3px; background:#cedff2; border:1px solid #a3b0bf; text-align:left; color:#000; padding:0.2em 0.4em;">Recent Feature Additions</h3>
 
|-
 
| style="color:#000; padding:2px 5px 5px;" |
 
We've begun a major overhaul of the way the wiki stores information which should make article updates easier and possibly allow us to do some interesting stuff programmatically in the future. All transcriptions will be moved off of the master pages (or manual pages, in a few places) and shunted into their own dedicated pages from which they will be transcluded back into their previous locations. Which is a complicated way of saying that we'll be creating a single page for each transcription and then displaying pieces of that page wherever we need them. This is what we should have done in the first place, but I didn't this was possible back then (for all I know, it might not have been—that was four versions of Mediawiki ago) and we didn't have the right extensions installed even if I did.
 
 
 
The ultimate goal is to arrive at a point where the only content on a page is the English-language material (we'll visit the idea of moving translations onto their own pages at a later date), which will not only serve to make the code easier to read and edit, but will also make the translation engine more useful since it won't have to grapple with the transcription text when marking up a page. (Hopefully my long-suffering Spanish translators haven't lost interest after all this time that I've spent trying to get the wiki to a state where it can work for them.)
 
 
 
For a detailed explanation of how this system works, see the [[Wiktenauer:Tutorial]]. Since Goliath and Fiore dei Liberi are our exemplar pages for their respective categories, they get the treatment first and I've been using them to test out and tweak the model. After them, we'll be rolling through on a treatise-by-treatise basis, creating transcription pages and then updating master pages when all the content is in place.
 
 
 
Here's where you come in. This is a huge undertaking and will essentially usher Wiktenauer into its third major incarnation. Doing it by myself (yes, I've been using the royal plural throughout this note since it's just me working on it), this will take several months and won't be completed on any deadline. Gone are the days when I could put in 50, 60, 70 hours a week working on this. If it's going to happen soon, I'll need volunteers. This isn't difficult or technical work for the most part—I can walk someone through the process in just a few minutes—but it will consist of a lot of copypasta and repetition. (I usually watch movies while doing it to stay focused.)
 
 
 
(Alternatively, if you're good at that sort of thing and can develop an automated scenario for extracting and reformatting this content, I'd be very interested to hear about it. At the moment, the only automation I'm planning on is converting HTML to Wiki Markup Language for the transcriptions where I can get the source code.)
 
 
 
People often ask me how I learned so much about treatises, but there's no mysterious answer; this is how, looking at manuscripts for hours and hours (in my case, I'd guess I've spent somewhere above 6,000 hours) and seeing all the ways they fit together. Here's your chance to do a little of the same. Contact me here or elsewhere if you can help, and we'll talk about setting you up with a master or treatise that interests you (it's all got to get done, so why not start with something you like?).
 
 
 
~ [[user:Michael Chidester|Michael Chidester]] <sup>([[user talk:Michael Chidester|Contact]])</sup> 01:43, 23 August 2013 (UTC)
 
|}
 
| style="border:1px solid transparent;" |
 
| class="MainPageBG" style="width:55%; border:1px solid #fad67d; background:#faf6ed; vertical-align:top; color:#000;" |
 
{| style="width:100%; vertical-align:top; background:#faf6ed;"
 
! style="padding:2px;" | <h3 style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">What's New?</h3>
 
|-
 
| style="color:#000; padding:2px 5px 5px;" |
 
{{Infobox medieval text
 
<!-----------Name---------->
 
| name                  = Gloss and Interpretation of<br/>the Record of the Long Sword
 
| alternative title(s)  = die gloss und die auslegung der zettel des langen schwert
 
<!----------Image---------->
 
| image                =
 
| width                =
 
| caption              =
 
<!----------Information---------->
 
| full title            =
 
| also known as        =
 
| author(s)            = Unknown
 
| ascribed to          = [[name::Pseudo-Peter von Danzig]]
 
| compiled by          =
 
| illustrated by        = Unknown
 
| patron                =
 
| dedicated to          =
 
| audience              =
 
| language              = [[language::Early New High German]]
 
| date                  = before 1452
 
| state of existence    =
 
<!----------Manuscript Information---------->
 
| genre                = {{plainlist | [[Fencing manual]] | [[Wrestling manual]] }}
 
| series                =
 
| archetype(s)          = Hypothetical
 
| manuscript(s)        = {{Collapsible list
 
  | title      = List of manuscripts
 
  | 1          = [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]] (1452)
 
  | 2          = [[Codex Lew (Cod.I.6.4º.3)|Codex I.6.4º.3]] (1450s)
 
  | 3          = [[Paulus Kal Fechtbuch (MS KK5126)|MS KK5126]] (1480s)
 
  | 4          = [[Codex Speyer (MS M.I.29)|MS M.I.29]] (1491)
 
  | 5          = [[OPLODIDASKALIA sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|MS 26-232]] (1512)
 
  | 6          = [[Goliath (MS Germ.Quart.2020)|MS German Quarto 2020]] (1510-20)
 
  | 7          = [[Opus Amplissimum de Arte Athletica (MSS Dresd.C.93/C.94)|MSS Dresden C.93/94]] (1542)
 
  | 8          = [[Opus Amplissimum de Arte Athletica (Cod.10825/10826)|Codex 10825/10826]] (1550s)
 
  | 9          = [[Opus Amplissimum de Arte Athletica (Cod.icon. 393)|Codex Icon 393]] (1550s)
 
  | 10        = [[Rast Fechtbuch (Reichsstadt "Schätze" Nr. 82)|Reichsstadt Nr. 82]] (1553)
 
  | 11        = [[Lienhart Sollinger Fechtbuch (Cgm 3712)|Cgm 3712]] (1556)
 
  | 12        = [[Hutter/Sollinger Fechtbuch (Cod.I.6.2º.2)|Codex I.6.2º.2]] (1564)
 
  | 13        = [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|MS Varia 82]] (1570)
 
 
}}
 
}}
| principal manuscript(s)=
+
</div>
| first printed edition = [[Christian Henry Tobler|Tobler]], 2010
+
<!--------------------------------------------
| wiktenauer compilation by=[[Michael Chidester]]
+
                SECOND COLUMN
| translations          =  
+
--------------------------------------------->
| below                =  
+
<div style="box-sizing:border-box; float:left; width:50%; min-width:26.25em; padding:0 5px 0 5px;">
 +
{{Main Page/Frame
 +
| color      = d14836
 +
| title      = Featured article
 +
| content    = {{Wiktenauer:Main page/Featured}}
 
}}
 
}}
'''"Pseudo-Peter von Danzig"''' is the name given to an anonymous late 14th or early 15th century] [[German]] [[fencing master]]. (This name stems from the false assumption of many 20th century writers identifying him with [[Peter von Danzig zum Ingolstadt]].) Some time before the creation of the [[Codex Danzig (Cod.44.A.8)|Codex 44.A.8]] in 1452, he authored a [[gloss]] of [[Johannes Liechtenauer]]'s [[record]] which would go on to become the most widespread in the tradition. While his identity remains unknown, it is possible that he was in fact [[Jud Lew]] or [[Sigmund Schining ein Ringeck]], both of whose glosses show strong similarities to the work. On the other hand, the introduction to the Rome version of the text—the oldest currently extant—might be construed as attributing it to Liechtenauer himself.
+
</div>
 
+
<!--------------------------------------------
Early on in its history, this text seems to have split into two primary branches. The first branch, found in the Rome (1452), Krakow (1510-20), and Augsburg (1564) versions, has slightly longer descriptions and is always accompanied by illustrations. The second branch, appearing first in the Augsburg (1450s) and used in all extant versions except the three listed above, has shorter descriptions but a number of additional devices (some of which seem to be drawn directly from Ringeck's gloss).
+
                  FOOTER
 
+
--------------------------------------------->
([[Pseudo-Peter von Danzig|Read more]]...)
+
<h2 style="padding:0.2em 0.5em; font-size:150%; font-family:sans-serif;">Wiktenauer parent organizations</h2>
|-
 
| style="color:#000;" | <div style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">'''Recently Featured: [[Codex Döbringer (MS 3227a)]] – [[Johannes Liechtenauer]] – [[Johannes Lecküchner]] – [[Carlo Giuseppe Colombani]]'''</div>
 
|}
 
|}
 
<!-- Commenting out lower box
 
{| style="margin:4px 0 0 0; width:100%; background:none; border-spacing: 0px;"
 
|class="MainPageBG" style="width:100%; border:1px solid #cef2e0; background:#f5fffa; vertical-align:top; color:#000;"|
 
{| style="vertical-align:top; background:#f5fffa; color:#000; width:100%"
 
!style="padding:2px;" | <h2 style="margin:3px; background:#cef2e0; font-size:120%; font-weight:bold; border:1px solid #a3bfb1; text-align:left; color:#000; padding:0.2em 0.4em">Recent Wiktenauer Feature Additions</h2>
 
|-
 
| style="color:#000; padding:2px;" | <div></div>
 
|}
 
|} -->
 
 
 
<h2 style="padding:0.2em 0.5em;">Wiktenauer Sponsor Organizations</h2>
 
  
{{:Main page/Wiktenauer sponsors}}
+
{{Wiktenauer:Main page/Wiktenauer parents}}
  
<h2 style="margin-top:12px; padding:0.2em 0.5em;">Historical European Martial Arts Federations</h2>
+
<!-- <h2 style="padding:0.2em 0.5em; font-size:150%; font-family:sans-serif;">Wiktenauer sponsors</h2>
  
<div style="clear:both; margin-bottom:12px;">{{:Main page/HEMA federations}}</div>
+
<div style="clear:both;">{{Wiktenauer:Main page/Wiktenauer sponsors}}</div>-->
 
__NOTITLE__ __NOEDITSECTION__ __NOTOC__
 
__NOTITLE__ __NOEDITSECTION__ __NOTOC__

Latest revision as of 16:00, 11 May 2018

Welcome to the Wiktenauer!

The free library of Historical European Martial Arts books and manuscripts

Without books no one can be a good teacher nor even a good student of this art.
~ Master Fiore Furlano de’i Liberi, ca. 1405

Dedicated to the memory of Dr. Patri Pugliese

Wiktenauer is an ongoing collaboration among scholars and practitioners from across the Western martial arts (WMA) community, seeking to collect all of the primary source materials that makes up the text of historical European martial arts (HEMA) research and to organize and present it in a rigorous but accessible format. The Wiktenauer project started in 2009, later moving under the umbrella of the 501(c)(3) HEMA Alliance, and is named for Johannes Liechtenauer, grand master of the best-documented tradition of the early Modern era, the subject of many dozens of manuscripts and books over a period of nearly three centuries.

Wiktenauer's data model is built on separating the contents of each master's teachings from the books and manuscripts that contain them. For this reason, there are two main types of pages:

Treatise Pages host all relevant data on an individual book or manuscript, including codicological description, provenance (for manuscripts) or publication history (for books), table of contents (with links to the appropriate master pages), gallery of page scans, and bibliography of print resources. The exemplar for manuscripts is the Goliath Fechtbuch, while the exemplar for printed books is Ergrundung Ritterlicher Kunst der Fechterey. With well over a thousand individual books and manuscripts to research, building out this index will take a long time. Ultimately, every text in the corpus of Historical European Martial Arts literature will have a dedicated page.

Master Pages display the actual transcription and translation of a given master's complete works, as well as bibliographical information when available. In cases of multiple copies of a master's work, the transcriptions are laid out side-by-side to facilitate cross-comparison and creating the most accurate translation possible. To aid in interpretation, the writings are also illustrated with pictures from the masters' work (when available). A bibliography at the end of each page lists additional transcriptions, translations, and scans that are available in print. The exemplar for this category of pages is Fiore de'i Liberi. Ultimately, every master in all of the traditions of Western Martial Arts will have a dedicated page. (Anonymous texts are displayed on 'orphan treatise' pages, which are structured like master pages but without the biography.)

The Wiktenauer index is currently considered complete up to the end of the 16th century, and we're currently working on adding material from the 17th (while also trying to keep the existing pages up to date with the latest discoveries and published research).

If you'd like to pitch in, simply request an account and consult How can I help?

Announcements

11th May 2022 would mark the 72nd birthday of Dr. Patri Pugliese, the most important person in the history of modern HEMA that you've never heard of. I will go so far as to say that there is no one in this world who contributed more to the spread and development of the HEMA movement, and especially of HEMA in America, than did Patri.

For himself, he was a passionate student of both historical combat (not just fencing, but also drill with pike and musket) and historical dance, and founded or participated in groups dedicated to those activities around New England. Most recognizably to readers today, he co-founded the Higgins Armory Sword Guild, which not only provided online resources and public classes and demonstrations for over a decade, but also supported his friend and fellow instructor Dr. Jeffrey Forgeng in his translation and interpretation efforts (leading to his publication of MS Ⅰ.33, Joachim Meyer, and others).

But Patri's more profound legacy is fencing manuals. Throughout the '90s and continuing until his death, he distributed a staggering catalog of fencing treatises. This was before (and while) the consumer computing revolution changed everything—he was physically mailing sheaves of paper, loose or stapled together. Some were fencing manuals that he photocopied at local research libraries, others were printed from microfilm ordered from museums. He was the first person in the community to do this, and he charged only the cost of printing and postage (or at most a slight premium to recoup the initial purchase).

Of this, he simply wrote "I regard myself as a student of the sword rather than a publisher, and am making these manuals available to support research in this area. It would, of course, be selfish and inconsistent with the honorable traditions associated with fencing to do otherwise."

I will include a partial list of Patri's catalog below. As the internet became more established, most of these were scanned and placed online (with his blessing—he was happy to increase their accessibility). If you ever accessed black and white scans of any of these texts from sites like Bill Wilson's homepage, the ARMA site, the Raymond J. Lord Collection, or the Higgins Sword Guild, then you have likely benefited from Patri's work. Wiktenauer itself could not have grown so quickly or easily without these scans, some of which we still use.

I often joke that Wiktenauer's patron saint is Paulus Hector Mair, the shady 16th century Augsburg patrician who embezzled public funds to cover the cost of collecting fencing manuals and throwing lavish parties.

It is Patri, however, who embodied our highest aspirations of disseminating knowledge and resources as widely and freely as possible, and thereby pushing the bounds of our understanding of historical fencing traditions.

Patri Pugliese died in 2007, fifteen years ago. One of my greatest HEMA regrets is that even though I spent considerable time in Massachusetts during the years between 2001, when I started, and his death, I never crossed paths with him.

Fifteen years is an eternity in the world of HEMA. It is enough time that his name is no longer familiar to most teachers and students of historical fencing, but if anyone of us deserves to be remembered, he does.

So raise a glass to Patri, my friends. He was a pioneer, not just of the study of fencing, but of the sharing of it. The edifice of knowledge that we have constructed in HEMA today was built on the materials he offered us, freely.

And then tell your students about this man to whom we all owe a great debt.

(Read more)

Michael Chidester (Contact)
Wiktenauer Director
11 May 2022

Featured article
Federico Ghisliero
Died 1619
Turino
Occupation Soldier
Citizenship Bologna
Influences
Genres Fencing manual
Language Italian
Notable work(s) Regole di molti cavagliereschi essercitii (1587)
Manuscript(s) M.A.M. Ghisliero MS (1585)

Federico Ghisliero (Ghislieri; d. 1619) was a Bolognese soldier and fencer. Little is know about his early life, but he came from a Bolognese family and studied fencing under Silvio Piccolomini. He lead a long military career that included serving under the famous commander Alessandro, Duke of Parma, in Flanders in 1582. He was also a friend of Galileo Galilei and a prolific writer, though unfortunately most of his writings were destroyed in a fire at the University of Turin in 1904.

In 1587, he published a fencing treatise called Regole di molti cavagliereschi essercitii ("Rules for Many Knightly Exercises"); two versions of the book exist, and it's unclear which was created first. One is dedicated to Antonio Pio Bonello, a well-known soldier and distant relative of Ghisliero, and the other to Ranuccio Farnese, who was 18 years old at the time and Alessandro's heir.

Ghisliero's treatise is notable for his use of geometry in relation to fencing, using concentric circles centered on where the fencer has placed most of their weight (often, but not always, the back foot), and sometimes including multiple versions of each figure in an illustration to show the progression of the movements he describes. He also seems to be the first author to reference the Vitruvian Man in a fencing treatise. However, his treatise is unique in that it was printed without any illustrations at all, and they had to be drawn in by hand. It's unclear whether this indicates that he intended to have printing plates made but was unable to do so, or that his plan from the start was to have the books vary based on how much art each buyer was willing to pay for.

Ghisliero died in Turino in 1619.

(Read more…)

Recently Featured:
Alfonso Fallopia – Hugold Behr – Angelo Viggiani – Giovanni dall'Agocchie – Salvator Fabris

Wiktenauer parent organizations

HEMAA logo.png
Historical European Martial Arts (HEMA) Alliance

A US educational non-profit which provides a range of programs and services for its members and affiliate schools and clubs, as well as serving the wider HEMA community.

WMAC logo.png
Western Martial Arts Coalition (WMAC)

A pan-American network of researchers and instructors dedicated to the study of traditional European, American, and related fighting arts and martial traditions.