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| style="min-width:55%; text-align:center;" | <h1 style="padding:0.2em; margin-bottom:0.1em; font-size:175%; font-family:sans-serif;">Welcome&nbsp;to&nbsp;the&nbsp;Wiktenauer!</h1>The free library of [[Historical European Martial Arts]] books and manuscripts
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| style="font-size:90%; line-height:110%;" | ''Without books no one can be a good teacher nor even a good student of this art.''<br/ style="margin-bottom:0.5em;"><span style="margin-left:2em;">~ Master [[Fiore de'i Liberi]], ca. 1405</span>
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| style="width:51%; text-align:center;" | <h1 style="padding:0.2em; margin: 0 0 0.2em 0; color:#343A47; font-size:225%;">Welcome&nbsp;to&nbsp;the&nbsp;Wiktenauer!</h1>The free library of [[Historical European Martial Arts]] books and manuscripts
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''Without books no one can be a good teacher nor even a good student of this art.''<br/ style="margin-bottom:0.5em;"><span style="margin-left:1em;">~ Master [[Fiore de'i Liberi|Fiore Furlano de’i Liberi]], ca. 1405</span>
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Wiktenauer is an ongoing collaboration among researchers and practitioners from across the Western martial arts community, seeking to collect all of the primary and secondary source literature that makes up the text of historical European martial arts research and to organize and present it in a scholarly but accessible format. The Wiktenauer project started in 2009, later receiving sponsorship from the [[Historical European Martial Arts Alliance]], and is named for [[Johannes Liechtenauer]], grand master of the oldest known longsword fencing style; his tradition was also the best-documented of the early Modern era, the subject of many dozens of manuscripts and books over a period of more than three centuries. Here are a few basic categories of pages that are being constructed:
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* '''Master Pages''' host biographical information about each master, as well as the transcription and translation of his complete works. In cases of multiple copies of a master's work, the transcriptions are laid out side-by-side to facilitate the most accurate translation possible. To aid in interpretation, the writings will also be illustrated with images from the masters' work as available. A bibliography at the end of each page lists additional transcriptions, translations, and scans that are available in print. The exemplar for this category of pages is [[Fiore de'i Liberi]]. Ultimately, every master in all of the traditions of Western Martial Arts will have a dedicated page.
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{{Wiktenauer:About}}
* '''Treatise Pages''' host all relevant data on a book or manuscript, including description, provenance, table of contents (with links to the appropriate master pages), gallery of page scans, and bibliography of additional print resources. The exemplar for manuscripts is the [[Goliath (MS Germ.Quart.2020)|Goliath Fechtbuch]], while the exemplar for printed books is ''[[Ergrundung Ritterlicher Kunst der Fechterey (Andre Paurñfeyndt)|Ergrundung Ritterlicher Kunst der Fechterey]]''. Ultimately, every text in the corpus of Historical European Martial Arts literature will have a dedicated page.
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* '''Technique Pages''' compile all of the relevant information from all of the relevant manuals on a particular technique, including transcriptions, translations, and images. There is also a section at the end of each page where groups may embed videos of their interpretations. The template for techniques is the [[Zornhaw]]. Ultimately, every technique mentioned in the manuals will have a dedicated page.
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* '''Weapon Pages''' provide information about how a specific weapon form is described and used in the treatises, data on surviving artifacts, an overview of archaeological research pertinent to a given weapon, and a comprehensive index of the treatises and writers that discuss each weapon.
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The wiki also features pages for HEMA groups, pages for HEMA events, general information pages, and almost other topic of interest to the HEMA community you can think of. If you'd like to pitch in, simply request an account and consult [[How can I help?]]
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{{Main Page/Frame
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| title      = Announcements
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| content    = {{#lst:Wiktenauer:Blog|current}}
! style="padding:2px;" | <h3 style="margin:3px; background:#cedff2; border:1px solid #a3b0bf; text-align:left; color:#000; padding:0.2em 0.4em;">Announcements</h3>
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''From our sister site [http://www.hroarr.com/hema-scholar-awards/hema-scholar-awards-2014/ HROARR]:''
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[[File:hroarr-hema-scholar-awards-2014-01.gif|250px|left|thumb|link=http://www.hroarr.com/hema-scholar-awards/hema-scholar-awards-2014/|Rules for nomination and other information can be found [http://www.hroarr.com/hema-scholar-awards/hema-scholar-awards-2014/ here].]]
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{{Main Page/Frame
As we all know HEMA has many different aspects that are all equally important in our shared effort in recreating these forgotten martial arts.
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| title      = Featured article
However, all of our success rests on the hard work of ''researchers'', ''transcribers'', ''translators'' and ''interpreters'', hard work, a work that often receives little recognition or actual reward in the way that tournament fighting does, not least since much work is done silently and generously published online for free.
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| content    = {{Wiktenauer:Main page/Featured}}
 
 
With this in mind, and acting as a neutral party within the HEMA community, in 2013 HROARR introduced annual awards for Best efforts in HEMA research, with all aspects it includes. The idea was to create a highly prestigious award, our very own ''Oscar'' or ''Nobel Prize'', if you will.
 
 
 
Each year 5 winners are awarded. Nominations are up to the community to send in, and decisions are based on actual ''achievements during the preceding year'', not through community voting. At this time, all published work has to have been written in ''English'', except for transcriptions, of course.
 
 
 
Decisions will be made by a quite small panel consisting of last year’s awardees and if needed new elected jury members. As the awards become more and more established, these awards will also be more and more independently managed by the new juries and the growing list of awardees and less so by HROARR.
 
 
 
All winners will be presented on a special awards page, where the winners for each year are listed with their achievements.
 
 
 
I sincerely hope this will serve as both an inspiration and an encouragement for all the hard working people in our community!
 
 
 
Thank you and have a great day, everyone!
 
 
 
:[[Roger Norling]]<br/>Responsible publisher and Chief Editor<br/>[http://www.hroarr.com/ HROARR.com]
 
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{| style="width:100%; vertical-align:top; background:#faf6ed;"
 
! style="padding:2px;" | <h3 style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">What's New?</h3>
 
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| style="color:#000; padding:2px 5px 5px;" | {{infobox medieval text
 
<!----------Name---------->
 
| name                  = “Die Blume des Kampfes”
 
| alternative title(s)  = ''The Flower of Battle''
 
<!----------Image---------->
 
| image                 = File:Cod.10799 287v288r.png
 
| width                = 250px
 
| caption              =
 
<!----------Information---------->
 
| full title            =
 
| also known as        =
 
| author(s)            = {{plainlist | [[Ludwig VI von Eyb]] | Unknown }}
 
| ascribed to          = {{plainlist | [[Nicholai de Toblem]] (?) | [[Johannes Suvenus]] (?) }}
 
| compiled by          =
 
| illustrated by        = Unknown
 
| patron                =
 
| dedicated to          =
 
| audience              =
 
| language              = [[Early New High German]]
 
| date                  = before 1420s
 
| state of existence    = Original hypothetical; multiple incomplete copies exist
 
<!----------Manuscript Information---------->
 
| genre                = {{plainlist | [[Fencing manual]] | [[Wrestling manual]] }}
 
| series                =  
 
| archetype(s)          =  
 
| manuscript(s)        = {{plainlist | [[Die Blume des Kampfes (Cod.5278)|Cod. 5278]] (1420s?) | [[Gladiatoria (Cod.Guelf.78.2 Aug.2º)|Cod.Guelf.78.2 Aug.2º]] (?) (1465-80) | [[Eyb Kriegsbuch (MS B.26)|MS B.26]] (1500) | [[Bũech von fechter Vnnd Ringstückhen zũ Ross vnnd Fuoß (Cod.10799)|Cod. 10799]] (1623) }}
 
| principal manuscript(s)=
 
| first printed edition =
 
| wiktenauer compilation by=[[Michael Chidester]]
 
| below                =
 
 
}}
 
}}
'''''Die Blume des Kampfes''''' (“The Flower of Battle”) is a nickname given to a group of three German manuscripts that share a common technical syllabus and set of illustrations. It might be based on the tradition of 14th century Italian master [[Fiore de'i Liberi]], from whose treatise ''Fior di Battaglia'' it derives its nickname, given that his works include considerable technical overlap. It is equally likely, though, that they represent an earlier German tradition of which Fiore was himself an initiate. Fiore mentions in his prefaces that he owned books on the art and he also names two older masters in his tradition, [[Johane Suveno]] and [[Nicholai de Toblem]]; it is possible that either or both of those masters authored texts which inspired both this tradition as well as Fiore's own writings.
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The oldest manuscript in the ''Blume des Kampfes'' group is the [[Die Blume des Kampfes (Cod.5278)|Cod. 5278]], which dates to the late 1420s and contains only simple line drawings somewhat reminiscent of the art of Fiore de'i Liberi, though lacking many signature characteristics such as garters and crowns and generally less organized than the Friulian master's work. The second entry was completed in ca. 1500 by [[Ludwig VI von Eyb]], and contains a significant degree of overlap with the 5278 but also a wealth of new material. While the artwork, though colored, is of similar quality, Eyb's treatise improves on its predecessor by including detailed German descriptions of the devices in most of its sections. Whether this text was authored by Eyb or present in the sources upon which he based his work cannot currently be determined.
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The final manuscript, [[Bũech von fechter Vnnd Ringstückhen zũ Ross vnnd Fuoß (Cod.10799)|Cod. 10799]], is dated 1623 and is again textless. Unlike its fellows, though, it is illustrated with watercolors of high quality; it is also the most extensive of the three by far, encompassing nearly every device from both works as well as a number of unique devices that suggest that it was either not derived directly from the other two known manuscripts or that it used additional sources currently lost to us. The two older manuscripts include [[war book]]s derived from [[Konrad Kyeser]]'s famous treatise on siege warfare ''Bellifortis'', and the artist of the 10799 also included the few ''Bellifortis'' illustrations that seem to portray knights and soldiers, perhaps indicating that he did not understand what he was copying. Aside from the ''Blume des Kampfes'' material, the 10799 also has a good deal of extra content including portrayals of laying down and taking up the sword, Germanic sash wrestling, armored dagger and buckler, and the [[sword dance]].
 
 
 
There is a fourth Germanic manuscript potentially connected to this tradition, the [[Gladiatoria (Cod.Guelf.78.2 Aug.2º)|Cod.Guelf.78.2 Aug.2º]]. This manuscript, dating to between 1465 and 1480, includes a version of [[Johannes Liechtenauer]]'s [[record]], a complete set of illustrations from [[Gladiatoria]], and a heavily-abridged version of ''Bellifortis''. Tucked away amidst these works are illustrations of fencing with sword, spear, axe, and dagger that parallel the teachings of the ''Blume des Kampfes'' but only occasionally replicate the artwork exactly. While this may simply be a case of an overambitious artist reinterpreting the illustrations he was copying, the differences are too many to include the manuscript in the concordance below.
 
 
 
(|Read more]]...)
 
|-
 
| style="color:#000;" | <div style="margin:3px; border:1px solid #e1bd64; background:#faecc8; text-align:left; padding:0.2em 0.4em;">'''Recently Featured: ''[[Verzeichnis etlicher Stücke des Fechtens im Rapier (MS Germ.Fol.1476)|Verzeichnis etlicher Stücke des Fechtens im Rapier]]'' – [[Anonymous&nbsp;15th&nbsp;Century&nbsp;Poem]] – ''[[Das Ander Theil Des Newen Kůnstreichen Fechtbůches (Cod.Guelf.83.4 Aug.8º)|Das&nbsp;Ander&nbsp;Theil&nbsp;Des&nbsp;Newen&nbsp;Kůnstreichen&nbsp;Fechtbůches]]'' – [[Johann&nbsp;Georg&nbsp;Pascha]]'''</div>
 
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<h2 style="padding:0.2em 0.5em; font-size:150%; font-family:sans-serif;">Wiktenauer parent organizations</h2>
 
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Latest revision as of 16:00, 11 May 2018

Welcome to the Wiktenauer!

The free library of Historical European Martial Arts books and manuscripts

Without books no one can be a good teacher nor even a good student of this art.
~ Master Fiore Furlano de’i Liberi, ca. 1405

Dedicated to the memory of Dr. Patri Pugliese

Wiktenauer is an ongoing collaboration among scholars and practitioners from across the Western martial arts (WMA) community, seeking to collect all of the primary source materials that makes up the text of historical European martial arts (HEMA) research and to organize and present it in a rigorous but accessible format. The Wiktenauer project started in 2009, later moving under the umbrella of the 501(c)(3) HEMA Alliance, and is named for Johannes Liechtenauer, grand master of the best-documented tradition of the early Modern era, the subject of many dozens of manuscripts and books over a period of nearly three centuries.

Wiktenauer's data model is built on separating the contents of each master's teachings from the books and manuscripts that contain them. For this reason, there are two main types of pages:

Treatise Pages host all relevant data on an individual book or manuscript, including codicological description, provenance (for manuscripts) or publication history (for books), table of contents (with links to the appropriate master pages), gallery of page scans, and bibliography of print resources. The exemplar for manuscripts is the Goliath Fechtbuch, while the exemplar for printed books is Ergrundung Ritterlicher Kunst der Fechterey. With well over a thousand individual books and manuscripts to research, building out this index will take a long time. Ultimately, every text in the corpus of Historical European Martial Arts literature will have a dedicated page.

Master Pages display the actual transcription and translation of a given master's complete works, as well as bibliographical information when available. In cases of multiple copies of a master's work, the transcriptions are laid out side-by-side to facilitate cross-comparison and creating the most accurate translation possible. To aid in interpretation, the writings are also illustrated with pictures from the masters' work (when available). A bibliography at the end of each page lists additional transcriptions, translations, and scans that are available in print. The exemplar for this category of pages is Fiore de'i Liberi. Ultimately, every master in all of the traditions of Western Martial Arts will have a dedicated page. (Anonymous texts are displayed on 'orphan treatise' pages, which are structured like master pages but without the biography.)

The Wiktenauer index is currently considered complete up to the end of the 16th century, and we're currently working on adding material from the 17th (while also trying to keep the existing pages up to date with the latest discoveries and published research).

If you'd like to pitch in, simply request an account and consult How can I help?

Announcements

11th May 2022 would mark the 72nd birthday of Dr. Patri Pugliese, the most important person in the history of modern HEMA that you've never heard of. I will go so far as to say that there is no one in this world who contributed more to the spread and development of the HEMA movement, and especially of HEMA in America, than did Patri.

For himself, he was a passionate student of both historical combat (not just fencing, but also drill with pike and musket) and historical dance, and founded or participated in groups dedicated to those activities around New England. Most recognizably to readers today, he co-founded the Higgins Armory Sword Guild, which not only provided online resources and public classes and demonstrations for over a decade, but also supported his friend and fellow instructor Dr. Jeffrey Forgeng in his translation and interpretation efforts (leading to his publication of MS Ⅰ.33, Joachim Meyer, and others).

But Patri's more profound legacy is fencing manuals. Throughout the '90s and continuing until his death, he distributed a staggering catalog of fencing treatises. This was before (and while) the consumer computing revolution changed everything—he was physically mailing sheaves of paper, loose or stapled together. Some were fencing manuals that he photocopied at local research libraries, others were printed from microfilm ordered from museums. He was the first person in the community to do this, and he charged only the cost of printing and postage (or at most a slight premium to recoup the initial purchase).

Of this, he simply wrote "I regard myself as a student of the sword rather than a publisher, and am making these manuals available to support research in this area. It would, of course, be selfish and inconsistent with the honorable traditions associated with fencing to do otherwise."

I will include a partial list of Patri's catalog below. As the internet became more established, most of these were scanned and placed online (with his blessing—he was happy to increase their accessibility). If you ever accessed black and white scans of any of these texts from sites like Bill Wilson's homepage, the ARMA site, the Raymond J. Lord Collection, or the Higgins Sword Guild, then you have likely benefited from Patri's work. Wiktenauer itself could not have grown so quickly or easily without these scans, some of which we still use.

I often joke that Wiktenauer's patron saint is Paulus Hector Mair, the shady 16th century Augsburg patrician who embezzled public funds to cover the cost of collecting fencing manuals and throwing lavish parties.

It is Patri, however, who embodied our highest aspirations of disseminating knowledge and resources as widely and freely as possible, and thereby pushing the bounds of our understanding of historical fencing traditions.

Patri Pugliese died in 2007, fifteen years ago. One of my greatest HEMA regrets is that even though I spent considerable time in Massachusetts during the years between 2001, when I started, and his death, I never crossed paths with him.

Fifteen years is an eternity in the world of HEMA. It is enough time that his name is no longer familiar to most teachers and students of historical fencing, but if anyone of us deserves to be remembered, he does.

So raise a glass to Patri, my friends. He was a pioneer, not just of the study of fencing, but of the sharing of it. The edifice of knowledge that we have constructed in HEMA today was built on the materials he offered us, freely.

And then tell your students about this man to whom we all owe a great debt.

(Read more)

Michael Chidester (Contact)
Wiktenauer Director
11 May 2022

Featured article
Salvator Fabris
Born 1544
Padua, Italy
Died 11 Nov 1618 (aged 74)
Padua, Italy
Occupation
Nationality Italian
Alma mater University of Padua (?)
Patron
  • Christianus Ⅳ of Denmark
  • Johan Frederik of Schleswig-Holstein-
    Gottorp
Influenced
Genres Fencing manual
Language Italian
Notable work(s) Scienza d’Arme (1601-06)
Manuscript(s)

Salvator Fabris (Salvador Fabbri, Salvator Fabriz, Fabrice; 1544-1618) was a 16th – 17th century Italian knight and fencing master. He was born in or around Padua, Italy in 1544, and although little is known about his early years, he seems to have studied fencing from a young age and possibly attended the prestigious University of Padua. The French master Henry de Sainct Didier recounts a meeting with an Italian fencer named "Fabrice" during the course of preparing his treatise (completed in 1573) in which they debated fencing theory, potentially placing Fabris in France in the early 1570s. In the 1580s, Fabris corresponded with Christian Barnekow, a Danish nobleman with ties to the royal court as well as an alumnus of the university. It seems likely that Fabris traveled a great deal during the 1570s and 80s, spending time in France, Germany, Spain, and possibly other regions before returning to teach at his alma mater.

It is unclear if Fabris himself was of noble birth, but at some point he seems to have earned a knighthood. In fact, he is described in his treatise as Supremus Eques ("Supreme Knight") of the Order of the Seven Hearts. In Johann Joachim Hynitzsch's introduction to the 1676 edition, he identifies Fabris as a Colonel of the Order. It seems therefore that he was not only a knight of the Order of the Seven Hearts, but rose to a high rank and perhaps even overall leadership.

Fabris' whereabouts in the 1590s are uncertain, but there are rumors. In 1594, he may have been hired by King Sigismund of Poland to assassinate his uncle Karl, a Swedish duke and competitor for the Swedish crown. According to the story, Fabris participated in a sword dance (or possibly a dramatic play) with a sharp sword and was to slay Karl during the performance when the audience was distracted. (The duke was warned and avoided the event, saving his life.) In ca. 1599, Fabris may have been invited to England by noted playwright William Shakespeare to choreograph the fight scenes in his premier of Hamlet. He also presumably spent considerable time in the 1590s developing the fencing manual that would guarantee his lasting fame.

What is certain is that by 1598, Fabris had left his position at the University of Padua and was attached to the court of Johan Frederik, the young duke of Schleswig-Holstein-Gottorp. He continued in the duke's service until 1601, and as a parting gift prepared a lavishly-illustrated, three-volume manuscript of his treatise entitled Scientia e Prattica dell'Arme (GI.kgl.Saml.1868 4040).

(Read more…)

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Wiktenauer parent organizations

HEMAA logo.png
Historical European Martial Arts (HEMA) Alliance

A US educational non-profit which provides a range of programs and services for its members and affiliate schools and clubs, as well as serving the wider HEMA community.

WMAC logo.png
Western Martial Arts Coalition (WMAC)

A pan-American network of researchers and instructors dedicated to the study of traditional European, American, and related fighting arts and martial traditions.