https://wiktenauer.com/index.php?title=Lew&feed=atom&action=historyLew - Revision history2024-03-29T10:50:49ZRevision history for this page on the wikiMediaWiki 1.34.2https://wiktenauer.com/index.php?title=Lew&diff=146119&oldid=prevMichael Chidester: /* References */2023-11-17T15:52:32Z<p><span dir="auto"><span class="autocomment">References</span></span></p>
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</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=143341&oldid=prevMichael Chidester: /* Additional Resources */2023-10-18T04:01:49Z<p><span dir="auto"><span class="autocomment">Additional Resources</span></span></p>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Additional Resources ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Additional Resources ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* [[Stephen Cheney|Cheney, Stephen]]. ''Ringeck &middot; Danzig &middot; Lew Longsword''. Self-published, 2020. ISBN 978-8649845441</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{<ins class="diffchange diffchange-inline">bibliography</ins>}}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* Bergner, U. and Giessauf, J (in German). ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)''. Graz: Akademische Druck- u. Verlagsanstalt, 2006. ISBN 978-3-201-01855-5</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* [[Dierk Hagedorn|Hagedorn, Dierk]] (in German). ''Albrecht Dürer. Das Fechtbuch.'' [[VS-Books]], 2021. ISBN 9783932077500</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* [[Dierk Hagedorn|Hagedorn, Dierk]]. ''Jude Lew: Das Fechtbuch.'' [[VS-Books]], 2017. ISBN 978-3-932077-46-3</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* [[Dierk Hagedorn|Hagedorn, Dierk]] and Daniel Jaquet. ''Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise.'' Barnsley, UK: Greenhill Books, 2022. ISBN: 978-1-784438-703-7</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* Jaquet, Daniel. "The collection of Lew the Jew in the lineage of German Fight Books corpus". ''[[Acta Periodica Duellatorum]]'' '''5'''(1):151–191. April 2017. </del>{{<del class="diffchange diffchange-inline">doi|10.1515/apd-2017-0004</del>}}<del class="diffchange diffchange-inline">.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* Jaquet, Daniel; [[Bartłomiej Walczak|Walczak, Bartłomiej]]. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". ''[[Acta Periodica Duellatorum]]'' '''2'''(1): 105-148. 2014. {{doi|10.1515/apd-2015-0015}}.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* Verelst, Karin. "Finding a Way through the Labyrinth: Some Methodological Remarks on Critically Editing the Fight Book Corpus". ''Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe'': 117-188. Ed. Daniel Jaquet, Karin Verelst, and Timothy Dawson. History of Warfare 112. Leiden/Boston: Brill, 2016. {{doi|10.1163/9789004324725_008}}</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* [[Rainer Welle|Welle, Rainer]] (in German). ''Albrecht Dürer und seine Kunst des Zweikampfes : auf den Spuren der Handschrift 26232 in der Albertina Wien''. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur, 2021. ISBN 9783950500806</del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=142070&oldid=prevMichael Chidester at 02:29, 23 April 20232023-04-23T02:29:43Z<p></p>
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</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=137655&oldid=prevMichael Chidester: /* Treatises */2022-11-21T16:25:16Z<p><span dir="auto"><span class="autocomment">Treatises</span></span></p>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">{{sourcebox</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> | work = Images</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> | authors = </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> | source link = </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> | source title= </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"> | license = </del></div></td><td colspan="2"> </td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{sourcebox</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{sourcebox</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> | work = Translation (Long Sword)</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> | work = Translation (Long Sword)</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=136840&oldid=prevMichael Chidester: /* Modern HEMA */2022-10-16T23:01:59Z<p><span dir="auto"><span class="autocomment">Modern HEMA</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 23:01, 16 October 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l84" >Line 84:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Modern HEMA ===</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>=== Modern HEMA ===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Augsburg, <del class="diffchange diffchange-inline">Dresden</del>, and <del class="diffchange diffchange-inline">Salzburg </del>manuscripts, as well as the <del class="diffchange diffchange-inline">Munich </del>and Vienna copies of [[Paulus Hector Mair]]'s works, were all cataloged in [[Martin Wierschin]]'s monumental ''Meister Johann Liechtenauers Kunst des Fechtens'' of 1965. In 1985, [[Hans-Peter Hils]] added three more in his updated catalog in ''Meister Johann Liechtenauers Kunst des langen Schwertes'': the Vienna and Graz manuscripts as well as the Munich Mair.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The Augsburg, <ins class="diffchange diffchange-inline">Salzburg</ins>, and <ins class="diffchange diffchange-inline">Munich </ins>manuscripts, as well as the <ins class="diffchange diffchange-inline">Dresden </ins>and Vienna copies of [[Paulus Hector Mair]]'s works, were all cataloged in [[Martin Wierschin]]'s monumental ''Meister Johann Liechtenauers Kunst des Fechtens'' of 1965. In 1985, [[Hans-Peter Hils]] added three more in his updated catalog in ''Meister Johann Liechtenauers Kunst des langen Schwertes'': the Vienna and Graz manuscripts as well as the Munich Mair.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However, until the 2010s, the Lew gloss was generally dismissed as an inferior copy of the [[Pseudo-Peter von Danzig]] gloss and largely ignored for that reason. Most work on it until recently has been incidental in the course of larger projects (such as transcribing whole manuscripts that happened to include it). The exception to this is the Salzburg long sword, whose additional paragraphs of commentary by anonymous authors (including, unbeknownst to most people, [[Sigmund ain Ringeck]]) set it apart as more unique than the others and garnered slightly more attention.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However, until the 2010s, the Lew gloss was generally dismissed as an inferior copy of the [[Pseudo-Peter von Danzig]] gloss and largely ignored for that reason. Most work on it until recently has been incidental in the course of larger projects (such as transcribing whole manuscripts that happened to include it). The exception to this is the Salzburg long sword, whose additional paragraphs of commentary by anonymous authors (including, unbeknownst to most people, [[Sigmund ain Ringeck]]) set it apart as more unique than the others and garnered slightly more attention.</div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first transcription of a copy of Lew, the Augsburg version, was produced by [[Grzegorz Żabiński]] (long sword) and [[Monika Maziarz]] (mounted fencing) in 2001 and posted on the ARMA-Pl site. The Salzburg version soon followed in 2002, with substantial portions being transcribed by curator [[Beatrix Koll]] and posted on the University of Salzburg site. That same year, [[Anton Kohutovič]] transcribed the German text of the Vienna manuscript by [[Paulus Hector Mair]] and posted it on the Gesellschaft Lichtenawers site. Then in 2006, a transcription of the Graz version was produced by U. Bergner and J. Giessauf and published by Akademische Druck- u. Verlagsanstalt in ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)'', the first printed treatment of a version of Lew.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The first transcription of a copy of Lew, the Augsburg version, was produced by [[Grzegorz Żabiński]] (long sword) and [[Monika Maziarz]] (mounted fencing) in 2001 and posted on the ARMA-Pl site. The Salzburg version soon followed in 2002, with substantial portions being transcribed by curator [[Beatrix Koll]] and posted on the University of Salzburg site. That same year, [[Anton Kohutovič]] transcribed the German text of the Vienna manuscript by [[Paulus Hector Mair]] and posted it on the Gesellschaft Lichtenawers site. Then in 2006, a transcription of the Graz version was produced by U. Bergner and J. Giessauf and published by Akademische Druck- u. Verlagsanstalt in ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)'', the first printed treatment of a version of Lew.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Based on this early work, individual French translations of the Augsburg and Salzburg versions of the long sword (along with the Rome Ps-Danzig and the Dresden Ringeck) <del class="diffchange diffchange-inline">were produced by </del>[[Philippe Errard]]<del class="diffchange diffchange-inline">, </del>[[Didier de Grenier]], <del class="diffchange diffchange-inline">and [[Michaël Huber]] and </del>posted on the ARDAMHE site <del class="diffchange diffchange-inline">some time before 2006</del>; these French translations were subsequently translated into Spanish by [[Eugenio García-Salmones]] and posted on the AVEH site in 2011. During the mid-'00s, [[Jeffrey Forgeng]] produced a private English translation of the complete works of Mair, which presumably included the Lew glosses but which has never seen public release.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Based on this early work, individual French translations of the Augsburg and Salzburg versions <ins class="diffchange diffchange-inline">of the mounted fencing (along with the Rome and Dresden Pseudo-Danzigs) were produced by [[Michaël Huber]] and posted on the ARDAMHE site in 2004. In 2010, he followed this up with a translation </ins>of the long sword (along with the Rome Ps-Danzig and the Dresden Ringeck) <ins class="diffchange diffchange-inline">with </ins>[[Philippe Errard]] <ins class="diffchange diffchange-inline">and </ins>[[Didier de Grenier]], <ins class="diffchange diffchange-inline">which was also </ins>posted on the ARDAMHE site; these French translations were subsequently translated into Spanish by [[Eugenio García-Salmones]] and posted on the AVEH site in 2011. During the mid-'00s, [[Jeffrey Forgeng]] produced a private English translation of the complete works of Mair, which presumably included the Lew glosses but which has never seen public release.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Dierk Hagedorn]] authored new transcriptions of the Augsburg version in 2008 and the Salzburg version in 2009, both of which were posted on Hammaborg. In 2012, [[Pierre-Henry Bas]] transcribed large sections of the Dresden version of Mair's work for his dissertation and released them on his blog REGHT. Also in 2012, [[Martin Fabian]] produced a Slovak translation of the Salzburg long sword and posted it on the Bratislavský šermiarsky spolok site.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Dierk Hagedorn]] authored new transcriptions of the Augsburg version in 2008 and the Salzburg version in 2009, both of which were posted on Hammaborg. In 2012, [[Pierre-Henry Bas]] transcribed large sections of the Dresden version of Mair's work for his dissertation and released them on his blog REGHT. Also in 2012, [[Martin Fabian]] produced a Slovak translation of the Salzburg long sword and posted it on the Bratislavský šermiarsky spolok site.</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=136697&oldid=prevMichael Chidester: /* Modern HEMA */2022-10-14T21:47:08Z<p><span dir="auto"><span class="autocomment">Modern HEMA</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:47, 14 October 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l100" >Line 100:</td>
<td colspan="2" class="diff-lineno">Line 100:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2017, a second English translation by [[Falko Fritz]] and [[Thomas Rhem]] and a modern German translation by Dierk Hagedorn, both based on the Augsburg version, were published by [[VS-Books]] in ''Jude Lew: Das Fechtbuch''.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>In 2017, a second English translation by [[Falko Fritz]] and [[Thomas Rhem]] and a modern German translation by Dierk Hagedorn, both based on the Augsburg version, were published by [[VS-Books]] in ''Jude Lew: Das Fechtbuch''.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Most recently, [[Stephen Cheney]] authored a third English translation of the long sword section, based on Augsburg and Salzburg, which he self-published in ''Ringeck{{middot}} Danzig{{middot}} Lew Longsword'' in 2020. [[Christian Trosclair]] also translated the long sword section to English and posted it on Wiktenauer in 2021.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Most recently, [[Stephen Cheney]] authored a third English translation of the long sword section, based on Augsburg and Salzburg, which he self-published in ''Ringeck{{middot}}Danzig{{middot}}Lew Longsword'' in 2020. [[Christian Trosclair]] also translated the long sword section to English and posted it on Wiktenauer in 2021.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In 2021, [[Rainer Welle]]'s transcription of the Vienna version was published by Sublilium Schaffer in ''Albrecht Dürer und seine Kunst des Zweikampfes : auf den Spuren der Handschrift 26232 in der Albertina Wien'', and Dierk Hagedorn's transcription and translation into modern German were published by <del class="diffchange diffchange-inline">[[</del>VS-Books<del class="diffchange diffchange-inline">]] </del>in ''Albrecht Dürer - Das Fechtbuch''. In 2022, Dierk Hagedorn followed this up with an English translation, published (along with the transcription) by Greenhill Books in ''Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise''.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In 2021, [[Rainer Welle]]'s transcription of the Vienna version was published by Sublilium Schaffer in ''Albrecht Dürer und seine Kunst des Zweikampfes: auf den Spuren der Handschrift 26232 in der Albertina Wien'', and Dierk Hagedorn's transcription and translation into modern German were published by VS-Books in ''Albrecht Dürer - Das Fechtbuch''. In 2022, Dierk Hagedorn followed this up with an English translation, published (along with the transcription) by Greenhill Books in ''Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise''.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Treatises ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Treatises ==</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=136696&oldid=prevMichael Chidester: /* Modern HEMA */2022-10-14T21:45:59Z<p><span dir="auto"><span class="autocomment">Modern HEMA</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:45, 14 October 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l94" >Line 94:</td>
<td colspan="2" class="diff-lineno">Line 94:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Dierk Hagedorn]] authored new transcriptions of the Augsburg version in 2008 and the Salzburg version in 2009, both of which were posted on Hammaborg. In 2012, [[Pierre-Henry Bas]] transcribed large sections of the Dresden version of Mair's work for his dissertation and released them on his blog REGHT. Also in 2012, [[Martin Fabian]] produced a Slovak translation of the Salzburg long sword and posted it on the Bratislavský šermiarsky spolok site.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Dierk Hagedorn]] authored new transcriptions of the Augsburg version in 2008 and the Salzburg version in 2009, both of which were posted on Hammaborg. In 2012, [[Pierre-Henry Bas]] transcribed large sections of the Dresden version of Mair's work for his dissertation and released them on his blog REGHT. Also in 2012, [[Martin Fabian]] produced a Slovak translation of the Salzburg long sword and posted it on the Bratislavský šermiarsky spolok site.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In addition to these versions that had been identified as early as Wierschin and Hils, eventually newly-discovered versions began to appear. It's unclear when the Rostock manuscript was first identified as pertaining to [[Joachim Meyer]], but it began circulating prior to 2009 and [[Kevin Maurer]] authored a partial transcription in 2011, after which Lew's sections were recognized; <del class="diffchange diffchange-inline">[[</del>Dierk Hagedorn<del class="diffchange diffchange-inline">]] </del>posted a complete transcription on Hammaborg in 2015. Conversely, the Vienna version has been known as a manuscript illustrated by [[Albrecht Dürer]] for centuries, but the attribution of the mounted fencing teachings to Lew wasn't made until <del class="diffchange diffchange-inline">[</del>[Dierk Hagedorn<del class="diffchange diffchange-inline">]] </del>released a full transcription in 2016.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In addition to these versions that had been identified as early as Wierschin and Hils, eventually newly-discovered versions began to appear. It's unclear when the Rostock manuscript was first identified as pertaining to [[Joachim Meyer]], but it began circulating prior to 2009 and [[Kevin Maurer]] authored a partial transcription in 2011, after which Lew's sections were recognized; Dierk Hagedorn posted a complete transcription on Hammaborg in 2015. Conversely, the Vienna version has been known as a manuscript illustrated by [[Albrecht Dürer]] for centuries, but the attribution of the mounted fencing teachings to Lew wasn't made until[Dierk Hagedorn released a full transcription in 2016.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Wiktenauer produced its first article on Lew in 2011, containing only the mounted fencing. We didn't separate the long sword from the Pseudo-Danzig article until 2016, when [[Cory Winslow]] produced the first public English translation (incorporating all available versions) and donated it to Wiktenauer; in 2019, [[Per Magnus Haaland]] rounded off the article with a translation of the mounted fencing based on Mair's Latin translation.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Wiktenauer produced its first article on Lew in 2011, containing only the mounted fencing. We didn't separate the long sword from the Pseudo-Danzig article until 2016, when [[Cory Winslow]] produced the first public English translation (incorporating all available versions) and donated it to Wiktenauer; in 2019, [[Per Magnus Haaland]] rounded off the article with a translation of the mounted fencing based on Mair's Latin translation.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In 2017, a second English translation by [[Falko Fritz]] and [[Thomas Rhem]] and a modern German translation by <del class="diffchange diffchange-inline">[[</del>Dierk Hagedorn<del class="diffchange diffchange-inline">]]</del>, both based on the Augsburg version, were published by [[VS-Books]] in ''Jude Lew: Das Fechtbuch''.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In 2017, a second English translation by [[Falko Fritz]] and [[Thomas Rhem]] and a modern German translation by Dierk Hagedorn, both based on the Augsburg version, were published by [[VS-Books]] in ''Jude Lew: Das Fechtbuch''.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Most recently, [[Stephen Cheney]] authored a third English translation of the long sword section, based on Augsburg and Salzburg, which he self-published in ''Ringeck{{middot}} Danzig{{middot}} Lew Longsword'' in 2020. [[Christian Trosclair]] also translated the long sword section to English and posted it on Wiktenauer in 2021.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Most recently, [[Stephen Cheney]] authored a third English translation of the long sword section, based on Augsburg and Salzburg, which he self-published in ''Ringeck{{middot}} Danzig{{middot}} Lew Longsword'' in 2020. [[Christian Trosclair]] also translated the long sword section to English and posted it on Wiktenauer in 2021.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>In 2021, [[Rainer Welle]]'s transcription of the Vienna version was published by Sublilium Schaffer in ''Albrecht Dürer und seine Kunst des Zweikampfes : auf den Spuren der Handschrift 26232 in der Albertina Wien'', and <del class="diffchange diffchange-inline">[[</del>Dierk Hagedorn<del class="diffchange diffchange-inline">]]</del>'s transcription and translation into modern German were published by [[VS-Books]] in ''Albrecht Dürer - Das Fechtbuch''.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>In 2021, [[Rainer Welle]]'s transcription of the Vienna version was published by Sublilium Schaffer in ''Albrecht Dürer und seine Kunst des Zweikampfes : auf den Spuren der Handschrift 26232 in der Albertina Wien'', and Dierk Hagedorn's transcription and translation into modern German were published by [[VS-Books]] in ''Albrecht Dürer - Das Fechtbuch<ins class="diffchange diffchange-inline">''. In 2022, Dierk Hagedorn followed this up with an English translation, published (along with the transcription) by Greenhill Books in ''Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise</ins>''.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Treatises ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Treatises ==</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=136568&oldid=prevMichael Chidester: /* Manuscript Stemma */2022-09-26T14:31:21Z<p><span dir="auto"><span class="autocomment">Manuscript Stemma</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 14:31, 26 September 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l73" >Line 73:</td>
<td colspan="2" class="diff-lineno">Line 73:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Early on in its history, the prototype of the [[Pseudo-Peter von Danzig]] gloss seems to have split into at least three branches, and no definite copies of the unaltered original are known to survive. The gloss of [[Sigmund ain Ringeck]] also seems to be related to this work, due to the considerable overlap in text and contents, but it is currently unclear if Ringeck's gloss is based on that of pseudo-Danzig or if they both derive from an even earlier original gloss (or even if Ringeck and pseudo-Danzig are the same author and the "Ringeck" gloss should be considered a fourth branch).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Early on in its history, the prototype of the [[Pseudo-Peter von Danzig]] gloss seems to have split into at least three branches, and no definite copies of the unaltered original are known to survive. The gloss of [[Sigmund ain Ringeck]] also seems to be related to this work, due to the considerable overlap in text and contents, but it is currently unclear if Ringeck's gloss is based on that of pseudo-Danzig or if they both derive from an even earlier original gloss (or even if Ringeck and pseudo-Danzig are the same author and the "Ringeck" gloss should be considered a fourth branch).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[file:Lew stemma.png|300px|left|thumb|Provisional stemma codicum for <del class="diffchange diffchange-inline">Lew</del>]]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[file:Lew stemma.png|300px|left|thumb|Provisional stemma codicum for <ins class="diffchange diffchange-inline">Branch&nbsp;A</ins>]]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Branch A, first attested in the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]] (1450s) and comprising the majority of extant copies, has more plays overall than Branch B but generally shorter descriptions in areas of overlap. It also glosses only Liechtenauer's Recital on long sword and mounted fencing; in lieu of a gloss of Liechtenauer's short sword, it is generally accompanied by the short sword teachings of [[Andre Lignitzer]] and [[Martin Huntsfeld]] (or, in the case of the 1512 [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna II]], Ringeck's short sword gloss). Branch A is sometimes called the '''[[Lew]]''' gloss, based on a potential attribution at the end of the mounted gloss in a few copies. Apart from the Augsburg, the other principal text in Branch A is the [[Codex Speyer (MS M.I.29)|Salzburg version]] (1491), which was copied independently<ref>Both Augsburg and Salzburg contain significant scribal errors of omission that allow us to identify manuscripts copied from them.</ref> and also incorporates twelve paragraphs from Ringeck's gloss and nineteen paragraphs from an unidentified third source. Branch A was redacted by [[Paulus Hector Mair]] (three mss., 1540s), [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Lienhart Sollinger]] (1556), and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Joachim Meyer]] (1570), which despite being the latest is the cleanest extant version. This branch was also one of the bases for [[Johannes Lecküchner]]'s gloss on the [[Messer]] in the late 1470s.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Branch A, first attested in the [[Codex Lew (Cod.I.6.4º.3)|Augsburg version]] (1450s) and comprising the majority of extant copies, has more plays overall than Branch B but generally shorter descriptions in areas of overlap. It also glosses only Liechtenauer's Recital on long sword and mounted fencing; in lieu of a gloss of Liechtenauer's short sword, it is generally accompanied by the short sword teachings of [[Andre Lignitzer]] and [[Martin Huntsfeld]] (or, in the case of the 1512 [[Oplodidaskalia sive Armorvm Tractandorvm Meditatio Alberti Dvreri (MS 26-232)|Vienna II]], Ringeck's short sword gloss). Branch A is sometimes called the '''[[Lew]]''' gloss, based on a potential attribution at the end of the mounted gloss in a few copies. Apart from the Augsburg, the other principal text in Branch A is the [[Codex Speyer (MS M.I.29)|Salzburg version]] (1491), which was copied independently<ref>Both Augsburg and Salzburg contain significant scribal errors of omission that allow us to identify manuscripts copied from them.</ref> and also incorporates twelve paragraphs from Ringeck's gloss and nineteen paragraphs from an unidentified third source. Branch A was redacted by [[Paulus Hector Mair]] (three mss., 1540s), [[Maister Liechtenawers Kunstbuech (Cgm 3712)|Lienhart Sollinger]] (1556), and [[Fechtbuch zu Ross und zu Fuss (MS Var.82)|Joachim Meyer]] (1570), which despite being the latest is the cleanest extant version. This branch was also one of the bases for [[Johannes Lecküchner]]'s gloss on the [[Messer]] in the late 1470s.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=135330&oldid=prevMichael Chidester: /* Modern HEMA */2022-08-09T21:44:37Z<p><span dir="auto"><span class="autocomment">Modern HEMA</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:44, 9 August 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l88" >Line 88:</td>
<td colspan="2" class="diff-lineno">Line 88:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However, until the 2010s, the Lew gloss was generally dismissed as an inferior copy of the [[Pseudo-Peter von Danzig]] gloss and largely ignored for that reason. Most work on it until recently has been incidental in the course of larger projects (such as transcribing whole manuscripts that happened to include it). The exception to this is the Salzburg long sword, whose additional paragraphs of commentary by anonymous authors (including, unbeknownst to most people, [[Sigmund ain Ringeck]]) set it apart as more unique than the others and garnered slightly more attention.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>However, until the 2010s, the Lew gloss was generally dismissed as an inferior copy of the [[Pseudo-Peter von Danzig]] gloss and largely ignored for that reason. Most work on it until recently has been incidental in the course of larger projects (such as transcribing whole manuscripts that happened to include it). The exception to this is the Salzburg long sword, whose additional paragraphs of commentary by anonymous authors (including, unbeknownst to most people, [[Sigmund ain Ringeck]]) set it apart as more unique than the others and garnered slightly more attention.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The first transcription of a copy of Lew, the Augsburg version, was produced by [[Grzegorz Żabiński]] (long sword) and [[Monika Maziarz]] (mounted fencing) in 2001 and posted on the ARMA-Pl site. The Salzburg version soon followed in 2002, with substantial portions being transcribed by curator Beatrix Koll and posted on the University of Salzburg site. That same year, [[Anton Kohutovič]] transcribed the German text of the Vienna manuscript by [[Paulus Hector Mair]] and posted it on the Gesellschaft Lichtenawers site. Then in 2006, a transcription of the Graz version was produced by U. Bergner and J. Giessauf and published by Akademische Druck- u. Verlagsanstalt in ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)'', the first printed treatment of a version of Lew.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The first transcription of a copy of Lew, the Augsburg version, was produced by [[Grzegorz Żabiński]] (long sword) and [[Monika Maziarz]] (mounted fencing) in 2001 and posted on the ARMA-Pl site. The Salzburg version soon followed in 2002, with substantial portions being transcribed by curator <ins class="diffchange diffchange-inline">[[</ins>Beatrix Koll<ins class="diffchange diffchange-inline">]] </ins>and posted on the University of Salzburg site. That same year, [[Anton Kohutovič]] transcribed the German text of the Vienna manuscript by [[Paulus Hector Mair]] and posted it on the Gesellschaft Lichtenawers site. Then in 2006, a transcription of the Graz version was produced by U. Bergner and J. Giessauf and published by Akademische Druck- u. Verlagsanstalt in ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)'', the first printed treatment of a version of Lew.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Based on this early work, individual French translations of the Augsburg and Salzburg versions of the long sword (along with the Rome Ps-Danzig and the Dresden Ringeck) were produced by [[Philippe Errard]], [[Didier de Grenier]], and [[Michaël Huber]] and posted on the ARDAMHE site some time before 2006; these French translations were subsequently translated into Spanish by [[Eugenio García-Salmones]] and posted on the AVEH site in 2011. During the mid-'00s, [[Jeffrey Forgeng]] produced a private English translation of the complete works of Mair, which presumably included the Lew glosses but which has never seen public release.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Based on this early work, individual French translations of the Augsburg and Salzburg versions of the long sword (along with the Rome Ps-Danzig and the Dresden Ringeck) were produced by [[Philippe Errard]], [[Didier de Grenier]], and [[Michaël Huber]] and posted on the ARDAMHE site some time before 2006; these French translations were subsequently translated into Spanish by [[Eugenio García-Salmones]] and posted on the AVEH site in 2011. During the mid-'00s, [[Jeffrey Forgeng]] produced a private English translation of the complete works of Mair, which presumably included the Lew glosses but which has never seen public release.</div></td></tr>
</table>Michael Chidesterhttps://wiktenauer.com/index.php?title=Lew&diff=135329&oldid=prevMichael Chidester: /* Additional Resources */2022-08-09T21:42:02Z<p><span dir="auto"><span class="autocomment">Additional Resources</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 21:42, 9 August 2022</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Stephen Cheney|Cheney, Stephen]]. ''Ringeck &middot; Danzig &middot; Lew Longsword''. Self-published, 2020. ISBN 978-8649845441</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Stephen Cheney|Cheney, Stephen]]. ''Ringeck &middot; Danzig &middot; Lew Longsword''. Self-published, 2020. ISBN 978-8649845441</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Bergner, U. and Giessauf, J. ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)''. Graz: Akademische Druck- u. Verlagsanstalt, 2006. ISBN 978-3-201-01855-5</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Bergner, U. and Giessauf, J <ins class="diffchange diffchange-inline">(in German)</ins>. ''Würgegriff und Mordschlag. Die Fecht- und Ringlehre des Hans Czynner (1538)''. Graz: Akademische Druck- u. Verlagsanstalt, 2006. ISBN 978-3-201-01855-5</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[Dierk Hagedorn|Hagedorn, Dierk]]. ''Albrecht Dürer. Das Fechtbuch.'' [[VS-Books]], 2021. ISBN 9783932077500</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[Dierk Hagedorn|Hagedorn, Dierk]] <ins class="diffchange diffchange-inline">(in German)</ins>. ''Albrecht Dürer. Das Fechtbuch.'' [[VS-Books]], 2021. ISBN 9783932077500</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Dierk Hagedorn|Hagedorn, Dierk]]. ''Jude Lew: Das Fechtbuch.'' [[VS-Books]], 2017. ISBN 978-3-932077-46-3</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* [[Dierk Hagedorn|Hagedorn, Dierk]]. ''Jude Lew: Das Fechtbuch.'' [[VS-Books]], 2017. ISBN 978-3-932077-46-3</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* [[Dierk Hagedorn|Hagedorn, Dierk]] and Daniel Jaquet. ''Dürer's Fight Book: The Genius of the German Renaissance and his Combat Treatise.'' Barnsley, UK: Greenhill Books, 2022. ISBN: 978-1-784438-703-7</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jaquet, Daniel. "The collection of Lew the Jew in the lineage of German Fight Books corpus". ''[[Acta Periodica Duellatorum]]'' '''5'''(1):151–191. April 2017. {{doi|10.1515/apd-2017-0004}}.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jaquet, Daniel. "The collection of Lew the Jew in the lineage of German Fight Books corpus". ''[[Acta Periodica Duellatorum]]'' '''5'''(1):151–191. April 2017. {{doi|10.1515/apd-2017-0004}}.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jaquet, Daniel; [[Bartłomiej Walczak|Walczak, Bartłomiej]]. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". ''[[Acta Periodica Duellatorum]]'' '''2'''(1): 105-148. 2014. {{doi|10.1515/apd-2015-0015}}.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Jaquet, Daniel; [[Bartłomiej Walczak|Walczak, Bartłomiej]]. "Liegnitzer, Hundsfeld or Lew? The question of authorship of popular Medieval fighting teachings". ''[[Acta Periodica Duellatorum]]'' '''2'''(1): 105-148. 2014. {{doi|10.1515/apd-2015-0015}}.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Verelst, Karin. "Finding a Way through the Labyrinth: Some Methodological Remarks on Critically Editing the Fight Book Corpus". ''Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe'': 117-188. Ed. Daniel Jaquet, Karin Verelst, and Timothy Dawson. History of Warfare 112. Leiden/Boston: Brill, 2016. {{doi|10.1163/9789004324725_008}}</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>* Verelst, Karin. "Finding a Way through the Labyrinth: Some Methodological Remarks on Critically Editing the Fight Book Corpus". ''Late Medieval and Early Modern Fight Books. Transmission and Tradition of Martial Arts in Europe'': 117-188. Ed. Daniel Jaquet, Karin Verelst, and Timothy Dawson. History of Warfare 112. Leiden/Boston: Brill, 2016. {{doi|10.1163/9789004324725_008}}</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[Rainer Welle|Welle, Rainer]]. ''Albrecht Dürer und seine Kunst des Zweikampfes : auf den Spuren der Handschrift 26232 in der Albertina Wien''. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur, 2021. ISBN 9783950500806</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[Rainer Welle|Welle, Rainer]] <ins class="diffchange diffchange-inline">(in German)</ins>. ''Albrecht Dürer und seine Kunst des Zweikampfes : auf den Spuren der Handschrift 26232 in der Albertina Wien''. Kumberg: Sublilium Schaffer, Verlag für Geschichte, Kunst & Buchkultur, 2021. ISBN 9783950500806</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== References ==</div></td></tr>
</table>Michael Chidester