Wiktenauer logo.png

Difference between revisions of "Andre Paurñfeyndt"

From Wiktenauer
Jump to navigation Jump to search
Line 481: Line 481:
 
|-  
 
|-  
 
|  
 
|  
| Another I have on top of that<br/>So that I can sell my art expensively<br/>I only do little work<br/>I gladly strike to the body after the blade<br/>To cut, strike, and stab.
+
| Another I have on top of that<br/>So that I can sell my art expensively<br/>I only do little work<br/>I gladly strike to the body after the blade<br/>To cut, strike, and stab.<br/>So, if you want to learn thoroughly,<br/>Come to me.
 
|
 
|
 
|  
 
|  
Line 491: Line 491:
 
|-  
 
|-  
 
| '''The first Guard will be known as High-Point, or Ox as the ancient will, and will hereupon be taken.'''
 
| '''The first Guard will be known as High-Point, or Ox as the ancient will, and will hereupon be taken.'''
|
+
| '''The first guard is called the high-point, or ox as the ancients called it, and is often used.'''
 +
<br/>Who strikes to you from above,<br/>
 +
is threatened by the rage-point.<br/>
 +
If he notices it,<br/>
 +
take off above without danger.<br/>
 +
Be strong against him.<br/>
 +
Wind and stab, if he sees it, take it down.<br/>
 +
This also note,<br/>
 +
Strike, thrust, bind, guard, soft or hard.<br/>
 +
In-the moment and after.<br/>
 +
Listen: Your war should not be hasty.<br/>
 +
Who avoids the war<br/>
 +
will be shamed above and below.<br/>
 +
In all winding,<br/>
 +
learn to find strikes, thrusts and cuts.<br/>
 +
Also you should notice thrusts or cuts<br/>
 +
in all encounters.<br/>
 +
If you want to weaken the masters.<br/>
 
| '''Das er&#383;t gleger wirdt genant hochort oder ochs als die alten wellen vnd wirdt vil dar au&#383;&#658; gnummen /'''
 
| '''Das er&#383;t gleger wirdt genant hochort oder ochs als die alten wellen vnd wirdt vil dar au&#383;&#658; gnummen /'''
 
<br/>wer dir ober haut / <br/>
 
<br/>wer dir ober haut / <br/>

Revision as of 16:35, 13 August 2017

Andre Paurñfeyndt
Born 15th century
Died 16th century
Occupation
Nationality German
Patron Matthäus Lang von Wellenburg
Movement Liechtenauer Tradition
Influences Johannes Liechtenauer
Influenced
Genres
Language Early New High German
Notable work(s) Ergrundung Ritterlicher Kunst der Fechterey (1516)
Manuscript(s)
Concordance by Michael Chidester and Jeremiah Smith
Translations Deutsch-Übersetzung

Andre Paurñfeyndt (Paurñfeindt, Paurenfeindt) was a 16th century German Freifechter. He seems to have been a resident of Vienna, although he mentions in his introduction that he served as a bodyguard to Cardinal Matthäus Lang von Wellenburg (1468 - 1540).[1] In 1516, he wrote and published a fencing manual entitled Ergrundung Ritterlicher Kunst der Fechterey ("Founding of the Chivalric Art of Swordplay"), which Sydney Anglo notes may have been the first illustrated work of its kind.[2] Little else is known about the life of this master, but he describes himself as a Freifechter and the contents of his book make it clear that he was associated with the tradition of Johannes Liechtenauer. His treatise diverges significantly from the standard teachings of the Liechtenauer tradition, but this may be due to his stated purpose of writing for beginning fencers.

Treatise

Please note that only the first edition of this text (1516) has a complete set of illustrations, and we currently do not have scans of that edition that we are authorized to distribute. This article is illustrated using the remaining three illustrated texts, but following the order laid out in the original. The only exception to this is the image on page H2v of the 1516, which is replaced by the three images used in Egenolff's version. Furthermore, while the Twelve Rules for the Beginning Fencer are unillustrated in Paurñfeyndt's work, this presentation includes the illustrations for six of the twelve found in the MS B.200 (1524).

Additional Resources

References

  1. Ott, Michael. "Matthew Lang." The Catholic Encyclopedia, Vol. 8. New York: Robert Appleton Company, 1910.
  2. Anglo, Sydney. The Martial Arts of Renaissance Europe. New Haven and London: Yale University Press, 2000. p 46. ISBN 978-0-300-08352-1