Wiktenauer logo.png

Difference between revisions of "Adam van Breen"

From Wiktenauer
Jump to navigation Jump to search
Line 70: Line 70:
 
|-  
 
|-  
 
| rowspan="3" | [[File:De Nassavsche Wapen-Handelinge van Schilt, Spies, Rappier end Targe Title.png|300px|center]]
 
| rowspan="3" | [[File:De Nassavsche Wapen-Handelinge van Schilt, Spies, Rappier end Targe Title.png|300px|center]]
 +
|
 
| <p>'''Mars his Feild or The Exercise of Armes'''</p>
 
| <p>'''Mars his Feild or The Exercise of Armes'''</p>
 
| {{section|Page:De Nassavsche Wapen-Handelinge (Adam van Breen) 1618.pdf/11|1|lbl=Ttl}}
 
| {{section|Page:De Nassavsche Wapen-Handelinge (Adam van Breen) 1618.pdf/11|1|lbl=Ttl}}
|
+
|  
 
| {{section|Page:Le Maniement d’Armes De Nassau (Adam van Breen) 1618.pdf/3|1|lbl=Ttl}}
 
| {{section|Page:Le Maniement d’Armes De Nassau (Adam van Breen) 1618.pdf/3|1|lbl=Ttl}}
 
| <p>'''Neuwe Nassauwische Waffen-Handlung''' von Schilt, Spies, Rappier und Targa. Figurlich abgebildet nach der neuw invertirte Ordnung des Durchleuchtigen hochgebornen Fursten und herren, herren '''Mauritzen''', Printzen zu Oranien, Graven zu Nassau, &c. Obristen Velchherren, Admiral, und Capitein General der vereynigten Niederlendischen Provincien:</p>
 
| <p>'''Neuwe Nassauwische Waffen-Handlung''' von Schilt, Spies, Rappier und Targa. Figurlich abgebildet nach der neuw invertirte Ordnung des Durchleuchtigen hochgebornen Fursten und herren, herren '''Mauritzen''', Printzen zu Oranien, Graven zu Nassau, &c. Obristen Velchherren, Admiral, und Capitein General der vereynigten Niederlendischen Provincien:</p>
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
| {{section|Page:De Nassavsche Wapen-Handelinge (Adam van Breen) 1618.pdf/11|2|lbl=-}}
 
| {{section|Page:De Nassavsche Wapen-Handelinge (Adam van Breen) 1618.pdf/11|2|lbl=-}}
|
+
|  
 
| {{section|Page:Le Maniement d’Armes De Nassau (Adam van Breen) 1618.pdf/3|2|lbl=-}}
 
| {{section|Page:Le Maniement d’Armes De Nassau (Adam van Breen) 1618.pdf/3|2|lbl=-}}
 
| <p>Dursh '''Adam''' von '''Breen'''. Mit beygefeugter schriftlichen underrichtung zu dienst aller Capiteinen und Befelchaberen neuwelich ins licht gebracht.</p>
 
| <p>Dursh '''Adam''' von '''Breen'''. Mit beygefeugter schriftlichen underrichtung zu dienst aller Capiteinen und Befelchaberen neuwelich ins licht gebracht.</p>
  
 
|-  
 
|-  
 +
|
 
| <p>And are to be sold by Roger Daniell at the Angell in lombard streete</p>
 
| <p>And are to be sold by Roger Daniell at the Angell in lombard streete</p>
 
| {{section|Page:De Nassavsche Wapen-Handelinge (Adam van Breen) 1618.pdf/11|3|lbl=-}}
 
| {{section|Page:De Nassavsche Wapen-Handelinge (Adam van Breen) 1618.pdf/11|3|lbl=-}}
|
+
|  
 
| {{section|Page:Le Maniement d’Armes De Nassau (Adam van Breen) 1618.pdf/3|3|lbl=-}}
 
| {{section|Page:Le Maniement d’Armes De Nassau (Adam van Breen) 1618.pdf/3|3|lbl=-}}
 
| <p>'''Getruckt''' Anno 1618. In des Graffen haagen, mit privilegien der Kans. Ma<sup>t</sup>. und des Kōnigs in Francreich, als auch dern Ho. Mōg. Herren Staten general der Veraynigten Niederlanden.</p>
 
| <p>'''Getruckt''' Anno 1618. In des Graffen haagen, mit privilegien der Kans. Ma<sup>t</sup>. und des Kōnigs in Francreich, als auch dern Ho. Mōg. Herren Staten general der Veraynigten Niederlanden.</p>
Line 92: Line 95:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 100: Line 104:
  
 
|-   
 
|-   
 +
|
 
|  
 
|  
 
|  
 
|  
Line 108: Line 113:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 116: Line 122:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 124: Line 131:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 132: Line 140:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 140: Line 149:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 148: Line 158:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 156: Line 167:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  
Line 164: Line 176:
  
 
|-  
 
|-  
 +
|
 
|  
 
|  
 
|  
 
|  

Revision as of 22:02, 10 June 2020

Adam van Breen
Born 1585
Amsterdam
Died 1642
Norway
Spouse(s) Maria Gelle
Occupation
  • Painter
  • Engraver
Nationality Dutch
Genres Drill manual
Language
Notable work(s) De Nassavsche Wapen-Handelinge van
Schilt, Spies, Rappier end Targe
(1618)
Concordance by Michael Chidester

Adam van Breen (Amsterdam, 1585 - Norway, after 1642) was a Dutch artist from the Golden Age. Van Breen was born in 1585, most likely in Amsterdam, and specialized in winter landscapes. He was married in The Hague on 13 February, 1611, to Maertje Castel. In 1612, he became a member of the Guild of Saint Luke (the painter's guild), which membership lasted until 1621. After he went bankrupt in Amsterdam in 1624, he left for Oslo but returned to Amsterdam in 1628. In 1636, he left for Norway again, where he helped decorate the Akershus Castle among other things. He stayed in Norway until his death, some time after 1642. Van Breen was influenced by Hendrick Avercamp and David Vinckboons, he was possibly a pupil of one of them.

HEMA Contributions

In 1617, van Breen created a series of prints illustrating militia drill with the pike and shield, and the sword and shield. They were published in 1618 in the Hague, Netherlands, by Aert Meuris under the title De Nassavsche Wapen-Handelinge van Schilt, Spies, Rappier end Targe ("On the Weapon-Handling of Nassau with Shield, Spear, Rapier, and Target"); the first printing included Dutch, French, and German editions, with descriptions and commentary by an anonymous author. The structure and format of the treatise is strongly reminiscent of Wapenhandelinghe van Roers Musquetten ende Spiessen by Jacob de Gheyn II, and could possibly have been intended as an addendum to Gheyn's work.

In this concordance, the text of 1625 English publication has been placed in the first transcription column, owing to the face that a modernized English version has not yet been produced from one of the original languages. (Unfortunately, the Bodleian Library's copy, from which this transcription was made, is missing several pages.) The text of the other languages has been rearranged to match the English where applicable, but can be read in its original order on the transcription pages.

Additional Resources

References

  1. The Bodleian Library copy, which was the basis of this transcription, is torn off at the fold, so half of the text is missing.