| ⅰ - ⅹⅹⅵ
|
Introductions and dedications
|
| 1.1 - 2
|
The proportions of the human body, the circle, and the sword
|
| 1.3
|
Drawing the sword and approaching
|
| 1.4 - 6
|
The straight line posture
|
| 1.7
|
Timing of attacks and counters
|
| 1.8
|
Imbrocades
|
| 1.9 - 10
|
Sentiment
|
| 1.11 - 12
|
Entering within the angles
|
| 1.13
|
An alternate guard
|
| 1.14 - 18
|
Cuts
|
| 1.19 - 20
|
Controlling the blade
|
| 1.21
|
Attacks of first intention
|
| 1.22
|
Diverse counters
|
| 1.23
|
Another alternate guard
|
| 1.24
|
Different postures
|
| 1.25
|
Subtle variation
|
| 1.26
|
Subjecting to the inside
|
| 1.27
|
Parrying
|
| 1.28 - 29
|
Unnatural postures
|
| 1.30
|
Maintaining advantage
|
| 1.31 - 33
|
Facing the postures of Salvator Fabris
|
| 2.1 - 2
|
Introduction to book 2
|
| 2.3 - 6
|
Facing sword and dagger
|
| 2.7 - 8
|
Facing sword and shield
|
| 2.9 - 11
|
Facing two-handed sword
|
| 2.12
|
Facing a left-handed fencer
|
| 2.13
|
Facing a musketeer
|